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Color name
RGB 171 32 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 32 150 it is the complementary color RGB 84 223 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 32 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 32 150 shade: RGB 176 32 145, RGB 193 50 164, RGB 210 68 183, RGB 227 86 202 and RGB 244 104 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 32 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 154 14 131, RGB 137 0 112, RGB 120 0 93 and RGB 103 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 171 32 113, RGB 171 32 75, RGB 171 32 38 and RGB 171 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 154 32 171, RGB 117 32 171, RGB 80 32 171 and RGB 42 32 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 32 150 shade matches the following richer shades: RGB 171 32 150 and RGB 187 16 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 154 49 138, RGB 138 65 127, RGB 121 82 115 and RGB 105 98 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 32 150 shade: RGB 118 32 171, RGB 155 32 171, RGB 171 32 150, RGB 171 32 113 and RGB 171 32 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 32 150 shade: RGB 102 19 89, RGB 136 26 119, RGB 171 32 150, RGB 206 39 180 and RGB 219 67 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 171 81 32 and RGB 32 171 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 150 171 32 and RGB 32 150 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 171 81 32, RGB 32 171 53 and RGB 32 122 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 32 150 shade: RGB 171 32 150, RGB 171 122 32, RGB 32 171 53 and RGB 32 81 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

Complementary color

CMYK 62 / 0 / 53 / 13

HEX #54DF69

RGB 84 223 105

HSL 129.06, 0.68%, 0.6%

LAB 79.43, -61.37, 46.48

 

CMYK 0 / 82 / 18 / 31

HEX #B02091

RGB 176 32 145

HSL 312.92, 0.69%, 0.41%

LAB 41.7, 65.25, -27.58

 

CMYK 0 / 74 / 15 / 24

HEX #C132A4

RGB 193 50 164

HSL 312.17, 0.59%, 0.48%

LAB 47.36, 66.68, -29.93

 

CMYK 0 / 68 / 13 / 18

HEX #D244B7

RGB 210 68 183

HSL 311.41, 0.61%, 0.55%

LAB 53.23, 67.32, -31.73

 

CMYK 0 / 62 / 11 / 11

HEX #E356CA

RGB 227 86 202

HSL 310.64, 0.72%, 0.61%

LAB 59.21, 67.45, -33.14

 

CMYK 0 / 57 / 9 / 4

HEX #F468DD

RGB 244 104 221

HSL 309.86, 0.86%, 0.68%

LAB 65.24, 67.25, -34.27

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 91 / 15 / 40

HEX #9A0E83

RGB 154 14 131

HSL 309.86, 0.83%, 0.33%

LAB 35.64, 62.29, -28.76

 

CMYK 0 / 100 / 18 / 46

HEX #890070

RGB 137 0 112

HSL 310.95, 1%, 0.27%

LAB 30.61, 58.28, -24.92

 

CMYK 0 / 100 / 23 / 53

HEX #78005D

RGB 120 0 93

HSL 313.5, 1%, 0.24%

LAB 26.11, 52.33, -19.88

 

CMYK 0 / 100 / 28 / 60

HEX #67004A

RGB 103 0 74

HSL 316.89, 1%, 0.2%

LAB 21.5, 46.24, -14.58

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 81 / 34 / 33

HEX #AB2071

RGB 171 32 113

HSL 325.04, 0.68%, 0.4%

LAB 39.38, 60.11, -11.47

 

CMYK 0 / 81 / 56 / 33

HEX #AB204B

RGB 171 32 75

HSL 341.44, 0.68%, 0.4%

LAB 38.2, 56.58, 10.93

 

CMYK 0 / 81 / 78 / 33

HEX #AB2026

RGB 171 32 38

HSL 357.41, 0.68%, 0.4%

LAB 37.54, 54.55, 33.27

 

CMYK 0 / 81 / 81 / 33

HEX #AB2020

RGB 171 32 32

HSL 0, 0.68%, 0.4%

LAB 37.47, 54.35, 36.66

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 10 / 81 / 0 / 33

HEX #9A20AB

RGB 154 32 171

HSL 292.66, 0.68%, 0.4%

LAB 39.32, 64.77, -47.27

 

CMYK 32 / 81 / 0 / 33

HEX #7520AB

RGB 117 32 171

HSL 276.69, 0.68%, 0.4%

LAB 33.47, 58.19, -57.02

 

CMYK 53 / 81 / 0 / 33

HEX #5020AB

RGB 80 32 171

HSL 260.72, 0.68%, 0.4%

LAB 28.59, 52.77, -65.2

 

