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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 43 255 it is the complementary color RGB 85 212 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 43 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 43 255 shade: RGB 175 43 250, RGB 192 61 255, RGB 209 79 255, RGB 226 97 255 and RGB 243 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 43 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 43 255 shade: RGB 170 43 255, RGB 153 25 236, RGB 136 7 217, RGB 119 0 198 and RGB 102 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 43 255 shade: RGB 169 40 255, RGB 226 40 255, RGB 255 40 225, RGB 255 40 167 and RGB 255 40 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 43 255 shade: RGB 169 40 255, RGB 111 40 255, RGB 53 40 255 and RGB 40 40 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 43 255 shade matches the following richer shades: RGB 169 40 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 43 255 shade: RGB 169 40 255, RGB 165 58 237, RGB 162 75 220, RGB 158 92 203 and RGB 155 110 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 43 255 shade: RGB 51 40 255, RGB 108 40 255, RGB 165 40 255, RGB 222 40 255 and RGB 255 40 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 43 255 shade: RGB 127 0 213, RGB 152 0 254, RGB 169 40 255, RGB 185 82 255 and RGB 202 123 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 43 255 shade: RGB 170 43 255, RGB 255 40 87 and RGB 40 255 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 43 255 shade: RGB 170 43 255, RGB 255 165 40 and RGB 40 255 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 43 255 shade: RGB 170 43 255, RGB 255 40 87, RGB 130 255 40 and RGB 40 255 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 43 255 shade: RGB 170 43 255, RGB 255 58 40, RGB 130 255 40 and RGB 40 237 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

Complementary color

CMYK 60 / 0 / 100 / 17

HEX #55D400

RGB 85 212 0

HSL 95.94, 1%, 0.42%

LAB 75.46, -64.38, 73.85

 

CMYK 30 / 83 / 0 / 2

HEX #AF2BFA

RGB 175 43 250

HSL 278.26, 0.95%, 0.57%

LAB 49.18, 80.12, -76.68

 

CMYK 25 / 76 / 0 / 0

HEX #C03DFF

RGB 192 61 255

HSL 280.52, 1%, 0.62%

LAB 53.78, 78.43, -71.89

 

CMYK 18 / 69 / 0 / 0

HEX #D14FFF

RGB 209 79 255

HSL 284.32, 1%, 0.65%

LAB 58.38, 75.16, -64.33

 

CMYK 11 / 62 / 0 / 0

HEX #E261FF

RGB 226 97 255

HSL 288.99, 1%, 0.69%

LAB 63.29, 71.54, -56.35

 

CMYK 5 / 55 / 0 / 0

HEX #F373FF

RGB 243 115 255

HSL 294.86, 1%, 0.73%

LAB 68.41, 67.77, -48.1

 

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

CMYK 35 / 89 / 0 / 7

HEX #9919EC

RGB 153 25 236

HSL 276.4, 0.85%, 0.51%

LAB 43.54, 78.5, -78.16

 

CMYK 37 / 97 / 0 / 15

HEX #8807D9

RGB 136 7 217

HSL 276.86, 0.94%, 0.44%

LAB 38.54, 75.36, -75.61

 

CMYK 40 / 100 / 0 / 22

HEX #7700C6

RGB 119 0 198

HSL 276.06, 1%, 0.39%

LAB 33.98, 70.63, -72.17

 

CMYK 43 / 100 / 0 / 30

HEX #6600B3

RGB 102 0 179

HSL 274.19, 1%, 0.35%

LAB 29.61, 65.02, -68.21

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 11 / 84 / 0 / 0

HEX #E228FF

RGB 226 40 255

HSL 291.91, 1%, 0.58%

LAB 56.98, 89.51, -66.46

 

CMYK 0 / 84 / 12 / 0

HEX #FF28E1

RGB 255 40 225

HSL 308.37, 1%, 0.58%

LAB 60.08, 90.2, -44.47

 

CMYK 0 / 84 / 35 / 0

HEX #FF28A7

RGB 255 40 167

HSL 324.56, 1%, 0.58%

LAB 57.62, 83.5, -14.99

 

CMYK 0 / 84 / 57 / 0

HEX #FF286D

RGB 255 40 109

HSL 340.74, 1%, 0.58%

LAB 55.97, 78.79, 16.99

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 56 / 84 / 0 / 0

HEX #6F28FF

RGB 111 40 255

HSL 259.81, 1%, 0.58%

LAB 41.4, 74.49, -92.55

 

CMYK 79 / 84 / 0 / 0

HEX #3528FF

RGB 53 40 255

HSL 243.63, 1%, 0.58%

LAB 36.92, 70.66, -100.12

 

