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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 134 71 it is the complementary color RGB 85 121 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 134 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 134 71 shade: RGB 175 134 66, RGB 192 152 85, RGB 209 170 104, RGB 226 188 123 and RGB 243 206 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 134 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 134 71 shade: RGB 170 134 71, RGB 153 116 52, RGB 136 98 33, RGB 119 80 14 and RGB 102 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 134 71 shade: RGB 168 133 70, RGB 168 106 70, RGB 168 80 70 and RGB 168 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 134 71 shade: RGB 168 133 70, RGB 168 159 70, RGB 151 168 70, RGB 125 168 70 and RGB 98 168 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 134 71 shade matches the following richer shades: RGB 168 133 70, RGB 188 138 51, RGB 207 143 31 and RGB 227 149 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 134 71 shade: RGB 168 133 70, RGB 149 127 90, RGB 130 122 109, RGB 110 117 128 and RGB 91 112 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 134 71 shade: RGB 168 80 70, RGB 168 106 70, RGB 168 132 70, RGB 168 159 70 and RGB 152 168 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 134 71 shade: RGB 110 87 46, RGB 139 110 58, RGB 168 133 70, RGB 187 153 93 and RGB 199 171 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 134 71 shade: RGB 170 134 71, RGB 87 168 70 and RGB 93 70 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 134 71 shade: RGB 170 134 71, RGB 70 168 132 and RGB 132 70 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 134 71 shade: RGB 170 134 71, RGB 87 168 70, RGB 70 106 168 and RGB 152 70 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 134 71 shade: RGB 170 134 71, RGB 70 168 83, RGB 70 106 168 and RGB 168 70 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

Complementary color

CMYK 54 / 34 / 0 / 28

HEX #5579B8

RGB 85 121 184

HSL 218.18, 0.41%, 0.53%

LAB 50.77, 5.78, -37.12

 

CMYK 0 / 23 / 62 / 31

HEX #AF8642

RGB 175 134 66

HSL 37.43, 0.45%, 0.47%

LAB 58.56, 8.05, 41.93

 

CMYK 0 / 21 / 56 / 25

HEX #C09855

RGB 192 152 85

HSL 37.57, 0.46%, 0.54%

LAB 65.21, 6.97, 40.56

 

CMYK 0 / 19 / 50 / 18

HEX #D1AA68

RGB 209 170 104

HSL 37.71, 0.53%, 0.61%

LAB 71.76, 6.06, 39.2

 

CMYK 0 / 17 / 46 / 11

HEX #E2BC7B

RGB 226 188 123

HSL 37.86, 0.64%, 0.68%

LAB 78.21, 5.28, 37.89

 

CMYK 0 / 15 / 42 / 5

HEX #F3CE8E

RGB 243 206 142

HSL 38.02, 0.81%, 0.75%

LAB 84.56, 4.6, 36.64

 

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

CMYK 0 / 24 / 66 / 40

HEX #997434

RGB 153 116 52

HSL 38.02, 0.49%, 0.4%

LAB 51.28, 7.41, 40.06

 

CMYK 0 / 28 / 76 / 47

HEX #886221

RGB 136 98 33

HSL 37.86, 0.61%, 0.33%

LAB 44.35, 8.85, 41.21

 

CMYK 0 / 33 / 88 / 53

HEX #77500E

RGB 119 80 14

HSL 37.71, 0.79%, 0.26%

LAB 37.28, 10.67, 41.59

 

CMYK 0 / 39 / 100 / 60

HEX #663E00

RGB 102 62 0

HSL 36.47, 1%, 0.2%

LAB 30.08, 12.94, 39.99

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 37 / 58 / 34

HEX #A86A46

RGB 168 106 70

HSL 22.04, 0.41%, 0.47%

LAB 50.77, 21.06, 30.34

 

CMYK 0 / 52 / 58 / 34

HEX #A85046

RGB 168 80 70

HSL 6.12, 0.41%, 0.47%

LAB 44.95, 35.3, 22.98

 

CMYK 0 / 58 / 58 / 34

HEX #A84646

RGB 168 70 70

HSL 0, 0.41%, 0.47%

LAB 42.98, 40.37, 20.42

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 5 / 58 / 34

HEX #A89F46

RGB 168 159 70

HSL 54.49, 0.41%, 0.47%

LAB 64.61, -8.36, 46.67

 

CMYK 10 / 0 / 58 / 34

HEX #97A846

RGB 151 168 70

HSL 70.41, 0.41%, 0.47%

LAB 65.77, -20.28, 47.59

 

CMYK 26 / 0 / 58 / 34

HEX #7DA846

RGB 125 168 70

HSL 86.33, 0.41%, 0.47%

LAB 64, -30.74, 45.12

 

CMYK 42 / 0 / 58 / 34

HEX #62A846

RGB 98 168 70

HSL 102.86, 0.41%, 0.47%

LAB 62.54, -40.44, 43.06

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 27 / 73 / 26

HEX #BC8A33

RGB 188 138 51

HSL 38.1, 0.57%, 0.47%

LAB 60.88, 10.67, 51.87

 

CMYK 0 / 31 / 85 / 19

HEX #CF8F1F

RGB 207 143 31

HSL 38.18, 0.74%, 0.47%

LAB 64.17, 15.55, 63.05

 

