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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 52 187 it is the complementary color RGB 85 203 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 52 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 52 187 shade: RGB 175 52 182, RGB 192 70 201, RGB 209 88 220, RGB 226 106 239 and RGB 243 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 52 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 52 187 shade: RGB 170 52 187, RGB 153 34 168, RGB 136 16 149, RGB 119 0 130 and RGB 102 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 52 187 shade: RGB 170 52 186, RGB 186 52 167, RGB 186 52 131, RGB 186 52 95 and RGB 186 52 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 52 187 shade: RGB 170 52 186, RGB 133 52 186, RGB 97 52 186, RGB 61 52 186 and RGB 52 52 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 52 187 shade matches the following richer shades: RGB 170 52 186, RGB 184 33 206 and RGB 199 13 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 52 187 shade: RGB 170 52 186, RGB 155 72 167, RGB 141 91 148, RGB 126 110 128 and RGB 112 130 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 52 187 shade: RGB 97 52 186, RGB 133 52 186, RGB 169 52 186, RGB 186 52 169 and RGB 186 52 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 52 187 shade: RGB 111 34 122, RGB 140 43 154, RGB 170 52 186, RGB 188 76 204 and RGB 200 108 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 52 187 shade: RGB 170 52 187, RGB 186 61 52 and RGB 52 186 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 52 187 shade: RGB 170 52 187, RGB 186 169 52 and RGB 52 186 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 52 187 shade: RGB 170 52 187, RGB 186 61 52, RGB 70 186 52 and RGB 52 178 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 52 187 shade: RGB 170 52 187, RGB 186 101 52, RGB 70 186 52 and RGB 52 137 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

Complementary color

CMYK 58 / 0 / 67 / 20

HEX #55CB44

RGB 85 203 68

HSL 112.44, 0.56%, 0.53%

LAB 72.93, -58.15, 55.39

 

CMYK 4 / 71 / 0 / 29

HEX #AF34B6

RGB 175 52 182

HSL 296.77, 0.56%, 0.46%

LAB 45.56, 64.75, -43.6

 

CMYK 4 / 65 / 0 / 21

HEX #C046C9

RGB 192 70 201

HSL 295.88, 0.55%, 0.53%

LAB 51.61, 65.12, -44.86

 

CMYK 5 / 60 / 0 / 14

HEX #D158DC

RGB 209 88 220

HSL 295, 0.65%, 0.6%

LAB 57.75, 65.05, -45.8

 

CMYK 5 / 56 / 0 / 6

HEX #E26AEF

RGB 226 106 239

HSL 294.14, 0.81%, 0.68%

LAB 63.92, 64.69, -46.52

 

CMYK 5 / 51 / 0 / 0

HEX #F37CFF

RGB 243 124 255

HSL 294.5, 1%, 0.74%

LAB 69.96, 63.63, -45.67

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

CMYK 9 / 80 / 0 / 34

HEX #9922A8

RGB 153 34 168

HSL 293.28, 0.66%, 0.4%

LAB 39.15, 63.5, -45.76

 

CMYK 9 / 89 / 0 / 42

HEX #881095

RGB 136 16 149

HSL 294.14, 0.81%, 0.32%

LAB 33.51, 61.31, -43.47

 

CMYK 8 / 100 / 0 / 49

HEX #770082

RGB 119 0 130

HSL 294.92, 1%, 0.25%

LAB 28.2, 57.74, -40.38

 

CMYK 8 / 100 / 0 / 56

HEX #66006F

RGB 102 0 111

HSL 295.14, 1%, 0.22%

LAB 23.58, 51.66, -35.88

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BA

RGB 170 52 186

HSL 292.84, 0.56%, 0.47%

LAB 45.01, 64.37, -46.88

 

CMYK 0 / 72 / 10 / 27

HEX #BA34A7

RGB 186 52 167

HSL 308.51, 0.56%, 0.47%

LAB 46.56, 64.83, -33.06

 

CMYK 0 / 72 / 30 / 27

HEX #BA3483

RGB 186 52 131

HSL 324.63, 0.56%, 0.47%

LAB 44.99, 59.91, -13.84

 

CMYK 0 / 72 / 49 / 27

HEX #BA345F

RGB 186 52 95

HSL 340.75, 0.56%, 0.47%

LAB 43.83, 56.12, 6.65

 

CMYK 0 / 72 / 68 / 27

HEX #BA343B

RGB 186 52 59

HSL 356.87, 0.56%, 0.47%

LAB 43.08, 53.58, 27.87

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BA

RGB 170 52 186

HSL 292.84, 0.56%, 0.47%

LAB 45.01, 64.37, -46.88

 

CMYK 28 / 72 / 0 / 27

HEX #8534BA

RGB 133 52 186

HSL 276.27, 0.56%, 0.47%

LAB 39.56, 56.74, -55.93

 

CMYK 48 / 72 / 0 / 27

HEX #6134BA

RGB 97 52 186

HSL 260.15, 0.56%, 0.47%

LAB 35.09, 50.12, -63.4

 

CMYK 67 / 72 / 0 / 27

HEX #3D34BA

RGB 61 52 186

HSL 244.03, 0.56%, 0.47%

LAB 31.79, 44.94, -68.93

 

CMYK 72 / 72 / 0 / 27

HEX #3434BA

RGB 52 52 186

HSL 240, 0.56%, 0.47%

LAB 31.19, 43.96, -69.95

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BA

RGB 170 52 186

HSL 292.84, 0.56%, 0.47%

LAB 45.01, 64.37, -46.88

 

