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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 42 92 it is the complementary color RGB 84 213 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 42 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 42 92 shade: RGB 176 42 87, RGB 193 60 106, RGB 210 78 125, RGB 227 96 144 and RGB 244 114 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 42 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 42 92 shade: RGB 171 42 92, RGB 154 24 73, RGB 137 6 54, RGB 120 0 35 and RGB 103 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 42 92 shade: RGB 172 41 92, RGB 172 41 57 and RGB 172 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 42 92 shade: RGB 172 41 92, RGB 172 41 127, RGB 172 41 162, RGB 146 41 172 and RGB 111 41 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 42 92 shade matches the following richer shades: RGB 172 41 92, RGB 189 24 88 and RGB 207 7 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 42 92 shade: RGB 172 41 92, RGB 155 59 96, RGB 137 76 100, RGB 120 93 104 and RGB 103 111 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 42 92 shade: RGB 172 41 163, RGB 172 41 128, RGB 172 41 94, RGB 172 41 59 and RGB 172 59 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 42 92 shade: RGB 106 25 56, RGB 139 33 74, RGB 172 41 92, RGB 205 50 110 and RGB 213 83 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 42 92 shade: RGB 171 42 92, RGB 172 146 41 and RGB 41 146 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 42 92 shade: RGB 171 42 92, RGB 94 172 41 and RGB 41 94 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 42 92 shade: RGB 171 42 92, RGB 172 146 41, RGB 41 172 120 and RGB 41 67 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 42 92 shade: RGB 171 42 92, RGB 159 172 41, RGB 41 172 120 and RGB 54 41 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

Complementary color

CMYK 61 / 0 / 23 / 16

HEX #54D5A3

RGB 84 213 163

HSL 156.74, 0.61%, 0.58%

LAB 77.35, -47.23, 14.31

 

CMYK 0 / 76 / 51 / 31

HEX #B02A57

RGB 176 42 87

HSL 339.85, 0.61%, 0.43%

LAB 40.53, 55.95, 6.72

 

CMYK 0 / 69 / 45 / 24

HEX #C13C6A

RGB 193 60 106

HSL 339.25, 0.53%, 0.5%

LAB 46.46, 56.23, 3.78

 

CMYK 0 / 63 / 40 / 18

HEX #D24E7D

RGB 210 78 125

HSL 338.64, 0.59%, 0.56%

LAB 52.54, 55.99, 1.45

 

CMYK 0 / 58 / 37 / 11

HEX #E36090

RGB 227 96 144

HSL 338.02, 0.7%, 0.63%

LAB 58.71, 55.46, -0.45

 

CMYK 0 / 53 / 33 / 4

HEX #F472A3

RGB 244 114 163

HSL 337.38, 0.86%, 0.7%

LAB 64.89, 54.78, -2.03

 

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

CMYK 0 / 84 / 53 / 40

HEX #9A1849

RGB 154 24 73

HSL 337.38, 0.73%, 0.35%

LAB 33.99, 53.85, 5.82

 

CMYK 0 / 96 / 61 / 46

HEX #890636

RGB 137 6 54

HSL 338.02, 0.92%, 0.28%

LAB 28.68, 51.42, 10.49

 

CMYK 0 / 100 / 71 / 53

HEX #780023

RGB 120 0 35

HSL 342.5, 1%, 0.24%

LAB 24.05, 46.96, 16.63

 

CMYK 0 / 100 / 84 / 60

HEX #670010

RGB 103 0 16

HSL 350.68, 1%, 0.2%

LAB 19.72, 41.58, 23.22

 

CMYK 0 / 76 / 47 / 33

HEX #AC295C

RGB 172 41 92

HSL 336.64, 0.62%, 0.42%

LAB 39.8, 55.59, 2.4

 

CMYK 0 / 76 / 67 / 33

HEX #AC2939

RGB 172 41 57

HSL 352.67, 0.62%, 0.42%

LAB 38.99, 52.98, 23.43

 

CMYK 0 / 76 / 76 / 33

HEX #AC2929

RGB 172 41 41

HSL 0, 0.62%, 0.42%

LAB 38.75, 52.22, 32.89

 

CMYK 0 / 76 / 47 / 33

HEX #AC295C

RGB 172 41 92

HSL 336.64, 0.62%, 0.42%

LAB 39.8, 55.59, 2.4

 

CMYK 0 / 76 / 26 / 33

HEX #AC297F

RGB 172 41 127

HSL 320.61, 0.62%, 0.42%

LAB 41.04, 59.44, -17.64

 

CMYK 0 / 76 / 6 / 33

HEX #AC29A2

RGB 172 41 162

HSL 304.58, 0.62%, 0.42%

LAB 42.71, 64.4, -36.3

 

CMYK 15 / 76 / 0 / 33

HEX #9229AC

RGB 146 41 172

HSL 288.09, 0.62%, 0.42%

LAB 39.03, 60.67, -48.4

 

CMYK 35 / 76 / 0 / 33

HEX #6F29AC

RGB 111 41 172

HSL 272.06, 0.62%, 0.42%

LAB 33.87, 54.03, -57

 

CMYK 0 / 76 / 47 / 33

HEX #AC295C

RGB 172 41 92

HSL 336.64, 0.62%, 0.42%

LAB 39.8, 55.59, 2.4

 

CMYK 0 / 87 / 53 / 26

HEX #BD1858

RGB 189 24 88

HSL 336.73, 0.77%, 0.42%

LAB 41.5, 64.09, 7.81

 

