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Color name
RGB 16 54 147

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 54 147 it is the complementary color RGB 239 201 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 54 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 54 147 shade: RGB 21 54 142, RGB 38 72 161, RGB 55 90 180, RGB 72 108 199 and RGB 89 126 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 54 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 54 147 shade: RGB 16 54 147, RGB 0 36 128, RGB 0 18 109, RGB 0 0 90 and RGB 0 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 54 147 shade: RGB 16 54 146, RGB 16 18 146, RGB 48 16 146, RGB 84 16 146 and RGB 119 16 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 54 147 shade: RGB 16 54 146, RGB 16 18 146 and RGB 16 16 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 54 147 shade matches the following richer shades: RGB 16 54 146 and RGB 3 48 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 54 147 shade: RGB 16 54 146, RGB 29 59 133, RGB 42 65 120, RGB 55 70 107 and RGB 69 76 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 54 147 shade: RGB 16 125 146, RGB 16 90 146, RGB 16 55 146, RGB 16 20 146 and RGB 46 16 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 54 147 shade: RGB 8 26 72, RGB 12 40 109, RGB 16 54 146, RGB 20 67 184 and RGB 24 81 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 54 147 shade: RGB 16 54 147, RGB 133 16 146 and RGB 107 146 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 54 147 shade: RGB 16 54 147, RGB 146 16 55 and RGB 55 146 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 54 147 shade: RGB 16 54 147, RGB 133 16 146, RGB 146 107 16 and RGB 29 146 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 54 147 shade: RGB 16 54 147, RGB 146 16 120, RGB 146 107 16 and RGB 16 146 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

Complementary color

CMYK 0 / 16 / 55 / 6

HEX #EFC96C

RGB 239 201 108

HSL 42.6, 0.8%, 0.68%

LAB 82.49, 2.45, 50.9

 

CMYK 85 / 62 / 0 / 44

HEX #15368E

RGB 21 54 142

HSL 223.64, 0.74%, 0.32%

LAB 26.01, 23.5, -51.91

 

CMYK 76 / 55 / 0 / 37

HEX #2648A1

RGB 38 72 161

HSL 223.41, 0.62%, 0.39%

LAB 33.18, 20.47, -51.8

 

CMYK 69 / 50 / 0 / 29

HEX #375AB4

RGB 55 90 180

HSL 223.2, 0.53%, 0.46%

LAB 40.28, 18.1, -51.58

 

CMYK 64 / 46 / 0 / 22

HEX #486CC7

RGB 72 108 199

HSL 222.99, 0.53%, 0.53%

LAB 47.27, 16.23, -51.34

 

CMYK 59 / 42 / 0 / 15

HEX #597EDA

RGB 89 126 218

HSL 222.79, 0.64%, 0.6%

LAB 54.14, 14.73, -51.12

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 100 / 72 / 0 / 50

HEX #002480

RGB 0 36 128

HSL 223.13, 1%, 0.25%

LAB 19.31, 29.05, -54.17

 

CMYK 100 / 83 / 0 / 57

HEX #00126D

RGB 0 18 109

HSL 230.09, 1%, 0.21%

LAB 12.84, 33.29, -52.66

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 89 / 63 / 0 / 43

HEX #103692

RGB 16 54 146

HSL 222.46, 0.8%, 0.32%

LAB 26.23, 24.75, -54.03

 

CMYK 89 / 88 / 0 / 43

HEX #101292

RGB 16 18 146

HSL 239.08, 0.8%, 0.32%

LAB 18.44, 46.3, -66.89

 

CMYK 67 / 89 / 0 / 43

HEX #301092

RGB 48 16 146

HSL 254.77, 0.8%, 0.32%

LAB 20.34, 48.8, -63.68

 

CMYK 42 / 89 / 0 / 43

HEX #541092

RGB 84 16 146

HSL 271.38, 0.8%, 0.32%

LAB 24.74, 52.56, -56.27

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 89 / 63 / 0 / 43

HEX #103692

RGB 16 54 146

HSL 222.46, 0.8%, 0.32%

LAB 26.23, 24.75, -54.03

 

CMYK 89 / 88 / 0 / 43

HEX #101292

RGB 16 18 146

HSL 239.08, 0.8%, 0.32%

LAB 18.44, 46.3, -66.89

 

CMYK 89 / 89 / 0 / 43

HEX #101092

RGB 16 16 146

HSL 240, 0.8%, 0.32%

LAB 18.17, 47.13, -67.34

 

CMYK 89 / 63 / 0 / 43

HEX #103692

RGB 16 54 146

HSL 222.46, 0.8%, 0.32%

LAB 26.23, 24.75, -54.03

 

CMYK 98 / 70 / 0 / 37

HEX #0330A0

RGB 3 48 160

HSL 222.8, 0.96%, 0.32%

LAB 25.78, 33.81, -63.35

 

CMYK 89 / 63 / 0 / 43

HEX #103692

RGB 16 54 146

HSL 222.46, 0.8%, 0.32%

LAB 26.23, 24.75, -54.03

 

