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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 200 130 it is the complementary color RGB 84 55 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 200 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 200 130 shade: RGB 176 200 125, RGB 193 218 144, RGB 210 236 163, RGB 227 254 182 and RGB 244 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 200 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 154 182 111, RGB 137 164 92, RGB 120 146 73 and RGB 103 128 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 190 200 130, RGB 200 191 130, RGB 200 173 130 and RGB 200 154 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 152 200 130, RGB 134 200 130, RGB 130 200 146 and RGB 130 200 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 200 130 shade matches the following richer shades: RGB 171 200 130, RGB 174 214 116, RGB 176 229 102 and RGB 179 243 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 169 186 145, RGB 166 171 159, RGB 164 157 174 and RGB 161 142 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 200 130 shade: RGB 200 191 130, RGB 191 200 130, RGB 172 200 130, RGB 154 200 130 and RGB 135 200 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 200 130 shade: RGB 132 173 75, RGB 152 187 102, RGB 171 200 130, RGB 190 213 159 and RGB 210 225 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 130 200 172 and RGB 200 130 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 130 172 200 and RGB 200 130 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 130 200 172, RGB 158 130 200 and RGB 200 130 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 200 130 shade: RGB 171 200 130, RGB 130 200 193, RGB 158 130 200 and RGB 200 130 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

Complementary color

CMYK 33 / 56 / 0 / 51

HEX #54377D

RGB 84 55 125

HSL 264.86, 0.39%, 0.35%

LAB 29.66, 28.74, -35.19

 

CMYK 12 / 0 / 38 / 22

HEX #B0C87D

RGB 176 200 125

HSL 79.2, 0.41%, 0.64%

LAB 77.29, -20.5, 34.87

 

CMYK 11 / 0 / 34 / 15

HEX #C1DA90

RGB 193 218 144

HSL 80.27, 0.5%, 0.71%

LAB 83.7, -20.55, 33.74

 

CMYK 11 / 0 / 31 / 7

HEX #D2ECA3

RGB 210 236 163

HSL 81.37, 0.66%, 0.78%

LAB 90.02, -20.59, 32.66

 

CMYK 11 / 0 / 28 / 0

HEX #E3FEB6

RGB 227 254 182

HSL 82.5, 0.97%, 0.85%

LAB 96.24, -20.61, 31.62

 

CMYK 4 / 0 / 21 / 0

HEX #F4FFC9

RGB 244 255 201

HSL 72.22, 1%, 0.89%

LAB 98.02, -12.39, 24.65

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 15 / 0 / 39 / 29

HEX #9AB66F

RGB 154 182 111

HSL 83.66, 0.33%, 0.57%

LAB 70.51, -21.72, 33.03

 

CMYK 16 / 0 / 44 / 36

HEX #89A45C

RGB 137 164 92

HSL 82.5, 0.28%, 0.5%

LAB 63.87, -21.69, 34.23

 

CMYK 18 / 0 / 50 / 43

HEX #789249

RGB 120 146 73

HSL 81.37, 0.33%, 0.43%

LAB 57.11, -21.6, 35.45

 

CMYK 20 / 0 / 58 / 50

HEX #678036

RGB 103 128 54

HSL 80.27, 0.41%, 0.36%

LAB 50.2, -21.43, 36.62

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 5 / 0 / 35 / 22

HEX #BEC882

RGB 190 200 130

HSL 68.57, 0.39%, 0.65%

LAB 78.38, -14.5, 33.91

 

CMYK 0 / 5 / 35 / 22

HEX #C8BF82

RGB 200 191 130

HSL 52.29, 0.39%, 0.65%

LAB 76.77, -5.95, 31.95

 

CMYK 0 / 14 / 35 / 22

HEX #C8AD82

RGB 200 173 130

HSL 36.86, 0.39%, 0.65%

LAB 72.08, 3.56, 25.73

 

CMYK 0 / 23 / 35 / 22

HEX #C89A82

RGB 200 154 130

HSL 20.57, 0.39%, 0.65%

LAB 67.28, 13.86, 19.21

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 24 / 0 / 35 / 22

HEX #98C882

RGB 152 200 130

HSL 101.14, 0.39%, 0.65%

LAB 75.82, -28.63, 30.06

 

CMYK 33 / 0 / 35 / 22

HEX #86C882

RGB 134 200 130

HSL 116.57, 0.39%, 0.65%

LAB 74.82, -34.74, 28.55

 

CMYK 35 / 0 / 27 / 22

HEX #82C892

RGB 130 200 146

HSL 133.71, 0.39%, 0.65%

LAB 74.91, -33.29, 20.21

 

CMYK 35 / 0 / 18 / 22

HEX #82C8A5

RGB 130 200 165

HSL 150, 0.39%, 0.65%

LAB 75.31, -29.64, 10.6

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 19 / 0 / 46 / 16

HEX #AED674

RGB 174 214 116

HSL 84.49, 0.54%, 0.65%

LAB 80.93, -29.12, 43.96

 

