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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 215 197 it is the complementary color RGB 86 40 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 215 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 215 197 shade: RGB 174 215 192, RGB 191 233 211, RGB 208 251 230, RGB 225 255 249 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 215 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 215 197 shade: RGB 169 215 197, RGB 152 197 178, RGB 135 179 159, RGB 118 161 140 and RGB 101 143 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 215 197 shade: RGB 167 214 196, RGB 167 214 183, RGB 167 214 170, RGB 177 214 167 and RGB 189 214 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 215 197 shade: RGB 167 214 196, RGB 167 214 209, RGB 167 207 214, RGB 167 195 214 and RGB 167 182 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 215 197 shade matches the following richer shades: RGB 167 214 196, RGB 157 225 198, RGB 147 235 200 and RGB 136 245 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 215 197 shade: RGB 167 214 196, RGB 177 204 194, RGB 188 194 191, RGB 198 183 189 and RGB 208 173 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 215 197 shade: RGB 167 214 170, RGB 167 214 183, RGB 167 214 195, RGB 167 214 208 and RGB 167 208 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 215 197 shade: RGB 111 188 158, RGB 139 201 177, RGB 167 214 196, RGB 195 227 215 and RGB 224 240 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 215 197 shade: RGB 169 215 197, RGB 167 177 214 and RGB 214 177 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 215 197 shade: RGB 169 215 197, RGB 195 167 214 and RGB 214 195 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 215 197 shade: RGB 169 215 197, RGB 167 177 214, RGB 214 167 186 and RGB 214 205 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 215 197 shade: RGB 169 215 197, RGB 172 167 214, RGB 214 167 186 and RGB 210 214 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

Complementary color

CMYK 0 / 53 / 33 / 66

HEX #56283A

RGB 86 40 58

HSL 336.52, 0.37%, 0.25%

LAB 23, 23.62, -1.66

 

CMYK 19 / 0 / 11 / 16

HEX #AED7C0

RGB 174 215 192

HSL 146.34, 0.34%, 0.76%

LAB 82.6, -17.97, 6.92

 

CMYK 18 / 0 / 9 / 9

HEX #BFE9D3

RGB 191 233 211

HSL 148.57, 0.49%, 0.83%

LAB 88.95, -17.85, 6.19

 

CMYK 17 / 0 / 8 / 2

HEX #D0FBE6

RGB 208 251 230

HSL 150.7, 0.84%, 0.9%

LAB 95.21, -17.74, 5.5

 

CMYK 12 / 0 / 2 / 0

HEX #E1FFF9

RGB 225 255 249

HSL 168, 1%, 0.94%

LAB 97.78, -10.78, -0.42

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

CMYK 23 / 0 / 10 / 23

HEX #98C5B2

RGB 152 197 178

HSL 154.67, 0.28%, 0.68%

LAB 75.96, -18.74, 4.69

 

CMYK 25 / 0 / 11 / 30

HEX #87B39F

RGB 135 179 159

HSL 152.73, 0.22%, 0.62%

LAB 69.39, -18.91, 5.44

 

CMYK 27 / 0 / 13 / 37

HEX #76A18C

RGB 118 161 140

HSL 150.7, 0.19%, 0.55%

LAB 62.71, -19.1, 6.25

 

CMYK 29 / 0 / 15 / 44

HEX #658F79

RGB 101 143 121

HSL 148.57, 0.17%, 0.48%

LAB 55.88, -19.33, 7.11

 

CMYK 22 / 0 / 8 / 16

HEX #A7D6C4

RGB 167 214 196

HSL 157.02, 0.36%, 0.75%

LAB 82, -18.92, 3.88

 

CMYK 22 / 0 / 14 / 16

HEX #A7D6B7

RGB 167 214 183

HSL 140.43, 0.36%, 0.75%

LAB 81.69, -21.44, 10.35

 

CMYK 22 / 0 / 21 / 16

HEX #A7D6AA

RGB 167 214 170

HSL 123.83, 0.36%, 0.75%

LAB 81.41, -23.8, 16.83

 

CMYK 17 / 0 / 22 / 16

HEX #B1D6A7

RGB 177 214 167

HSL 107.23, 0.36%, 0.75%

LAB 81.96, -20.92, 19.27

 

CMYK 12 / 0 / 22 / 16

HEX #BDD6A7

RGB 189 214 167

HSL 91.91, 0.36%, 0.75%

LAB 82.75, -16.71, 20.49

 

CMYK 22 / 0 / 8 / 16

HEX #A7D6C4

RGB 167 214 196

HSL 157.02, 0.36%, 0.75%

LAB 82, -18.92, 3.88

 

CMYK 22 / 0 / 2 / 16

HEX #A7D6D1

RGB 167 214 209

HSL 173.62, 0.36%, 0.75%

LAB 82.33, -16.24, -2.55

 

CMYK 22 / 3 / 0 / 16

HEX #A7CFD6

RGB 167 207 214

HSL 188.94, 0.36%, 0.75%

LAB 80.57, -11.58, -7.82

 

CMYK 22 / 9 / 0 / 16

HEX #A7C3D6

RGB 167 195 214

HSL 204.26, 0.36%, 0.75%

LAB 77.34, -5.3, -12.63

 

CMYK 22 / 15 / 0 / 16

HEX #A7B6D6

RGB 167 182 214

HSL 220.85, 0.36%, 0.75%

LAB 73.89, 1.69, -17.83

 

CMYK 22 / 0 / 8 / 16

HEX #A7D6C4

RGB 167 214 196

HSL 157.02, 0.36%, 0.75%

LAB 82, -18.92, 3.88

 

