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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 49 124 it is the complementary color RGB 86 206 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 49 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 49 124 shade: RGB 174 49 119, RGB 191 67 138, RGB 208 85 157, RGB 225 103 176 and RGB 242 121 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 49 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 152 31 105, RGB 135 13 86, RGB 118 0 67 and RGB 101 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 169 49 92, RGB 169 49 59 and RGB 169 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 169 49 157, RGB 150 49 169, RGB 117 49 169 and RGB 85 49 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 49 124 shade matches the following richer shades: RGB 169 49 124, RGB 187 31 129 and RGB 205 13 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 152 67 120, RGB 134 84 115, RGB 116 102 111 and RGB 98 120 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 49 124 shade: RGB 149 49 169, RGB 169 49 157, RGB 169 49 125, RGB 169 49 93 and RGB 169 49 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 49 124 shade: RGB 106 30 77, RGB 137 40 101, RGB 169 49 124, RGB 198 61 147 and RGB 208 93 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 169 117 49 and RGB 49 169 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 125 169 49 and RGB 49 125 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 169 117 49, RGB 49 169 93 and RGB 49 101 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 49 124 shade: RGB 169 49 124, RGB 169 153 49, RGB 49 169 93 and RGB 49 65 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

Complementary color

CMYK 58 / 0 / 36 / 19

HEX #56CE83

RGB 86 206 131

HSL 142.5, 0.55%, 0.57%

LAB 74.67, -50.38, 27.49

 

CMYK 0 / 72 / 32 / 32

HEX #AE3177

RGB 174 49 119

HSL 326.4, 0.56%, 0.44%

LAB 42.04, 56.27, -11.13

 

CMYK 0 / 65 / 28 / 25

HEX #BF438A

RGB 191 67 138

HSL 325.65, 0.49%, 0.51%

LAB 48.17, 56.43, -13.18

 

CMYK 0 / 59 / 25 / 18

HEX #D0559D

RGB 208 85 157

HSL 324.88, 0.57%, 0.57%

LAB 54.39, 56.17, -14.79

 

CMYK 0 / 54 / 22 / 12

HEX #E167B0

RGB 225 103 176

HSL 324.1, 0.67%, 0.64%

LAB 60.64, 55.66, -16.1

 

CMYK 0 / 50 / 19 / 5

HEX #F279C3

RGB 242 121 195

HSL 323.31, 0.82%, 0.71%

LAB 66.89, 55.03, -17.19

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 80 / 31 / 40

HEX #981F69

RGB 152 31 105

HSL 323.31, 0.66%, 0.36%

LAB 35.35, 54.67, -12.88

 

CMYK 0 / 90 / 36 / 47

HEX #870D56

RGB 135 13 86

HSL 324.1, 0.82%, 0.29%

LAB 29.69, 52.6, -9.49

 

CMYK 0 / 100 / 43 / 54

HEX #760043

RGB 118 0 67

HSL 325.93, 1%, 0.23%

LAB 24.5, 48.88, -4.92

 

CMYK 0 / 100 / 52 / 60

HEX #650030

RGB 101 0 48

HSL 331.49, 1%, 0.2%

LAB 19.96, 42.96, 1.2

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 71 / 46 / 34

HEX #A9315C

RGB 169 49 92

HSL 338.5, 0.55%, 0.43%

LAB 40.25, 51.88, 2.99

 

CMYK 0 / 71 / 65 / 34

HEX #A9313B

RGB 169 49 59

HSL 355, 0.55%, 0.43%

LAB 39.49, 49.27, 22.7

 

CMYK 0 / 71 / 71 / 34

HEX #A93131

RGB 169 49 49

HSL 0, 0.55%, 0.43%

LAB 39.33, 48.71, 28.63

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 71 / 7 / 34

HEX #A9319D

RGB 169 49 157

HSL 306, 0.55%, 0.43%

LAB 42.86, 60.31, -33.1

 

CMYK 11 / 71 / 0 / 34

HEX #9631A9

RGB 150 49 169

HSL 290.5, 0.55%, 0.43%

LAB 40.48, 58.02, -44.24

 

CMYK 31 / 71 / 0 / 34

HEX #7531A9

RGB 117 49 169

HSL 274, 0.55%, 0.43%

LAB 35.68, 50.97, -52.23

 

CMYK 50 / 71 / 0 / 34

HEX #5531A9

RGB 85 49 169

HSL 258, 0.55%, 0.43%

LAB 31.79, 44.88, -58.73

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 83 / 31 / 27

HEX #BB1F81

RGB 187 31 129

HSL 322.31, 0.72%, 0.43%

LAB 42.96, 66, -15.69

 

