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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 3 42 it is the complementary color RGB 84 252 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 3 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 3 42 shade: RGB 176 3 37, RGB 193 21 56, RGB 210 39 75, RGB 227 57 94 and RGB 244 75 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 3 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 3 42 shade: RGB 171 3 42, RGB 154 0 23, RGB 137 0 4, RGB 120 0 0 and RGB 103 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 3 42 shade: RGB 170 2 41 and RGB 170 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 3 42 shade: RGB 170 2 41, RGB 170 2 87, RGB 170 2 132, RGB 163 2 170 and RGB 118 2 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 3 42 shade matches the following richer shades: RGB 170 2 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 3 42 shade: RGB 170 2 41, RGB 156 16 49, RGB 142 30 56, RGB 128 44 64 and RGB 114 58 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 3 42 shade: RGB 170 2 131, RGB 170 2 86, RGB 170 2 41, RGB 170 8 2 and RGB 170 53 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 3 42 shade: RGB 89 1 21, RGB 130 1 31, RGB 170 2 41, RGB 211 3 51 and RGB 251 4 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 3 42 shade: RGB 171 3 42, RGB 170 165 2 and RGB 2 109 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 3 42 shade: RGB 171 3 42, RGB 41 170 2 and RGB 2 41 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 3 42 shade: RGB 171 3 42, RGB 170 165 2, RGB 2 170 131 and RGB 2 8 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 3 42 shade: RGB 171 3 42, RGB 125 170 2, RGB 2 170 131 and RGB 47 2 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

Complementary color

CMYK 67 / 0 / 15 / 1

HEX #54FCD5

RGB 84 252 213

HSL 166.07, 0.97%, 0.66%

LAB 90, -52, 6.12

 

CMYK 0 / 98 / 79 / 31

HEX #B00325

RGB 176 3 37

HSL 348.21, 0.97%, 0.35%

LAB 36.8, 60.99, 33.38

 

CMYK 0 / 89 / 71 / 24

HEX #C11538

RGB 193 21 56

HSL 347.79, 0.8%, 0.42%

LAB 41.47, 63.75, 28.05

 

CMYK 0 / 81 / 64 / 18

HEX #D2274B

RGB 210 39 75

HSL 347.37, 0.69%, 0.49%

LAB 46.53, 65.44, 23.44

 

CMYK 0 / 75 / 59 / 11

HEX #E3395E

RGB 227 57 94

HSL 346.94, 0.75%, 0.56%

LAB 51.91, 66.21, 19.6

 

CMYK 0 / 69 / 54 / 4

HEX #F44B71

RGB 244 75 113

HSL 346.51, 0.88%, 0.63%

LAB 57.52, 66.37, 16.42

 

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

CMYK 0 / 100 / 85 / 40

HEX #9A0017

RGB 154 0 23

HSL 351.04, 1%, 0.3%

LAB 31.65, 55.36, 34.88

 

CMYK 0 / 100 / 97 / 46

HEX #890004

RGB 137 0 4

HSL 358.25, 1%, 0.27%

LAB 27.65, 50.54, 39.11

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 99 / 99 / 33

HEX #AA0202

RGB 170 2 2

HSL 0, 0.98%, 0.34%

LAB 35.19, 58.9, 48.65

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 99 / 49 / 33

HEX #AA0257

RGB 170 2 87

HSL 329.64, 0.98%, 0.34%

LAB 36.51, 62.47, 0.78

 

CMYK 0 / 99 / 22 / 33

HEX #AA0284

RGB 170 2 132

HSL 313.57, 0.98%, 0.34%

LAB 38.3, 67.1, -25

 

CMYK 4 / 99 / 0 / 33

HEX #A302AA

RGB 163 2 170

HSL 297.5, 0.98%, 0.34%

LAB 39.13, 71.15, -46.9

 

CMYK 31 / 99 / 0 / 33

HEX #7602AA

RGB 118 2 170

HSL 281.43, 0.98%, 0.34%

LAB 31.34, 64.63, -59.88

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 90 / 69 / 39

HEX #9C1031

RGB 156 16 49

HSL 345.86, 0.81%, 0.34%

LAB 33.27, 54.51, 20.61

 

CMYK 0 / 79 / 61 / 44

HEX #8E1E38

RGB 142 30 56

HSL 346.07, 0.65%, 0.34%

LAB 31.73, 47.42, 13.47

 

