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Color name
RGB 16 110 76

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 110 76 it is the complementary color RGB 239 145 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 110 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 110 76 shade: RGB 21 110 71, RGB 38 128 90, RGB 55 146 109, RGB 72 164 128 and RGB 89 182 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 110 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 110 76 shade: RGB 16 110 76, RGB 0 92 57, RGB 0 74 38, RGB 0 56 19 and RGB 0 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 110 76 shade: RGB 15 111 76, RGB 15 111 51, RGB 15 111 25, RGB 32 111 15 and RGB 58 111 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 110 76 shade: RGB 15 111 76, RGB 15 111 102, RGB 15 94 111, RGB 15 68 111 and RGB 15 42 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 110 76 shade matches the following richer shades: RGB 15 111 76 and RGB 5 121 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 110 76 shade: RGB 15 111 76, RGB 26 101 74, RGB 36 90 71, RGB 46 80 68 and RGB 57 70 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 110 76 shade: RGB 15 111 25, RGB 15 111 51, RGB 15 111 76, RGB 15 111 101 and RGB 15 95 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 110 76 shade: RGB 5 39 27, RGB 10 75 52, RGB 15 111 76, RGB 21 147 101 and RGB 26 183 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 110 76 shade: RGB 16 110 76, RGB 15 31 111 and RGB 111 38 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 110 76 shade: RGB 16 110 76, RGB 76 15 111 and RGB 111 76 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 110 76 shade: RGB 16 110 76, RGB 15 31 111, RGB 111 15 50 and RGB 111 95 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 110 76 shade: RGB 16 110 76, RGB 28 15 111, RGB 111 15 50 and RGB 98 111 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

Complementary color

CMYK 0 / 39 / 25 / 6

HEX #EF91B3

RGB 239 145 179

HSL 338.3, 0.75%, 0.75%

LAB 70.77, 39.74, -2.49

 

CMYK 81 / 0 / 35 / 57

HEX #156E47

RGB 21 110 71

HSL 153.71, 0.68%, 0.26%

LAB 40.84, -35.2, 14.72

 

CMYK 70 / 0 / 30 / 50

HEX #26805A

RGB 38 128 90

HSL 154.67, 0.54%, 0.33%

LAB 47.74, -35.86, 13.14

 

CMYK 62 / 0 / 25 / 43

HEX #37926D

RGB 55 146 109

HSL 155.6, 0.45%, 0.39%

LAB 54.53, -36.13, 11.76

 

CMYK 56 / 0 / 22 / 36

HEX #48A480

RGB 72 164 128

HSL 156.52, 0.39%, 0.46%

LAB 61.21, -36.18, 10.54

 

CMYK 51 / 0 / 19 / 29

HEX #59B693

RGB 89 182 147

HSL 157.42, 0.39%, 0.53%

LAB 67.79, -36.11, 9.44

 

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

CMYK 100 / 0 / 38 / 64

HEX #005C39

RGB 0 92 57

HSL 157.17, 1%, 0.18%

LAB 33.88, -33.23, 13.6

 

CMYK 100 / 0 / 49 / 71

HEX #004A26

RGB 0 74 38

HSL 150.81, 1%, 0.15%

LAB 26.84, -30.26, 15.84

 

CMYK 100 / 0 / 66 / 78

HEX #003813

RGB 0 56 19

HSL 140.36, 1%, 0.11%

LAB 19.54, -26.89, 18.16

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 86 / 0 / 54 / 56

HEX #0F6F33

RGB 15 111 51

HSL 142.5, 0.76%, 0.25%

LAB 40.75, -40.37, 25.98

 

CMYK 86 / 0 / 77 / 56

HEX #0F6F19

RGB 15 111 25

HSL 126.25, 0.76%, 0.25%

LAB 40.48, -43.72, 38.14

 

CMYK 71 / 0 / 86 / 56

HEX #206F0F

RGB 32 111 15

HSL 109.38, 0.76%, 0.25%

LAB 40.75, -41.56, 41.95

 

CMYK 48 / 0 / 86 / 56

HEX #3A6F0F

RGB 58 111 15

HSL 93.13, 0.76%, 0.25%

LAB 41.69, -34.07, 43.16

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 86 / 0 / 8 / 56

HEX #0F6F66

RGB 15 111 102

HSL 174.38, 0.76%, 0.25%

LAB 41.89, -27.88, -2.4

 

CMYK 86 / 15 / 0 / 56

HEX #0F5E6F

RGB 15 94 111

HSL 190.63, 0.76%, 0.25%

LAB 36.47, -15.89, -16.06

 

CMYK 86 / 39 / 0 / 56

HEX #0F446F

RGB 15 68 111

HSL 206.88, 0.76%, 0.25%

LAB 27.8, 0.2, -29.6

 

