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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 47 224 it is the complementary color RGB 84 208 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 47 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 47 224 shade: RGB 176 47 219, RGB 193 65 238, RGB 210 83 255, RGB 227 101 255 and RGB 244 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 47 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 47 224 shade: RGB 171 47 224, RGB 154 29 205, RGB 137 11 186, RGB 120 0 167 and RGB 103 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 47 224 shade: RGB 170 46 223, RGB 218 46 223, RGB 223 46 181, RGB 223 46 133 and RGB 223 46 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 47 224 shade: RGB 170 46 223, RGB 122 46 223, RGB 75 46 223 and RGB 46 46 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 47 224 shade matches the following richer shades: RGB 170 46 223 and RGB 178 27 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 47 224 shade: RGB 170 46 223, RGB 162 65 204, RGB 155 85 185, RGB 147 104 165 and RGB 139 124 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 47 224 shade: RGB 76 46 223, RGB 123 46 223, RGB 170 46 223, RGB 217 46 223 and RGB 223 46 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 47 224 shade: RGB 121 24 163, RGB 148 29 199, RGB 170 46 223, RGB 185 82 229 and RGB 199 118 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 47 224 shade: RGB 171 47 224, RGB 223 46 64 and RGB 46 223 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 47 224 shade: RGB 171 47 224, RGB 223 170 46 and RGB 46 223 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 47 224 shade: RGB 171 47 224, RGB 223 46 64, RGB 99 223 46 and RGB 46 223 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 47 224 shade: RGB 171 47 224, RGB 223 81 46, RGB 99 223 46 and RGB 46 188 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

Complementary color

CMYK 60 / 0 / 85 / 18

HEX #54D01F

RGB 84 208 31

HSL 102.03, 0.74%, 0.47%

LAB 74.25, -62.54, 68.51

 

CMYK 20 / 79 / 0 / 14

HEX #B02FDB

RGB 176 47 219

HSL 285, 0.7%, 0.52%

LAB 47.47, 73.21, -61.95

 

CMYK 19 / 73 / 0 / 7

HEX #C141EE

RGB 193 65 238

HSL 284.39, 0.84%, 0.59%

LAB 53.27, 73.98, -63.22

 

CMYK 18 / 67 / 0 / 0

HEX #D253FF

RGB 210 83 255

HSL 284.3, 1%, 0.66%

LAB 59.07, 73.8, -63.22

 

CMYK 11 / 60 / 0 / 0

HEX #E365FF

RGB 227 101 255

HSL 289.09, 1%, 0.7%

LAB 64.05, 70.06, -55.15

 

CMYK 4 / 53 / 0 / 0

HEX #F477FF

RGB 244 119 255

HSL 295.15, 1%, 0.73%

LAB 69.22, 66.21, -46.83

 

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

CMYK 25 / 86 / 0 / 20

HEX #9A1DCD

RGB 154 29 205

HSL 282.61, 0.75%, 0.46%

LAB 41.46, 71.75, -63.79

 

CMYK 26 / 94 / 0 / 27

HEX #890BBA

RGB 137 11 186

HSL 283.2, 0.89%, 0.39%

LAB 36.18, 68.96, -61.39

 

CMYK 28 / 100 / 0 / 35

HEX #7800A7

RGB 120 0 167

HSL 283.11, 1%, 0.33%

LAB 31.31, 64.6, -58.12

 

CMYK 30 / 100 / 0 / 42

HEX #670094

RGB 103 0 148

HSL 281.76, 1%, 0.29%

LAB 26.8, 58.74, -54.01

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 2 / 79 / 0 / 13

HEX #DA2EDF

RGB 218 46 223

HSL 298.31, 0.73%, 0.53%

LAB 54.22, 81.77, -53.02

 

CMYK 0 / 79 / 19 / 13

HEX #DF2EB5

RGB 223 46 181

HSL 314.24, 0.73%, 0.53%

LAB 52.93, 76.82, -30.87

 

CMYK 0 / 79 / 40 / 13

HEX #DF2E85

RGB 223 46 133

HSL 330.51, 0.73%, 0.53%

LAB 51.08, 71.43, -5.24

 

CMYK 0 / 79 / 62 / 13

HEX #DF2E55

RGB 223 46 85

HSL 346.78, 0.73%, 0.53%

LAB 49.86, 67.73, 22.17

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 45 / 79 / 0 / 13

HEX #7A2EDF

RGB 122 46 223

HSL 265.76, 0.73%, 0.53%

LAB 40.28, 65.91, -76.27

 

CMYK 66 / 79 / 0 / 13

HEX #4B2EDF

RGB 75 46 223

HSL 249.83, 0.73%, 0.53%

LAB 35.55, 60.59, -84.22

 

