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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 32 164 it is the complementary color RGB 84 223 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 32 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 32 164 shade: RGB 176 32 159, RGB 193 50 178, RGB 210 68 197, RGB 227 86 216 and RGB 244 104 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 32 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 154 14 145, RGB 137 0 126, RGB 120 0 107 and RGB 103 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 171 32 126, RGB 171 32 89, RGB 171 32 52 and RGB 171 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 140 32 171, RGB 103 32 171, RGB 66 32 171 and RGB 32 32 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 32 164 shade matches the following richer shades: RGB 171 32 164 and RGB 187 16 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 154 49 149, RGB 138 65 134, RGB 121 82 119 and RGB 105 98 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 32 164 shade: RGB 104 32 171, RGB 141 32 171, RGB 171 32 164, RGB 171 32 127 and RGB 171 32 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 32 164 shade: RGB 102 19 97, RGB 136 26 131, RGB 171 32 164, RGB 206 39 197 and RGB 219 67 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 171 67 32 and RGB 32 171 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 164 171 32 and RGB 32 164 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 171 67 32, RGB 32 171 39 and RGB 32 136 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 32 164 shade: RGB 171 32 164, RGB 171 108 32, RGB 32 171 39 and RGB 32 95 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

Complementary color

CMYK 62 / 0 / 59 / 13

HEX #54DF5B

RGB 84 223 91

HSL 123.02, 0.68%, 0.6%

LAB 79.28, -63.1, 52.69

 

CMYK 0 / 82 / 10 / 31

HEX #B0209F

RGB 176 32 159

HSL 307.08, 0.69%, 0.41%

LAB 42.41, 67.22, -34.93

 

CMYK 0 / 74 / 8 / 24

HEX #C132B2

RGB 193 50 178

HSL 306.29, 0.59%, 0.48%

LAB 48.05, 68.72, -37.13

 

CMYK 0 / 68 / 6 / 18

HEX #D244C5

RGB 210 68 197

HSL 305.49, 0.61%, 0.55%

LAB 53.89, 69.43, -38.79

 

CMYK 0 / 62 / 5 / 11

HEX #E356D8

RGB 227 86 216

HSL 304.68, 0.72%, 0.61%

LAB 59.84, 69.62, -40.08

 

CMYK 0 / 57 / 4 / 4

HEX #F468EB

RGB 244 104 235

HSL 303.86, 0.86%, 0.68%

LAB 65.85, 69.47, -41.11

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 91 / 6 / 40

HEX #9A0E91

RGB 154 14 145

HSL 303.86, 0.83%, 0.33%

LAB 36.42, 64.31, -36.18

 

CMYK 0 / 100 / 8 / 46

HEX #89007E

RGB 137 0 126

HSL 304.82, 1%, 0.27%

LAB 31.4, 60.25, -32.55

 

CMYK 0 / 100 / 11 / 53

HEX #78006B

RGB 120 0 107

HSL 306.5, 1%, 0.24%

LAB 26.89, 54.28, -27.8

 

CMYK 0 / 100 / 15 / 60

HEX #670058

RGB 103 0 88

HSL 308.74, 1%, 0.2%

LAB 22.26, 48.15, -22.86

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 81 / 26 / 33

HEX #AB207E

RGB 171 32 126

HSL 319.42, 0.68%, 0.4%

LAB 39.91, 61.65, -18.77

 

CMYK 0 / 81 / 48 / 33

HEX #AB2059

RGB 171 32 89

HSL 335.4, 0.68%, 0.4%

LAB 38.57, 57.71, 2.51

 

CMYK 0 / 81 / 70 / 33

HEX #AB2034

RGB 171 32 52

HSL 351.37, 0.68%, 0.4%

LAB 37.73, 55.16, 24.95

 

CMYK 0 / 81 / 81 / 33

HEX #AB2020

RGB 171 32 32

HSL 0, 0.68%, 0.4%

LAB 37.47, 54.35, 36.66

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 18 / 81 / 0 / 33

HEX #8C20AB

RGB 140 32 171

HSL 286.62, 0.68%, 0.4%

LAB 37.02, 62.18, -51.09

 

CMYK 40 / 81 / 0 / 33

HEX #6720AB

RGB 103 32 171

HSL 270.65, 0.68%, 0.4%

LAB 31.48, 55.97, -60.35

 

CMYK 61 / 81 / 0 / 33

HEX #4220AB

RGB 66 32 171

HSL 254.68, 0.68%, 0.4%

LAB 27.11, 51.13, -67.7

 

