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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 48 214 it is the complementary color RGB 85 207 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 48 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 48 214 shade: RGB 175 48 209, RGB 192 66 228, RGB 209 84 247, RGB 226 102 255 and RGB 243 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 48 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 48 214 shade: RGB 170 48 214, RGB 153 30 195, RGB 136 12 176, RGB 119 0 157 and RGB 102 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 48 214 shade: RGB 169 46 213, RGB 213 46 212, RGB 213 46 167, RGB 213 46 122 and RGB 213 46 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 48 214 shade: RGB 169 46 213, RGB 124 46 213, RGB 79 46 213 and RGB 46 46 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 48 214 shade matches the following richer shades: RGB 169 46 213, RGB 178 26 233 and RGB 188 5 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 48 214 shade: RGB 169 46 213, RGB 159 66 193, RGB 150 86 173, RGB 140 106 153 and RGB 131 127 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 48 214 shade: RGB 79 46 213, RGB 124 46 213, RGB 169 46 213, RGB 213 46 213 and RGB 213 46 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 48 214 shade: RGB 116 29 148, RGB 143 36 182, RGB 169 46 213, RGB 183 80 220 and RGB 197 115 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 48 214 shade: RGB 170 48 214, RGB 213 46 57 and RGB 46 213 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 48 214 shade: RGB 170 48 214, RGB 213 169 46 and RGB 46 213 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 48 214 shade: RGB 170 48 214, RGB 213 46 57, RGB 90 213 46 and RGB 46 213 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 48 214 shade: RGB 170 48 214, RGB 213 85 46, RGB 90 213 46 and RGB 46 174 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

Complementary color

CMYK 59 / 0 / 80 / 19

HEX #55CF29

RGB 85 207 41

HSL 104.1, 0.67%, 0.49%

LAB 74.01, -61.49, 65.8

 

CMYK 16 / 77 / 0 / 18

HEX #AF30D1

RGB 175 48 209

HSL 287.33, 0.64%, 0.5%

LAB 46.75, 70.87, -57.38

 

CMYK 16 / 71 / 0 / 11

HEX #C042E4

RGB 192 66 228

HSL 286.67, 0.75%, 0.58%

LAB 52.62, 71.54, -58.63

 

CMYK 15 / 66 / 0 / 3

HEX #D154F7

RGB 209 84 247

HSL 286.01, 0.91%, 0.65%

LAB 58.61, 71.68, -59.54

 

CMYK 11 / 60 / 0 / 0

HEX #E266FF

RGB 226 102 255

HSL 288.63, 1%, 0.7%

LAB 64.07, 69.4, -55.11

 

CMYK 5 / 53 / 0 / 0

HEX #F378FF

RGB 243 120 255

HSL 294.67, 1%, 0.74%

LAB 69.26, 65.49, -46.77

 

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

CMYK 22 / 85 / 0 / 24

HEX #991EC3

RGB 153 30 195

HSL 284.73, 0.73%, 0.44%

LAB 40.64, 69.47, -59.32

 

CMYK 23 / 93 / 0 / 31

HEX #880CB0

RGB 136 12 176

HSL 285.37, 0.87%, 0.37%

LAB 35.27, 66.8, -56.95

 

CMYK 24 / 100 / 0 / 38

HEX #77009D

RGB 119 0 157

HSL 285.48, 1%, 0.31%

LAB 30.29, 62.57, -53.71

 

CMYK 26 / 100 / 0 / 46

HEX #66008A

RGB 102 0 138

HSL 284.35, 1%, 0.27%

LAB 25.74, 56.64, -49.53

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 0 / 78 / 0 / 16

HEX #D52ED4

RGB 213 46 212

HSL 300.36, 0.67%, 0.51%

LAB 52.79, 79.13, -49.1

 

CMYK 0 / 78 / 22 / 16

HEX #D52EA7

RGB 213 46 167

HSL 316.53, 0.67%, 0.51%

LAB 50.56, 72.83, -26.47

 

CMYK 0 / 78 / 43 / 16

HEX #D52E7A

RGB 213 46 122

HSL 332.69, 0.67%, 0.51%

LAB 48.89, 67.88, -2.01

 

CMYK 0 / 78 / 64 / 16

HEX #D52E4D

RGB 213 46 77

HSL 348.86, 0.67%, 0.51%

LAB 47.8, 64.52, 23.97

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 42 / 78 / 0 / 16

HEX #7C2ED5

RGB 124 46 213

HSL 268.02, 0.67%, 0.51%

LAB 39.65, 63.82, -71.55

 

CMYK 63 / 78 / 0 / 16

HEX #4F2ED5

RGB 79 46 213

HSL 251.86, 0.67%, 0.51%

LAB 34.84, 58.14, -79.63

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 24 / 89 / 0 / 9

HEX #B21AE9

RGB 178 26 233

HSL 284.06, 0.82%, 0.51%

LAB 47.09, 81.04, -70.51

 

