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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 56 217 it is the complementary color RGB 84 199 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 56 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 56 217 shade: RGB 176 56 212, RGB 193 74 231, RGB 210 92 250, RGB 227 110 255 and RGB 244 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 56 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 56 217 shade: RGB 171 56 217, RGB 154 38 198, RGB 137 20 179, RGB 120 2 160 and RGB 103 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 56 217 shade: RGB 171 57 217, RGB 214 57 217, RGB 217 57 176, RGB 217 57 133 and RGB 217 57 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 56 217 shade: RGB 171 57 217, RGB 128 57 217, RGB 85 57 217 and RGB 57 57 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 56 217 shade matches the following richer shades: RGB 171 57 217 and RGB 180 38 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 56 217 shade: RGB 171 57 217, RGB 163 76 198, RGB 155 95 179, RGB 147 114 160 and RGB 139 133 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 56 217 shade: RGB 84 57 217, RGB 127 57 217, RGB 169 57 217, RGB 212 57 217 and RGB 217 57 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 56 217 shade: RGB 124 30 162, RGB 151 37 196, RGB 171 57 217, RGB 186 92 224 and RGB 201 127 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 56 217 shade: RGB 171 56 217, RGB 217 57 73 and RGB 57 217 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 56 217 shade: RGB 171 56 217, RGB 217 169 57 and RGB 57 217 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 56 217 shade: RGB 171 56 217, RGB 217 57 73, RGB 105 217 57 and RGB 57 217 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 56 217 shade: RGB 171 56 217, RGB 217 89 57, RGB 105 217 57 and RGB 57 185 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

Complementary color

CMYK 58 / 0 / 81 / 22

HEX #54C726

RGB 84 199 38

HSL 102.86, 0.68%, 0.46%

LAB 71.47, -59.11, 64.27

 

CMYK 17 / 74 / 0 / 17

HEX #B038D4

RGB 176 56 212

HSL 286.15, 0.64%, 0.53%

LAB 48.02, 68.96, -57.05

 

CMYK 16 / 68 / 0 / 9

HEX #C14AE7

RGB 193 74 231

HSL 285.48, 0.77%, 0.6%

LAB 54.03, 69.25, -58.06

 

CMYK 16 / 63 / 0 / 2

HEX #D25CFA

RGB 210 92 250

HSL 284.81, 0.94%, 0.67%

LAB 60.12, 69.12, -58.78

 

CMYK 11 / 57 / 0 / 0

HEX #E36EFF

RGB 227 110 255

HSL 288.41, 1%, 0.72%

LAB 65.52, 66.06, -52.81

 

CMYK 4 / 50 / 0 / 0

HEX #F480FF

RGB 244 128 255

HSL 294.8, 1%, 0.75%

LAB 70.8, 62.01, -44.35

 

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

CMYK 22 / 81 / 0 / 22

HEX #9A26C6

RGB 154 38 198

HSL 283.5, 0.68%, 0.46%

LAB 41.74, 68.08, -59.27

 

CMYK 23 / 89 / 0 / 30

HEX #8914B3

RGB 137 20 179

HSL 284.15, 0.8%, 0.39%

LAB 36.13, 66.15, -57.33

 

CMYK 25 / 99 / 0 / 37

HEX #7802A0

RGB 120 2 160

HSL 284.81, 0.98%, 0.32%

LAB 30.82, 62.96, -54.68

 

CMYK 27 / 100 / 0 / 45

HEX #67008D

RGB 103 0 141

HSL 283.83, 1%, 0.28%

LAB 26.18, 57.36, -50.69

 

CMYK 21 / 74 / 0 / 15

HEX #AB39D9

RGB 171 57 217

HSL 282.75, 0.68%, 0.54%

LAB 47.74, 68.61, -60.4

 

CMYK 1 / 74 / 0 / 15

HEX #D639D9

RGB 214 57 217

HSL 298.88, 0.68%, 0.54%

LAB 54.27, 77.09, -49.57

 

CMYK 0 / 74 / 19 / 15

HEX #D939B0

RGB 217 57 176

HSL 315.38, 0.68%, 0.54%

LAB 52.74, 71.76, -28.32

 

CMYK 0 / 74 / 39 / 15

HEX #D93985

RGB 217 57 133

HSL 331.5, 0.68%, 0.54%

LAB 51.12, 66.71, -5.29

 

CMYK 0 / 74 / 59 / 15

HEX #D9395A

RGB 217 57 90

HSL 347.63, 0.68%, 0.54%

LAB 50, 63.09, 19.13

 

CMYK 21 / 74 / 0 / 15

HEX #AB39D9

RGB 171 57 217

HSL 282.75, 0.68%, 0.54%

LAB 47.74, 68.61, -60.4

 

CMYK 41 / 74 / 0 / 15

HEX #8039D9

RGB 128 57 217

HSL 266.63, 0.68%, 0.54%

LAB 42.04, 60.91, -69.92

 

CMYK 61 / 74 / 0 / 15

HEX #5539D9

RGB 85 57 217

HSL 250.5, 0.68%, 0.54%

LAB 37.6, 54.66, -77.37

 

CMYK 74 / 74 / 0 / 15

HEX #3939D9

RGB 57 57 217

HSL 240, 0.68%, 0.54%

LAB 35.61, 51.75, -80.73

 

CMYK 21 / 74 / 0 / 15

HEX #AB39D9

RGB 171 57 217

HSL 282.75, 0.68%, 0.54%

LAB 47.74, 68.61, -60.4

 