CMYK 79 / 79 / 0 / 13

HEX #2E2EDF

RGB 46 46 223

HSL 240, 0.73%, 0.53%

LAB 33.69, 58.52, -87.36

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 27 / 89 / 0 / 5

HEX #B21BF3

RGB 178 27 243

HSL 281.94, 0.9%, 0.53%

LAB 47.91, 82.69, -74.82

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 21 / 68 / 0 / 20

HEX #A241CC

RGB 162 65 204

HSL 281.87, 0.58%, 0.53%

LAB 46.74, 61.03, -54.62

 

CMYK 16 / 54 / 0 / 27

HEX #9B55B9

RGB 155 85 185

HSL 282, 0.42%, 0.53%

LAB 48.22, 45.77, -41.31

 

CMYK 11 / 37 / 0 / 35

HEX #9368A5

RGB 147 104 165

HSL 282.3, 0.25%, 0.53%

LAB 50.48, 28.5, -26.17

 

CMYK 5 / 15 / 0 / 43

HEX #8B7C92

RGB 139 124 146

HSL 280.91, 0.09%, 0.53%

LAB 54.01, 10.03, -9.76

 

CMYK 66 / 79 / 0 / 13

HEX #4C2EDF

RGB 76 46 223

HSL 250.17, 0.73%, 0.53%

LAB 35.63, 60.68, -84.09

 

CMYK 45 / 79 / 0 / 13

HEX #7B2EDF

RGB 123 46 223

HSL 266.1, 0.73%, 0.53%

LAB 40.4, 66.05, -76.07

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 3 / 79 / 0 / 13

HEX #D92EDF

RGB 217 46 223

HSL 297.97, 0.73%, 0.53%

LAB 54.06, 81.58, -53.29

 

CMYK 0 / 79 / 18 / 13

HEX #DF2EB6

RGB 223 46 182

HSL 313.9, 0.73%, 0.53%

LAB 52.97, 76.94, -31.39

 

CMYK 26 / 85 / 0 / 36

HEX #7918A3

RGB 121 24 163

HSL 281.87, 0.74%, 0.37%

LAB 32.62, 59.57, -53.56

 

CMYK 26 / 85 / 0 / 22

HEX #941DC7

RGB 148 29 199

HSL 282, 0.75%, 0.45%

LAB 40.08, 69.68, -62.6

 

CMYK 24 / 79 / 0 / 13

HEX #AA2EDF

RGB 170 46 223

HSL 282.03, 0.73%, 0.53%

LAB 46.75, 73.24, -65.44

 

CMYK 19 / 64 / 0 / 10

HEX #B952E5

RGB 185 82 229

HSL 282.04, 0.74%, 0.61%

LAB 54.03, 63.77, -56.99

 

CMYK 15 / 50 / 0 / 8

HEX #C776EA

RGB 199 118 234

HSL 281.9, 0.73%, 0.69%

LAB 62.54, 50.82, -46.15

 

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

CMYK 0 / 79 / 71 / 13

HEX #DF2E40

RGB 223 46 64

HSL 353.9, 0.73%, 0.53%

LAB 49.51, 66.67, 34.29

 

CMYK 79 / 0 / 56 / 13

HEX #2EDF63

RGB 46 223 99

HSL 137.97, 0.73%, 0.53%

LAB 78.61, -68.26, 48.11

 

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

CMYK 0 / 24 / 79 / 13

HEX #DFAA2E

RGB 223 170 46

HSL 42.03, 0.73%, 0.53%

LAB 72.65, 8.44, 66.33

 

CMYK 79 / 0 / 24 / 13

HEX #2EDFAA

RGB 46 223 170

HSL 162.03, 0.73%, 0.53%

LAB 79.76, -55.17, 13.89

 

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

CMYK 0 / 79 / 71 / 13

HEX #DF2E40

RGB 223 46 64

HSL 353.9, 0.73%, 0.53%

LAB 49.51, 66.67, 34.29

 

CMYK 56 / 0 / 79 / 13

HEX #63DF2E

RGB 99 223 46

HSL 102.03, 0.73%, 0.53%

LAB 79.4, -63.28, 69.58

 

CMYK 79 / 0 / 8 / 13

HEX #2EDFCE

RGB 46 223 206

HSL 174.24, 0.73%, 0.53%

LAB 80.63, -46.08, -3.93

 

CMYK 24 / 79 / 0 / 12

HEX #AB2FE0

RGB 171 47 224

HSL 282.03, 0.74%, 0.53%

LAB 47.07, 73.3, -65.48

 

CMYK 0 / 64 / 79 / 13

HEX #DF512E

RGB 223 81 46

HSL 11.86, 0.73%, 0.53%

LAB 53.78, 53.69, 48.69

 

CMYK 56 / 0 / 79 / 13

HEX #63DF2E

RGB 99 223 46

HSL 102.03, 0.73%, 0.53%

LAB 79.4, -63.28, 69.58

 

CMYK 79 / 16 / 0 / 13

HEX #2EBCDF

RGB 46 188 223

HSL 191.86, 0.73%, 0.53%

LAB 70.78, -24.69, -27.93

 

Description

Color code: RGB 171 47 224 | qconv.com Color code: RGB 171 47 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 47 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 47 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 79 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 79% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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