CMYK 81 / 81 / 0 / 33

HEX #2020AB

RGB 32 32 171

HSL 240, 0.68%, 0.4%

LAB 24.58, 48.37, -71.96

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 91 / 4 / 27

HEX #BB10B3

RGB 187 16 179

HSL 302.81, 0.84%, 0.4%

LAB 44.5, 75.1, -43.4

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 68 / 3 / 40

HEX #9A3195

RGB 154 49 149

HSL 302.86, 0.52%, 0.4%

LAB 39.98, 55.37, -32.99

 

CMYK 0 / 53 / 3 / 46

HEX #8A4186

RGB 138 65 134

HSL 303.29, 0.36%, 0.4%

LAB 39.42, 41.02, -24.89

 

CMYK 0 / 32 / 2 / 53

HEX #795277

RGB 121 82 119

HSL 303.08, 0.19%, 0.4%

LAB 40.3, 22.85, -14.52

 

CMYK 0 / 7 / 0 / 59

HEX #696269

RGB 105 98 105

HSL 300, 0.03%, 0.4%

LAB 42.4, 4.2, -2.96

 

CMYK 39 / 81 / 0 / 33

HEX #6820AB

RGB 104 32 171

HSL 271.08, 0.68%, 0.4%

LAB 31.62, 56.13, -60.12

 

CMYK 18 / 81 / 0 / 33

HEX #8D20AB

RGB 141 32 171

HSL 287.05, 0.68%, 0.4%

LAB 37.18, 62.36, -50.82

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 81 / 26 / 33

HEX #AB207F

RGB 171 32 127

HSL 318.99, 0.68%, 0.4%

LAB 39.95, 61.77, -19.32

 

CMYK 0 / 81 / 47 / 33

HEX #AB205A

RGB 171 32 90

HSL 334.96, 0.68%, 0.4%

LAB 38.6, 57.8, 1.92

 

CMYK 0 / 81 / 5 / 60

HEX #661361

RGB 102 19 97

HSL 303.61, 0.69%, 0.24%

LAB 24.17, 44.77, -25.81

 

CMYK 0 / 81 / 4 / 47

HEX #881A83

RGB 136 26 131

HSL 302.73, 0.68%, 0.32%

LAB 33.16, 56, -32.9

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 81 / 4 / 19

HEX #CE27C5

RGB 206 39 197

HSL 303.23, 0.68%, 0.48%

LAB 50.22, 77.19, -44.63

 

CMYK 0 / 69 / 4 / 14

HEX #DB43D3

RGB 219 67 211

HSL 303.16, 0.68%, 0.56%

LAB 55.86, 74.01, -43.59

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 61 / 81 / 33

HEX #AB4320

RGB 171 67 32

HSL 15.11, 0.68%, 0.4%

LAB 42.42, 40.84, 41.5

 

CMYK 81 / 0 / 29 / 33

HEX #20AB7A

RGB 32 171 122

HSL 158.85, 0.68%, 0.4%

LAB 62.37, -47.15, 15.36

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 4 / 0 / 81 / 33

HEX #A4AB20

RGB 164 171 32

HSL 63.02, 0.68%, 0.4%

LAB 67.37, -18.41, 63.83

 

CMYK 81 / 4 / 0 / 33

HEX #20A4AB

RGB 32 164 171

HSL 183.02, 0.68%, 0.4%

LAB 61.48, -30.63, -13.33

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 61 / 81 / 33

HEX #AB4320

RGB 171 67 32

HSL 15.11, 0.68%, 0.4%

LAB 42.42, 40.84, 41.5

 

CMYK 81 / 0 / 77 / 33

HEX #20AB27

RGB 32 171 39

HSL 123.02, 0.68%, 0.4%

LAB 61.29, -59.83, 53.87

 

CMYK 81 / 20 / 0 / 33

HEX #2088AB

RGB 32 136 171

HSL 195.11, 0.68%, 0.4%

LAB 52.79, -16.19, -26.6

 

CMYK 0 / 81 / 4 / 33

HEX #AB20A4

RGB 171 32 164

HSL 303.02, 0.68%, 0.4%

LAB 41.8, 66.94, -38.95

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 81 / 0 / 77 / 33

HEX #20AB27

RGB 32 171 39

HSL 123.02, 0.68%, 0.4%

LAB 61.29, -59.83, 53.87

 

CMYK 81 / 44 / 0 / 33

HEX #205FAB

RGB 32 95 171

HSL 212.81, 0.68%, 0.4%

LAB 40.3, 8.44, -46.29

 

Description

Color code: RGB 171 32 164 | qconv.com Color code: RGB 171 32 164 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 32 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 32 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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