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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 189 91 it is the complementary color RGB 84 66 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 189 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 189 91 shade: RGB 176 189 86, RGB 193 207 105, RGB 210 225 124, RGB 227 243 143 and RGB 244 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 189 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 189 91 shade: RGB 171 189 91, RGB 154 171 72, RGB 137 153 53, RGB 120 135 34 and RGB 103 117 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 189 91 shade: RGB 171 189 90, RGB 189 181 90, RGB 189 154 90, RGB 189 127 90 and RGB 189 101 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 189 91 shade: RGB 171 189 90, RGB 144 189 90, RGB 118 189 90, RGB 91 189 90 and RGB 90 189 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 189 91 shade matches the following richer shades: RGB 171 189 90, RGB 183 208 72, RGB 194 226 53 and RGB 206 245 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 189 91 shade: RGB 171 189 90, RGB 159 171 109, RGB 147 152 128, RGB 136 133 146 and RGB 124 115 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 189 91 shade: RGB 189 155 90, RGB 189 181 90, RGB 171 189 90, RGB 145 189 90 and RGB 118 189 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 189 91 shade: RGB 125 141 56, RGB 152 171 68, RGB 171 189 90, RGB 186 201 120 and RGB 201 213 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 189 91 shade: RGB 171 189 91, RGB 90 189 128 and RGB 168 90 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 189 91 shade: RGB 171 189 91, RGB 90 171 189 and RGB 189 90 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 189 91 shade: RGB 171 189 91, RGB 90 189 128, RGB 108 90 189 and RGB 189 90 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 189 91 shade: RGB 171 189 91, RGB 90 189 158, RGB 108 90 189 and RGB 189 90 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

Complementary color

CMYK 49 / 60 / 0 / 36

HEX #5442A4

RGB 84 66 164

HSL 251.02, 0.43%, 0.45%

LAB 34.93, 33.43, -50.63

 

CMYK 7 / 0 / 54 / 26

HEX #B0BD56

RGB 176 189 86

HSL 67.57, 0.44%, 0.54%

LAB 73.74, -19.17, 49.74

 

CMYK 7 / 0 / 49 / 19

HEX #C1CF69

RGB 193 207 105

HSL 68.24, 0.52%, 0.61%

LAB 80.17, -19.55, 48.64

 

CMYK 7 / 0 / 45 / 12

HEX #D2E17C

RGB 210 225 124

HSL 68.91, 0.63%, 0.68%

LAB 86.51, -19.85, 47.5

 

CMYK 7 / 0 / 41 / 5

HEX #E3F38F

RGB 227 243 143

HSL 69.6, 0.81%, 0.76%

LAB 92.76, -20.09, 46.36

 

CMYK 4 / 0 / 36 / 0

HEX #F4FFA2

RGB 244 255 162

HSL 67.1, 1%, 0.82%

LAB 97.37, -17.4, 43.25

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

CMYK 10 / 0 / 58 / 33

HEX #9AAB48

RGB 154 171 72

HSL 70.3, 0.41%, 0.48%

LAB 66.87, -20.37, 47.97

 

CMYK 10 / 0 / 65 / 40

HEX #899935

RGB 137 153 53

HSL 69.6, 0.49%, 0.4%

LAB 60.21, -19.88, 48.82

 

CMYK 11 / 0 / 75 / 47

HEX #788722

RGB 120 135 34

HSL 68.91, 0.6%, 0.33%

LAB 53.42, -19.2, 49.19

 

CMYK 12 / 0 / 87 / 54

HEX #67750F

RGB 103 117 15

HSL 68.24, 0.77%, 0.26%

LAB 46.5, -18.28, 48.47

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 0 / 4 / 52 / 26

HEX #BDB55A

RGB 189 181 90

HSL 55.15, 0.43%, 0.55%

LAB 72.63, -9.36, 46.82

 

CMYK 0 / 19 / 52 / 26

HEX #BD9A5A

RGB 189 154 90

HSL 38.79, 0.43%, 0.55%

LAB 65.49, 5.03, 38.24

 

CMYK 0 / 33 / 52 / 26

HEX #BD7F5A

RGB 189 127 90

HSL 22.42, 0.43%, 0.55%

LAB 58.73, 19.91, 29.78

 

CMYK 0 / 47 / 52 / 26

HEX #BD655A

RGB 189 101 90

HSL 6.67, 0.43%, 0.55%

LAB 52.8, 34.09, 22.07

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 24 / 0 / 52 / 26

HEX #90BD5A

RGB 144 189 90

HSL 87.27, 0.43%, 0.55%

LAB 71.6, -31.4, 44.79

 

CMYK 38 / 0 / 52 / 26

HEX #76BD5A

RGB 118 189 90

HSL 103.03, 0.43%, 0.55%

LAB 70.17, -40.64, 42.73

 

