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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 95 44 it is the complementary color RGB 85 160 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 95 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 95 44 shade: RGB 175 95 39, RGB 192 113 58, RGB 209 131 77, RGB 226 149 96 and RGB 243 167 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 95 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 95 44 shade: RGB 170 95 44, RGB 153 77 25, RGB 136 59 6, RGB 119 41 0 and RGB 102 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 95 44 shade: RGB 170 95 43, RGB 170 60 43 and RGB 170 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 95 44 shade: RGB 170 95 43, RGB 170 129 43, RGB 170 163 43, RGB 143 170 43 and RGB 109 170 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 95 44 shade matches the following richer shades: RGB 170 95 43, RGB 187 91 26 and RGB 204 88 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 95 44 shade: RGB 170 95 43, RGB 152 98 61, RGB 135 101 78, RGB 118 104 95 and RGB 100 108 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 95 44 shade: RGB 170 43 60, RGB 170 60 43, RGB 170 94 43, RGB 170 128 43 and RGB 170 161 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 95 44 shade: RGB 104 58 26, RGB 137 76 35, RGB 170 95 43, RGB 202 113 52 and RGB 211 136 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 95 44 shade: RGB 170 95 44, RGB 94 170 43 and RGB 43 43 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 95 44 shade: RGB 170 95 44, RGB 43 170 94 and RGB 94 43 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 95 44 shade: RGB 170 95 44, RGB 94 170 43, RGB 43 119 170 and RGB 119 43 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 95 44 shade: RGB 170 95 44, RGB 56 170 43, RGB 43 119 170 and RGB 157 43 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

Complementary color

CMYK 60 / 24 / 0 / 17

HEX #55A0D3

RGB 85 160 211

HSL 204.29, 0.59%, 0.58%

LAB 63.16, -8.21, -33.02

 

CMYK 0 / 46 / 78 / 31

HEX #AF5F27

RGB 175 95 39

HSL 24.71, 0.64%, 0.42%

LAB 48.82, 28.26, 44.61

 

CMYK 0 / 41 / 70 / 25

HEX #C0713A

RGB 192 113 58

HSL 24.63, 0.54%, 0.49%

LAB 55.4, 26.53, 42.96

 

CMYK 0 / 37 / 63 / 18

HEX #D1834D

RGB 209 131 77

HSL 24.55, 0.59%, 0.56%

LAB 61.93, 25.01, 41.25

 

CMYK 0 / 34 / 58 / 11

HEX #E29560

RGB 226 149 96

HSL 24.46, 0.69%, 0.63%

LAB 68.39, 23.68, 39.6

 

CMYK 0 / 31 / 53 / 5

HEX #F3A773

RGB 243 167 115

HSL 24.38, 0.84%, 0.7%

LAB 74.78, 22.5, 38.05

 

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

CMYK 0 / 50 / 84 / 40

HEX #994D19

RGB 153 77 25

HSL 24.38, 0.72%, 0.35%

LAB 41.45, 28.24, 42.8

 

CMYK 0 / 57 / 96 / 47

HEX #883B06

RGB 136 59 6

HSL 24.46, 0.92%, 0.28%

LAB 34.75, 30.32, 43.38

 

CMYK 0 / 66 / 100 / 53

HEX #772900

RGB 119 41 0

HSL 20.67, 1%, 0.23%

LAB 28.14, 32.48, 39.64

 

CMYK 0 / 77 / 100 / 60

HEX #661700

RGB 102 23 0

HSL 13.53, 1%, 0.2%

LAB 21.72, 34.11, 32.32

 

CMYK 0 / 44 / 75 / 33

HEX #AA5F2B

RGB 170 95 43

HSL 24.57, 0.6%, 0.42%

LAB 48.14, 26.31, 41.77

 

CMYK 0 / 65 / 75 / 33

HEX #AA3C2B

RGB 170 60 43

HSL 8.03, 0.6%, 0.42%

LAB 41.14, 44.15, 34.26

 

CMYK 0 / 75 / 75 / 33

HEX #AA2B2B

RGB 170 43 43

HSL 0, 0.6%, 0.42%

LAB 38.64, 50.98, 31.47

 

CMYK 0 / 44 / 75 / 33

HEX #AA5F2B

RGB 170 95 43

HSL 24.57, 0.6%, 0.42%

LAB 48.14, 26.31, 41.77

 

CMYK 0 / 24 / 75 / 33

HEX #AA812B

RGB 170 129 43

HSL 40.63, 0.6%, 0.42%

LAB 56.51, 7.25, 50.24

 

CMYK 0 / 4 / 75 / 33

HEX #AAA32B

RGB 170 163 43

HSL 56.69, 0.6%, 0.42%

LAB 65.68, -11.23, 59.07

 

CMYK 16 / 0 / 75 / 33

HEX #8FAA2B

RGB 143 170 43

HSL 72.76, 0.6%, 0.42%

LAB 65.56, -26.42, 58.22

 

CMYK 36 / 0 / 75 / 33

HEX #6DAA2B

RGB 109 170 43

HSL 88.82, 0.6%, 0.42%

LAB 63.49, -39.78, 55.49

 

CMYK 0 / 44 / 75 / 33

HEX #AA5F2B

RGB 170 95 43

HSL 24.57, 0.6%, 0.42%

LAB 48.14, 26.31, 41.77

 

CMYK 0 / 51 / 86 / 27

HEX #BB5B1A

RGB 187 91 26

HSL 24.22, 0.76%, 0.42%

LAB 49.64, 34.92, 51.54

 