CMYK 84 / 84 / 0 / 0

HEX #2828FF

RGB 40 40 255

HSL 240, 1%, 0.58%

LAB 36.35, 70.19, -101.09

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 30 / 76 / 0 / 7

HEX #A53AED

RGB 165 58 237

HSL 275.87, 0.83%, 0.58%

LAB 48.44, 71.24, -70.66

 

CMYK 26 / 66 / 0 / 14

HEX #A24BDC

RGB 162 75 220

HSL 276, 0.67%, 0.58%

LAB 49.35, 60.01, -59.58

 

CMYK 22 / 55 / 0 / 20

HEX #9E5CCB

RGB 158 92 203

HSL 275.68, 0.52%, 0.58%

LAB 50.96, 46.84, -47.32

 

CMYK 16 / 41 / 0 / 27

HEX #9B6EB9

RGB 155 110 185

HSL 276, 0.35%, 0.58%

LAB 53.62, 31.99, -32.81

 

CMYK 80 / 84 / 0 / 0

HEX #3328FF

RGB 51 40 255

HSL 243.07, 1%, 0.58%

LAB 36.82, 70.58, -100.29

 

CMYK 58 / 84 / 0 / 0

HEX #6C28FF

RGB 108 40 255

HSL 258.98, 1%, 0.58%

LAB 41.1, 74.22, -93.06

 

CMYK 35 / 84 / 0 / 0

HEX #A528FF

RGB 165 40 255

HSL 274.88, 1%, 0.58%

LAB 47.93, 80.52, -81.58

 

CMYK 13 / 84 / 0 / 0

HEX #DE28FF

RGB 222 40 255

HSL 290.79, 1%, 0.58%

LAB 56.35, 88.86, -67.5

 

CMYK 0 / 84 / 10 / 0

HEX #FF28E6

RGB 255 40 230

HSL 306.98, 1%, 0.58%

LAB 60.33, 90.86, -46.89

 

CMYK 40 / 100 / 0 / 16

HEX #7F00D5

RGB 127 0 213

HSL 275.77, 1%, 0.42%

LAB 36.59, 74.46, -76.57

 

CMYK 40 / 100 / 0 / 0

HEX #9800FE

RGB 152 0 254

HSL 275.91, 1%, 0.5%

LAB 43.99, 85, -87.55

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 27 / 68 / 0 / 0

HEX #B952FF

RGB 185 82 255

HSL 275.72, 1%, 0.66%

LAB 55.65, 69.17, -68.9

 

CMYK 21 / 52 / 0 / 0

HEX #CA7BFF

RGB 202 123 255

HSL 275.91, 1%, 0.74%

LAB 64.92, 53.47, -53.95

 

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

CMYK 0 / 84 / 66 / 0

HEX #FF2857

RGB 255 40 87

HSL 346.88, 1%, 0.58%

LAB 55.55, 77.56, 29.53

 

CMYK 84 / 0 / 69 / 0

HEX #28FF50

RGB 40 255 80

HSL 131.16, 1%, 0.58%

LAB 88.23, -80.67, 66.81

 

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

CMYK 0 / 35 / 84 / 0

HEX #FFA528

RGB 255 165 40

HSL 34.88, 1%, 0.58%

LAB 75.03, 24.49, 71.7

 

CMYK 84 / 0 / 35 / 0

HEX #28FFA5

RGB 40 255 165

HSL 154.88, 1%, 0.58%

LAB 89.25, -68.55, 29.54

 

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

CMYK 0 / 84 / 66 / 0

HEX #FF2857

RGB 255 40 87

HSL 346.88, 1%, 0.58%

LAB 55.55, 77.56, 29.53

 

CMYK 49 / 0 / 84 / 0

HEX #82FF28

RGB 130 255 40

HSL 94.88, 1%, 0.58%

LAB 90.05, -66.42, 81.03

 

CMYK 84 / 0 / 18 / 0

HEX #28FFD0

RGB 40 255 208

HSL 166.88, 1%, 0.58%

LAB 90.1, -59.11, 8.76

 

CMYK 33 / 83 / 0 / 0

HEX #AA2BFF

RGB 170 43 255

HSL 275.94, 1%, 0.58%

LAB 48.88, 80.41, -80

 

CMYK 0 / 77 / 84 / 0

HEX #FF3A28

RGB 255 58 40

HSL 5.02, 1%, 0.58%

LAB 56.52, 71.63, 56.15

 

CMYK 49 / 0 / 84 / 0

HEX #82FF28

RGB 130 255 40

HSL 94.88, 1%, 0.58%

LAB 90.05, -66.42, 81.03

 

CMYK 84 / 7 / 0 / 0

HEX #28EDFF

RGB 40 237 255

HSL 185.02, 1%, 0.58%

LAB 86.13, -38.71, -21.63

 

Description

Color code: RGB 170 43 255 | qconv.com Color code: RGB 170 43 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 43 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 43 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 83 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 83% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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