CMYK 23 / 0 / 55 / 10

HEX #B0E566

RGB 176 229 102

HSL 85.04, 0.71%, 0.65%

LAB 85.11, -36.77, 55.56

 

CMYK 26 / 0 / 64 / 5

HEX #B3F357

RGB 179 243 87

HSL 84.62, 0.87%, 0.65%

LAB 89.1, -43.13, 66.37

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 9 / 0 / 22 / 27

HEX #A9BA91

RGB 169 186 145

HSL 84.88, 0.23%, 0.65%

LAB 73.28, -13.2, 18.88

 

CMYK 3 / 0 / 7 / 33

HEX #A6AB9F

RGB 166 171 159

HSL 85, 0.07%, 0.65%

LAB 69.28, -4.01, 5.56

 

CMYK 6 / 10 / 0 / 32

HEX #A49DAE

RGB 164 157 174

HSL 264.71, 0.09%, 0.65%

LAB 65.8, 5.83, -7.91

 

CMYK 14 / 24 / 0 / 26

HEX #A18EBC

RGB 161 142 188

HSL 264.78, 0.26%, 0.65%

LAB 62.13, 16.24, -21.34

 

CMYK 0 / 5 / 35 / 22

HEX #C8BF82

RGB 200 191 130

HSL 52.29, 0.39%, 0.65%

LAB 76.77, -5.95, 31.95

 

CMYK 5 / 0 / 35 / 22

HEX #BFC882

RGB 191 200 130

HSL 67.71, 0.39%, 0.65%

LAB 78.46, -14.11, 34.02

 

CMYK 14 / 0 / 35 / 22

HEX #ACC882

RGB 172 200 130

HSL 84, 0.39%, 0.65%

LAB 77.1, -21.35, 31.98

 

CMYK 23 / 0 / 35 / 22

HEX #9AC882

RGB 154 200 130

HSL 99.43, 0.39%, 0.65%

LAB 75.94, -27.92, 30.24

 

CMYK 33 / 0 / 35 / 22

HEX #87C882

RGB 135 200 130

HSL 115.71, 0.39%, 0.65%

LAB 74.87, -34.41, 28.63

 

CMYK 24 / 0 / 57 / 32

HEX #84AD4B

RGB 132 173 75

HSL 85.1, 0.4%, 0.49%

LAB 65.98, -29.93, 45.16

 

CMYK 19 / 0 / 45 / 27

HEX #98BB66

RGB 152 187 102

HSL 84.71, 0.38%, 0.57%

LAB 71.67, -26.07, 39.09

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 11 / 0 / 25 / 16

HEX #BED59F

RGB 190 213 159

HSL 85.56, 0.39%, 0.73%

LAB 82.4, -17.07, 24.21

 

CMYK 7 / 0 / 16 / 12

HEX #D2E1BC

RGB 210 225 188

HSL 84.32, 0.38%, 0.81%

LAB 87.57, -11.46, 16.43

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 35 / 0 / 14 / 22

HEX #82C8AC

RGB 130 200 172

HSL 156, 0.39%, 0.65%

LAB 75.47, -28.19, 7.07

 

CMYK 0 / 35 / 0 / 22

HEX #C882C8

RGB 200 130 200

HSL 300, 0.39%, 0.65%

LAB 63.68, 38.06, -25.37

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 35 / 14 / 0 / 22

HEX #82ACC8

RGB 130 172 200

HSL 204, 0.39%, 0.65%

LAB 68.33, -7.22, -18.8

 

CMYK 0 / 35 / 14 / 22

HEX #C882AC

RGB 200 130 172

HSL 324, 0.39%, 0.65%

LAB 62.7, 33.13, -11.04

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 35 / 0 / 14 / 22

HEX #82C8AC

RGB 130 200 172

HSL 156, 0.39%, 0.65%

LAB 75.47, -28.19, 7.07

 

CMYK 21 / 35 / 0 / 22

HEX #9E82C8

RGB 158 130 200

HSL 264, 0.39%, 0.65%

LAB 59.35, 24.9, -32.42

 

CMYK 0 / 35 / 21 / 22

HEX #C8829E

RGB 200 130 158

HSL 336, 0.39%, 0.65%

LAB 62.26, 30.91, -3.71

 

CMYK 15 / 0 / 35 / 22

HEX #ABC882

RGB 171 200 130

HSL 84.86, 0.39%, 0.65%

LAB 77.03, -21.73, 31.88

 

CMYK 35 / 0 / 4 / 22

HEX #82C8C1

RGB 130 200 193

HSL 174, 0.39%, 0.65%

LAB 76.01, -23.52, -3.49

 

CMYK 21 / 35 / 0 / 22

HEX #9E82C8

RGB 158 130 200

HSL 264, 0.39%, 0.65%

LAB 59.35, 24.9, -32.42

 

CMYK 0 / 35 / 32 / 22

HEX #C88289

RGB 200 130 137

HSL 354, 0.39%, 0.65%

LAB 61.7, 27.92, 7.46

 

Description

Color code: RGB 171 200 130 | qconv.com Color code: RGB 171 200 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 200 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 200 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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