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Color name
RGB 171 167 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 167 94 it is the complementary color RGB 84 88 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 167 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 167 94 shade: RGB 176 167 89, RGB 193 185 108, RGB 210 203 127, RGB 227 221 146 and RGB 244 239 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 167 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 167 94 shade: RGB 171 167 94, RGB 154 149 75, RGB 137 131 56, RGB 120 113 37 and RGB 103 95 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 167 94 shade: RGB 170 166 94, RGB 170 146 94, RGB 170 125 94, RGB 170 105 94 and RGB 170 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 167 94 shade: RGB 170 166 94, RGB 154 170 94, RGB 133 170 94, RGB 113 170 94 and RGB 94 170 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 167 94 shade matches the following richer shades: RGB 170 166 94, RGB 190 184 74, RGB 210 202 55, RGB 229 219 35 and RGB 249 237 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 167 94 shade: RGB 170 166 94, RGB 150 148 114, RGB 130 131 134, RGB 111 113 154 and RGB 91 95 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 167 94 shade: RGB 170 125 94, RGB 170 145 94, RGB 170 165 94, RGB 155 170 94 and RGB 135 170 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 167 94 shade: RGB 119 116 63, RGB 146 143 77, RGB 170 166 94, RGB 184 181 121 and RGB 199 196 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 167 94 shade: RGB 171 167 94, RGB 94 170 104 and RGB 135 94 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 167 94 shade: RGB 171 167 94, RGB 94 170 165 and RGB 165 94 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 167 94 shade: RGB 171 167 94, RGB 94 170 104, RGB 94 99 170 and RGB 170 94 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 167 94 shade: RGB 171 167 94, RGB 94 170 127, RGB 94 99 170 and RGB 170 94 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

Complementary color

CMYK 48 / 45 / 0 / 37

HEX #5458A1

RGB 84 88 161

HSL 236.88, 0.31%, 0.48%

LAB 40.31, 18.68, -40.2

 

CMYK 0 / 5 / 49 / 31

HEX #B0A759

RGB 176 167 89

HSL 53.79, 0.36%, 0.52%

LAB 67.72, -7.57, 41.18

 

CMYK 0 / 4 / 44 / 24

HEX #C1B96C

RGB 193 185 108

HSL 54.35, 0.41%, 0.59%

LAB 74.27, -8.09, 39.96

 

CMYK 0 / 3 / 40 / 18

HEX #D2CB7F

RGB 210 203 127

HSL 54.94, 0.48%, 0.66%

LAB 80.71, -8.53, 38.75

 

CMYK 0 / 3 / 36 / 11

HEX #E3DD92

RGB 227 221 146

HSL 55.56, 0.59%, 0.73%

LAB 87.06, -8.89, 37.59

 

CMYK 0 / 2 / 32 / 4

HEX #F4EFA5

RGB 244 239 165

HSL 56.2, 0.78%, 0.8%

LAB 93.31, -9.21, 36.47

 

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

CMYK 0 / 3 / 51 / 40

HEX #9A954B

RGB 154 149 75

HSL 56.2, 0.34%, 0.45%

LAB 60.67, -8.65, 39.34

 

CMYK 0 / 4 / 59 / 46

HEX #898338

RGB 137 131 56

HSL 55.56, 0.42%, 0.38%

LAB 53.85, -7.99, 40.52

 

CMYK 0 / 6 / 69 / 53

HEX #787125

RGB 120 113 37

HSL 54.94, 0.53%, 0.31%

LAB 46.89, -7.12, 41.46

 

CMYK 0 / 8 / 83 / 60

HEX #675F12

RGB 103 95 18

HSL 54.35, 0.7%, 0.24%

LAB 39.77, -5.96, 41.67

 

CMYK 0 / 2 / 45 / 33

HEX #AAA65E

RGB 170 166 94

HSL 56.84, 0.31%, 0.52%

LAB 67, -9.06, 37.64

 

