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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 109 211 it is the complementary color RGB 84 146 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 109 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 109 211 shade: RGB 176 109 206, RGB 193 127 225, RGB 210 145 244, RGB 227 163 255 and RGB 244 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 109 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 154 91 192, RGB 137 73 173, RGB 120 55 154 and RGB 103 37 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 199 109 211, RGB 211 109 196, RGB 211 109 169 and RGB 211 109 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 144 109 211, RGB 116 109 211 and RGB 109 109 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 109 211 shade matches the following richer shades: RGB 171 109 211, RGB 174 94 226 and RGB 178 79 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 168 124 196, RGB 165 140 181, RGB 161 155 165 and RGB 158 170 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 109 211 shade: RGB 116 109 211, RGB 143 109 211, RGB 170 109 211, RGB 198 109 211 and RGB 211 109 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 109 211 shade: RGB 133 54 183, RGB 153 77 202, RGB 171 109 211, RGB 189 141 221 and RGB 208 173 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 211 109 130 and RGB 109 211 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 211 170 109 and RGB 109 211 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 211 109 130, RGB 150 211 109 and RGB 109 211 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 109 211 shade: RGB 171 109 211, RGB 211 119 109, RGB 150 211 109 and RGB 109 201 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

Complementary color

CMYK 42 / 0 / 70 / 43

HEX #54922C

RGB 84 146 44

HSL 96.47, 0.54%, 0.37%

LAB 54.68, -38.18, 45.8

 

CMYK 15 / 47 / 0 / 19

HEX #B06DCE

RGB 176 109 206

HSL 281.44, 0.5%, 0.62%

LAB 56.71, 43.32, -39.81

 

CMYK 14 / 44 / 0 / 12

HEX #C17FE1

RGB 193 127 225

HSL 280.41, 0.62%, 0.69%

LAB 63.3, 42.52, -40

 

CMYK 14 / 41 / 0 / 4

HEX #D291F4

RGB 210 145 244

HSL 279.39, 0.82%, 0.76%

LAB 69.81, 41.75, -40.16

 

CMYK 11 / 36 / 0 / 0

HEX #E3A3FF

RGB 227 163 255

HSL 281.74, 1%, 0.82%

LAB 75.91, 39.37, -36.52

 

CMYK 4 / 29 / 0 / 0

HEX #F4B5FF

RGB 244 181 255

HSL 291.08, 1%, 0.85%

LAB 81.57, 35, -27.67

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 20 / 53 / 0 / 25

HEX #9A5BC0

RGB 154 91 192

HSL 277.43, 0.44%, 0.55%

LAB 49.69, 43.84, -43.05

 

CMYK 21 / 58 / 0 / 32

HEX #8949AD

RGB 137 73 173

HSL 278.4, 0.41%, 0.48%

LAB 42.91, 44.65, -42.84

 

CMYK 22 / 64 / 0 / 40

HEX #78379A

RGB 120 55 154

HSL 279.39, 0.47%, 0.41%

LAB 36.1, 45.31, -42.5

 

CMYK 24 / 73 / 0 / 47

HEX #672587

RGB 103 37 135

HSL 280.41, 0.57%, 0.34%

LAB 29.3, 45.62, -41.88

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 6 / 48 / 0 / 17

HEX #C76DD3

RGB 199 109 211

HSL 292.94, 0.54%, 0.63%

LAB 59.69, 50.86, -37.76

 

CMYK 0 / 48 / 7 / 17

HEX #D36DC4

RGB 211 109 196

HSL 308.82, 0.54%, 0.63%

LAB 60.58, 51.65, -27.78

 

CMYK 0 / 48 / 20 / 17

HEX #D36DA9

RGB 211 109 169

HSL 324.71, 0.54%, 0.63%

LAB 59.57, 47.37, -13.88

 

CMYK 0 / 48 / 33 / 17

HEX #D36D8D

RGB 211 109 141

HSL 341.18, 0.54%, 0.63%

LAB 58.7, 43.54, 1.02

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 32 / 48 / 0 / 17

HEX #906DD3

RGB 144 109 211

HSL 260.59, 0.54%, 0.63%

LAB 53.57, 35.69, -47.83

 

CMYK 45 / 48 / 0 / 17

HEX #746DD3

RGB 116 109 211

HSL 244.12, 0.54%, 0.63%

LAB 51.1, 28.69, -51.91

 

CMYK 48 / 48 / 0 / 17

HEX #6D6DD3

RGB 109 109 211

HSL 240, 0.54%, 0.63%

LAB 50.56, 27.07, -52.8

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 23 / 58 / 0 / 11

HEX #AE5EE2

RGB 174 94 226

HSL 276.36, 0.69%, 0.63%

LAB 54.55, 54.93, -54.55

 

