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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 91 146 it is the complementary color RGB 85 164 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 91 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 91 146 shade: RGB 175 91 141, RGB 192 109 160, RGB 209 127 179, RGB 226 145 198 and RGB 243 163 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 91 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 91 146 shade: RGB 170 91 146, RGB 153 73 127, RGB 136 55 108, RGB 119 37 89 and RGB 102 19 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 91 146 shade: RGB 170 90 145, RGB 170 90 124, RGB 170 90 102 and RGB 170 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 91 146 shade: RGB 170 90 145, RGB 170 90 167, RGB 151 90 170, RGB 129 90 170 and RGB 108 90 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 91 146 shade matches the following richer shades: RGB 170 90 145, RGB 190 69 153, RGB 210 49 161, RGB 230 29 169 and RGB 250 9 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 91 146 shade: RGB 170 90 145, RGB 149 110 137, RGB 129 130 129, RGB 109 150 121 and RGB 89 170 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 91 146 shade: RGB 151 90 170, RGB 170 90 167, RGB 170 90 146, RGB 170 90 124 and RGB 170 90 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 91 146 shade: RGB 117 60 99, RGB 144 74 123, RGB 170 90 145, RGB 184 117 163 and RGB 198 144 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 91 146 shade: RGB 170 91 146, RGB 170 130 90 and RGB 90 170 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 91 146 shade: RGB 170 91 146, RGB 146 170 90 and RGB 90 146 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 91 146 shade: RGB 170 91 146, RGB 170 130 90, RGB 90 170 114 and RGB 90 130 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 91 146 shade: RGB 170 91 146, RGB 170 154 90, RGB 90 170 114 and RGB 90 106 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

Complementary color

CMYK 48 / 0 / 34 / 36

HEX #55A46D

RGB 85 164 109

HSL 138.23, 0.32%, 0.49%

LAB 61.3, -36.86, 21.24

 

CMYK 0 / 48 / 19 / 31

HEX #AF5B8D

RGB 175 91 141

HSL 324.29, 0.34%, 0.52%

LAB 50.12, 40.52, -12.26

 

CMYK 0 / 43 / 17 / 25

HEX #C06DA0

RGB 192 109 160

HSL 323.13, 0.4%, 0.59%

LAB 56.76, 39.73, -13.16

 

CMYK 0 / 39 / 14 / 18

HEX #D17FB3

RGB 209 127 179

HSL 321.95, 0.47%, 0.66%

LAB 63.33, 38.95, -13.95

 

CMYK 0 / 36 / 12 / 11

HEX #E291C6

RGB 226 145 198

HSL 320.74, 0.58%, 0.73%

LAB 69.82, 38.18, -14.64

 

CMYK 0 / 33 / 11 / 5

HEX #F3A3D9

RGB 243 163 217

HSL 319.5, 0.77%, 0.8%

LAB 76.23, 37.45, -15.27

 

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

CMYK 0 / 52 / 17 / 40

HEX #99497F

RGB 153 73 127

HSL 319.5, 0.35%, 0.44%

LAB 42.87, 40.4, -15.11

 

CMYK 0 / 60 / 21 / 47

HEX #88376C

RGB 136 55 108

HSL 320.74, 0.42%, 0.37%

LAB 36.08, 40.99, -13.92

 

CMYK 0 / 69 / 25 / 53

HEX #772559

RGB 119 37 89

HSL 321.95, 0.53%, 0.31%

LAB 29.33, 41.23, -12.3

 

CMYK 0 / 81 / 31 / 60

HEX #661346

RGB 102 19 70

HSL 323.13, 0.69%, 0.24%

LAB 22.77, 40.65, -9.92

 

CMYK 0 / 47 / 15 / 33

HEX #AA5A91

RGB 170 90 145

HSL 318.75, 0.32%, 0.51%

LAB 49.38, 40.02, -15.82

 

CMYK 0 / 47 / 27 / 33

HEX #AA5A7C

RGB 170 90 124

HSL 334.5, 0.32%, 0.51%

LAB 48.65, 36.79, -4.36

 

CMYK 0 / 47 / 40 / 33

HEX #AA5A66

RGB 170 90 102

HSL 351, 0.32%, 0.51%

LAB 48.03, 33.92, 7.97

 

CMYK 0 / 47 / 47 / 33

HEX #AA5A5A

RGB 170 90 90

HSL 0, 0.32%, 0.51%

LAB 47.75, 32.59, 14.79

 

CMYK 0 / 47 / 15 / 33

HEX #AA5A91

RGB 170 90 145

HSL 318.75, 0.32%, 0.51%

LAB 49.38, 40.02, -15.82

 

CMYK 0 / 47 / 2 / 33

HEX #AA5AA7

RGB 170 90 167

HSL 302.25, 0.32%, 0.51%

LAB 50.27, 43.87, -27.44

 

CMYK 11 / 47 / 0 / 33

HEX #975AAA

RGB 151 90 170

HSL 285.75, 0.32%, 0.51%

LAB 48, 38.73, -32.92

 

CMYK 24 / 47 / 0 / 33

HEX #815AAA

RGB 129 90 170

HSL 269.25, 0.32%, 0.51%

LAB 45.47, 32.26, -37.08

 

CMYK 36 / 47 / 0 / 33

HEX #6C5AAA

RGB 108 90 170

HSL 253.5, 0.32%, 0.51%

LAB 43.36, 26.36, -40.55

 

CMYK 0 / 47 / 15 / 33

HEX #AA5A91

RGB 170 90 145

HSL 318.75, 0.32%, 0.51%

LAB 49.38, 40.02, -15.82

 

