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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 136 140 it is the complementary color RGB 85 119 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 136 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 136 140 shade: RGB 175 136 135, RGB 192 154 154, RGB 209 172 173, RGB 226 190 192 and RGB 243 208 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 136 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 136 140 shade: RGB 170 136 140, RGB 153 118 121, RGB 136 100 102, RGB 119 82 83 and RGB 102 64 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 136 140 shade: RGB 170 135 139 and RGB 170 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 136 140 shade: RGB 170 135 139, RGB 170 135 149, RGB 170 135 158, RGB 170 135 167 and RGB 163 135 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 136 140 shade matches the following richer shades: RGB 170 135 139, RGB 186 119 127, RGB 203 102 114, RGB 219 86 101 and RGB 236 69 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 136 140 shade: RGB 170 135 139, RGB 153 152 152, RGB 137 168 164, RGB 120 185 177 and RGB 104 201 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 136 140 shade: RGB 170 135 158, RGB 170 135 149, RGB 170 135 140, RGB 170 140 135 and RGB 170 149 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 136 140 shade: RGB 130 92 97, RGB 153 111 116, RGB 170 135 139, RGB 187 159 163 and RGB 204 183 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 136 140 shade: RGB 170 136 140, RGB 168 170 135 and RGB 135 154 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 136 140 shade: RGB 170 136 140, RGB 140 170 135 and RGB 135 140 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 136 140 shade: RGB 170 136 140, RGB 168 170 135, RGB 135 170 165 and RGB 137 135 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 136 140 shade: RGB 170 136 140, RGB 157 170 135, RGB 135 170 165 and RGB 148 135 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

Complementary color

CMYK 29 / 0 / 3 / 53

HEX #557773

RGB 85 119 115

HSL 172.94, 0.17%, 0.4%

LAB 47.45, -13, -1.72

 

CMYK 0 / 22 / 23 / 31

HEX #AF8887

RGB 175 136 135

HSL 1.5, 0.2%, 0.61%

LAB 60.31, 14.71, 6.25

 

CMYK 0 / 20 / 20 / 25

HEX #C09A9A

RGB 192 154 154

HSL 0, 0.23%, 0.68%

LAB 67.01, 14.13, 5.37

 

CMYK 0 / 18 / 17 / 18

HEX #D1ACAD

RGB 209 172 173

HSL 358.38, 0.29%, 0.75%

LAB 73.6, 13.61, 4.55

 

CMYK 0 / 16 / 15 / 11

HEX #E2BEC0

RGB 226 190 192

HSL 356.67, 0.38%, 0.82%

LAB 80.07, 13.14, 3.78

 

CMYK 0 / 14 / 13 / 5

HEX #F3D0D3

RGB 243 208 211

HSL 354.86, 0.59%, 0.88%

LAB 86.44, 12.71, 3.05

 

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

CMYK 0 / 23 / 21 / 40

HEX #997679

RGB 153 118 121

HSL 354.86, 0.15%, 0.53%

LAB 53.07, 14.17, 3.63

 

CMYK 0 / 26 / 25 / 47

HEX #886466

RGB 136 100 102

HSL 356.67, 0.15%, 0.46%

LAB 46.05, 14.84, 4.57

 

CMYK 0 / 31 / 30 / 53

HEX #775253

RGB 119 82 83

HSL 358.38, 0.18%, 0.39%

LAB 38.87, 15.63, 5.63

 

CMYK 0 / 37 / 37 / 60

HEX #664040

RGB 102 64 64

HSL 0, 0.23%, 0.33%

LAB 31.49, 16.58, 6.88

 

CMYK 0 / 21 / 18 / 33

HEX #AA878B

RGB 170 135 139

HSL 353.14, 0.17%, 0.6%

LAB 59.65, 13.98, 2.94

 

CMYK 0 / 21 / 21 / 33

HEX #AA8787

RGB 170 135 135

HSL 0, 0.17%, 0.6%

LAB 59.55, 13.34, 5.08

 

CMYK 0 / 21 / 18 / 33

HEX #AA878B

RGB 170 135 139

HSL 353.14, 0.17%, 0.6%

LAB 59.65, 13.98, 2.94

 

CMYK 0 / 21 / 12 / 33

HEX #AA8795

RGB 170 135 149

HSL 336, 0.17%, 0.6%

LAB 59.93, 15.66, -2.38

 

CMYK 0 / 21 / 7 / 33

HEX #AA879E

RGB 170 135 158

HSL 320.57, 0.17%, 0.6%

LAB 60.2, 17.26, -7.13

 

CMYK 0 / 21 / 2 / 33

HEX #AA87A7

RGB 170 135 167

HSL 305.14, 0.17%, 0.6%

LAB 60.48, 18.95, -11.84

 

CMYK 4 / 21 / 0 / 33

HEX #A387AA

RGB 163 135 170

HSL 288, 0.17%, 0.6%

LAB 59.9, 17.09, -14.49

 

CMYK 0 / 21 / 18 / 33

HEX #AA878B

RGB 170 135 139

HSL 353.14, 0.17%, 0.6%

LAB 59.65, 13.98, 2.94

 

CMYK 0 / 36 / 32 / 27

HEX #BA777F

RGB 186 119 127

HSL 352.84, 0.33%, 0.6%

LAB 57.24, 27.3, 6.61

 

CMYK 0 / 50 / 44 / 20

HEX #CB6672

RGB 203 102 114

HSL 352.87, 0.49%, 0.6%

LAB 55.5, 41.17, 12.04

 

