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Color name
RGB 170 82 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 82 83 it is the complementary color RGB 85 173 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 82 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 82 83 shade: RGB 175 82 78, RGB 192 100 97, RGB 209 118 116, RGB 226 136 135 and RGB 243 154 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 82 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 82 83 shade: RGB 170 82 83, RGB 153 64 64, RGB 136 46 45, RGB 119 28 26 and RGB 102 10 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 82 83 shade: RGB 168 81 82 and RGB 168 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 82 83 shade: RGB 168 81 82, RGB 168 81 105, RGB 168 81 129, RGB 168 81 152 and RGB 160 81 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 82 83 shade matches the following richer shades: RGB 168 81 82, RGB 188 61 62, RGB 209 40 42, RGB 229 20 22 and RGB 249 0 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 82 83 shade: RGB 168 81 82, RGB 148 101 101, RGB 128 121 121, RGB 108 141 141 and RGB 87 162 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 82 83 shade: RGB 168 81 129, RGB 168 81 105, RGB 168 81 82, RGB 168 103 81 and RGB 168 126 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 82 83 shade: RGB 112 54 55, RGB 140 67 68, RGB 168 81 82, RGB 183 107 108 and RGB 197 135 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 82 83 shade: RGB 170 82 83, RGB 152 168 81 and RGB 81 117 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 82 83 shade: RGB 170 82 83, RGB 82 168 81 and RGB 81 82 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 82 83 shade: RGB 170 82 83, RGB 152 168 81, RGB 81 168 167 and RGB 97 81 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 82 83 shade: RGB 170 82 83, RGB 126 168 81, RGB 81 168 167 and RGB 123 81 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

Complementary color

CMYK 51 / 0 / 1 / 32

HEX #55ADAC

RGB 85 173 172

HSL 179.32, 0.35%, 0.51%

LAB 65.59, -26.54, -7.6

 

CMYK 0 / 53 / 55 / 31

HEX #AF524E

RGB 175 82 78

HSL 2.47, 0.38%, 0.5%

LAB 46.58, 37.6, 20.53

 

CMYK 0 / 48 / 49 / 25

HEX #C06461

RGB 192 100 97

HSL 1.89, 0.43%, 0.57%

LAB 53.15, 36.42, 18.52

 

CMYK 0 / 44 / 44 / 18

HEX #D17674

RGB 209 118 116

HSL 1.29, 0.5%, 0.64%

LAB 59.68, 35.29, 16.82

 

CMYK 0 / 40 / 40 / 11

HEX #E28887

RGB 226 136 135

HSL 0.66, 0.61%, 0.71%

LAB 66.16, 34.25, 15.33

 

CMYK 0 / 37 / 37 / 5

HEX #F39A9A

RGB 243 154 154

HSL 0, 0.79%, 0.78%

LAB 72.56, 33.28, 14.02

 

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

CMYK 0 / 58 / 58 / 40

HEX #994040

RGB 153 64 64

HSL 0, 0.41%, 0.43%

LAB 39.26, 37.3, 18.75

 

CMYK 0 / 66 / 67 / 47

HEX #882E2D

RGB 136 46 45

HSL 0.66, 0.5%, 0.35%

LAB 32.65, 38.34, 21.56

 

CMYK 0 / 76 / 78 / 53

HEX #771C1A

RGB 119 28 26

HSL 1.29, 0.64%, 0.28%

LAB 26.24, 38.97, 25.13

 

CMYK 0 / 90 / 93 / 60

HEX #660A07

RGB 102 10 7

HSL 1.89, 0.87%, 0.21%

LAB 20.27, 38.52, 27.88

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 52 / 38 / 34

HEX #A85169

RGB 168 81 105

HSL 343.45, 0.35%, 0.49%

LAB 45.95, 38.3, 3.14

 

CMYK 0 / 52 / 23 / 34

HEX #A85181

RGB 168 81 129

HSL 326.9, 0.35%, 0.49%

LAB 46.7, 41.54, -10.31

 

CMYK 0 / 52 / 10 / 34

HEX #A85198

RGB 168 81 152

HSL 311.03, 0.35%, 0.49%

LAB 47.59, 45.21, -22.74

 

CMYK 5 / 52 / 0 / 34

HEX #A051A8

RGB 160 81 168

HSL 294.48, 0.35%, 0.49%

LAB 47.22, 45.75, -32.89

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 68 / 67 / 26

HEX #BC3D3E

RGB 188 61 62

HSL 359.53, 0.51%, 0.49%

LAB 44.77, 50.89, 28.22

 

CMYK 0 / 81 / 80 / 18

HEX #D1282A

RGB 209 40 42

HSL 359.29, 0.68%, 0.49%

LAB 45.96, 63.51, 42.14

 

CMYK 0 / 91 / 90 / 10

HEX #E51416

RGB 229 20 22

HSL 359.43, 0.84%, 0.49%

LAB 48.53, 72.23, 55.51

 