CMYK 0 / 64 / 19 / 25

HEX #BE4599

RGB 190 69 153

HSL 318.35, 0.48%, 0.51%

LAB 48.89, 57.35, -21.07

 

CMYK 0 / 77 / 23 / 18

HEX #D231A1

RGB 210 49 161

HSL 318.26, 0.64%, 0.51%

LAB 50.06, 70.56, -23.73

 

CMYK 0 / 87 / 27 / 10

HEX #E61DA9

RGB 230 29 169

HSL 318.21, 0.8%, 0.51%

LAB 52.47, 80.29, -24.45

 

CMYK 0 / 96 / 29 / 2

HEX #FA09B1

RGB 250 9 177

HSL 318.17, 0.96%, 0.51%

LAB 55.78, 87.27, -23.73

 

CMYK 0 / 47 / 15 / 33

HEX #AA5A91

RGB 170 90 145

HSL 318.75, 0.32%, 0.51%

LAB 49.38, 40.02, -15.82

 

CMYK 0 / 26 / 8 / 42

HEX #956E89

RGB 149 110 137

HSL 318.46, 0.16%, 0.51%

LAB 51.09, 20.05, -8.75

 

CMYK 1 / 0 / 1 / 49

HEX #818281

RGB 129 130 129

HSL 120, 0%, 0.51%

LAB 54.26, -0.57, 0.4

 

CMYK 27 / 0 / 19 / 41

HEX #6D9679

RGB 109 150 121

HSL 137.56, 0.16%, 0.51%

LAB 58.46, -20.28, 10.83

 

CMYK 48 / 0 / 33 / 33

HEX #59AA72

RGB 89 170 114

HSL 138.52, 0.32%, 0.51%

LAB 63.42, -37.51, 21.41

 

CMYK 11 / 47 / 0 / 33

HEX #975AAA

RGB 151 90 170

HSL 285.75, 0.32%, 0.51%

LAB 48, 38.73, -32.92

 

CMYK 0 / 47 / 2 / 33

HEX #AA5AA7

RGB 170 90 167

HSL 302.25, 0.32%, 0.51%

LAB 50.27, 43.87, -27.44

 

CMYK 0 / 47 / 14 / 33

HEX #AA5A92

RGB 170 90 146

HSL 318, 0.32%, 0.51%

LAB 49.42, 40.19, -16.36

 

CMYK 0 / 47 / 27 / 33

HEX #AA5A7C

RGB 170 90 124

HSL 334.5, 0.32%, 0.51%

LAB 48.65, 36.79, -4.36

 

CMYK 0 / 47 / 39 / 33

HEX #AA5A67

RGB 170 90 103

HSL 350.25, 0.32%, 0.51%

LAB 48.05, 34.04, 7.41

 

CMYK 0 / 49 / 15 / 54

HEX #753C63

RGB 117 60 99

HSL 318.95, 0.32%, 0.35%

LAB 33.8, 30.49, -11.96

 

CMYK 0 / 49 / 15 / 44

HEX #904A7B

RGB 144 74 123

HSL 318, 0.32%, 0.43%

LAB 41.62, 36.22, -14.68

 

CMYK 0 / 47 / 15 / 33

HEX #AA5A91

RGB 170 90 145

HSL 318.75, 0.32%, 0.51%

LAB 49.38, 40.02, -15.82

 

CMYK 0 / 36 / 11 / 28

HEX #B875A3

RGB 184 117 163

HSL 318.81, 0.32%, 0.59%

LAB 57.61, 33.19, -13.71

 

CMYK 0 / 27 / 9 / 22

HEX #C690B5

RGB 198 144 181

HSL 318.89, 0.32%, 0.67%

LAB 65.97, 26.3, -11.24

 

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

CMYK 0 / 24 / 47 / 33

HEX #AA825A

RGB 170 130 90

HSL 30, 0.32%, 0.51%

LAB 57.32, 10.23, 27.54

 

CMYK 47 / 0 / 5 / 33

HEX #5AAAA2

RGB 90 170 162

HSL 174, 0.32%, 0.51%

LAB 64.59, -26.53, -3.49

 

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

CMYK 14 / 0 / 47 / 33

HEX #92AA5A

RGB 146 170 90

HSL 78, 0.32%, 0.51%

LAB 66.21, -21.38, 38.3

 

CMYK 47 / 14 / 0 / 33

HEX #5A92AA

RGB 90 146 170

HSL 198, 0.32%, 0.51%

LAB 57.69, -11.79, -18.35

 

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

CMYK 0 / 24 / 47 / 33

HEX #AA825A

RGB 170 130 90

HSL 30, 0.32%, 0.51%

LAB 57.32, 10.23, 27.54

 

CMYK 47 / 0 / 33 / 33

HEX #5AAA72

RGB 90 170 114

HSL 138, 0.32%, 0.51%

LAB 63.46, -37.23, 21.47

 

CMYK 47 / 24 / 0 / 33

HEX #5A82AA

RGB 90 130 170

HSL 210, 0.32%, 0.51%

LAB 52.99, -2.72, -25.55

 

CMYK 0 / 46 / 14 / 33

HEX #AA5B92

RGB 170 91 146

HSL 318.23, 0.32%, 0.51%

LAB 49.62, 39.66, -16.05

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 47 / 0 / 33 / 33

HEX #5AAA72

RGB 90 170 114

HSL 138, 0.32%, 0.51%

LAB 63.46, -37.23, 21.47

 

CMYK 47 / 38 / 0 / 33

HEX #5A6AAA

RGB 90 106 170

HSL 228, 0.32%, 0.51%

LAB 46.16, 11.72, -36.22

 

Description

Color code: RGB 170 91 146 | qconv.com Color code: RGB 170 91 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 91 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 91 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 14 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 14% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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