CMYK 78 / 56 / 0 / 48

HEX #1D3B85

RGB 29 59 133

HSL 222.69, 0.64%, 0.32%

LAB 26.97, 17.19, -44.75

 

CMYK 65 / 46 / 0 / 53

HEX #2A4178

RGB 42 65 120

HSL 222.31, 0.48%, 0.32%

LAB 28.46, 10.03, -34.18

 

CMYK 49 / 35 / 0 / 58

HEX #37466B

RGB 55 70 107

HSL 222.69, 0.32%, 0.32%

LAB 30.04, 5.15, -23.4

 

CMYK 27 / 19 / 0 / 63

HEX #454C5E

RGB 69 76 94

HSL 223.2, 0.15%, 0.32%

LAB 32.35, 1.76, -11.49

 

CMYK 89 / 14 / 0 / 43

HEX #107D92

RGB 16 125 146

HSL 189.69, 0.8%, 0.32%

LAB 48.07, -20.32, -19.34

 

CMYK 89 / 38 / 0 / 43

HEX #105A92

RGB 16 90 146

HSL 205.85, 0.8%, 0.32%

LAB 36.93, 0.26, -36.76

 

CMYK 89 / 62 / 0 / 43

HEX #103792

RGB 16 55 146

HSL 222, 0.8%, 0.32%

LAB 26.5, 24.06, -53.58

 

CMYK 89 / 86 / 0 / 43

HEX #101492

RGB 16 20 146

HSL 238.15, 0.8%, 0.32%

LAB 18.74, 45.43, -66.4

 

CMYK 68 / 89 / 0 / 43

HEX #2E1092

RGB 46 16 146

HSL 253.85, 0.8%, 0.32%

LAB 20.15, 48.65, -63.99

 

CMYK 89 / 64 / 0 / 72

HEX #081A48

RGB 8 26 72

HSL 223.13, 0.8%, 0.16%

LAB 10.98, 12.89, -30.79

 

CMYK 89 / 63 / 0 / 57

HEX #0C286D

RGB 12 40 109

HSL 222.68, 0.8%, 0.24%

LAB 18.8, 19.01, -42.82

 

CMYK 89 / 63 / 0 / 43

HEX #103692

RGB 16 54 146

HSL 222.46, 0.8%, 0.32%

LAB 26.23, 24.75, -54.03

 

CMYK 89 / 64 / 0 / 28

HEX #1443B8

RGB 20 67 184

HSL 222.8, 0.8%, 0.4%

LAB 33.19, 31.26, -65.53

 

CMYK 89 / 63 / 0 / 13

HEX #1851DD

RGB 24 81 221

HSL 222.64, 0.8%, 0.48%

LAB 40.08, 36.46, -75.7

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 9 / 89 / 0 / 43

HEX #851092

RGB 133 16 146

HSL 294, 0.8%, 0.32%

LAB 32.77, 60.26, -42.84

 

CMYK 27 / 0 / 89 / 43

HEX #6B9210

RGB 107 146 16

HSL 78, 0.8%, 0.32%

LAB 55.81, -30.95, 56.22

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 0 / 89 / 62 / 43

HEX #921037

RGB 146 16 55

HSL 342, 0.8%, 0.32%

LAB 31.25, 52.16, 13.63

 

CMYK 62 / 0 / 89 / 43

HEX #379210

RGB 55 146 16

HSL 102, 0.8%, 0.32%

LAB 53.39, -48.64, 53.2

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 9 / 89 / 0 / 43

HEX #851092

RGB 133 16 146

HSL 294, 0.8%, 0.32%

LAB 32.77, 60.26, -42.84

 

CMYK 0 / 27 / 89 / 43

HEX #926B10

RGB 146 107 16

HSL 42, 0.8%, 0.32%

LAB 47.83, 7.7, 51.03

 

CMYK 80 / 0 / 89 / 43

HEX #1D9210

RGB 29 146 16

HSL 114, 0.8%, 0.32%

LAB 52.79, -53.75, 52.44

 

CMYK 89 / 63 / 0 / 42

HEX #103693

RGB 16 54 147

HSL 222.6, 0.8%, 0.32%

LAB 26.32, 25.16, -54.5

 

CMYK 0 / 89 / 18 / 43

HEX #921078

RGB 146 16 120

HSL 312, 0.8%, 0.32%

LAB 33.64, 58.78, -25.12

 

CMYK 0 / 27 / 89 / 43

HEX #926B10

RGB 146 107 16

HSL 42, 0.8%, 0.32%

LAB 47.83, 7.7, 51.03

 

CMYK 89 / 0 / 71 / 43

HEX #10922A

RGB 16 146 42

HSL 132, 0.8%, 0.32%

LAB 52.77, -53.42, 44.03

 

Description

Color code: RGB 16 54 147 | qconv.com Color code: RGB 16 54 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 54 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 54 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 63 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 63% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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