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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 108 91 it is the complementary color RGB 239 147 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 108 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 108 91 shade: RGB 21 108 86, RGB 38 126 105, RGB 55 144 124, RGB 72 162 143 and RGB 89 180 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 108 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 108 91 shade: RGB 16 108 91, RGB 0 90 72, RGB 0 72 53, RGB 0 54 34 and RGB 0 36 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 108 91 shade: RGB 15 106 89, RGB 15 106 65, RGB 15 106 40, RGB 15 106 16 and RGB 39 106 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 108 91 shade: RGB 15 106 89, RGB 15 98 106, RGB 15 74 106, RGB 15 49 106 and RGB 15 25 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 108 91 shade matches the following richer shades: RGB 15 106 89 and RGB 6 116 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 108 91 shade: RGB 15 106 89, RGB 25 96 83, RGB 35 86 77, RGB 45 76 71 and RGB 55 66 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 108 91 shade: RGB 15 106 40, RGB 15 106 64, RGB 15 106 88, RGB 15 100 106 and RGB 15 76 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 108 91 shade: RGB 5 34 29, RGB 10 70 59, RGB 15 106 89, RGB 21 142 119 and RGB 26 178 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 108 91 shade: RGB 16 108 91, RGB 15 15 106 and RGB 106 52 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 108 91 shade: RGB 16 108 91, RGB 88 15 106 and RGB 106 88 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 108 91 shade: RGB 16 108 91, RGB 15 15 106, RGB 106 15 34 and RGB 106 106 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 108 91 shade: RGB 16 108 91, RGB 43 15 106, RGB 106 15 34 and RGB 79 106 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

Complementary color

CMYK 0 / 38 / 31 / 6

HEX #EF93A4

RGB 239 147 164

HSL 348.91, 0.74%, 0.76%

LAB 70.8, 36.7, 5.91

 

CMYK 81 / 0 / 20 / 58

HEX #156C56

RGB 21 108 86

HSL 164.83, 0.67%, 0.25%

LAB 40.5, -30.51, 5.28

 

CMYK 70 / 0 / 17 / 51

HEX #267E69

RGB 38 126 105

HSL 165.68, 0.54%, 0.32%

LAB 47.44, -31.18, 3.94

 

CMYK 62 / 0 / 14 / 44

HEX #37907C

RGB 55 144 124

HSL 166.52, 0.45%, 0.39%

LAB 54.25, -31.5, 2.79

 

CMYK 56 / 0 / 12 / 36

HEX #48A28F

RGB 72 162 143

HSL 167.33, 0.38%, 0.46%

LAB 60.96, -31.62, 1.77

 

CMYK 51 / 0 / 10 / 29

HEX #59B4A2

RGB 89 180 162

HSL 168.13, 0.38%, 0.53%

LAB 67.56, -31.63, 0.85

 

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

CMYK 100 / 0 / 20 / 65

HEX #005A48

RGB 0 90 72

HSL 168, 1%, 0.18%

LAB 33.52, -28.31, 3.84

 

CMYK 100 / 0 / 26 / 72

HEX #004835

RGB 0 72 53

HSL 164.17, 1%, 0.14%

LAB 26.42, -25.55, 5.8

 

CMYK 100 / 0 / 37 / 79

HEX #003622

RGB 0 54 34

HSL 157.78, 1%, 0.11%

LAB 19.03, -22.64, 7.98

 

CMYK 100 / 0 / 58 / 86

HEX #00240F

RGB 0 36 15

HSL 145, 1%, 0.07%

LAB 11.25, -19.11, 9.89

 

CMYK 86 / 0 / 16 / 58

HEX #0F6A59

RGB 15 106 89

HSL 168.79, 0.75%, 0.24%

LAB 39.8, -29.41, 2.43

 

CMYK 86 / 0 / 39 / 58

HEX #0F6A41

RGB 15 106 65

HSL 152.97, 0.75%, 0.24%

LAB 39.23, -35.64, 16.06

 

CMYK 86 / 0 / 62 / 58

HEX #0F6A28

RGB 15 106 40

HSL 136.48, 0.75%, 0.24%

LAB 38.83, -40.25, 29.5

 

CMYK 86 / 0 / 85 / 58

HEX #0F6A10

RGB 15 106 16

HSL 120.66, 0.75%, 0.24%

LAB 38.63, -42.74, 39.56

 

CMYK 63 / 0 / 86 / 58

HEX #276A0F

RGB 39 106 15

HSL 104.18, 0.75%, 0.24%

LAB 39.2, -37.98, 40.6

 

CMYK 86 / 0 / 16 / 58

HEX #0F6A59

RGB 15 106 89

HSL 168.79, 0.75%, 0.24%

LAB 39.8, -29.41, 2.43

 

CMYK 86 / 8 / 0 / 58

HEX #0F626A

RGB 15 98 106

HSL 185.27, 0.75%, 0.24%

LAB 37.62, -19.9, -11.22

 

CMYK 86 / 30 / 0 / 58

HEX #0F4A6A

RGB 15 74 106

HSL 201.1, 0.75%, 0.24%

LAB 29.51, -5.79, -23.72

 

CMYK 86 / 54 / 0 / 58

HEX #0F316A

RGB 15 49 106

HSL 217.58, 0.75%, 0.24%

LAB 21.35, 11.41, -36.72

 

CMYK 86 / 76 / 0 / 58

HEX #0F196A

RGB 15 25 106

HSL 233.41, 0.75%, 0.24%

LAB 14.61, 28.6, -47.75

 

