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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 185 176 it is the complementary color RGB 239 70 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 185 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 185 176 shade: RGB 21 185 171, RGB 38 203 190, RGB 55 221 209, RGB 72 239 228 and RGB 89 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 185 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 185 176 shade: RGB 16 185 176, RGB 0 167 157, RGB 0 149 138, RGB 0 131 119 and RGB 0 113 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 185 176 shade: RGB 15 182 174, RGB 15 182 129, RGB 15 182 83, RGB 15 182 38 and RGB 37 182 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 185 176 shade: RGB 15 182 174, RGB 15 146 182, RGB 15 101 182, RGB 15 56 182 and RGB 15 15 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 185 176 shade matches the following richer shades: RGB 15 182 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 185 176 shade: RGB 15 182 174, RGB 32 166 159, RGB 48 150 145, RGB 64 134 130 and RGB 80 118 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 185 176 shade: RGB 15 182 82, RGB 15 182 127, RGB 15 182 171, RGB 15 149 182 and RGB 15 105 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 185 176 shade: RGB 9 107 101, RGB 12 145 137, RGB 15 182 174, RGB 19 220 210 and RGB 44 236 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 185 176 shade: RGB 16 185 176, RGB 38 15 182 and RGB 182 105 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 185 176 shade: RGB 16 185 176, RGB 171 15 182 and RGB 182 171 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 185 176 shade: RGB 16 185 176, RGB 38 15 182, RGB 182 15 27 and RGB 160 182 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 185 176 shade: RGB 16 185 176, RGB 88 15 182, RGB 182 15 27 and RGB 110 182 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

Complementary color

CMYK 0 / 71 / 67 / 6

HEX #EF464F

RGB 239 70 79

HSL 356.8, 0.84%, 0.61%

LAB 55.38, 64.52, 33.35

 

CMYK 89 / 0 / 8 / 27

HEX #15B9AB

RGB 21 185 171

HSL 174.88, 0.8%, 0.4%

LAB 67.87, -41.12, -3.82

 

CMYK 81 / 0 / 6 / 20

HEX #26CBBE

RGB 38 203 190

HSL 175.27, 0.68%, 0.47%

LAB 74.09, -42.48, -5.01

 

CMYK 75 / 0 / 5 / 13

HEX #37DDD1

RGB 55 221 209

HSL 175.66, 0.71%, 0.54%

LAB 80.25, -43.52, -6.08

 

CMYK 70 / 0 / 5 / 6

HEX #48EFE4

RGB 72 239 228

HSL 176.05, 0.84%, 0.61%

LAB 86.36, -44.31, -7.06

 

CMYK 65 / 0 / 3 / 0

HEX #59FFF7

RGB 89 255 247

HSL 177.11, 1%, 0.67%

LAB 91.85, -44.03, -8.8

 

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

CMYK 100 / 0 / 6 / 35

HEX #00A79D

RGB 0 167 157

HSL 176.41, 1%, 0.33%

LAB 61.72, -38.06, -5.14

 

CMYK 100 / 0 / 7 / 42

HEX #00958A

RGB 0 149 138

HSL 175.57, 1%, 0.29%

LAB 55.41, -35.61, -3.67

 

CMYK 100 / 0 / 9 / 49

HEX #008377

RGB 0 131 119

HSL 174.5, 1%, 0.26%

LAB 48.96, -33.1, -2.14

 

CMYK 100 / 0 / 12 / 56

HEX #007164

RGB 0 113 100

HSL 173.1, 1%, 0.22%

LAB 42.35, -30.54, -0.53

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 92 / 0 / 29 / 29

HEX #0FB681

RGB 15 182 129

HSL 160.96, 0.85%, 0.39%

LAB 65.86, -51.11, 16.34

 

CMYK 92 / 0 / 54 / 29

HEX #0FB653

RGB 15 182 83

HSL 144.43, 0.85%, 0.39%

LAB 65.11, -59.9, 39.36

 

CMYK 92 / 0 / 79 / 29

HEX #0FB626

RGB 15 182 38

HSL 128.26, 0.85%, 0.39%

LAB 64.72, -64.72, 57.46

 

CMYK 80 / 0 / 92 / 29

HEX #25B60F

RGB 37 182 15

HSL 112.1, 0.85%, 0.39%

LAB 64.87, -63.71, 63.05

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 92 / 20 / 0 / 29

HEX #0F92B6

RGB 15 146 182

HSL 192.93, 0.85%, 0.39%

LAB 56.12, -18.94, -27.75

 

CMYK 92 / 45 / 0 / 29

HEX #0F65B6

RGB 15 101 182

HSL 209.1, 0.85%, 0.39%

LAB 42.44, 7.65, -49.34

 

CMYK 92 / 69 / 0 / 29

HEX #0F38B6

RGB 15 56 182

HSL 225.27, 0.85%, 0.39%

LAB 30.17, 37.44, -69.3

 

