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Color name
RGB 16 110 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 110 94 it is the complementary color RGB 239 145 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 110 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 110 94 shade: RGB 21 110 89, RGB 38 128 108, RGB 55 146 127, RGB 72 164 146 and RGB 89 182 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 110 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 110 94 shade: RGB 16 110 94, RGB 0 92 75, RGB 0 74 56, RGB 0 56 37 and RGB 0 38 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 110 94 shade: RGB 15 111 95, RGB 15 111 69, RGB 15 111 43, RGB 15 111 17 and RGB 39 111 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 110 94 shade: RGB 15 111 95, RGB 15 102 111, RGB 15 76 111, RGB 15 50 111 and RGB 15 24 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 110 94 shade matches the following richer shades: RGB 15 111 95 and RGB 5 121 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 110 94 shade: RGB 15 111 95, RGB 26 101 88, RGB 36 90 81, RGB 46 80 74 and RGB 57 70 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 110 94 shade: RGB 15 111 43, RGB 15 111 68, RGB 15 111 94, RGB 15 103 111 and RGB 15 78 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 110 94 shade: RGB 5 39 33, RGB 10 75 64, RGB 15 111 95, RGB 21 147 126 and RGB 26 183 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 110 94 shade: RGB 16 110 94, RGB 17 15 111 and RGB 111 55 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 110 94 shade: RGB 16 110 94, RGB 94 15 111 and RGB 111 94 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 110 94 shade: RGB 16 110 94, RGB 17 15 111, RGB 111 15 33 and RGB 109 111 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 110 94 shade: RGB 16 110 94, RGB 46 15 111, RGB 111 15 33 and RGB 81 111 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

Complementary color

CMYK 0 / 39 / 33 / 6

HEX #EF91A1

RGB 239 145 161

HSL 349.79, 0.75%, 0.75%

LAB 70.3, 37.37, 6.86

 

CMYK 81 / 0 / 19 / 57

HEX #156E59

RGB 21 110 89

HSL 165.84, 0.68%, 0.26%

LAB 41.27, -30.6, 4.56

 

CMYK 70 / 0 / 16 / 50

HEX #26806C

RGB 38 128 108

HSL 166.67, 0.54%, 0.33%

LAB 48.18, -31.3, 3.24

 

CMYK 62 / 0 / 13 / 43

HEX #37927F

RGB 55 146 127

HSL 167.47, 0.45%, 0.39%

LAB 54.97, -31.66, 2.1

 

CMYK 56 / 0 / 11 / 36

HEX #48A492

RGB 72 164 146

HSL 168.26, 0.39%, 0.46%

LAB 61.66, -31.81, 1.1

 

CMYK 51 / 0 / 9 / 29

HEX #59B6A5

RGB 89 182 165

HSL 169.03, 0.39%, 0.53%

LAB 68.24, -31.84, 0.19

 

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

CMYK 100 / 0 / 18 / 64

HEX #005C4B

RGB 0 92 75

HSL 168.91, 1%, 0.18%

LAB 34.32, -28.34, 3.12

 

CMYK 100 / 0 / 24 / 71

HEX #004A38

RGB 0 74 56

HSL 165.41, 1%, 0.15%

LAB 27.25, -25.6, 5.04

 

CMYK 100 / 0 / 34 / 78

HEX #003825

RGB 0 56 37

HSL 159.64, 1%, 0.11%

LAB 19.89, -22.72, 7.16

 

CMYK 100 / 0 / 53 / 85

HEX #002612

RGB 0 38 18

HSL 148.42, 1%, 0.07%

LAB 12.16, -19.53, 9.43

 

CMYK 86 / 0 / 14 / 56

HEX #0F6F5F

RGB 15 111 95

HSL 170, 0.76%, 0.25%

LAB 41.68, -30, 1.53

 

CMYK 86 / 0 / 38 / 56

HEX #0F6F45

RGB 15 111 69

HSL 153.75, 0.76%, 0.25%

LAB 41.06, -36.8, 16.17

 

CMYK 86 / 0 / 61 / 56

HEX #0F6F2B

RGB 15 111 43

HSL 137.5, 0.76%, 0.25%

LAB 40.65, -41.63, 30.09

 

CMYK 86 / 0 / 85 / 56

HEX #0F6F11

RGB 15 111 17

HSL 121.25, 0.76%, 0.25%

LAB 40.43, -44.33, 40.93

 

CMYK 65 / 0 / 86 / 56

HEX #276F0F

RGB 39 111 15

HSL 105, 0.76%, 0.25%

LAB 40.95, -39.89, 42.21

 

CMYK 86 / 0 / 14 / 56

HEX #0F6F5F

RGB 15 111 95

HSL 170, 0.76%, 0.25%

LAB 41.68, -30, 1.53

 

CMYK 86 / 8 / 0 / 56

HEX #0F666F

RGB 15 102 111

HSL 185.63, 0.76%, 0.25%

LAB 39.16, -20.31, -11.96

 

CMYK 86 / 32 / 0 / 56

HEX #0F4C6F

RGB 15 76 111

HSL 201.88, 0.76%, 0.25%

LAB 30.44, -5.04, -25.42

 

CMYK 86 / 55 / 0 / 56

HEX #0F326F

RGB 15 50 111

HSL 218.13, 0.76%, 0.25%

LAB 22.05, 12.84, -38.82

 

CMYK 86 / 78 / 0 / 56

HEX #0F186F

RGB 15 24 111

HSL 234.38, 0.76%, 0.25%

LAB 14.97, 31.15, -50.42

 