CMYK 26 / 67 / 0 / 5

HEX #B24FF2

RGB 178 79 242

HSL 276.44, 0.86%, 0.63%

LAB 53.46, 66.3, -65.25

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 14 / 37 / 0 / 23

HEX #A87CC4

RGB 168 124 196

HSL 276.67, 0.38%, 0.63%

LAB 58.72, 30.49, -31.06

 

CMYK 9 / 23 / 0 / 29

HEX #A58CB5

RGB 165 140 181

HSL 276.59, 0.22%, 0.63%

LAB 61.73, 17.2, -17.95

 

CMYK 2 / 6 / 0 / 35

HEX #A19BA5

RGB 161 155 165

HSL 276, 0.05%, 0.63%

LAB 64.75, 4.1, -4.44

 

CMYK 7 / 0 / 12 / 33

HEX #9EAA96

RGB 158 170 150

HSL 96, 0.11%, 0.63%

LAB 68.18, -7.99, 8.87

 

CMYK 45 / 48 / 0 / 17

HEX #746DD3

RGB 116 109 211

HSL 244.12, 0.54%, 0.63%

LAB 51.1, 28.69, -51.91

 

CMYK 32 / 48 / 0 / 17

HEX #8F6DD3

RGB 143 109 211

HSL 260, 0.54%, 0.63%

LAB 53.47, 35.43, -47.99

 

CMYK 19 / 48 / 0 / 17

HEX #AA6DD3

RGB 170 109 211

HSL 275.88, 0.54%, 0.63%

LAB 56.27, 42.73, -43.37

 

CMYK 6 / 48 / 0 / 17

HEX #C66DD3

RGB 198 109 211

HSL 292.35, 0.54%, 0.63%

LAB 59.57, 50.57, -37.97

 

CMYK 0 / 48 / 6 / 17

HEX #D36DC6

RGB 211 109 198

HSL 307.65, 0.54%, 0.63%

LAB 60.66, 51.99, -28.78

 

CMYK 27 / 70 / 0 / 28

HEX #8536B7

RGB 133 54 183

HSL 276.74, 0.54%, 0.46%

LAB 39.65, 55.21, -54.01

 

CMYK 24 / 62 / 0 / 21

HEX #994DCA

RGB 153 77 202

HSL 276.48, 0.54%, 0.55%

LAB 47.42, 53.07, -52.44

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 14 / 36 / 0 / 13

HEX #BD8DDD

RGB 189 141 221

HSL 276, 0.54%, 0.71%

LAB 65.82, 32.84, -33.89

 

CMYK 10 / 25 / 0 / 10

HEX #D0ADE6

RGB 208 173 230

HSL 276.84, 0.53%, 0.79%

LAB 75.46, 23.04, -23.84

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 0 / 48 / 38 / 17

HEX #D36D82

RGB 211 109 130

HSL 347.65, 0.54%, 0.63%

LAB 58.41, 42.23, 6.99

 

CMYK 48 / 0 / 38 / 17

HEX #6DD382

RGB 109 211 130

HSL 132.35, 0.54%, 0.63%

LAB 76.95, -47.01, 31.17

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 0 / 19 / 48 / 17

HEX #D3AA6D

RGB 211 170 109

HSL 35.88, 0.54%, 0.63%

LAB 72.03, 7.35, 36.99

 

CMYK 48 / 0 / 19 / 17

HEX #6DD3AA

RGB 109 211 170

HSL 155.88, 0.54%, 0.63%

LAB 77.72, -39.37, 11.23

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 0 / 48 / 38 / 17

HEX #D36D82

RGB 211 109 130

HSL 347.65, 0.54%, 0.63%

LAB 58.41, 42.23, 6.99

 

CMYK 29 / 0 / 48 / 17

HEX #96D36D

RGB 150 211 109

HSL 95.88, 0.54%, 0.63%

LAB 78.56, -37.23, 44.12

 

CMYK 48 / 0 / 9 / 17

HEX #6DD3BF

RGB 109 211 191

HSL 168.24, 0.54%, 0.63%

LAB 78.23, -34.6, 0.73

 

CMYK 19 / 48 / 0 / 17

HEX #AB6DD3

RGB 171 109 211

HSL 276.47, 0.54%, 0.63%

LAB 56.39, 43, -43.19

 

CMYK 0 / 44 / 48 / 17

HEX #D3776D

RGB 211 119 109

HSL 5.88, 0.54%, 0.63%

LAB 60.02, 34.83, 21.32

 

CMYK 29 / 0 / 48 / 17

HEX #96D36D

RGB 150 211 109

HSL 95.88, 0.54%, 0.63%

LAB 78.56, -37.23, 44.12

 

CMYK 48 / 5 / 0 / 17

HEX #6DC9D3

RGB 109 201 211

HSL 185.88, 0.54%, 0.63%

LAB 75.9, -24.74, -13.48

 

Description

Color code: RGB 171 109 211 | qconv.com Color code: RGB 171 109 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 109 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 109 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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