CMYK 0 / 100 / 99 / 2

HEX #F90003

RGB 249 0 3

HSL 359.28, 1%, 0.49%

LAB 52, 78.7, 65.24

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 32 / 32 / 42

HEX #946565

RGB 148 101 101

HSL 0, 0.19%, 0.49%

LAB 47.68, 18.98, 7.68

 

CMYK 0 / 5 / 5 / 50

HEX #807979

RGB 128 121 121

HSL 0, 0.03%, 0.49%

LAB 51.43, 2.67, 0.95

 

CMYK 23 / 0 / 0 / 45

HEX #6C8D8D

RGB 108 141 141

HSL 180, 0.13%, 0.49%

LAB 56.25, -11.48, -3.79

 

CMYK 46 / 0 / 1 / 36

HEX #57A2A1

RGB 87 162 161

HSL 179.2, 0.3%, 0.49%

LAB 62.03, -23.49, -6.72

 

CMYK 0 / 52 / 23 / 34

HEX #A85181

RGB 168 81 129

HSL 326.9, 0.35%, 0.49%

LAB 46.7, 41.54, -10.31

 

CMYK 0 / 52 / 38 / 34

HEX #A85169

RGB 168 81 105

HSL 343.45, 0.35%, 0.49%

LAB 45.95, 38.3, 3.14

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 39 / 52 / 34

HEX #A86751

RGB 168 103 81

HSL 15.17, 0.35%, 0.49%

LAB 50.24, 23.72, 23.39

 

CMYK 0 / 25 / 52 / 34

HEX #A87E51

RGB 168 126 81

HSL 31.03, 0.35%, 0.49%

LAB 55.93, 10.73, 30.69

 

CMYK 0 / 52 / 51 / 56

HEX #703637

RGB 112 54 55

HSL 358.97, 0.35%, 0.33%

LAB 30.3, 25.69, 11.28

 

CMYK 0 / 52 / 51 / 45

HEX #8C4344

RGB 140 67 68

HSL 359.18, 0.35%, 0.41%

LAB 37.86, 31.08, 14.01

 

CMYK 0 / 52 / 51 / 34

HEX #A85152

RGB 168 81 82

HSL 359.31, 0.35%, 0.49%

LAB 45.39, 35.82, 16.34

 

CMYK 0 / 42 / 41 / 28

HEX #B76B6C

RGB 183 107 108

HSL 359.21, 0.35%, 0.57%

LAB 53.67, 30.37, 12.6

 

CMYK 0 / 31 / 31 / 23

HEX #C58787

RGB 197 135 135

HSL 0, 0.35%, 0.65%

LAB 62.46, 23.77, 9.64

 

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

CMYK 10 / 0 / 52 / 34

HEX #98A851

RGB 152 168 81

HSL 71.03, 0.35%, 0.49%

LAB 65.96, -18.87, 42.59

 

CMYK 52 / 30 / 0 / 34

HEX #5175A8

RGB 81 117 168

HSL 215.17, 0.35%, 0.49%

LAB 48.63, 2.13, -31.2

 

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

CMYK 51 / 0 / 52 / 34

HEX #52A851

RGB 82 168 81

HSL 119.31, 0.35%, 0.49%

LAB 61.99, -43.99, 36.88

 

CMYK 52 / 51 / 0 / 34

HEX #5152A8

RGB 81 82 168

HSL 239.31, 0.35%, 0.49%

LAB 38.92, 24.02, -46.6

 

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

CMYK 10 / 0 / 52 / 34

HEX #98A851

RGB 152 168 81

HSL 71.03, 0.35%, 0.49%

LAB 65.96, -18.87, 42.59

 

CMYK 52 / 0 / 1 / 34

HEX #51A8A7

RGB 81 168 167

HSL 179.31, 0.35%, 0.49%

LAB 63.79, -26.27, -7.5

 

CMYK 42 / 52 / 0 / 34

HEX #6151A8

RGB 97 81 168

HSL 251.03, 0.35%, 0.49%

LAB 40, 28.44, -44.78

 

CMYK 0 / 52 / 51 / 33

HEX #AA5253

RGB 170 82 83

HSL 359.32, 0.35%, 0.49%

LAB 45.91, 36.15, 16.5

 

CMYK 25 / 0 / 52 / 34

HEX #7EA851

RGB 126 168 81

HSL 88.97, 0.35%, 0.49%

LAB 64.19, -29.21, 40.05

 

CMYK 52 / 0 / 1 / 34

HEX #51A8A7

RGB 81 168 167

HSL 179.31, 0.35%, 0.49%

LAB 63.79, -26.27, -7.5

 

CMYK 27 / 52 / 0 / 34

HEX #7B51A8

RGB 123 81 168

HSL 268.97, 0.35%, 0.49%

LAB 42.65, 35.29, -40.41

 

Description

Color code: RGB 170 82 83 | qconv.com Color code: RGB 170 82 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 82 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 82 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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