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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 44 222 it is the complementary color RGB 84 211 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 44 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 44 222 shade: RGB 176 44 217, RGB 193 62 236, RGB 210 80 255, RGB 227 98 255 and RGB 244 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 44 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 44 222 shade: RGB 171 44 222, RGB 154 26 203, RGB 137 8 184, RGB 120 0 165 and RGB 103 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 44 222 shade: RGB 170 43 221, RGB 218 43 221, RGB 221 43 176, RGB 221 43 128 and RGB 221 43 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 44 222 shade: RGB 170 43 221, RGB 122 43 221, RGB 74 43 221 and RGB 43 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 44 222 shade matches the following richer shades: RGB 170 43 221 and RGB 179 23 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 44 222 shade: RGB 170 43 221, RGB 162 63 202, RGB 153 82 182, RGB 145 102 162 and RGB 136 122 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 44 222 shade: RGB 73 43 221, RGB 120 43 221, RGB 168 43 221, RGB 215 43 221 and RGB 221 43 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 44 222 shade: RGB 119 24 158, RGB 146 30 193, RGB 170 43 221, RGB 184 78 227 and RGB 199 114 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 44 222 shade: RGB 171 44 222, RGB 221 43 61 and RGB 43 221 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 44 222 shade: RGB 171 44 222, RGB 221 168 43 and RGB 43 221 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 44 222 shade: RGB 171 44 222, RGB 221 43 61, RGB 96 221 43 and RGB 43 221 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 44 222 shade: RGB 171 44 222, RGB 221 78 43, RGB 96 221 43 and RGB 43 186 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

Complementary color

CMYK 60 / 0 / 84 / 17

HEX #54D321

RGB 84 211 33

HSL 102.81, 0.73%, 0.48%

LAB 75.19, -63.47, 68.89

 

CMYK 19 / 80 / 0 / 15

HEX #B02CD9

RGB 176 44 217

HSL 285.78, 0.69%, 0.51%

LAB 47.03, 73.71, -61.52

 

CMYK 18 / 74 / 0 / 7

HEX #C13EEC

RGB 193 62 236

HSL 285.17, 0.82%, 0.58%

LAB 52.77, 74.65, -62.89

 

CMYK 18 / 69 / 0 / 0

HEX #D250FF

RGB 210 80 255

HSL 284.57, 1%, 0.66%

LAB 58.66, 74.98, -63.89

 

CMYK 11 / 62 / 0 / 0

HEX #E362FF

RGB 227 98 255

HSL 289.3, 1%, 0.69%

LAB 63.58, 71.35, -55.89

 

CMYK 4 / 55 / 0 / 0

HEX #F474FF

RGB 244 116 255

HSL 295.25, 1%, 0.73%

LAB 68.71, 67.57, -47.62

 

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

CMYK 24 / 87 / 0 / 20

HEX #9A1ACB

RGB 154 26 203

HSL 283.39, 0.77%, 0.45%

LAB 41.09, 72.03, -63.24

 

CMYK 26 / 96 / 0 / 28

HEX #8908B8

RGB 137 8 184

HSL 283.98, 0.92%, 0.38%

LAB 35.89, 68.96, -60.68

 

CMYK 27 / 100 / 0 / 35

HEX #7800A5

RGB 120 0 165

HSL 283.64, 1%, 0.32%

LAB 31.14, 64.22, -57.19

 

CMYK 29 / 100 / 0 / 43

HEX #670092

RGB 103 0 146

HSL 282.33, 1%, 0.29%

LAB 26.62, 58.35, -53.07

 

CMYK 23 / 81 / 0 / 13

HEX #AA2BDD

RGB 170 43 221

HSL 282.81, 0.72%, 0.52%

LAB 46.3, 73.73, -65.02

 

CMYK 1 / 81 / 0 / 13

HEX #DA2BDD

RGB 218 43 221

HSL 298.99, 0.72%, 0.52%

LAB 53.87, 82.16, -52.45

 

CMYK 0 / 81 / 20 / 13

HEX #DD2BB0

RGB 221 43 176

HSL 315.17, 0.72%, 0.52%

LAB 52.1, 76.47, -29.26

 

CMYK 0 / 81 / 42 / 13

HEX #DD2B80

RGB 221 43 128

HSL 331.35, 0.72%, 0.52%

LAB 50.29, 71.23, -3.43

 

CMYK 0 / 81 / 64 / 13

HEX #DD2B50

RGB 221 43 80

HSL 347.53, 0.72%, 0.52%

LAB 49.1, 67.69, 24.14

 

CMYK 23 / 81 / 0 / 13

HEX #AA2BDD

RGB 170 43 221

HSL 282.81, 0.72%, 0.52%

LAB 46.3, 73.73, -65.02

 

CMYK 45 / 81 / 0 / 13

HEX #7A2BDD

RGB 122 43 221

HSL 266.63, 0.72%, 0.52%

LAB 39.72, 66.53, -76.03

 

CMYK 67 / 81 / 0 / 13

HEX #4A2BDD

RGB 74 43 221

HSL 250.45, 0.72%, 0.52%

LAB 34.81, 61.25, -84.31

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 23 / 81 / 0 / 13

HEX #AA2BDD

RGB 170 43 221

HSL 282.81, 0.72%, 0.52%

LAB 46.3, 73.73, -65.02

 

