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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 30 212 it is the complementary color RGB 84 225 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 30 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 30 212 shade: RGB 176 30 207, RGB 193 48 226, RGB 210 66 245, RGB 227 84 255 and RGB 244 102 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 30 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 30 212 shade: RGB 171 30 212, RGB 154 12 193, RGB 137 0 174, RGB 120 0 155 and RGB 103 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 30 212 shade: RGB 169 29 209, RGB 209 29 201, RGB 209 29 153, RGB 209 29 104 and RGB 209 29 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 30 212 shade: RGB 169 29 209, RGB 120 29 209, RGB 72 29 209 and RGB 29 29 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 30 212 shade matches the following richer shades: RGB 169 29 209 and RGB 179 10 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 30 212 shade: RGB 169 29 209, RGB 158 49 190, RGB 147 68 170, RGB 137 88 151 and RGB 126 107 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 30 212 shade: RGB 71 29 209, RGB 119 29 209, RGB 167 29 209, RGB 209 29 203 and RGB 209 29 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 30 212 shade: RGB 110 19 137, RGB 140 24 173, RGB 169 29 209, RGB 187 54 226 and RGB 199 90 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 30 212 shade: RGB 171 30 212, RGB 209 29 35 and RGB 29 209 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 30 212 shade: RGB 171 30 212, RGB 209 167 29 and RGB 29 209 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 30 212 shade: RGB 171 30 212, RGB 209 29 35, RGB 71 209 29 and RGB 29 209 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 30 212 shade: RGB 171 30 212, RGB 209 77 29, RGB 71 209 29 and RGB 29 161 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

Complementary color

CMYK 63 / 0 / 81 / 12

HEX #54E12B

RGB 84 225 43

HSL 106.48, 0.75%, 0.53%

LAB 79.56, -67.67, 70.38

 

CMYK 15 / 86 / 0 / 19

HEX #B01ECF

RGB 176 30 207

HSL 289.49, 0.75%, 0.46%

LAB 45.17, 75.37, -58.78

 

CMYK 15 / 79 / 0 / 11

HEX #C130E2

RGB 193 48 226

HSL 288.88, 0.75%, 0.54%

LAB 50.62, 77.19, -60.72

 

CMYK 14 / 73 / 0 / 4

HEX #D242F5

RGB 210 66 245

HSL 288.27, 0.9%, 0.61%

LAB 56.28, 78.18, -62.16

 

CMYK 11 / 67 / 0 / 0

HEX #E354FF

RGB 227 84 255

HSL 290.18, 1%, 0.66%

LAB 61.56, 76.97, -59.11

 

CMYK 4 / 60 / 0 / 0

HEX #F466FF

RGB 244 102 255

HSL 295.69, 1%, 0.7%

LAB 66.49, 73.64, -51.13

 

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

CMYK 20 / 94 / 0 / 24

HEX #9A0CC1

RGB 154 12 193

HSL 287.07, 0.88%, 0.4%

LAB 39.55, 72.51, -59.9

 

CMYK 21 / 100 / 0 / 32

HEX #8900AE

RGB 137 0 174

HSL 287.24, 1%, 0.34%

LAB 34.75, 68.15, -56.59

 

CMYK 23 / 100 / 0 / 39

HEX #78009B

RGB 120 0 155

HSL 286.45, 1%, 0.3%

LAB 30.3, 62.34, -52.47

 

CMYK 24 / 100 / 0 / 47

HEX #670088

RGB 103 0 136

HSL 285.44, 1%, 0.27%

LAB 25.75, 56.39, -48.27

 

CMYK 19 / 86 / 0 / 18

HEX #A91DD1

RGB 169 29 209

HSL 286.67, 0.76%, 0.47%

LAB 44.11, 74.8, -61.69

 

CMYK 0 / 86 / 4 / 18

HEX #D11DC9

RGB 209 29 201

HSL 302.67, 0.76%, 0.47%

LAB 50.28, 80.32, -46.82

 

CMYK 0 / 86 / 27 / 18

HEX #D11D99

RGB 209 29 153

HSL 318.67, 0.76%, 0.47%

LAB 47.92, 74.05, -22.28

 

CMYK 0 / 86 / 50 / 18

HEX #D11D68

RGB 209 29 104

HSL 335, 0.76%, 0.47%

LAB 46.22, 69.3, 5.06

 

CMYK 0 / 86 / 73 / 18

HEX #D11D38

RGB 209 29 56

HSL 351, 0.76%, 0.47%

LAB 45.25, 66.49, 33.34

 

CMYK 19 / 86 / 0 / 18

HEX #A91DD1

RGB 169 29 209

HSL 286.67, 0.76%, 0.47%

LAB 44.11, 74.8, -61.69

 

CMYK 43 / 86 / 0 / 18

HEX #781DD1

RGB 120 29 209

HSL 270.33, 0.76%, 0.47%

LAB 36.88, 67.92, -73.8

 

CMYK 66 / 86 / 0 / 18

HEX #481DD1

RGB 72 29 209

HSL 254.33, 0.76%, 0.47%

LAB 31.49, 63.22, -82.89

 

CMYK 86 / 86 / 0 / 18

HEX #1D1DD1

RGB 29 29 209

HSL 240, 0.76%, 0.47%

LAB 28.76, 61.05, -87.51

 

CMYK 19 / 86 / 0 / 18

HEX #A91DD1

RGB 169 29 209

HSL 286.67, 0.76%, 0.47%

LAB 44.11, 74.8, -61.69

 