CMYK 52 / 0 / 52 / 26

HEX #5BBD5A

RGB 91 189 90

HSL 119.39, 0.43%, 0.55%

LAB 69.01, -48.83, 41.06

 

CMYK 52 / 0 / 39 / 26

HEX #5ABD74

RGB 90 189 116

HSL 135.76, 0.43%, 0.55%

LAB 69.35, -45.12, 28.28

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 12 / 0 / 65 / 18

HEX #B7D048

RGB 183 208 72

HSL 71.03, 0.59%, 0.55%

LAB 79.41, -26.67, 62.16

 

CMYK 14 / 0 / 77 / 11

HEX #C2E235

RGB 194 226 53

HSL 71.1, 0.75%, 0.55%

LAB 85.06, -31.73, 74.53

 

CMYK 16 / 0 / 86 / 4

HEX #CEF523

RGB 206 245 35

HSL 71.14, 0.91%, 0.55%

LAB 91.03, -36.24, 84.38

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 7 / 0 / 36 / 33

HEX #9FAB6D

RGB 159 171 109

HSL 71.61, 0.27%, 0.55%

LAB 67.73, -14.43, 30.55

 

CMYK 3 / 0 / 16 / 40

HEX #939880

RGB 147 152 128

HSL 72.5, 0.1%, 0.55%

LAB 61.84, -6.21, 12.03

 

CMYK 7 / 9 / 0 / 43

HEX #888592

RGB 136 133 146

HSL 253.85, 0.06%, 0.55%

LAB 56.17, 3.75, -6.56

 

CMYK 25 / 30 / 0 / 35

HEX #7C73A5

RGB 124 115 165

HSL 250.8, 0.22%, 0.55%

LAB 50.99, 14.63, -25.55

 

CMYK 0 / 18 / 52 / 26

HEX #BD9B5A

RGB 189 155 90

HSL 39.39, 0.43%, 0.55%

LAB 65.75, 4.49, 38.56

 

CMYK 0 / 4 / 52 / 26

HEX #BDB55A

RGB 189 181 90

HSL 55.15, 0.43%, 0.55%

LAB 72.63, -9.36, 46.82

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 23 / 0 / 52 / 26

HEX #91BD5A

RGB 145 189 90

HSL 86.67, 0.43%, 0.55%

LAB 71.66, -31.02, 44.87

 

CMYK 38 / 0 / 52 / 26

HEX #76BD5A

RGB 118 189 90

HSL 103.03, 0.43%, 0.55%

LAB 70.17, -40.64, 42.73

 

CMYK 11 / 0 / 60 / 45

HEX #7D8D38

RGB 125 141 56

HSL 71.29, 0.43%, 0.39%

LAB 55.78, -18.62, 42.4

 

CMYK 11 / 0 / 60 / 33

HEX #98AB44

RGB 152 171 68

HSL 71.07, 0.43%, 0.47%

LAB 66.69, -21.53, 49.54

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 7 / 0 / 40 / 21

HEX #BAC978

RGB 186 201 120

HSL 71.11, 0.43%, 0.63%

LAB 78.21, -17.75, 38.73

 

CMYK 6 / 0 / 30 / 16

HEX #C9D595

RGB 201 213 149

HSL 71.25, 0.43%, 0.71%

LAB 83.01, -14.42, 30.35

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 11 / 52 / 0 / 26

HEX #A85ABD

RGB 168 90 189

HSL 287.27, 0.43%, 0.55%

LAB 51.05, 47.56, -39.05

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

CMYK 52 / 10 / 0 / 26

HEX #5AABBD

RGB 90 171 189

HSL 190.91, 0.43%, 0.55%

LAB 65.73, -19.72, -16.83

 

CMYK 0 / 52 / 10 / 26

HEX #BD5AAB

RGB 189 90 171

HSL 310.91, 0.43%, 0.55%

LAB 53.03, 50.28, -25.3

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 43 / 52 / 0 / 26

HEX #6C5ABD

RGB 108 90 189

HSL 250.91, 0.43%, 0.55%

LAB 44.48, 31.79, -49.89

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5B

RGB 171 189 91

HSL 71.02, 0.43%, 0.55%

LAB 73.42, -20.75, 46.91

 

CMYK 52 / 0 / 16 / 26

HEX #5ABD9E

RGB 90 189 158

HSL 161.21, 0.43%, 0.55%

LAB 70.2, -36.57, 6.88

 

CMYK 43 / 52 / 0 / 26

HEX #6C5ABD

RGB 108 90 189

HSL 250.91, 0.43%, 0.55%

LAB 44.48, 31.79, -49.89

 

CMYK 0 / 52 / 35 / 26

HEX #BD5A7A

RGB 189 90 122

HSL 340.61, 0.43%, 0.55%

LAB 51.31, 43.18, 1.05

 

Description

Color code: RGB 171 189 91 | qconv.com Color code: RGB 171 189 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 189 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 189 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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