CMYK 86 / 62 / 0 / 56

HEX #0F2A6F

RGB 15 42 111

HSL 223.13, 0.76%, 0.25%

LAB 19.66, 18.66, -42.71

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 96 / 0 / 35 / 53

HEX #05794F

RGB 5 121 79

HSL 158.28, 0.92%, 0.25%

LAB 44.62, -39.36, 15.15

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 74 / 0 / 27 / 60

HEX #1A654A

RGB 26 101 74

HSL 158.4, 0.59%, 0.25%

LAB 37.88, -29.73, 8.85

 

CMYK 60 / 0 / 21 / 65

HEX #245A47

RGB 36 90 71

HSL 158.89, 0.43%, 0.25%

LAB 34.28, -23.07, 5.65

 

CMYK 43 / 0 / 15 / 69

HEX #2E5044

RGB 46 80 68

HSL 158.82, 0.27%, 0.25%

LAB 31.2, -15.61, 3.2

 

CMYK 19 / 0 / 7 / 73

HEX #394641

RGB 57 70 65

HSL 156.92, 0.1%, 0.25%

LAB 28.46, -6.43, 1.27

 

CMYK 86 / 0 / 77 / 56

HEX #0F6F19

RGB 15 111 25

HSL 126.25, 0.76%, 0.25%

LAB 40.48, -43.72, 38.14

 

CMYK 86 / 0 / 54 / 56

HEX #0F6F33

RGB 15 111 51

HSL 142.5, 0.76%, 0.25%

LAB 40.75, -40.37, 25.98

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 86 / 0 / 9 / 56

HEX #0F6F65

RGB 15 111 101

HSL 173.75, 0.76%, 0.25%

LAB 41.86, -28.19, -1.84

 

CMYK 86 / 14 / 0 / 56

HEX #0F5F6F

RGB 15 95 111

HSL 190, 0.76%, 0.25%

LAB 36.81, -16.46, -15.55

 

CMYK 87 / 0 / 31 / 85

HEX #05271B

RGB 5 39 27

HSL 158.82, 0.77%, 0.09%

LAB 13, -15.95, 4.45

 

CMYK 87 / 0 / 31 / 71

HEX #0A4B34

RGB 10 75 52

HSL 158.77, 0.76%, 0.17%

LAB 27.69, -25.87, 8.25

 

CMYK 86 / 0 / 32 / 56

HEX #0F6F4C

RGB 15 111 76

HSL 158.13, 0.76%, 0.25%

LAB 41.2, -35.15, 12.24

 

CMYK 86 / 0 / 31 / 42

HEX #159365

RGB 21 147 101

HSL 158.1, 0.75%, 0.33%

LAB 53.99, -43.47, 15.44

 

CMYK 86 / 0 / 31 / 28

HEX #1AB77E

RGB 26 183 126

HSL 158.22, 0.75%, 0.41%

LAB 66.21, -51.47, 18.47

 

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

CMYK 86 / 72 / 0 / 56

HEX #0F1F6F

RGB 15 31 111

HSL 230, 0.76%, 0.25%

LAB 16.65, 26.51, -47.65

 

CMYK 0 / 66 / 86 / 56

HEX #6F260F

RGB 111 38 15

HSL 14.38, 0.76%, 0.25%

LAB 26.16, 31.16, 30.92

 

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

CMYK 32 / 86 / 0 / 56

HEX #4C0F6F

RGB 76 15 111

HSL 278.13, 0.76%, 0.25%

LAB 20.15, 43.51, -41.67

 

CMYK 0 / 32 / 86 / 56

HEX #6F4C0F

RGB 111 76 15

HSL 38.13, 0.76%, 0.25%

LAB 35.17, 9.24, 39.01

 

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

CMYK 86 / 72 / 0 / 56

HEX #0F1F6F

RGB 15 31 111

HSL 230, 0.76%, 0.25%

LAB 16.65, 26.51, -47.65

 

CMYK 0 / 86 / 55 / 56

HEX #6F0F32

RGB 111 15 50

HSL 338.13, 0.76%, 0.25%

LAB 23.51, 42.25, 5.17

 

CMYK 0 / 14 / 86 / 56

HEX #6F5F0F

RGB 111 95 15

HSL 50, 0.76%, 0.25%

LAB 40.57, -2.16, 43.69

 

CMYK 85 / 0 / 31 / 57

HEX #106E4C

RGB 16 110 76

HSL 158.3, 0.75%, 0.25%

LAB 40.87, -34.61, 11.78

 

CMYK 75 / 86 / 0 / 56

HEX #1C0F6F

RGB 28 15 111

HSL 248.13, 0.76%, 0.25%

LAB 14.04, 37.18, -51.94

 

CMYK 0 / 86 / 55 / 56

HEX #6F0F32

RGB 111 15 50

HSL 338.13, 0.76%, 0.25%

LAB 23.51, 42.25, 5.17

 

CMYK 12 / 0 / 86 / 56

HEX #626F0F

RGB 98 111 15

HSL 68.13, 0.76%, 0.25%

LAB 44.23, -17.39, 46.37

 

Description

Color code: RGB 16 110 76 | qconv.com Color code: RGB 16 110 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 110 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 110 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 31 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 31% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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