CMYK 86 / 0 / 16 / 58

HEX #0F6A59

RGB 15 106 89

HSL 168.79, 0.75%, 0.24%

LAB 39.8, -29.41, 2.43

 

CMYK 95 / 0 / 18 / 55

HEX #06745F

RGB 6 116 95

HSL 168.55, 0.9%, 0.24%

LAB 43.29, -32.99, 3.84

 

CMYK 86 / 0 / 16 / 58

HEX #0F6A59

RGB 15 106 89

HSL 168.79, 0.75%, 0.24%

LAB 39.8, -29.41, 2.43

 

CMYK 74 / 0 / 14 / 62

HEX #196053

RGB 25 96 83

HSL 169.01, 0.59%, 0.24%

LAB 36.36, -25.01, 1.15

 

CMYK 59 / 0 / 10 / 66

HEX #23564D

RGB 35 86 77

HSL 169.41, 0.42%, 0.24%

LAB 33.02, -19.57, 0.08

 

CMYK 41 / 0 / 7 / 70

HEX #2D4C47

RGB 45 76 71

HSL 170.32, 0.26%, 0.24%

LAB 29.87, -12.83, -0.66

 

CMYK 17 / 0 / 3 / 74

HEX #374240

RGB 55 66 64

HSL 169.09, 0.09%, 0.24%

LAB 26.96, -4.97, -0.29

 

CMYK 86 / 0 / 62 / 58

HEX #0F6A28

RGB 15 106 40

HSL 136.48, 0.75%, 0.24%

LAB 38.83, -40.25, 29.5

 

CMYK 86 / 0 / 40 / 58

HEX #0F6A40

RGB 15 106 64

HSL 152.31, 0.75%, 0.24%

LAB 39.21, -35.86, 16.62

 

CMYK 86 / 0 / 17 / 58

HEX #0F6A58

RGB 15 106 88

HSL 168.13, 0.75%, 0.24%

LAB 39.77, -29.7, 3

 

CMYK 86 / 6 / 0 / 58

HEX #0F646A

RGB 15 100 106

HSL 183.96, 0.75%, 0.24%

LAB 38.3, -20.97, -10.19

 

CMYK 86 / 28 / 0 / 58

HEX #0F4C6A

RGB 15 76 106

HSL 199.78, 0.75%, 0.24%

LAB 30.18, -7.06, -22.67

 

CMYK 85 / 0 / 15 / 87

HEX #05221D

RGB 5 34 29

HSL 169.66, 0.74%, 0.08%

LAB 11.03, -12.46, 0.18

 

CMYK 86 / 0 / 16 / 73

HEX #0A463B

RGB 10 70 59

HSL 169, 0.75%, 0.16%

LAB 26.04, -21.38, 1.38

 

CMYK 86 / 0 / 16 / 58

HEX #0F6A59

RGB 15 106 89

HSL 168.79, 0.75%, 0.24%

LAB 39.8, -29.41, 2.43

 

CMYK 85 / 0 / 16 / 44

HEX #158E77

RGB 21 142 119

HSL 168.6, 0.74%, 0.32%

LAB 52.77, -36.77, 3.43

 

CMYK 85 / 0 / 16 / 30

HEX #1AB296

RGB 26 178 150

HSL 168.95, 0.75%, 0.4%

LAB 65.17, -43.57, 3.84

 

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

CMYK 86 / 86 / 0 / 58

HEX #0F0F6A

RGB 15 15 106

HSL 240, 0.75%, 0.24%

LAB 12.5, 34.61, -51.23

 

CMYK 0 / 51 / 86 / 58

HEX #6A340F

RGB 106 52 15

HSL 24.4, 0.75%, 0.24%

LAB 28.26, 21.35, 32.54

 

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

CMYK 17 / 86 / 0 / 58

HEX #580F6A

RGB 88 15 106

HSL 288.13, 0.75%, 0.24%

LAB 21.79, 44.66, -35.66

 

CMYK 0 / 17 / 86 / 58

HEX #6A580F

RGB 106 88 15

HSL 48.13, 0.75%, 0.24%

LAB 37.98, -0.48, 41.24

 

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

CMYK 86 / 86 / 0 / 58

HEX #0F0F6A

RGB 15 15 106

HSL 240, 0.75%, 0.24%

LAB 12.5, 34.61, -51.23

 

CMYK 0 / 86 / 68 / 58

HEX #6A0F22

RGB 106 15 34

HSL 347.47, 0.75%, 0.24%

LAB 22.02, 39.57, 14.09

 

CMYK 0 / 0 / 86 / 58

HEX #6A6A0F

RGB 106 106 15

HSL 60, 0.75%, 0.24%

LAB 43.37, -10.89, 45.9

 

CMYK 85 / 0 / 16 / 58

HEX #106C5B

RGB 16 108 91

HSL 168.91, 0.74%, 0.24%

LAB 40.56, -29.66, 2.32

 

CMYK 59 / 86 / 0 / 58

HEX #2B0F6A

RGB 43 15 106

HSL 258.46, 0.75%, 0.24%

LAB 14.93, 37.17, -47.14

 

CMYK 0 / 86 / 68 / 58

HEX #6A0F22

RGB 106 15 34

HSL 347.47, 0.75%, 0.24%

LAB 22.02, 39.57, 14.09

 

CMYK 25 / 0 / 86 / 58

HEX #4F6A0F

RGB 79 106 15

HSL 77.8, 0.75%, 0.24%

LAB 41.22, -23.37, 43.19

 

Description

Color code: RGB 16 108 91 | qconv.com Color code: RGB 16 108 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 108 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 108 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 16 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 16% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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