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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 41 195 it is the complementary color RGB 86 214 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 41 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 41 195 shade: RGB 174 41 190, RGB 191 59 209, RGB 208 77 228, RGB 225 95 247 and RGB 242 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 41 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 41 195 shade: RGB 169 41 195, RGB 152 23 176, RGB 135 5 157, RGB 118 0 138 and RGB 101 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 41 195 shade: RGB 167 41 193, RGB 193 41 178, RGB 193 41 137, RGB 193 41 95 and RGB 193 41 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 41 195 shade: RGB 167 41 193, RGB 126 41 193, RGB 85 41 193, RGB 44 41 193 and RGB 41 41 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 41 195 shade matches the following richer shades: RGB 167 41 193, RGB 180 22 212 and RGB 192 3 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 41 195 shade: RGB 167 41 193, RGB 155 60 174, RGB 142 79 155, RGB 130 97 136 and RGB 117 116 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 41 195 shade: RGB 84 41 193, RGB 124 41 193, RGB 165 41 193, RGB 193 41 180 and RGB 193 41 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 41 195 shade: RGB 108 26 125, RGB 138 33 159, RGB 167 41 193, RGB 188 61 214 and RGB 200 95 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 41 195 shade: RGB 169 41 195, RGB 193 43 41 and RGB 41 193 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 41 195 shade: RGB 169 41 195, RGB 193 165 41 and RGB 41 193 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 41 195 shade: RGB 169 41 195, RGB 193 43 41, RGB 69 193 41 and RGB 41 191 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 41 195 shade: RGB 169 41 195, RGB 193 89 41, RGB 69 193 41 and RGB 41 145 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

Complementary color

CMYK 60 / 0 / 72 / 16

HEX #56D63C

RGB 86 214 60

HSL 109.87, 0.65%, 0.54%

LAB 76.31, -62.46, 61.98

 

CMYK 8 / 78 / 0 / 25

HEX #AE29BE

RGB 174 41 190

HSL 293.56, 0.65%, 0.45%

LAB 44.66, 69.39, -49.73

 

CMYK 9 / 72 / 0 / 18

HEX #BF3BD1

RGB 191 59 209

HSL 292.8, 0.62%, 0.53%

LAB 50.46, 70.4, -51.3

 

CMYK 9 / 66 / 0 / 11

HEX #D04DE4

RGB 208 77 228

HSL 292.05, 0.74%, 0.6%

LAB 56.41, 70.76, -52.45

 

CMYK 9 / 62 / 0 / 3

HEX #E15FF7

RGB 225 95 247

HSL 291.32, 0.9%, 0.67%

LAB 62.43, 70.7, -53.32

 

CMYK 5 / 56 / 0 / 0

HEX #F271FF

RGB 242 113 255

HSL 294.51, 1%, 0.72%

LAB 67.95, 68.42, -48.84

 

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

CMYK 14 / 87 / 0 / 31

HEX #9817B0

RGB 152 23 176

HSL 290.59, 0.77%, 0.39%

LAB 38.59, 67.41, -51.44

 

CMYK 14 / 97 / 0 / 38

HEX #87059D

RGB 135 5 157

HSL 291.32, 0.94%, 0.32%

LAB 33.34, 64.17, -48.64

 

CMYK 14 / 100 / 0 / 46

HEX #76008A

RGB 118 0 138

HSL 291.3, 1%, 0.27%

LAB 28.61, 58.97, -44.75

 

CMYK 15 / 100 / 0 / 53

HEX #650077

RGB 101 0 119

HSL 290.92, 1%, 0.23%

LAB 23.99, 52.92, -40.37

 

CMYK 13 / 79 / 0 / 24

HEX #A729C1

RGB 167 41 193

HSL 289.74, 0.65%, 0.46%

LAB 43.73, 68.59, -53.05

 

CMYK 0 / 79 / 8 / 24

HEX #C129B2

RGB 193 41 178

HSL 305.92, 0.65%, 0.46%

LAB 47.15, 71.29, -38.54

 

CMYK 0 / 79 / 29 / 24

HEX #C12989

RGB 193 41 137

HSL 322.11, 0.65%, 0.46%

LAB 45.26, 65.84, -16.96

 

CMYK 0 / 79 / 51 / 24

HEX #C1295F

RGB 193 41 95

HSL 338.68, 0.65%, 0.46%

LAB 43.87, 61.65, 6.89

 

CMYK 0 / 79 / 72 / 24

HEX #C12936

RGB 193 41 54

HSL 354.87, 0.65%, 0.46%

LAB 43.05, 59.09, 31.16

 

CMYK 13 / 79 / 0 / 24

HEX #A729C1

RGB 167 41 193

HSL 289.74, 0.65%, 0.46%

LAB 43.73, 68.59, -53.05

 

CMYK 35 / 79 / 0 / 24

HEX #7E29C1

RGB 126 41 193

HSL 273.55, 0.65%, 0.46%

LAB 37.61, 61.39, -63.25

 

CMYK 56 / 79 / 0 / 24

HEX #5529C1

RGB 85 41 193

HSL 257.37, 0.65%, 0.46%

LAB 32.63, 55.48, -71.61

 

CMYK 77 / 79 / 0 / 24

HEX #2C29C1

RGB 44 41 193

HSL 241.18, 0.65%, 0.46%

LAB 29.34, 51.56, -77.15

 

CMYK 79 / 79 / 0 / 24

HEX #2929C1

RGB 41 41 193

HSL 240, 0.65%, 0.46%

LAB 29.18, 51.36, -77.42

 