CMYK 0 / 97 / 59 / 19

HEX #CF0754

RGB 207 7 84

HSL 336.9, 0.93%, 0.42%

LAB 44.32, 70.35, 14.8

 

CMYK 0 / 76 / 47 / 33

HEX #AC295C

RGB 172 41 92

HSL 336.64, 0.62%, 0.42%

LAB 39.8, 55.59, 2.4

 

CMYK 0 / 62 / 38 / 39

HEX #9B3B60

RGB 155 59 96

HSL 336.88, 0.45%, 0.42%

LAB 39.48, 43.63, -0.95

 

CMYK 0 / 45 / 27 / 46

HEX #894C64

RGB 137 76 100

HSL 336.39, 0.29%, 0.42%

LAB 40.26, 28.91, -2.63

 

CMYK 0 / 23 / 13 / 53

HEX #785D68

RGB 120 93 104

HSL 335.56, 0.13%, 0.42%

LAB 42.49, 12.93, -2.04

 

CMYK 7 / 0 / 4 / 56

HEX #676F6B

RGB 103 111 107

HSL 150, 0.04%, 0.42%

LAB 46.06, -3.88, 1.17

 

CMYK 0 / 76 / 5 / 33

HEX #AC29A3

RGB 172 41 163

HSL 304.12, 0.62%, 0.42%

LAB 42.76, 64.55, -36.82

 

CMYK 0 / 76 / 26 / 33

HEX #AC2980

RGB 172 41 128

HSL 320.15, 0.62%, 0.42%

LAB 41.08, 59.57, -18.19

 

CMYK 0 / 76 / 45 / 33

HEX #AC295E

RGB 172 41 94

HSL 335.73, 0.62%, 0.42%

LAB 39.86, 55.77, 1.22

 

CMYK 0 / 76 / 66 / 33

HEX #AC293B

RGB 172 41 59

HSL 351.76, 0.62%, 0.42%

LAB 39.02, 53.1, 22.22

 

CMYK 0 / 66 / 76 / 33

HEX #AC3B29

RGB 172 59 41

HSL 8.24, 0.62%, 0.42%

LAB 41.31, 45.22, 35.67

 

CMYK 0 / 76 / 47 / 58

HEX #6A1938

RGB 106 25 56

HSL 337.04, 0.62%, 0.26%

LAB 23.82, 38, 1.33

 

CMYK 0 / 76 / 47 / 45

HEX #8B214A

RGB 139 33 74

HSL 336.79, 0.62%, 0.34%

LAB 31.97, 47.02, 1.87

 

CMYK 0 / 76 / 47 / 33

HEX #AC295C

RGB 172 41 92

HSL 336.64, 0.62%, 0.42%

LAB 39.8, 55.59, 2.4

 

CMYK 0 / 76 / 46 / 20

HEX #CD326E

RGB 205 50 110

HSL 336.77, 0.61%, 0.5%

LAB 47.48, 63.51, 3.08

 

CMYK 0 / 61 / 38 / 16

HEX #D55385

RGB 213 83 133

HSL 336.92, 0.61%, 0.58%

LAB 54.05, 55.63, -1.04

 

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

CMYK 0 / 15 / 76 / 33

HEX #AC9229

RGB 172 146 41

HSL 48.09, 0.62%, 0.42%

LAB 61.21, -1.33, 55.64

 

CMYK 76 / 15 / 0 / 33

HEX #2992AC

RGB 41 146 172

HSL 191.91, 0.62%, 0.42%

LAB 56.1, -20.26, -22.07

 

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

CMYK 45 / 0 / 76 / 33

HEX #5EAC29

RGB 94 172 41

HSL 95.73, 0.62%, 0.42%

LAB 63.38, -45.91, 55.83

 

CMYK 76 / 45 / 0 / 33

HEX #295EAC

RGB 41 94 172

HSL 215.73, 0.62%, 0.42%

LAB 40.34, 10.51, -46.81

 

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

CMYK 0 / 15 / 76 / 33

HEX #AC9229

RGB 172 146 41

HSL 48.09, 0.62%, 0.42%

LAB 61.21, -1.33, 55.64

 

CMYK 76 / 0 / 30 / 33

HEX #29AC78

RGB 41 172 120

HSL 156.18, 0.62%, 0.42%

LAB 62.79, -46.95, 17.05

 

CMYK 76 / 61 / 0 / 33

HEX #2943AC

RGB 41 67 172

HSL 228.09, 0.62%, 0.42%

LAB 32.84, 28.38, -58.94

 

CMYK 0 / 75 / 46 / 33

HEX #AB2A5C

RGB 171 42 92

HSL 336.74, 0.61%, 0.42%

LAB 39.73, 54.97, 2.27

 

CMYK 8 / 0 / 76 / 33

HEX #9FAC29

RGB 159 172 41

HSL 65.95, 0.62%, 0.42%

LAB 67.3, -20.73, 60.94

 

CMYK 76 / 0 / 30 / 33

HEX #29AC78

RGB 41 172 120

HSL 156.18, 0.62%, 0.42%

LAB 62.79, -46.95, 17.05

 

CMYK 69 / 76 / 0 / 33

HEX #3629AC

RGB 54 41 172

HSL 245.95, 0.62%, 0.42%

LAB 27.71, 45.76, -67.34

 

Description

Color code: RGB 171 42 92 | qconv.com Color code: RGB 171 42 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 42 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 42 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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