CMYK 11 / 84 / 0 / 19

HEX #B821CE

RGB 184 33 206

HSL 292.37, 0.72%, 0.47%

LAB 46.62, 75.91, -55.79

 

CMYK 12 / 94 / 0 / 12

HEX #C70DE1

RGB 199 13 225

HSL 292.64, 0.89%, 0.47%

LAB 49.33, 84.42, -62.18

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BA

RGB 170 52 186

HSL 292.84, 0.56%, 0.47%

LAB 45.01, 64.37, -46.88

 

CMYK 7 / 57 / 0 / 35

HEX #9B48A7

RGB 155 72 167

HSL 292.42, 0.4%, 0.47%

LAB 44.79, 48.68, -36.16

 

CMYK 5 / 39 / 0 / 42

HEX #8D5B94

RGB 141 91 148

HSL 292.63, 0.24%, 0.47%

LAB 46.02, 30.42, -23.08

 

CMYK 2 / 14 / 0 / 50

HEX #7E6E80

RGB 126 110 128

HSL 293.33, 0.08%, 0.47%

LAB 48.44, 9.76, -7.62

 

CMYK 14 / 0 / 16 / 49

HEX #70826D

RGB 112 130 109

HSL 111.43, 0.09%, 0.47%

LAB 52.41, -10.84, 9.2

 

CMYK 48 / 72 / 0 / 27

HEX #6134BA

RGB 97 52 186

HSL 260.15, 0.56%, 0.47%

LAB 35.09, 50.12, -63.4

 

CMYK 28 / 72 / 0 / 27

HEX #8534BA

RGB 133 52 186

HSL 276.27, 0.56%, 0.47%

LAB 39.56, 56.74, -55.93

 

CMYK 9 / 72 / 0 / 27

HEX #A934BA

RGB 169 52 186

HSL 292.39, 0.56%, 0.47%

LAB 44.85, 64.16, -47.14

 

CMYK 0 / 72 / 9 / 27

HEX #BA34A9

RGB 186 52 169

HSL 307.61, 0.56%, 0.47%

LAB 46.66, 65.13, -34.09

 

CMYK 0 / 72 / 28 / 27

HEX #BA3485

RGB 186 52 133

HSL 323.73, 0.56%, 0.47%

LAB 45.07, 60.16, -14.94

 

CMYK 9 / 72 / 0 / 52

HEX #6F227A

RGB 111 34 122

HSL 292.5, 0.56%, 0.31%

LAB 29.23, 46.01, -33.77

 

CMYK 9 / 72 / 0 / 40

HEX #8C2B9A

RGB 140 43 154

HSL 292.43, 0.56%, 0.39%

LAB 37.18, 55.28, -40.6

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BA

RGB 170 52 186

HSL 292.84, 0.56%, 0.47%

LAB 45.01, 64.37, -46.88

 

CMYK 8 / 63 / 0 / 20

HEX #BC4CCC

RGB 188 76 204

HSL 292.5, 0.56%, 0.55%

LAB 52.08, 62.24, -45.87

 

CMYK 6 / 49 / 0 / 16

HEX #C86CD5

RGB 200 108 213

HSL 292.57, 0.56%, 0.63%

LAB 59.72, 52.02, -38.84

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

CMYK 0 / 67 / 72 / 27

HEX #BA3D34

RGB 186 61 52

HSL 4.03, 0.56%, 0.47%

LAB 44.27, 49.7, 33.42

 

CMYK 72 / 0 / 38 / 27

HEX #34BA73

RGB 52 186 115

HSL 148.21, 0.56%, 0.47%

LAB 67.34, -51.91, 25.95

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

CMYK 0 / 9 / 72 / 27

HEX #BAA934

RGB 186 169 52

HSL 52.39, 0.56%, 0.47%

LAB 68.8, -6.93, 59.27

 

CMYK 72 / 0 / 9 / 27

HEX #34BAA9

RGB 52 186 169

HSL 172.39, 0.56%, 0.47%

LAB 68.54, -39.27, -1.69

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

CMYK 0 / 67 / 72 / 27

HEX #BA3D34

RGB 186 61 52

HSL 4.03, 0.56%, 0.47%

LAB 44.27, 49.7, 33.42

 

CMYK 62 / 0 / 72 / 27

HEX #46BA34

RGB 70 186 52

HSL 111.94, 0.56%, 0.47%

LAB 67.03, -57.03, 55.28

 

CMYK 72 / 4 / 0 / 27

HEX #34B2BA

RGB 52 178 186

HSL 183.58, 0.56%, 0.47%

LAB 66.61, -30.67, -13.95

 

CMYK 9 / 72 / 0 / 27

HEX #AA34BB

RGB 170 52 187

HSL 292.44, 0.56%, 0.47%

LAB 45.07, 64.55, -47.37

 

CMYK 0 / 46 / 72 / 27

HEX #BA6534

RGB 186 101 52

HSL 21.94, 0.56%, 0.47%

LAB 51.83, 30.2, 41.86

 

CMYK 62 / 0 / 72 / 27

HEX #46BA34

RGB 70 186 52

HSL 111.94, 0.56%, 0.47%

LAB 67.03, -57.03, 55.28

 

CMYK 72 / 26 / 0 / 27

HEX #3489BA

RGB 52 137 186

HSL 201.94, 0.56%, 0.47%

LAB 54.2, -9.1, -32.97

 

Description

Color code: RGB 170 52 187 | qconv.com Color code: RGB 170 52 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 52 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 52 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 72 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 72% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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