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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 151 83 it is the complementary color RGB 84 104 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 151 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 151 83 shade: RGB 176 151 78, RGB 193 169 97, RGB 210 187 116, RGB 227 205 135 and RGB 244 223 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 151 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 151 83 shade: RGB 171 151 83, RGB 154 133 64, RGB 137 115 45, RGB 120 97 26 and RGB 103 79 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 151 83 shade: RGB 172 151 82, RGB 172 127 82, RGB 172 103 82 and RGB 172 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 151 83 shade: RGB 172 151 82, RGB 168 172 82, RGB 144 172 82, RGB 120 172 82 and RGB 96 172 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 151 83 shade matches the following richer shades: RGB 172 151 82, RGB 192 163 62, RGB 213 174 41, RGB 234 185 20 and RGB 254 196 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 151 83 shade: RGB 172 151 82, RGB 151 140 103, RGB 130 129 124, RGB 110 118 144 and RGB 89 106 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 151 83 shade: RGB 172 103 82, RGB 172 127 82, RGB 172 151 82, RGB 169 172 82 and RGB 145 172 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 151 83 shade: RGB 116 102 56, RGB 144 127 69, RGB 172 151 82, RGB 185 168 110 and RGB 198 185 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 151 83 shade: RGB 171 151 83, RGB 85 172 82 and RGB 115 82 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 151 83 shade: RGB 171 151 83, RGB 82 172 151 and RGB 151 82 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 151 83 shade: RGB 171 151 83, RGB 85 172 82, RGB 82 103 172 and RGB 169 82 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 151 83 shade: RGB 171 151 83, RGB 82 172 106, RGB 82 103 172 and RGB 172 82 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

Complementary color

CMYK 51 / 40 / 0 / 33

HEX #5468AC

RGB 84 104 172

HSL 226.36, 0.35%, 0.5%

LAB 45.31, 12.12, -38.76

 

CMYK 0 / 14 / 56 / 31

HEX #B0974E

RGB 176 151 78

HSL 44.69, 0.39%, 0.5%

LAB 63.27, 0.05, 41.41

 

CMYK 0 / 12 / 50 / 24

HEX #C1A961

RGB 193 169 97

HSL 45, 0.44%, 0.57%

LAB 69.88, -0.73, 40.12

 

CMYK 0 / 11 / 45 / 18

HEX #D2BB74

RGB 210 187 116

HSL 45.32, 0.51%, 0.64%

LAB 76.38, -1.39, 38.85

 

CMYK 0 / 10 / 41 / 11

HEX #E3CD87

RGB 227 205 135

HSL 45.65, 0.62%, 0.71%

LAB 82.78, -1.95, 37.63

 

CMYK 0 / 9 / 37 / 4

HEX #F4DF9A

RGB 244 223 154

HSL 46, 0.8%, 0.78%

LAB 89.08, -2.43, 36.45

 

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

CMYK 0 / 14 / 58 / 40

HEX #9A8540

RGB 154 133 64

HSL 46, 0.41%, 0.43%

LAB 56.1, -0.85, 39.54

 

CMYK 0 / 16 / 67 / 46

HEX #89732D

RGB 137 115 45

HSL 45.65, 0.51%, 0.36%

LAB 49.22, 0.18, 40.72

 

CMYK 0 / 19 / 78 / 53

HEX #78611A

RGB 120 97 26

HSL 45.32, 0.64%, 0.29%

LAB 42.18, 1.49, 41.49

 

CMYK 0 / 23 / 93 / 60

HEX #674F07

RGB 103 79 7

HSL 45, 0.87%, 0.22%

LAB 34.98, 3.2, 41.1

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 40 / 52 / 33

HEX #AC6752

RGB 172 103 82

HSL 14, 0.35%, 0.5%

LAB 50.78, 25.46, 23.62

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 2 / 0 / 52 / 33

HEX #A8AC52

RGB 168 172 82

HSL 62.67, 0.35%, 0.5%

LAB 68.34, -14.18, 45.22

 

CMYK 16 / 0 / 52 / 33

HEX #90AC52

RGB 144 172 82

HSL 78.67, 0.35%, 0.5%

LAB 66.55, -24.03, 42.66

 

CMYK 30 / 0 / 52 / 33

HEX #78AC52

RGB 120 172 82

HSL 94.67, 0.35%, 0.5%

LAB 65.05, -33.22, 40.5

 

CMYK 44 / 0 / 52 / 33

HEX #60AC52

RGB 96 172 82

HSL 110.67, 0.35%, 0.5%

LAB 63.84, -41.38, 38.76

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 0 / 15 / 68 / 25

HEX #C0A33E

RGB 192 163 62

HSL 46.62, 0.51%, 0.5%

LAB 67.83, -0.59, 54.42

 

CMYK 0 / 18 / 81 / 16

HEX #D5AE29

RGB 213 174 41

HSL 46.4, 0.68%, 0.5%

LAB 72.61, 1.81, 67.52

 