CMYK 92 / 92 / 0 / 29

HEX #0F0FB6

RGB 15 15 182

HSL 240, 0.85%, 0.39%

LAB 23.07, 57.89, -81.09

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 81 / 0 / 4 / 35

HEX #20A69F

RGB 32 166 159

HSL 176.87, 0.68%, 0.39%

LAB 61.73, -35.22, -6.22

 

CMYK 68 / 0 / 3 / 41

HEX #309691

RGB 48 150 145

HSL 177.06, 0.52%, 0.39%

LAB 56.57, -29.79, -5.89

 

CMYK 52 / 0 / 3 / 47

HEX #408682

RGB 64 134 130

HSL 176.57, 0.35%, 0.39%

LAB 51.56, -22.99, -4.6

 

CMYK 32 / 0 / 2 / 54

HEX #507674

RGB 80 118 116

HSL 176.84, 0.19%, 0.39%

LAB 46.87, -13.8, -3.19

 

CMYK 92 / 0 / 55 / 29

HEX #0FB652

RGB 15 182 82

HSL 144.07, 0.85%, 0.39%

LAB 65.09, -60.05, 39.83

 

CMYK 92 / 0 / 30 / 29

HEX #0FB67F

RGB 15 182 127

HSL 160.24, 0.85%, 0.39%

LAB 65.82, -51.57, 17.37

 

CMYK 92 / 0 / 6 / 29

HEX #0FB6AB

RGB 15 182 171

HSL 176.05, 0.85%, 0.39%

LAB 66.9, -40.09, -5.26

 

CMYK 92 / 18 / 0 / 29

HEX #0F95B6

RGB 15 149 182

HSL 191.86, 0.85%, 0.39%

LAB 57.05, -20.54, -26.32

 

CMYK 92 / 42 / 0 / 29

HEX #0F69B6

RGB 15 105 182

HSL 207.66, 0.85%, 0.39%

LAB 43.63, 5.09, -47.43

 

CMYK 92 / 0 / 6 / 58

HEX #096B65

RGB 9 107 101

HSL 176.33, 0.84%, 0.23%

LAB 40.43, -26.71, -3.95

 

CMYK 92 / 0 / 6 / 43

HEX #0C9189

RGB 12 145 137

HSL 176.39, 0.85%, 0.31%

LAB 54.17, -33.51, -4.92

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 91 / 0 / 5 / 14

HEX #13DCD2

RGB 19 220 210

HSL 177.01, 0.84%, 0.47%

LAB 79.6, -45.37, -7.62

 

CMYK 81 / 0 / 4 / 7

HEX #2CECE2

RGB 44 236 226

HSL 176.88, 0.83%, 0.55%

LAB 85.01, -46.36, -8.06

 

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

CMYK 79 / 92 / 0 / 29

HEX #260FB6

RGB 38 15 182

HSL 248.26, 0.85%, 0.39%

LAB 24.1, 58.49, -79.35

 

CMYK 0 / 42 / 92 / 29

HEX #B6690F

RGB 182 105 15

HSL 32.34, 0.85%, 0.39%

LAB 51.93, 25.1, 56.44

 

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

CMYK 6 / 92 / 0 / 29

HEX #AB0FB6

RGB 171 15 182

HSL 296.05, 0.85%, 0.39%

LAB 41.81, 72.92, -49.64

 

CMYK 0 / 6 / 92 / 29

HEX #B6AB0F

RGB 182 171 15

HSL 56.05, 0.85%, 0.39%

LAB 68.83, -10.91, 69.26

 

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

CMYK 79 / 92 / 0 / 29

HEX #260FB6

RGB 38 15 182

HSL 248.26, 0.85%, 0.39%

LAB 24.1, 58.49, -79.35

 

CMYK 0 / 92 / 85 / 29

HEX #B60F1B

RGB 182 15 27

HSL 355.69, 0.85%, 0.39%

LAB 38.49, 60.82, 41.17

 

CMYK 12 / 0 / 92 / 29

HEX #A0B60F

RGB 160 182 15

HSL 67.9, 0.85%, 0.39%

LAB 70.15, -26.02, 69.54

 

CMYK 91 / 0 / 5 / 27

HEX #10B9B0

RGB 16 185 176

HSL 176.8, 0.84%, 0.39%

LAB 67.98, -39.92, -6.42

 

CMYK 52 / 92 / 0 / 29

HEX #580FB6

RGB 88 15 182

HSL 266.23, 0.85%, 0.39%

LAB 28.89, 61.73, -71.26

 

CMYK 0 / 92 / 85 / 29

HEX #B60F1B

RGB 182 15 27

HSL 355.69, 0.85%, 0.39%

LAB 38.49, 60.82, 41.17

 

CMYK 40 / 0 / 92 / 29

HEX #6EB60F

RGB 110 182 15

HSL 85.87, 0.85%, 0.39%

LAB 67.13, -45.64, 65.85

 

Description

Color code: RGB 16 185 176 | qconv.com Color code: RGB 16 185 176 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 185 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 185 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 5 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 5% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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