CMYK 0 / 61 / 54 / 14

HEX #DB5665

RGB 219 86 101

HSL 353.23, 0.65%, 0.6%

LAB 54.72, 53.2, 18.98

 

CMYK 0 / 71 / 62 / 7

HEX #EC4559

RGB 236 69 89

HSL 352.81, 0.81%, 0.6%

LAB 54.88, 64.52, 26.78

 

CMYK 0 / 21 / 18 / 33

HEX #AA878B

RGB 170 135 139

HSL 353.14, 0.17%, 0.6%

LAB 59.65, 13.98, 2.94

 

CMYK 0 / 1 / 1 / 40

HEX #999898

RGB 153 152 152

HSL 0, 0%, 0.6%

LAB 62.92, 0.37, 0.12

 

CMYK 18 / 0 / 2 / 34

HEX #89A8A4

RGB 137 168 164

HSL 172.26, 0.15%, 0.6%

LAB 66.52, -11.45, -1.48

 

CMYK 35 / 0 / 4 / 27

HEX #78B9B1

RGB 120 185 177

HSL 172.62, 0.32%, 0.6%

LAB 70.78, -22.51, -2.53

 

CMYK 48 / 0 / 5 / 21

HEX #68C9BE

RGB 104 201 190

HSL 173.2, 0.47%, 0.6%

LAB 75.1, -31.27, -3.34

 

CMYK 0 / 21 / 7 / 33

HEX #AA879E

RGB 170 135 158

HSL 320.57, 0.17%, 0.6%

LAB 60.2, 17.26, -7.13

 

CMYK 0 / 21 / 12 / 33

HEX #AA8795

RGB 170 135 149

HSL 336, 0.17%, 0.6%

LAB 59.93, 15.66, -2.38

 

CMYK 0 / 21 / 18 / 33

HEX #AA878C

RGB 170 135 140

HSL 351.43, 0.17%, 0.6%

LAB 59.68, 14.14, 2.41

 

CMYK 0 / 18 / 21 / 33

HEX #AA8C87

RGB 170 140 135

HSL 8.57, 0.17%, 0.6%

LAB 60.83, 10.52, 6.92

 

CMYK 0 / 12 / 21 / 33

HEX #AA9587

RGB 170 149 135

HSL 24, 0.17%, 0.6%

LAB 63.17, 5.49, 10.25

 

CMYK 0 / 29 / 25 / 49

HEX #825C61

RGB 130 92 97

HSL 352.11, 0.17%, 0.44%

LAB 43.16, 16.35, 3.34

 

CMYK 0 / 27 / 24 / 40

HEX #996F74

RGB 153 111 116

HSL 352.86, 0.17%, 0.52%

LAB 51.15, 17.41, 3.81

 

CMYK 0 / 21 / 18 / 33

HEX #AA878B

RGB 170 135 139

HSL 353.14, 0.17%, 0.6%

LAB 59.65, 13.98, 2.94

 

CMYK 0 / 15 / 13 / 27

HEX #BB9FA3

RGB 187 159 163

HSL 351.43, 0.17%, 0.68%

LAB 68.02, 10.96, 1.74

 

CMYK 0 / 10 / 9 / 20

HEX #CCB7BA

RGB 204 183 186

HSL 351.43, 0.17%, 0.76%

LAB 76.22, 7.99, 1.2

 

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

CMYK 1 / 0 / 21 / 33

HEX #A8AA87

RGB 168 170 135

HSL 63.43, 0.17%, 0.6%

LAB 68.62, -6.73, 17.85

 

CMYK 21 / 9 / 0 / 33

HEX #879AAA

RGB 135 154 170

HSL 207.43, 0.17%, 0.6%

LAB 62.65, -3.15, -10.6

 

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

CMYK 18 / 0 / 21 / 33

HEX #8CAA87

RGB 140 170 135

HSL 111.43, 0.17%, 0.6%

LAB 66.58, -17.16, 14.7

 

CMYK 21 / 18 / 0 / 33

HEX #878CAA

RGB 135 140 170

HSL 231.43, 0.17%, 0.6%

LAB 58.8, 4.75, -16.4

 

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

CMYK 1 / 0 / 21 / 33

HEX #A8AA87

RGB 168 170 135

HSL 63.43, 0.17%, 0.6%

LAB 68.62, -6.73, 17.85

 

CMYK 21 / 0 / 3 / 33

HEX #87AAA5

RGB 135 170 165

HSL 171.43, 0.17%, 0.6%

LAB 66.99, -12.95, -1.37

 

CMYK 19 / 21 / 0 / 33

HEX #8987AA

RGB 137 135 170

HSL 243.43, 0.17%, 0.6%

LAB 57.61, 8.29, -18.19

 

CMYK 0 / 20 / 18 / 33

HEX #AA888C

RGB 170 136 140

HSL 352.94, 0.17%, 0.6%

LAB 59.93, 13.58, 2.78

 

CMYK 8 / 0 / 21 / 33

HEX #9DAA87

RGB 157 170 135

HSL 82.29, 0.17%, 0.6%

LAB 67.77, -10.91, 16.55

 

CMYK 21 / 0 / 3 / 33

HEX #87AAA5

RGB 135 170 165

HSL 171.43, 0.17%, 0.6%

LAB 66.99, -12.95, -1.37

 

CMYK 13 / 21 / 0 / 33

HEX #9487AA

RGB 148 135 170

HSL 262.29, 0.17%, 0.6%

LAB 58.53, 11.95, -16.7

 

Description

Color code: RGB 170 136 140 | qconv.com Color code: RGB 170 136 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 136 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 136 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 18 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 18% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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