CMYK 26 / 98 / 0 / 0

HEX #BC05FE

RGB 188 5 254

HSL 284.1, 0.99%, 0.51%

LAB 49.44, 88.46, -78.41

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 18 / 66 / 0 / 24

HEX #9F42C1

RGB 159 66 193

HSL 283.94, 0.51%, 0.51%

LAB 45.79, 57.68, -49.79

 

CMYK 13 / 50 / 0 / 32

HEX #9656AD

RGB 150 86 173

HSL 284.14, 0.35%, 0.51%

LAB 47.18, 41.26, -35.98

 

CMYK 8 / 31 / 0 / 40

HEX #8C6A99

RGB 140 106 153

HSL 283.4, 0.19%, 0.51%

LAB 49.72, 22.42, -20.36

 

CMYK 1 / 4 / 0 / 48

HEX #837F84

RGB 131 127 132

HSL 288, 0.02%, 0.51%

LAB 53.68, 2.5, -2.17

 

CMYK 63 / 78 / 0 / 16

HEX #4F2ED5

RGB 79 46 213

HSL 251.86, 0.67%, 0.51%

LAB 34.84, 58.14, -79.63

 

CMYK 42 / 78 / 0 / 16

HEX #7C2ED5

RGB 124 46 213

HSL 268.02, 0.67%, 0.51%

LAB 39.65, 63.82, -71.55

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 0 / 78 / 0 / 16

HEX #D52ED5

RGB 213 46 213

HSL 300, 0.67%, 0.51%

LAB 52.84, 79.28, -49.58

 

CMYK 0 / 78 / 21 / 16

HEX #D52EA9

RGB 213 46 169

HSL 315.81, 0.67%, 0.51%

LAB 50.65, 73.08, -27.52

 

CMYK 22 / 80 / 0 / 42

HEX #741D94

RGB 116 29 148

HSL 283.87, 0.67%, 0.35%

LAB 31.18, 54.15, -46.78

 

CMYK 21 / 80 / 0 / 29

HEX #8F24B6

RGB 143 36 182

HSL 283.97, 0.67%, 0.43%

LAB 38.69, 63.65, -54.91

 

CMYK 21 / 78 / 0 / 16

HEX #A92ED5

RGB 169 46 213

HSL 284.19, 0.67%, 0.51%

LAB 45.9, 71.15, -61.11

 

CMYK 17 / 64 / 0 / 14

HEX #B750DC

RGB 183 80 220

HSL 284.14, 0.67%, 0.59%

LAB 52.92, 62.39, -53.7

 

CMYK 13 / 49 / 0 / 11

HEX #C573E3

RGB 197 115 227

HSL 283.93, 0.67%, 0.67%

LAB 61.38, 50.39, -44.11

 

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

CMYK 0 / 78 / 73 / 16

HEX #D52E39

RGB 213 46 57

HSL 356.05, 0.67%, 0.51%

LAB 47.49, 63.55, 35.54

 

CMYK 78 / 0 / 52 / 16

HEX #2ED566

RGB 46 213 102

HSL 140.12, 0.67%, 0.51%

LAB 75.53, -64.56, 42.97

 

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

CMYK 0 / 21 / 78 / 16

HEX #D5A92E

RGB 213 169 46

HSL 44.19, 0.67%, 0.51%

LAB 71.36, 4.64, 64.78

 

CMYK 78 / 0 / 21 / 16

HEX #2ED5A9

RGB 46 213 169

HSL 164.19, 0.67%, 0.51%

LAB 76.7, -51.43, 10.09

 

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

CMYK 0 / 78 / 73 / 16

HEX #D52E39

RGB 213 46 57

HSL 356.05, 0.67%, 0.51%

LAB 47.49, 63.55, 35.54

 

CMYK 58 / 0 / 78 / 16

HEX #5AD52E

RGB 90 213 46

HSL 104.19, 0.67%, 0.51%

LAB 76.04, -62.07, 66.33

 

CMYK 78 / 0 / 5 / 16

HEX #2ED5CA

RGB 46 213 202

HSL 176.05, 0.67%, 0.51%

LAB 77.54, -42.83, -6.37

 

CMYK 21 / 78 / 0 / 16

HEX #AA30D6

RGB 170 48 214

HSL 284.1, 0.67%, 0.51%

LAB 46.33, 70.9, -60.97

 

CMYK 0 / 60 / 78 / 16

HEX #D5552E

RGB 213 85 46

HSL 14.01, 0.67%, 0.51%

LAB 52.77, 48.41, 47.13

 

CMYK 58 / 0 / 78 / 16

HEX #5AD52E

RGB 90 213 46

HSL 104.19, 0.67%, 0.51%

LAB 76.04, -62.07, 66.33

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

Description

Color code: RGB 170 48 214 | qconv.com Color code: RGB 170 48 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 48 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 48 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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