CMYK 0 / 21 / 91 / 8

HEX #EAB914

RGB 234 185 20

HSL 46.26, 0.84%, 0.5%

LAB 77.42, 4.69, 77.18

 

CMYK 0 / 23 / 100 / 0

HEX #FEC400

RGB 254 196 0

HSL 46.3, 1%, 0.5%

LAB 82.14, 7.37, 83.75

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 0 / 7 / 32 / 41

HEX #978C67

RGB 151 140 103

HSL 46.25, 0.19%, 0.5%

LAB 58.33, -1.81, 21.29

 

CMYK 0 / 1 / 5 / 49

HEX #82817C

RGB 130 129 124

HSL 50, 0.02%, 0.5%

LAB 53.92, -0.59, 2.83

 

CMYK 24 / 18 / 0 / 44

HEX #6E7690

RGB 110 118 144

HSL 225.88, 0.13%, 0.5%

LAB 49.84, 3.03, -15.12

 

CMYK 46 / 36 / 0 / 35

HEX #596AA5

RGB 89 106 165

HSL 226.58, 0.3%, 0.5%

LAB 45.84, 9.91, -33.79

 

CMYK 0 / 40 / 52 / 33

HEX #AC6752

RGB 172 103 82

HSL 14, 0.35%, 0.5%

LAB 50.78, 25.46, 23.62

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 2 / 0 / 52 / 33

HEX #A9AC52

RGB 169 172 82

HSL 62, 0.35%, 0.5%

LAB 68.42, -13.76, 45.33

 

CMYK 16 / 0 / 52 / 33

HEX #91AC52

RGB 145 172 82

HSL 78, 0.35%, 0.5%

LAB 66.62, -23.63, 42.76

 

CMYK 0 / 12 / 52 / 55

HEX #746638

RGB 116 102 56

HSL 46, 0.35%, 0.34%

LAB 43.51, -1.1, 27.87

 

CMYK 0 / 12 / 52 / 44

HEX #907F45

RGB 144 127 69

HSL 46.4, 0.35%, 0.42%

LAB 53.53, -1.5, 33.66

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 0 / 9 / 41 / 27

HEX #B9A86E

RGB 185 168 110

HSL 46.4, 0.35%, 0.58%

LAB 69.07, -2.19, 32.19

 

CMYK 0 / 7 / 30 / 22

HEX #C6B98A

RGB 198 185 138

HSL 47, 0.34%, 0.66%

LAB 75.16, -2.6, 25.56

 

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

CMYK 51 / 0 / 52 / 33

HEX #55AC52

RGB 85 172 82

HSL 118, 0.35%, 0.5%

LAB 63.38, -44.65, 38.1

 

CMYK 33 / 52 / 0 / 33

HEX #7352AC

RGB 115 82 172

HSL 262, 0.35%, 0.5%

LAB 42.24, 33.58, -43.47

 

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

CMYK 52 / 0 / 12 / 33

HEX #52AC97

RGB 82 172 151

HSL 166, 0.35%, 0.5%

LAB 64.59, -32.14, 2.61

 

CMYK 12 / 52 / 0 / 33

HEX #9752AC

RGB 151 82 172

HSL 286, 0.35%, 0.5%

LAB 46.44, 43.48, -36.56

 

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

CMYK 51 / 0 / 52 / 33

HEX #55AC52

RGB 85 172 82

HSL 118, 0.35%, 0.5%

LAB 63.38, -44.65, 38.1

 

CMYK 52 / 40 / 0 / 33

HEX #5267AC

RGB 82 103 172

HSL 226, 0.35%, 0.5%

LAB 44.9, 12.27, -39.41

 

CMYK 2 / 52 / 0 / 33

HEX #A952AC

RGB 169 82 172

HSL 298, 0.35%, 0.5%

LAB 48.82, 48.58, -32.65

 

CMYK 0 / 12 / 51 / 33

HEX #AB9753

RGB 171 151 83

HSL 46.36, 0.35%, 0.5%

LAB 62.86, -1.67, 38.25

 

CMYK 52 / 0 / 38 / 33

HEX #52AC6A

RGB 82 172 106

HSL 136, 0.35%, 0.5%

LAB 63.62, -41.73, 25.95

 

CMYK 52 / 40 / 0 / 33

HEX #5267AC

RGB 82 103 172

HSL 226, 0.35%, 0.5%

LAB 44.9, 12.27, -39.41

 

CMYK 0 / 52 / 14 / 33

HEX #AC5294

RGB 172 82 148

HSL 316, 0.35%, 0.5%

LAB 48.19, 45.28, -19.4

 

Description

Color code: RGB 171 151 83 | qconv.com Color code: RGB 171 151 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 151 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 151 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 51% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - 【高音質版】スガシカオ - Progre...
Link: http://www.nicovideo.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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