CMYK 0 / 94 / 35 / 20

HEX #CD0D85

RGB 205 13 133

HSL 322.5, 0.88%, 0.43%

LAB 45.58, 73.31, -13.83

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 56 / 21 / 40

HEX #984378

RGB 152 67 120

HSL 322.59, 0.39%, 0.43%

LAB 41.29, 42.03, -13.24

 

CMYK 0 / 37 / 14 / 47

HEX #865473

RGB 134 84 115

HSL 322.8, 0.23%, 0.43%

LAB 42.23, 25.66, -8.99

 

CMYK 0 / 12 / 4 / 55

HEX #74666F

RGB 116 102 111

HSL 321.43, 0.06%, 0.43%

LAB 44.75, 7.28, -3.02

 

CMYK 18 / 0 / 12 / 53

HEX #62786A

RGB 98 120 106

HSL 141.82, 0.1%, 0.43%

LAB 48.35, -11.09, 5.02

 

CMYK 12 / 71 / 0 / 34

HEX #9531A9

RGB 149 49 169

HSL 290, 0.55%, 0.43%

LAB 40.33, 57.8, -44.5

 

CMYK 0 / 71 / 7 / 34

HEX #A9319D

RGB 169 49 157

HSL 306, 0.55%, 0.43%

LAB 42.86, 60.31, -33.1

 

CMYK 0 / 71 / 26 / 34

HEX #A9317D

RGB 169 49 125

HSL 322, 0.55%, 0.43%

LAB 41.39, 55.66, -15.91

 

CMYK 0 / 71 / 45 / 34

HEX #A9315D

RGB 169 49 93

HSL 338, 0.55%, 0.43%

LAB 40.28, 51.98, 2.4

 

CMYK 0 / 71 / 64 / 34

HEX #A9313D

RGB 169 49 61

HSL 354, 0.55%, 0.43%

LAB 39.53, 49.39, 21.5

 

CMYK 0 / 72 / 27 / 58

HEX #6A1E4D

RGB 106 30 77

HSL 322.89, 0.56%, 0.27%

LAB 25.35, 38.57, -10.65

 

CMYK 0 / 71 / 26 / 46

HEX #892865

RGB 137 40 101

HSL 322.27, 0.55%, 0.35%

LAB 33.51, 46.98, -13.38

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 69 / 26 / 22

HEX #C63D93

RGB 198 61 147

HSL 322.34, 0.55%, 0.51%

LAB 48.82, 61.87, -17.48

 

CMYK 0 / 55 / 21 / 18

HEX #D05DA5

RGB 208 93 165

HSL 322.43, 0.55%, 0.59%

LAB 56.04, 53.62, -16.95

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 31 / 71 / 34

HEX #A97531

RGB 169 117 49

HSL 34, 0.55%, 0.43%

LAB 53.36, 13.85, 44.31

 

CMYK 71 / 0 / 2 / 34

HEX #31A9A5

RGB 49 169 165

HSL 178, 0.55%, 0.43%

LAB 63.13, -32.95, -7.46

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 26 / 0 / 71 / 34

HEX #7DA931

RGB 125 169 49

HSL 82, 0.55%, 0.43%

LAB 64.13, -32.9, 54.23

 

CMYK 71 / 26 / 0 / 34

HEX #317DA9

RGB 49 125 169

HSL 202, 0.55%, 0.43%

LAB 49.72, -8.57, -30.19

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 31 / 71 / 34

HEX #A97531

RGB 169 117 49

HSL 34, 0.55%, 0.43%

LAB 53.36, 13.85, 44.31

 

CMYK 71 / 0 / 45 / 34

HEX #31A95D

RGB 49 169 93

HSL 142, 0.55%, 0.43%

LAB 61.5, -49.97, 29.88

 

CMYK 71 / 40 / 0 / 34

HEX #3165A9

RGB 49 101 169

HSL 214, 0.55%, 0.43%

LAB 42.5, 6.01, -41.57

 

CMYK 0 / 71 / 27 / 34

HEX #A9317C

RGB 169 49 124

HSL 322.5, 0.55%, 0.43%

LAB 41.35, 55.53, -15.35

 

CMYK 0 / 9 / 71 / 34

HEX #A99931

RGB 169 153 49

HSL 52, 0.55%, 0.43%

LAB 62.88, -6.08, 54.08

 

CMYK 71 / 0 / 45 / 34

HEX #31A95D

RGB 49 169 93

HSL 142, 0.55%, 0.43%

LAB 61.5, -49.97, 29.88

 

CMYK 71 / 62 / 0 / 34

HEX #3141A9

RGB 49 65 169

HSL 232, 0.55%, 0.43%

LAB 32.48, 29.57, -57.73

 

Description

Color code: RGB 169 49 124 | qconv.com Color code: RGB 169 49 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 49 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 49 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 27 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 27% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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