CMYK 13 / 79 / 0 / 24

HEX #A729C1

RGB 167 41 193

HSL 289.74, 0.65%, 0.46%

LAB 43.73, 68.59, -53.05

 

CMYK 15 / 90 / 0 / 17

HEX #B416D4

RGB 180 22 212

HSL 289.89, 0.81%, 0.46%

LAB 45.68, 78.3, -60.81

 

CMYK 17 / 99 / 0 / 9

HEX #C003E7

RGB 192 3 231

HSL 289.74, 0.97%, 0.46%

LAB 48.31, 85.21, -67.29

 

CMYK 13 / 79 / 0 / 24

HEX #A729C1

RGB 167 41 193

HSL 289.74, 0.65%, 0.46%

LAB 43.73, 68.59, -53.05

 

CMYK 11 / 66 / 0 / 32

HEX #9B3CAE

RGB 155 60 174

HSL 290, 0.49%, 0.46%

LAB 43.15, 55.61, -42.92

 

CMYK 8 / 49 / 0 / 39

HEX #8E4F9B

RGB 142 79 155

HSL 289.74, 0.32%, 0.46%

LAB 43.81, 38.92, -30.68

 

CMYK 4 / 29 / 0 / 47

HEX #826188

RGB 130 97 136

HSL 290.77, 0.17%, 0.46%

LAB 45.73, 20.64, -16.45

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 56 / 79 / 0 / 24

HEX #5429C1

RGB 84 41 193

HSL 256.97, 0.65%, 0.46%

LAB 32.53, 55.36, -71.78

 

CMYK 36 / 79 / 0 / 24

HEX #7C29C1

RGB 124 41 193

HSL 272.76, 0.65%, 0.46%

LAB 37.34, 61.06, -63.71

 

CMYK 15 / 79 / 0 / 24

HEX #A529C1

RGB 165 41 193

HSL 288.95, 0.65%, 0.46%

LAB 43.41, 68.22, -53.57

 

CMYK 0 / 79 / 7 / 24

HEX #C129B4

RGB 193 41 180

HSL 305.13, 0.65%, 0.46%

LAB 47.26, 71.59, -39.55

 

CMYK 0 / 79 / 27 / 24

HEX #C1298C

RGB 193 41 140

HSL 320.92, 0.65%, 0.46%

LAB 45.38, 66.2, -18.6

 

CMYK 14 / 79 / 0 / 51

HEX #6C1A7D

RGB 108 26 125

HSL 289.7, 0.66%, 0.3%

LAB 27.87, 48.96, -37.88

 

CMYK 13 / 79 / 0 / 38

HEX #8A219F

RGB 138 33 159

HSL 290, 0.66%, 0.38%

LAB 35.97, 59.25, -45.58

 

CMYK 13 / 79 / 0 / 24

HEX #A729C1

RGB 167 41 193

HSL 289.74, 0.65%, 0.46%

LAB 43.73, 68.59, -53.05

 

CMYK 12 / 71 / 0 / 16

HEX #BC3DD6

RGB 188 61 214

HSL 289.8, 0.65%, 0.54%

LAB 50.55, 69.97, -54.04

 

CMYK 10 / 57 / 0 / 13

HEX #C85FDD

RGB 200 95 221

HSL 290, 0.65%, 0.62%

LAB 57.74, 59.85, -46.47

 

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

CMYK 0 / 78 / 79 / 24

HEX #C12B29

RGB 193 43 41

HSL 0.79, 0.65%, 0.46%

LAB 43.1, 57.99, 38.77

 

CMYK 79 / 0 / 46 / 24

HEX #29C168

RGB 41 193 104

HSL 144.87, 0.65%, 0.46%

LAB 69.19, -57.98, 34.04

 

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

CMYK 0 / 15 / 79 / 24

HEX #C1A529

RGB 193 165 41

HSL 48.95, 0.65%, 0.46%

LAB 68.32, -2.2, 62.95

 

CMYK 79 / 0 / 15 / 24

HEX #29C1A5

RGB 41 193 165

HSL 168.95, 0.65%, 0.46%

LAB 70.41, -44.66, 3.2

 

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

CMYK 0 / 78 / 79 / 24

HEX #C12B29

RGB 193 43 41

HSL 0.79, 0.65%, 0.46%

LAB 43.1, 57.99, 38.77

 

CMYK 64 / 0 / 79 / 24

HEX #45C129

RGB 69 193 41

HSL 108.95, 0.65%, 0.46%

LAB 69.16, -60.42, 61.08

 

CMYK 79 / 1 / 0 / 24

HEX #29BFC1

RGB 41 191 193

HSL 180.79, 0.65%, 0.46%

LAB 70.58, -35.93, -11.85

 

CMYK 13 / 79 / 0 / 24

HEX #A929C3

RGB 169 41 195

HSL 289.87, 0.65%, 0.46%

LAB 44.18, 69.32, -53.48

 

CMYK 0 / 54 / 79 / 24

HEX #C15929

RGB 193 89 41

HSL 18.95, 0.65%, 0.46%

LAB 50.27, 38.8, 46

 

CMYK 64 / 0 / 79 / 24

HEX #45C129

RGB 69 193 41

HSL 108.95, 0.65%, 0.46%

LAB 69.16, -60.42, 61.08

 

CMYK 79 / 25 / 0 / 24

HEX #2991C1

RGB 41 145 193

HSL 198.95, 0.65%, 0.46%

LAB 56.66, -12.52, -33.14

 

Description

Color code: RGB 169 41 195 | qconv.com Color code: RGB 169 41 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 41 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 41 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 79 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 79% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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