CMYK 86 / 0 / 14 / 56

HEX #0F6F5F

RGB 15 111 95

HSL 170, 0.76%, 0.25%

LAB 41.68, -30, 1.53

 

CMYK 96 / 0 / 16 / 53

HEX #057966

RGB 5 121 102

HSL 170.17, 0.92%, 0.25%

LAB 45.17, -33.29, 2.38

 

CMYK 86 / 0 / 14 / 56

HEX #0F6F5F

RGB 15 111 95

HSL 170, 0.76%, 0.25%

LAB 41.68, -30, 1.53

 

CMYK 74 / 0 / 13 / 60

HEX #1A6558

RGB 26 101 88

HSL 169.6, 0.59%, 0.25%

LAB 38.25, -25.87, 0.83

 

CMYK 60 / 0 / 10 / 65

HEX #245A51

RGB 36 90 81

HSL 170, 0.43%, 0.25%

LAB 34.56, -20.32, -0.18

 

CMYK 43 / 0 / 7 / 69

HEX #2E504A

RGB 46 80 74

HSL 169.41, 0.27%, 0.25%

LAB 31.38, -14.01, -0.37

 

CMYK 19 / 0 / 3 / 73

HEX #394644

RGB 57 70 68

HSL 170.77, 0.1%, 0.25%

LAB 28.56, -5.71, -0.55

 

CMYK 86 / 0 / 61 / 56

HEX #0F6F2B

RGB 15 111 43

HSL 137.5, 0.76%, 0.25%

LAB 40.65, -41.63, 30.09

 

CMYK 86 / 0 / 39 / 56

HEX #0F6F44

RGB 15 111 68

HSL 153.13, 0.76%, 0.25%

LAB 41.04, -37.02, 16.73

 

CMYK 86 / 0 / 15 / 56

HEX #0F6F5E

RGB 15 111 94

HSL 169.38, 0.76%, 0.25%

LAB 41.66, -30.29, 2.09

 

CMYK 86 / 7 / 0 / 56

HEX #0F676F

RGB 15 103 111

HSL 185, 0.76%, 0.25%

LAB 39.5, -20.85, -11.45

 

CMYK 86 / 30 / 0 / 56

HEX #0F4E6F

RGB 15 78 111

HSL 200.63, 0.76%, 0.25%

LAB 31.11, -6.31, -24.38

 

CMYK 87 / 0 / 15 / 85

HEX #052721

RGB 5 39 33

HSL 169.41, 0.77%, 0.09%

LAB 13.19, -14.01, 0.43

 

CMYK 87 / 0 / 15 / 71

HEX #0A4B40

RGB 10 75 64

HSL 169.85, 0.76%, 0.17%

LAB 28.03, -22.37, 1.01

 

CMYK 86 / 0 / 14 / 56

HEX #0F6F5F

RGB 15 111 95

HSL 170, 0.76%, 0.25%

LAB 41.68, -30, 1.53

 

CMYK 86 / 0 / 14 / 42

HEX #15937E

RGB 21 147 126

HSL 170, 0.75%, 0.33%

LAB 54.59, -37.04, 2.04

 

CMYK 86 / 0 / 15 / 28

HEX #1AB79C

RGB 26 183 156

HSL 169.68, 0.75%, 0.41%

LAB 66.89, -44.09, 3.02

 

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

CMYK 85 / 86 / 0 / 56

HEX #110F6F

RGB 17 15 111

HSL 241.25, 0.76%, 0.25%

LAB 13.28, 36.42, -53.21

 

CMYK 0 / 50 / 86 / 56

HEX #6F370F

RGB 111 55 15

HSL 25, 0.76%, 0.25%

LAB 29.78, 21.87, 34.22

 

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

CMYK 15 / 86 / 0 / 56

HEX #5E0F6F

RGB 94 15 111

HSL 289.38, 0.76%, 0.25%

LAB 23.23, 46.83, -36.52

 

CMYK 0 / 15 / 86 / 56

HEX #6F5E0F

RGB 111 94 15

HSL 49.38, 0.76%, 0.25%

LAB 40.28, -1.57, 43.44

 

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

CMYK 85 / 86 / 0 / 56

HEX #110F6F

RGB 17 15 111

HSL 241.25, 0.76%, 0.25%

LAB 13.28, 36.42, -53.21

 

CMYK 0 / 86 / 70 / 56

HEX #6F0F21

RGB 111 15 33

HSL 348.75, 0.76%, 0.25%

LAB 23.1, 41.04, 16.39

 

CMYK 2 / 0 / 86 / 56

HEX #6D6F0F

RGB 109 111 15

HSL 61.25, 0.76%, 0.25%

LAB 45.16, -12.24, 47.53

 

CMYK 85 / 0 / 15 / 57

HEX #106E5E

RGB 16 110 94

HSL 169.79, 0.75%, 0.25%

LAB 41.33, -29.73, 1.62

 

CMYK 59 / 86 / 0 / 56

HEX #2E0F6F

RGB 46 15 111

HSL 259.38, 0.76%, 0.25%

LAB 15.85, 39.01, -48.88

 

CMYK 0 / 86 / 70 / 56

HEX #6F0F21

RGB 111 15 33

HSL 348.75, 0.76%, 0.25%

LAB 23.1, 41.04, 16.39

 

CMYK 27 / 0 / 86 / 56

HEX #516F0F

RGB 81 111 15

HSL 78.75, 0.76%, 0.25%

LAB 42.99, -25.01, 44.81

 

Description

Color code: RGB 16 110 94 | qconv.com Color code: RGB 16 110 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 110 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 110 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 15 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 15% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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