CMYK 0 / 14 / 45 / 33

HEX #AA925E

RGB 170 146 94

HSL 41.05, 0.31%, 0.52%

LAB 61.58, 1.74, 30.83

 

CMYK 0 / 26 / 45 / 33

HEX #AA7D5E

RGB 170 125 94

HSL 24.47, 0.31%, 0.52%

LAB 56.11, 13.47, 23.72

 

CMYK 0 / 38 / 45 / 33

HEX #AA695E

RGB 170 105 94

HSL 8.68, 0.31%, 0.52%

LAB 51.22, 24.75, 17.16

 

CMYK 0 / 45 / 45 / 33

HEX #AA5E5E

RGB 170 94 94

HSL 0, 0.31%, 0.52%

LAB 48.71, 30.84, 13.72

 

CMYK 0 / 2 / 45 / 33

HEX #AAA65E

RGB 170 166 94

HSL 56.84, 0.31%, 0.52%

LAB 67, -9.06, 37.64

 

CMYK 9 / 0 / 45 / 33

HEX #9AAA5E

RGB 154 170 94

HSL 72.63, 0.31%, 0.52%

LAB 66.85, -17.72, 37.18

 

CMYK 22 / 0 / 45 / 33

HEX #85AA5E

RGB 133 170 94

HSL 89.21, 0.31%, 0.52%

LAB 65.39, -25.97, 35.05

 

CMYK 34 / 0 / 45 / 33

HEX #71AA5E

RGB 113 170 94

HSL 105, 0.31%, 0.52%

LAB 64.22, -33.26, 33.32

 

CMYK 45 / 0 / 44 / 33

HEX #5EAA60

RGB 94 170 96

HSL 121.58, 0.31%, 0.52%

LAB 63.32, -39.14, 30.95

 

CMYK 0 / 2 / 45 / 33

HEX #AAA65E

RGB 170 166 94

HSL 56.84, 0.31%, 0.52%

LAB 67, -9.06, 37.64

 

CMYK 0 / 3 / 61 / 25

HEX #BEB84A

RGB 190 184 74

HSL 56.9, 0.47%, 0.52%

LAB 73.37, -11.72, 55.05

 

CMYK 0 / 4 / 74 / 18

HEX #D2CA37

RGB 210 202 55

HSL 56.9, 0.63%, 0.52%

LAB 79.74, -13.42, 69.4

 

CMYK 0 / 4 / 85 / 10

HEX #E5DB23

RGB 229 219 35

HSL 56.91, 0.79%, 0.52%

LAB 85.73, -14.51, 80.71

 

CMYK 0 / 5 / 94 / 2

HEX #F9ED0F

RGB 249 237 15

HSL 56.92, 0.95%, 0.52%

LAB 92.02, -15.27, 89.35

 

CMYK 0 / 2 / 45 / 33

HEX #AAA65E

RGB 170 166 94

HSL 56.84, 0.31%, 0.52%

LAB 67, -9.06, 37.64

 

CMYK 0 / 1 / 24 / 41

HEX #969472

RGB 150 148 114

HSL 56.67, 0.15%, 0.52%

LAB 60.67, -5.07, 18.29

 

CMYK 3 / 2 / 0 / 47

HEX #828386

RGB 130 131 134

HSL 225, 0.02%, 0.52%

LAB 54.76, 0.24, -1.75

 

CMYK 28 / 27 / 0 / 40

HEX #6F719A

RGB 111 113 154

HSL 237.21, 0.18%, 0.52%

LAB 48.91, 8.89, -22.41

 

CMYK 47 / 45 / 0 / 32

HEX #5B5FAD

RGB 91 95 173

HSL 237.07, 0.33%, 0.52%

LAB 43.4, 19.76, -42.35

 

CMYK 0 / 26 / 45 / 33

HEX #AA7D5E

RGB 170 125 94

HSL 24.47, 0.31%, 0.52%

LAB 56.11, 13.47, 23.72

 

CMYK 0 / 15 / 45 / 33

HEX #AA915E

RGB 170 145 94

HSL 40.26, 0.31%, 0.52%

LAB 61.31, 2.29, 30.49

 