CMYK 24 / 84 / 0 / 7

HEX #B426EC

RGB 180 38 236

HSL 283.03, 0.84%, 0.54%

LAB 48.44, 79.43, -69.99

 

CMYK 21 / 74 / 0 / 15

HEX #AB39D9

RGB 171 57 217

HSL 282.75, 0.68%, 0.54%

LAB 47.74, 68.61, -60.4

 

CMYK 18 / 62 / 0 / 22

HEX #A34CC6

RGB 163 76 198

HSL 282.79, 0.52%, 0.54%

LAB 48.3, 55.06, -48.65

 

CMYK 13 / 47 / 0 / 30

HEX #9B5FB3

RGB 155 95 179

HSL 282.86, 0.36%, 0.54%

LAB 49.99, 39.09, -35.03

 

CMYK 8 / 29 / 0 / 37

HEX #9372A0

RGB 147 114 160

HSL 283.04, 0.19%, 0.54%

LAB 52.7, 21.62, -19.82

 

CMYK 1 / 6 / 0 / 45

HEX #8B858D

RGB 139 133 141

HSL 285, 0.03%, 0.54%

LAB 56.27, 3.81, -3.49

 

CMYK 61 / 74 / 0 / 15

HEX #5439D9

RGB 84 57 217

HSL 250.13, 0.68%, 0.54%

LAB 37.52, 54.54, -77.51

 

CMYK 41 / 74 / 0 / 15

HEX #7F39D9

RGB 127 57 217

HSL 266.25, 0.68%, 0.54%

LAB 41.92, 60.75, -70.12

 

CMYK 22 / 74 / 0 / 15

HEX #A939D9

RGB 169 57 217

HSL 282, 0.68%, 0.54%

LAB 47.46, 68.23, -60.88

 

CMYK 2 / 74 / 0 / 15

HEX #D439D9

RGB 212 57 217

HSL 298.13, 0.68%, 0.54%

LAB 53.96, 76.68, -50.1

 

CMYK 0 / 74 / 17 / 15

HEX #D939B4

RGB 217 57 180

HSL 313.88, 0.68%, 0.54%

LAB 52.92, 72.29, -30.38

 

CMYK 23 / 81 / 0 / 36

HEX #7C1EA2

RGB 124 30 162

HSL 282.73, 0.69%, 0.38%

LAB 33.61, 58.14, -51.32

 

CMYK 23 / 81 / 0 / 23

HEX #9725C4

RGB 151 37 196

HSL 283.02, 0.68%, 0.46%

LAB 41.04, 67.47, -59.27

 

CMYK 21 / 74 / 0 / 15

HEX #AB39D9

RGB 171 57 217

HSL 282.75, 0.68%, 0.54%

LAB 47.74, 68.61, -60.4

 

CMYK 17 / 59 / 0 / 12

HEX #BA5CE0

RGB 186 92 224

HSL 282.73, 0.68%, 0.62%

LAB 55.56, 58.38, -51.73

 

CMYK 13 / 45 / 0 / 10

HEX #C97FE6

RGB 201 127 230

HSL 283.11, 0.67%, 0.7%

LAB 64.41, 45.85, -40.98

 

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

CMYK 0 / 74 / 66 / 15

HEX #D93949

RGB 217 57 73

HSL 354, 0.68%, 0.54%

LAB 49.69, 62.07, 28.94

 

CMYK 74 / 0 / 52 / 15

HEX #39D969

RGB 57 217 105

HSL 138, 0.68%, 0.54%

LAB 76.99, -64.02, 43.37

 

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

CMYK 0 / 22 / 74 / 15

HEX #D9A939

RGB 217 169 57

HSL 42, 0.68%, 0.54%

LAB 71.84, 6.82, 61.34

 

CMYK 74 / 0 / 22 / 15

HEX #39D9A9

RGB 57 217 169

HSL 162, 0.68%, 0.54%

LAB 78.09, -51.79, 12.08

 

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

CMYK 0 / 74 / 66 / 15

HEX #D93949

RGB 217 57 73

HSL 354, 0.68%, 0.54%

LAB 49.69, 62.07, 28.94

 

CMYK 52 / 0 / 74 / 15

HEX #69D939

RGB 105 217 57

HSL 102, 0.68%, 0.54%

LAB 77.83, -58.88, 64.75

 

CMYK 74 / 0 / 7 / 15

HEX #39D9C9

RGB 57 217 201

HSL 174, 0.68%, 0.54%

LAB 78.88, -43.72, -3.84

 

CMYK 21 / 74 / 0 / 15

HEX #AB38D9

RGB 171 56 217

HSL 282.86, 0.68%, 0.54%

LAB 47.62, 68.97, -60.6

 

CMYK 0 / 59 / 74 / 15

HEX #D95939

RGB 217 89 57

HSL 12, 0.68%, 0.54%

LAB 54.23, 48.44, 43.25

 

CMYK 52 / 0 / 74 / 15

HEX #69D939

RGB 105 217 57

HSL 102, 0.68%, 0.54%

LAB 77.83, -58.88, 64.75

 

CMYK 74 / 15 / 0 / 15

HEX #39B9D9

RGB 57 185 217

HSL 192, 0.68%, 0.54%

LAB 69.88, -23.93, -26.03

 

Description

Color code: RGB 171 56 217 | qconv.com Color code: RGB 171 56 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 56 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 56 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 74 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 74% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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