CMYK 0 / 57 / 96 / 20

HEX #CC5809

RGB 204 88 9

HSL 24.31, 0.92%, 0.42%

LAB 51.65, 42.83, 59.14

 

CMYK 0 / 44 / 75 / 33

HEX #AA5F2B

RGB 170 95 43

HSL 24.57, 0.6%, 0.42%

LAB 48.14, 26.31, 41.77

 

CMYK 0 / 36 / 60 / 40

HEX #98623D

RGB 152 98 61

HSL 24.4, 0.43%, 0.42%

LAB 46.64, 17.97, 29.85

 

CMYK 0 / 25 / 42 / 47

HEX #87654E

RGB 135 101 78

HSL 24.21, 0.27%, 0.42%

LAB 45.65, 10.48, 18.33

 

CMYK 0 / 12 / 19 / 54

HEX #76685F

RGB 118 104 95

HSL 23.48, 0.11%, 0.42%

LAB 45.05, 3.93, 7.09

 

CMYK 12 / 4 / 0 / 56

HEX #646C71

RGB 100 108 113

HSL 203.08, 0.06%, 0.42%

LAB 45.12, -1.93, -3.84

 

CMYK 0 / 75 / 65 / 33

HEX #AA2B3C

RGB 170 43 60

HSL 351.97, 0.6%, 0.42%

LAB 38.9, 51.86, 21.36

 

CMYK 0 / 65 / 75 / 33

HEX #AA3C2B

RGB 170 60 43

HSL 8.03, 0.6%, 0.42%

LAB 41.14, 44.15, 34.26

 

CMYK 0 / 45 / 75 / 33

HEX #AA5E2B

RGB 170 94 43

HSL 24.09, 0.6%, 0.42%

LAB 47.91, 26.86, 41.53

 

CMYK 0 / 25 / 75 / 33

HEX #AA802B

RGB 170 128 43

HSL 40.16, 0.6%, 0.42%

LAB 56.25, 7.81, 49.99

 

CMYK 0 / 5 / 75 / 33

HEX #AAA12B

RGB 170 161 43

HSL 55.75, 0.6%, 0.42%

LAB 65.13, -10.18, 58.55

 

CMYK 0 / 44 / 75 / 59

HEX #683A1A

RGB 104 58 26

HSL 24.62, 0.6%, 0.25%

LAB 29.52, 17.36, 27.98

 

CMYK 0 / 45 / 74 / 46

HEX #894C23

RGB 137 76 35

HSL 24.12, 0.59%, 0.34%

LAB 38.91, 22.26, 34.66

 

CMYK 0 / 44 / 75 / 33

HEX #AA5F2B

RGB 170 95 43

HSL 24.57, 0.6%, 0.42%

LAB 48.14, 26.31, 41.77

 

CMYK 0 / 44 / 74 / 21

HEX #CA7134

RGB 202 113 52

HSL 24.4, 0.59%, 0.5%

LAB 56.7, 30.38, 47.69

 

CMYK 0 / 36 / 60 / 17

HEX #D38855

RGB 211 136 85

HSL 24.29, 0.59%, 0.58%

LAB 63.44, 23.69, 38.92

 

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

CMYK 45 / 0 / 75 / 33

HEX #5EAA2B

RGB 94 170 43

HSL 95.91, 0.6%, 0.42%

LAB 62.76, -44.97, 54.54

 

CMYK 75 / 75 / 0 / 33

HEX #2B2BAA

RGB 43 43 170

HSL 240, 0.6%, 0.42%

LAB 27.14, 42.92, -67.1

 

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

CMYK 75 / 0 / 45 / 33

HEX #2BAA5E

RGB 43 170 94

HSL 144.09, 0.6%, 0.42%

LAB 61.72, -51.12, 29.61

 

CMYK 45 / 75 / 0 / 33

HEX #5E2BAA

RGB 94 43 170

HSL 264.09, 0.6%, 0.42%

LAB 31.83, 49.7, -59.22

 

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

CMYK 45 / 0 / 75 / 33

HEX #5EAA2B

RGB 94 170 43

HSL 95.91, 0.6%, 0.42%

LAB 62.76, -44.97, 54.54

 

CMYK 75 / 30 / 0 / 33

HEX #2B77AA

RGB 43 119 170

HSL 204.09, 0.6%, 0.42%

LAB 47.76, -5.56, -33.84

 

CMYK 30 / 75 / 0 / 33

HEX #772BAA

RGB 119 43 170

HSL 275.91, 0.6%, 0.42%

LAB 35.11, 54.21, -53.74

 

CMYK 0 / 44 / 74 / 33

HEX #AA5F2C

RGB 170 95 44

HSL 24.29, 0.59%, 0.42%

LAB 48.15, 26.36, 41.28

 

CMYK 67 / 0 / 75 / 33

HEX #38AA2B

RGB 56 170 43

HSL 113.86, 0.6%, 0.42%

LAB 61.45, -55.24, 52.79

 

CMYK 75 / 30 / 0 / 33

HEX #2B77AA

RGB 43 119 170

HSL 204.09, 0.6%, 0.42%

LAB 47.76, -5.56, -33.84

 

CMYK 8 / 75 / 0 / 33

HEX #9D2BAA

RGB 157 43 170

HSL 293.86, 0.6%, 0.42%

LAB 40.89, 61.88, -44.12

 

Description

Color code: RGB 170 95 44 | qconv.com Color code: RGB 170 95 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 95 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 95 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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