CMYK 0 / 3 / 45 / 33

HEX #AAA55E

RGB 170 165 94

HSL 56.05, 0.31%, 0.52%

LAB 66.72, -8.53, 37.3

 

CMYK 9 / 0 / 45 / 33

HEX #9BAA5E

RGB 155 170 94

HSL 71.84, 0.31%, 0.52%

LAB 66.92, -17.31, 37.29

 

CMYK 21 / 0 / 45 / 33

HEX #87AA5E

RGB 135 170 94

HSL 87.63, 0.31%, 0.52%

LAB 65.52, -25.21, 35.24

 

CMYK 0 / 3 / 47 / 53

HEX #77743F

RGB 119 116 63

HSL 56.79, 0.31%, 0.36%

LAB 47.97, -7.04, 29.56

 

CMYK 0 / 2 / 47 / 43

HEX #928F4D

RGB 146 143 77

HSL 57.39, 0.31%, 0.44%

LAB 58.31, -8.66, 35.31

 

CMYK 0 / 2 / 45 / 33

HEX #AAA65E

RGB 170 166 94

HSL 56.84, 0.31%, 0.52%

LAB 67, -9.06, 37.64

 

CMYK 0 / 2 / 34 / 28

HEX #B8B579

RGB 184 181 121

HSL 57.14, 0.31%, 0.6%

LAB 72.64, -8.18, 31

 

CMYK 0 / 2 / 26 / 22

HEX #C7C494

RGB 199 196 148

HSL 56.47, 0.31%, 0.68%

LAB 78.32, -6.63, 24.54

 

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

CMYK 45 / 0 / 39 / 33

HEX #5EAA68

RGB 94 170 104

HSL 127.89, 0.31%, 0.52%

LAB 63.45, -37.85, 26.88

 

CMYK 21 / 45 / 0 / 33

HEX #875EAA

RGB 135 94 170

HSL 272.37, 0.31%, 0.52%

LAB 47.05, 31.69, -34.54

 

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

CMYK 45 / 0 / 3 / 33

HEX #5EAAA5

RGB 94 170 165

HSL 176.05, 0.31%, 0.52%

LAB 64.84, -24.78, -4.78

 

CMYK 3 / 45 / 0 / 33

HEX #A55EAA

RGB 165 94 170

HSL 296.05, 0.31%, 0.52%

LAB 50.58, 40.8, -28.77

 

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

CMYK 45 / 0 / 39 / 33

HEX #5EAA68

RGB 94 170 104

HSL 127.89, 0.31%, 0.52%

LAB 63.45, -37.85, 26.88

 

CMYK 45 / 42 / 0 / 33

HEX #5E63AA

RGB 94 99 170

HSL 236.05, 0.31%, 0.52%

LAB 44.53, 17.09, -38.78

 

CMYK 0 / 45 / 6 / 33

HEX #AA5EA0

RGB 170 94 160

HSL 307.89, 0.31%, 0.52%

LAB 50.79, 40.49, -22.52

 

CMYK 0 / 2 / 45 / 33

HEX #ABA75E

RGB 171 167 94

HSL 56.88, 0.31%, 0.52%

LAB 67.35, -9.17, 38.11

 

CMYK 45 / 0 / 25 / 33

HEX #5EAA7F

RGB 94 170 127

HSL 146.05, 0.31%, 0.52%

LAB 63.89, -33.57, 14.97

 

CMYK 45 / 42 / 0 / 33

HEX #5E63AA

RGB 94 99 170

HSL 236.05, 0.31%, 0.52%

LAB 44.53, 17.09, -38.78

 

CMYK 0 / 45 / 19 / 33

HEX #AA5E89

RGB 170 94 137

HSL 326.05, 0.31%, 0.52%

LAB 49.93, 36.6, -10.23

 

Description

Color code: RGB 171 167 94 | qconv.com Color code: RGB 171 167 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 167 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 167 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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