CMYK 30 / 0 / 12 / 12

HEX #9DE1C6

RGB 157 225 198

HSL 156.18, 0.53%, 0.75%

LAB 84.53, -26.97, 6.41

 

CMYK 37 / 0 / 15 / 8

HEX #93EBC8

RGB 147 235 200

HSL 156.14, 0.69%, 0.75%

LAB 86.89, -34.13, 8.69

 

CMYK 44 / 0 / 17 / 4

HEX #88F5CB

RGB 136 245 203

HSL 156.88, 0.84%, 0.75%

LAB 89.32, -40.93, 10.53

 

CMYK 22 / 0 / 8 / 16

HEX #A7D6C4

RGB 167 214 196

HSL 157.02, 0.36%, 0.75%

LAB 82, -18.92, 3.88

 

CMYK 13 / 0 / 5 / 20

HEX #B1CCC2

RGB 177 204 194

HSL 157.78, 0.21%, 0.75%

LAB 79.86, -11, 1.92

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BF

RGB 188 194 191

HSL 150, 0.05%, 0.75%

LAB 77.9, -2.63, 0.78

 

CMYK 0 / 8 / 5 / 22

HEX #C6B7BD

RGB 198 183 189

HSL 336, 0.12%, 0.75%

LAB 75.79, 6.38, -1.12

 

CMYK 0 / 17 / 10 / 18

HEX #D0ADBB

RGB 208 173 187

HSL 336, 0.27%, 0.75%

LAB 74.12, 15, -2.38

 

CMYK 22 / 0 / 21 / 16

HEX #A7D6AA

RGB 167 214 170

HSL 123.83, 0.36%, 0.75%

LAB 81.41, -23.8, 16.83

 

CMYK 22 / 0 / 14 / 16

HEX #A7D6B7

RGB 167 214 183

HSL 140.43, 0.36%, 0.75%

LAB 81.69, -21.44, 10.35

 

CMYK 22 / 0 / 9 / 16

HEX #A7D6C3

RGB 167 214 195

HSL 155.74, 0.36%, 0.75%

LAB 81.97, -19.12, 4.38

 

CMYK 22 / 0 / 3 / 16

HEX #A7D6D0

RGB 167 214 208

HSL 172.34, 0.36%, 0.75%

LAB 82.3, -16.45, -2.06

 

CMYK 22 / 3 / 0 / 16

HEX #A7D0D6

RGB 167 208 214

HSL 187.66, 0.36%, 0.75%

LAB 80.84, -12.1, -7.42

 

CMYK 41 / 0 / 16 / 26

HEX #6FBC9E

RGB 111 188 158

HSL 156.62, 0.36%, 0.59%

LAB 70.74, -30.79, 7.76

 

CMYK 31 / 0 / 12 / 21

HEX #8BC9B1

RGB 139 201 177

HSL 156.77, 0.36%, 0.67%

LAB 76.34, -24.97, 5.68

 

CMYK 22 / 0 / 8 / 16

HEX #A7D6C4

RGB 167 214 196

HSL 157.02, 0.36%, 0.75%

LAB 82, -18.92, 3.88

 

CMYK 14 / 0 / 5 / 11

HEX #C3E3D7

RGB 195 227 215

HSL 157.5, 0.36%, 0.83%

LAB 87.7, -12.8, 2.32

 

CMYK 7 / 0 / 3 / 6

HEX #E0F0EA

RGB 224 240 234

HSL 157.5, 0.35%, 0.91%

LAB 93.5, -6.36, 1.07

 

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

CMYK 22 / 17 / 0 / 16

HEX #A7B1D6

RGB 167 177 214

HSL 227.23, 0.36%, 0.75%

LAB 72.57, 4.42, -19.82

 

CMYK 0 / 17 / 22 / 16

HEX #D6B1A7

RGB 214 177 167

HSL 12.77, 0.36%, 0.75%

LAB 75.16, 11.85, 10.13

 

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

CMYK 9 / 22 / 0 / 16

HEX #C3A7D6

RGB 195 167 214

HSL 275.74, 0.36%, 0.75%

LAB 72.29, 18.88, -20.04

 

CMYK 0 / 9 / 22 / 16

HEX #D6C3A7

RGB 214 195 167

HSL 35.74, 0.36%, 0.75%

LAB 79.68, 2.27, 16.51

 

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

CMYK 22 / 17 / 0 / 16

HEX #A7B1D6

RGB 167 177 214

HSL 227.23, 0.36%, 0.75%

LAB 72.57, 4.42, -19.82

 

CMYK 0 / 22 / 13 / 16

HEX #D6A7BA

RGB 214 167 186

HSL 335.74, 0.36%, 0.75%

LAB 73.21, 20.23, -3.1

 

CMYK 0 / 4 / 22 / 16

HEX #D6CDA7

RGB 214 205 167

HSL 48.51, 0.36%, 0.75%

LAB 82.24, -2.96, 20.07

 

CMYK 21 / 0 / 8 / 16

HEX #A9D7C5

RGB 169 215 197

HSL 156.52, 0.37%, 0.75%

LAB 82.41, -18.59, 3.97

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 0 / 22 / 13 / 16

HEX #D6A7BA

RGB 214 167 186

HSL 335.74, 0.36%, 0.75%

LAB 73.21, 20.23, -3.1

 

CMYK 2 / 0 / 22 / 16

HEX #D2D6A7

RGB 210 214 167

HSL 65.11, 0.36%, 0.75%

LAB 84.27, -9.07, 22.82

 

Description

Color code: RGB 169 215 197 | qconv.com Color code: RGB 169 215 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 215 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 215 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 8% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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