CMYK 75 / 81 / 0 / 33

HEX #2A20AB

RGB 42 32 171

HSL 244.32, 0.68%, 0.4%

LAB 25.15, 49, -70.99

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 91 / 14 / 27

HEX #BB10A1

RGB 187 16 161

HSL 309.12, 0.84%, 0.4%

LAB 43.52, 72.59, -34.25

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 68 / 10 / 40

HEX #9A318A

RGB 154 49 138

HSL 309.14, 0.52%, 0.4%

LAB 39.41, 53.56, -27.17

 

CMYK 0 / 53 / 8 / 46

HEX #8A417F

RGB 138 65 127

HSL 309.04, 0.36%, 0.4%

LAB 39.1, 39.74, -21.09

 

CMYK 0 / 32 / 5 / 53

HEX #795273

RGB 121 82 115

HSL 309.23, 0.19%, 0.4%

LAB 40.14, 22.04, -12.29

 

CMYK 0 / 7 / 1 / 59

HEX #696268

RGB 105 98 104

HSL 308.57, 0.03%, 0.4%

LAB 42.37, 3.99, -2.4

 

CMYK 31 / 81 / 0 / 33

HEX #7620AB

RGB 118 32 171

HSL 277.12, 0.68%, 0.4%

LAB 33.62, 58.36, -56.77

 

CMYK 9 / 81 / 0 / 33

HEX #9B20AB

RGB 155 32 171

HSL 293.09, 0.68%, 0.4%

LAB 39.48, 64.96, -47

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 81 / 34 / 33

HEX #AB2071

RGB 171 32 113

HSL 325.04, 0.68%, 0.4%

LAB 39.38, 60.11, -11.47

 

CMYK 0 / 81 / 56 / 33

HEX #AB204C

RGB 171 32 76

HSL 341.01, 0.68%, 0.4%

LAB 38.22, 56.65, 10.32

 

CMYK 0 / 81 / 13 / 60

HEX #661359

RGB 102 19 89

HSL 309.4, 0.69%, 0.24%

LAB 23.71, 43.44, -21.25

 

CMYK 0 / 81 / 13 / 47

HEX #881A77

RGB 136 26 119

HSL 309.27, 0.68%, 0.32%

LAB 32.49, 54.11, -26.43

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 81 / 13 / 19

HEX #CE27B4

RGB 206 39 180

HSL 309.34, 0.68%, 0.48%

LAB 49.34, 74.76, -36.12

 

CMYK 0 / 69 / 11 / 14

HEX #DB43C4

RGB 219 67 196

HSL 309.08, 0.68%, 0.56%

LAB 55.13, 71.74, -36.16

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 53 / 81 / 33

HEX #AB5120

RGB 171 81 32

HSL 21.15, 0.68%, 0.4%

LAB 45.15, 33.82, 44.1

 

CMYK 81 / 0 / 20 / 33

HEX #20AB88

RGB 32 171 136

HSL 164.89, 0.68%, 0.4%

LAB 62.68, -43.75, 8.05

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 12 / 0 / 81 / 33

HEX #96AB20

RGB 150 171 32

HSL 69.06, 0.68%, 0.4%

LAB 66.3, -24.44, 62.49

 

CMYK 81 / 12 / 0 / 33

HEX #2096AB

RGB 32 150 171

HSL 189.06, 0.68%, 0.4%

LAB 57.13, -23.64, -19.92

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 53 / 81 / 33

HEX #AB5120

RGB 171 81 32

HSL 21.15, 0.68%, 0.4%

LAB 45.15, 33.82, 44.1

 

CMYK 81 / 0 / 69 / 33

HEX #20AB35

RGB 32 171 53

HSL 129.06, 0.68%, 0.4%

LAB 61.39, -58.63, 48.74

 

CMYK 81 / 29 / 0 / 33

HEX #207AAB

RGB 32 122 171

HSL 201.15, 0.68%, 0.4%

LAB 48.47, -8.25, -33.34

 

CMYK 0 / 81 / 12 / 33

HEX #AB2096

RGB 171 32 150

HSL 309.06, 0.68%, 0.4%

LAB 41.05, 64.86, -31.71

 

CMYK 0 / 29 / 81 / 33

HEX #AB7A20

RGB 171 122 32

HSL 38.85, 0.68%, 0.4%

LAB 54.74, 11.17, 52.93

 

CMYK 81 / 0 / 69 / 33

HEX #20AB35

RGB 32 171 53

HSL 129.06, 0.68%, 0.4%

LAB 61.39, -58.63, 48.74

 

CMYK 81 / 53 / 0 / 33

HEX #2051AB

RGB 32 81 171

HSL 218.85, 0.68%, 0.4%

LAB 36.24, 17.68, -52.84

 

Description

Color code: RGB 171 32 150 | qconv.com Color code: RGB 171 32 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 32 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 32 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 12 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 12% 33% C M Y K

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Provide designers and agencies with accurate color values.

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