CMYK 26 / 90 / 0 / 5

HEX #B317F1

RGB 179 23 241

HSL 282.94, 0.89%, 0.52%

LAB 47.68, 83.11, -74.05

 

CMYK 23 / 81 / 0 / 13

HEX #AA2BDD

RGB 170 43 221

HSL 282.81, 0.72%, 0.52%

LAB 46.3, 73.73, -65.02

 

CMYK 20 / 69 / 0 / 21

HEX #A23FCA

RGB 162 63 202

HSL 282.73, 0.57%, 0.52%

LAB 46.31, 61.46, -54.16

 

CMYK 16 / 55 / 0 / 29

HEX #9952B6

RGB 153 82 182

HSL 282.6, 0.41%, 0.52%

LAB 47.22, 46.15, -41.17

 

CMYK 10 / 37 / 0 / 36

HEX #9166A2

RGB 145 102 162

HSL 283, 0.24%, 0.52%

LAB 49.65, 28.36, -25.7

 

CMYK 4 / 14 / 0 / 44

HEX #887A8E

RGB 136 122 142

HSL 282, 0.08%, 0.52%

LAB 53.07, 9.28, -8.87

 

CMYK 67 / 81 / 0 / 13

HEX #492BDD

RGB 73 43 221

HSL 250.11, 0.72%, 0.52%

LAB 34.73, 61.17, -84.44

 

CMYK 46 / 81 / 0 / 13

HEX #782BDD

RGB 120 43 221

HSL 265.96, 0.72%, 0.52%

LAB 39.48, 66.26, -76.44

 

CMYK 24 / 81 / 0 / 13

HEX #A82BDD

RGB 168 43 221

HSL 282.13, 0.72%, 0.52%

LAB 46.01, 73.41, -65.52

 

CMYK 3 / 81 / 0 / 13

HEX #D72BDD

RGB 215 43 221

HSL 297.98, 0.72%, 0.52%

LAB 53.38, 81.61, -53.26

 

CMYK 0 / 81 / 19 / 13

HEX #DD2BB4

RGB 221 43 180

HSL 313.82, 0.72%, 0.52%

LAB 52.28, 76.98, -31.32

 

CMYK 25 / 85 / 0 / 38

HEX #77189E

RGB 119 24 158

HSL 282.54, 0.74%, 0.36%

LAB 31.91, 58.23, -51.7

 

CMYK 24 / 84 / 0 / 24

HEX #921EC1

RGB 146 30 193

HSL 282.7, 0.73%, 0.44%

LAB 39.39, 67.97, -60.22

 

CMYK 23 / 81 / 0 / 13

HEX #AA2BDD

RGB 170 43 221

HSL 282.81, 0.72%, 0.52%

LAB 46.3, 73.73, -65.02

 

CMYK 19 / 66 / 0 / 11

HEX #B84EE3

RGB 184 78 227

HSL 282.68, 0.73%, 0.6%

LAB 53.15, 64.89, -57.28

 

CMYK 15 / 51 / 0 / 9

HEX #C772E9

RGB 199 114 233

HSL 282.86, 0.73%, 0.68%

LAB 61.71, 52.66, -46.91

 

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

CMYK 0 / 81 / 72 / 13

HEX #DD2B3D

RGB 221 43 61

HSL 353.93, 0.72%, 0.52%

LAB 48.81, 66.77, 35.13

 

CMYK 81 / 0 / 57 / 13

HEX #2BDD60

RGB 43 221 96

HSL 137.87, 0.72%, 0.52%

LAB 77.92, -68.35, 48.65

 

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

CMYK 0 / 24 / 81 / 13

HEX #DDA82B

RGB 221 168 43

HSL 42.13, 0.72%, 0.52%

LAB 71.93, 8.54, 66.6

 

CMYK 81 / 0 / 24 / 13

HEX #2BDDA8

RGB 43 221 168

HSL 162.13, 0.72%, 0.52%

LAB 79.07, -55.13, 13.97

 

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

CMYK 0 / 81 / 72 / 13

HEX #DD2B3D

RGB 221 43 61

HSL 353.93, 0.72%, 0.52%

LAB 48.81, 66.77, 35.13

 

CMYK 57 / 0 / 81 / 13

HEX #60DD2B

RGB 96 221 43

HSL 102.13, 0.72%, 0.52%

LAB 78.68, -63.5, 69.7

 

CMYK 81 / 0 / 8 / 13

HEX #2BDDCC

RGB 43 221 204

HSL 174.27, 0.72%, 0.52%

LAB 79.95, -46.02, -3.89

 

CMYK 23 / 80 / 0 / 13

HEX #AB2CDE

RGB 171 44 222

HSL 282.81, 0.73%, 0.52%

LAB 46.62, 73.8, -65.07

 

CMYK 0 / 65 / 81 / 13

HEX #DD4E2B

RGB 221 78 43

HSL 11.8, 0.72%, 0.52%

LAB 52.94, 54.17, 49.21

 

CMYK 57 / 0 / 81 / 13

HEX #60DD2B

RGB 96 221 43

HSL 102.13, 0.72%, 0.52%

LAB 78.68, -63.5, 69.7

 

CMYK 81 / 16 / 0 / 13

HEX #2BBADD

RGB 43 186 221

HSL 191.8, 0.72%, 0.52%

LAB 70.07, -24.6, -27.94

 

Description

Color code: RGB 171 44 222 | qconv.com Color code: RGB 171 44 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 44 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 44 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 80 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 80% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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