CMYK 0 / 34 / 95 / 11

HEX #E3950C

RGB 227 149 12

HSL 38.23, 0.9%, 0.47%

LAB 67.91, 20.63, 71.13

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 15 / 40 / 42

HEX #957F5A

RGB 149 127 90

HSL 37.63, 0.25%, 0.47%

LAB 54.35, 2.96, 23.25

 

CMYK 0 / 6 / 16 / 49

HEX #827A6D

RGB 130 122 109

HSL 37.14, 0.09%, 0.47%

LAB 51.58, 0.7, 8.21

 

CMYK 14 / 9 / 0 / 50

HEX #6E7580

RGB 110 117 128

HSL 216.67, 0.08%, 0.47%

LAB 49, -0.2, -6.93

 

CMYK 39 / 24 / 0 / 42

HEX #5B7094

RGB 91 112 148

HSL 217.89, 0.24%, 0.47%

LAB 46.91, 1.74, -22.08

 

CMYK 0 / 52 / 58 / 34

HEX #A85046

RGB 168 80 70

HSL 6.12, 0.41%, 0.47%

LAB 44.95, 35.3, 22.98

 

CMYK 0 / 37 / 58 / 34

HEX #A86A46

RGB 168 106 70

HSL 22.04, 0.41%, 0.47%

LAB 50.77, 21.06, 30.34

 

CMYK 0 / 21 / 58 / 34

HEX #A88446

RGB 168 132 70

HSL 37.96, 0.41%, 0.47%

LAB 57.34, 6.39, 38.28

 

CMYK 0 / 5 / 58 / 34

HEX #A89F46

RGB 168 159 70

HSL 54.49, 0.41%, 0.47%

LAB 64.61, -8.36, 46.67

 

CMYK 10 / 0 / 58 / 34

HEX #98A846

RGB 152 168 70

HSL 69.8, 0.41%, 0.47%

LAB 65.84, -19.86, 47.7

 

CMYK 0 / 21 / 58 / 57

HEX #6E572E

RGB 110 87 46

HSL 38.44, 0.41%, 0.31%

LAB 38.43, 4.03, 27.16

 

CMYK 0 / 21 / 58 / 45

HEX #8B6E3A

RGB 139 110 58

HSL 38.52, 0.41%, 0.39%

LAB 48.19, 4.95, 33

 

CMYK 0 / 21 / 58 / 34

HEX #A88546

RGB 168 133 70

HSL 38.57, 0.41%, 0.47%

LAB 57.6, 5.84, 38.59

 

CMYK 0 / 18 / 50 / 27

HEX #BB995D

RGB 187 153 93

HSL 38.3, 0.41%, 0.55%

LAB 65.07, 5, 36.12

 

CMYK 0 / 14 / 39 / 22

HEX #C7AB7A

RGB 199 171 122

HSL 38.18, 0.41%, 0.63%

LAB 71.33, 3.28, 29

 

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

CMYK 48 / 0 / 58 / 34

HEX #57A846

RGB 87 168 70

HSL 109.59, 0.41%, 0.47%

LAB 62.06, -43.92, 42.37

 

CMYK 45 / 58 / 0 / 34

HEX #5D46A8

RGB 93 70 168

HSL 254.08, 0.41%, 0.47%

LAB 36.99, 34.2, -49.64

 

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

CMYK 58 / 0 / 21 / 34

HEX #46A884

RGB 70 168 132

HSL 157.96, 0.41%, 0.47%

LAB 62.49, -37.51, 10.11

 

CMYK 21 / 58 / 0 / 34

HEX #8446A8

RGB 132 70 168

HSL 277.96, 0.41%, 0.47%

LAB 41.4, 43.8, -42.34

 

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

CMYK 48 / 0 / 58 / 34

HEX #57A846

RGB 87 168 70

HSL 109.59, 0.41%, 0.47%

LAB 62.06, -43.92, 42.37

 

CMYK 58 / 37 / 0 / 34

HEX #466AA8

RGB 70 106 168

HSL 217.96, 0.41%, 0.47%

LAB 44.85, 6.38, -37.18

 

CMYK 10 / 58 / 0 / 34

HEX #9846A8

RGB 152 70 168

HSL 290.2, 0.41%, 0.47%

LAB 44.06, 49.06, -37.93

 

CMYK 0 / 21 / 58 / 33

HEX #AA8647

RGB 170 134 71

HSL 38.18, 0.41%, 0.47%

LAB 58.09, 6.24, 38.7

 

CMYK 58 / 0 / 51 / 34

HEX #46A853

RGB 70 168 83

HSL 127.96, 0.41%, 0.47%

LAB 61.6, -46.85, 35.28

 

CMYK 58 / 37 / 0 / 34

HEX #466AA8

RGB 70 106 168

HSL 217.96, 0.41%, 0.47%

LAB 44.85, 6.38, -37.18

 

CMYK 0 / 58 / 8 / 34

HEX #A8469B

RGB 168 70 155

HSL 307.96, 0.41%, 0.47%

LAB 45.73, 51.06, -27.42

 

Description

Color code: RGB 170 134 71 | qconv.com Color code: RGB 170 134 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 134 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 134 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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