CMYK 0 / 66 / 50 / 50

HEX #802C40

RGB 128 44 64

HSL 345.71, 0.49%, 0.34%

LAB 31.26, 37.95, 7.14

 

CMYK 0 / 49 / 38 / 55

HEX #723A47

RGB 114 58 71

HSL 346.07, 0.33%, 0.34%

LAB 31.94, 26.13, 3.23

 

CMYK 0 / 99 / 23 / 33

HEX #AA0283

RGB 170 2 131

HSL 313.93, 0.98%, 0.34%

LAB 38.25, 66.97, -24.46

 

CMYK 0 / 99 / 49 / 33

HEX #AA0256

RGB 170 2 86

HSL 330, 0.98%, 0.34%

LAB 36.48, 62.39, 1.38

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 95 / 99 / 33

HEX #AA0802

RGB 170 8 2

HSL 2.14, 0.98%, 0.34%

LAB 35.45, 58.15, 48.78

 

CMYK 0 / 69 / 99 / 33

HEX #AA3502

RGB 170 53 2

HSL 18.21, 0.98%, 0.34%

LAB 39.74, 46.12, 50.9

 

CMYK 0 / 99 / 76 / 65

HEX #590115

RGB 89 1 21

HSL 346.36, 0.98%, 0.18%

LAB 16.5, 37.6, 15.45

 

CMYK 0 / 99 / 76 / 49

HEX #82011F

RGB 130 1 31

HSL 346.05, 0.98%, 0.26%

LAB 26.35, 49.2, 22.67

 

CMYK 0 / 99 / 76 / 33

HEX #AA0229

RGB 170 2 41

HSL 346.07, 0.98%, 0.34%

LAB 35.5, 59.74, 29.13

 

CMYK 0 / 99 / 76 / 17

HEX #D30333

RGB 211 3 51

HSL 346.15, 0.97%, 0.42%

LAB 44.45, 70.11, 35.52

 

CMYK 0 / 98 / 76 / 2

HEX #FB043D

RGB 251 4 61

HSL 346.15, 0.97%, 0.5%

LAB 52.88, 79.89, 41.35

 

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

CMYK 0 / 3 / 99 / 33

HEX #AAA502

RGB 170 165 2

HSL 58.21, 0.98%, 0.34%

LAB 66.11, -13.31, 68.45

 

CMYK 99 / 36 / 0 / 33

HEX #026DAA

RGB 2 109 170

HSL 201.79, 0.98%, 0.34%

LAB 44.02, -2.76, -39.79

 

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

CMYK 76 / 0 / 99 / 33

HEX #29AA02

RGB 41 170 2

HSL 106.07, 0.98%, 0.34%

LAB 60.98, -59.82, 61.62

 

CMYK 99 / 76 / 0 / 33

HEX #0229AA

RGB 2 41 170

HSL 226.07, 0.98%, 0.34%

LAB 25.26, 41.93, -70.25

 

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

CMYK 0 / 3 / 99 / 33

HEX #AAA502

RGB 170 165 2

HSL 58.21, 0.98%, 0.34%

LAB 66.11, -13.31, 68.45

 

CMYK 99 / 0 / 23 / 33

HEX #02AA83

RGB 2 170 131

HSL 166.07, 0.98%, 0.34%

LAB 62, -46.45, 9.82

 

CMYK 99 / 95 / 0 / 33

HEX #0208AA

RGB 2 8 170

HSL 237.86, 0.98%, 0.34%

LAB 20.4, 56.31, -78.35

 

CMYK 0 / 98 / 75 / 33

HEX #AB032A

RGB 171 3 42

HSL 346.07, 0.97%, 0.34%

LAB 35.77, 59.9, 28.87

 

CMYK 26 / 0 / 99 / 33

HEX #7DAA02

RGB 125 170 2

HSL 76.07, 0.98%, 0.34%

LAB 64.25, -35.05, 65.6

 

CMYK 99 / 0 / 23 / 33

HEX #02AA83

RGB 2 170 131

HSL 166.07, 0.98%, 0.34%

LAB 62, -46.45, 9.82

 

CMYK 72 / 99 / 0 / 33

HEX #2F02AA

RGB 47 2 170

HSL 256.07, 0.98%, 0.34%

LAB 22.12, 58.82, -75.41

 

Description

Color code: RGB 171 3 42 | qconv.com Color code: RGB 171 3 42 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 3 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 3 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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