CMYK 22 / 96 / 0 / 10

HEX #B30AE5

RGB 179 10 229

HSL 286.3, 0.92%, 0.47%

LAB 46.26, 82.52, -69.59

 

CMYK 19 / 86 / 0 / 18

HEX #A91DD1

RGB 169 29 209

HSL 286.67, 0.76%, 0.47%

LAB 44.11, 74.8, -61.69

 

CMYK 17 / 74 / 0 / 25

HEX #9E31BE

RGB 158 49 190

HSL 286.38, 0.59%, 0.47%

LAB 43.04, 63.7, -52.48

 

CMYK 14 / 60 / 0 / 33

HEX #9344AA

RGB 147 68 170

HSL 286.47, 0.43%, 0.47%

LAB 43.12, 49.13, -40.66

 

CMYK 9 / 42 / 0 / 41

HEX #895897

RGB 137 88 151

HSL 286.67, 0.26%, 0.47%

LAB 44.99, 31.48, -26.51

 

CMYK 5 / 19 / 0 / 48

HEX #7E6B84

RGB 126 107 132

HSL 285.6, 0.1%, 0.47%

LAB 47.77, 12.39, -11

 

CMYK 66 / 86 / 0 / 18

HEX #471DD1

RGB 71 29 209

HSL 254, 0.76%, 0.47%

LAB 31.4, 63.15, -83.04

 

CMYK 43 / 86 / 0 / 18

HEX #771DD1

RGB 119 29 209

HSL 270, 0.76%, 0.47%

LAB 36.75, 67.8, -74.02

 

CMYK 20 / 86 / 0 / 18

HEX #A71DD1

RGB 167 29 209

HSL 286, 0.76%, 0.47%

LAB 43.8, 74.49, -62.22

 

CMYK 0 / 86 / 3 / 18

HEX #D11DCB

RGB 209 29 203

HSL 302, 0.76%, 0.47%

LAB 50.39, 80.61, -47.79

 

CMYK 0 / 86 / 26 / 18

HEX #D11D9B

RGB 209 29 155

HSL 318, 0.76%, 0.47%

LAB 48.01, 74.28, -23.35

 

CMYK 20 / 86 / 0 / 46

HEX #6E1389

RGB 110 19 137

HSL 286.27, 0.76%, 0.31%

LAB 28.35, 53.83, -44.62

 

CMYK 19 / 86 / 0 / 32

HEX #8C18AD

RGB 140 24 173

HSL 286.71, 0.76%, 0.39%

LAB 36.45, 64.64, -53.2

 

CMYK 19 / 86 / 0 / 18

HEX #A91DD1

RGB 169 29 209

HSL 286.67, 0.76%, 0.47%

LAB 44.11, 74.8, -61.69

 

CMYK 17 / 76 / 0 / 11

HEX #BB36E2

RGB 187 54 226

HSL 286.4, 0.75%, 0.55%

LAB 50.33, 74.32, -61.24

 

CMYK 14 / 61 / 0 / 9

HEX #C75AE7

RGB 199 90 231

HSL 286.38, 0.75%, 0.63%

LAB 57.29, 63.81, -52.8

 

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

CMYK 0 / 86 / 83 / 18

HEX #D11D23

RGB 209 29 35

HSL 358, 0.76%, 0.47%

LAB 45.02, 65.82, 44.97

 

CMYK 86 / 0 / 55 / 18

HEX #1DD15F

RGB 29 209 95

HSL 142, 0.76%, 0.47%

LAB 73.99, -65.94, 44.38

 

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

CMYK 0 / 20 / 86 / 18

HEX #D1A71D

RGB 209 167 29

HSL 46, 0.76%, 0.47%

LAB 70.37, 3.44, 68.78

 

CMYK 86 / 0 / 20 / 18

HEX #1DD1A7

RGB 29 209 167

HSL 166, 0.76%, 0.47%

LAB 75.23, -51.76, 9.04

 

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

CMYK 0 / 86 / 83 / 18

HEX #D11D23

RGB 209 29 35

HSL 358, 0.76%, 0.47%

LAB 45.02, 65.82, 44.97

 

CMYK 66 / 0 / 86 / 18

HEX #47D11D

RGB 71 209 29

HSL 106, 0.76%, 0.47%

LAB 74.21, -65.84, 68.77

 

CMYK 86 / 0 / 3 / 18

HEX #1DD1CB

RGB 29 209 203

HSL 178, 0.76%, 0.47%

LAB 76.18, -42.07, -8.95

 

CMYK 19 / 86 / 0 / 17

HEX #AB1ED4

RGB 171 30 212

HSL 286.48, 0.75%, 0.47%

LAB 44.72, 75.45, -62.43

 

CMYK 0 / 63 / 86 / 18

HEX #D14D1D

RGB 209 77 29

HSL 16, 0.76%, 0.47%

LAB 50.63, 50.06, 52.63

 

CMYK 66 / 0 / 86 / 18

HEX #47D11D

RGB 71 209 29

HSL 106, 0.76%, 0.47%

LAB 74.21, -65.84, 68.77

 

CMYK 86 / 23 / 0 / 18

HEX #1DA1D1

RGB 29 161 209

HSL 196, 0.76%, 0.47%

LAB 61.96, -16.7, -33.88

 

Description

Color code: RGB 171 30 212 | qconv.com Color code: RGB 171 30 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 30 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 30 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 86 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 86% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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