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Color name
RGB 169 139 85

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 139 85 it is the complementary color RGB 86 116 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 139 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 139 85 shade: RGB 174 139 80, RGB 191 157 99, RGB 208 175 118, RGB 225 193 137 and RGB 242 211 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 139 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 152 121 66, RGB 135 103 47, RGB 118 85 28 and RGB 101 67 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 169 116 85, RGB 169 94 85 and RGB 169 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 169 162 85, RGB 154 169 85, RGB 131 169 85 and RGB 108 169 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 139 85 shade matches the following richer shades: RGB 169 139 85, RGB 190 145 64, RGB 210 151 44, RGB 231 157 23 and RGB 252 163 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 148 133 106, RGB 128 127 126, RGB 107 121 147 and RGB 87 115 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 139 85 shade: RGB 169 93 85, RGB 169 116 85, RGB 169 138 85, RGB 169 161 85 and RGB 155 169 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 139 85 shade: RGB 114 94 57, RGB 142 116 71, RGB 169 139 85, RGB 183 158 112 and RGB 197 176 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 99 169 85 and RGB 105 85 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 85 169 138 and RGB 138 85 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 99 169 85, RGB 85 116 169 and RGB 155 85 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 139 85 shade: RGB 169 139 85, RGB 85 169 96, RGB 85 116 169 and RGB 169 85 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

Complementary color

CMYK 49 / 32 / 0 / 33

HEX #5674AA

RGB 86 116 170

HSL 218.57, 0.33%, 0.5%

LAB 48.72, 4.59, -32.2

 

CMYK 0 / 20 / 54 / 32

HEX #AE8B50

RGB 174 139 80

HSL 37.66, 0.37%, 0.5%

LAB 59.93, 5.96, 36.32

 

CMYK 0 / 18 / 48 / 25

HEX #BF9D63

RGB 191 157 99

HSL 37.83, 0.42%, 0.57%

LAB 66.59, 5.09, 34.95

 

CMYK 0 / 16 / 43 / 18

HEX #D0AF76

RGB 208 175 118

HSL 38, 0.49%, 0.64%

LAB 73.14, 4.35, 33.64

 

CMYK 0 / 14 / 39 / 12

HEX #E1C189

RGB 225 193 137

HSL 38.18, 0.59%, 0.71%

LAB 79.59, 3.72, 32.41

 

CMYK 0 / 13 / 36 / 5

HEX #F2D39C

RGB 242 211 156

HSL 38.37, 0.77%, 0.78%

LAB 85.94, 3.17, 31.24

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 20 / 57 / 40

HEX #987942

RGB 152 121 66

HSL 38.37, 0.39%, 0.43%

LAB 52.67, 5.18, 34.4

 

CMYK 0 / 24 / 65 / 47

HEX #87672F

RGB 135 103 47

HSL 38.18, 0.48%, 0.36%

LAB 45.71, 6.32, 35.82

 

CMYK 0 / 28 / 76 / 54

HEX #76551C

RGB 118 85 28

HSL 38, 0.62%, 0.29%

LAB 38.61, 7.76, 37.03

 

CMYK 0 / 34 / 91 / 60

HEX #654309

RGB 101 67 9

HSL 37.83, 0.84%, 0.22%

LAB 31.35, 9.64, 37.38

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 31 / 50 / 34

HEX #A97455

RGB 169 116 85

HSL 22.14, 0.33%, 0.5%

LAB 53.58, 17.2, 25.48

 

CMYK 0 / 44 / 50 / 34

HEX #A95E55

RGB 169 94 85

HSL 6.43, 0.33%, 0.5%

LAB 48.38, 29.51, 18.61

 

CMYK 0 / 50 / 50 / 34

HEX #A95555

RGB 169 85 85

HSL 0, 0.33%, 0.5%

LAB 46.43, 34.38, 15.97

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 4 / 50 / 34

HEX #A9A255

RGB 169 162 85

HSL 55, 0.33%, 0.5%

LAB 65.7, -8.25, 40.62

 

CMYK 9 / 0 / 50 / 34

HEX #9AA955

RGB 154 169 85

HSL 70.71, 0.33%, 0.5%

LAB 66.44, -18.16, 41.23

 

CMYK 22 / 0 / 50 / 34

HEX #83A955

RGB 131 169 85

HSL 87.14, 0.33%, 0.5%

LAB 64.85, -27.33, 38.93

 

CMYK 36 / 0 / 50 / 34

HEX #6CA955

RGB 108 169 85

HSL 103.57, 0.33%, 0.5%

LAB 63.52, -35.73, 37.01

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 24 / 66 / 25

HEX #BE9140

RGB 190 145 64

HSL 38.57, 0.5%, 0.5%

LAB 62.98, 8.42, 48.28

 

CMYK 0 / 28 / 79 / 18

HEX #D2972C

RGB 210 151 44

HSL 38.67, 0.65%, 0.5%

LAB 66.53, 12.92, 60.95

 

CMYK 0 / 32 / 90 / 9

HEX #E79D17

RGB 231 157 23

HSL 38.65, 0.82%, 0.5%

LAB 70.29, 18.23, 71.11

 

CMYK 0 / 35 / 99 / 1

HEX #FCA302

RGB 252 163 2

HSL 38.64, 0.98%, 0.5%

LAB 74.12, 23.74, 78.02

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 10 / 28 / 42

HEX #94856A

RGB 148 133 106

HSL 38.57, 0.17%, 0.5%

LAB 56.2, 1.28, 16.65

 

CMYK 0 / 1 / 2 / 50

HEX #807F7E

RGB 128 127 126

HSL 30, 0.01%, 0.5%

LAB 53.25, 0.18, 0.67

 

CMYK 27 / 18 / 0 / 42

HEX #6B7993

RGB 107 121 147

HSL 219, 0.16%, 0.5%

LAB 50.58, 1.04, -15.78

 

CMYK 48 / 31 / 0 / 35

HEX #5773A7

RGB 87 115 167

HSL 219, 0.31%, 0.5%

LAB 48.36, 4.51, -31.02

 

CMYK 0 / 45 / 50 / 34

HEX #A95D55

RGB 169 93 85

HSL 5.71, 0.33%, 0.5%

LAB 48.16, 30.06, 18.31

 

CMYK 0 / 31 / 50 / 34

HEX #A97455

RGB 169 116 85

HSL 22.14, 0.33%, 0.5%

LAB 53.58, 17.2, 25.48

 

CMYK 0 / 18 / 50 / 34

HEX #A98A55

RGB 169 138 85

HSL 37.86, 0.33%, 0.5%

LAB 59.22, 4.82, 32.67

 

CMYK 0 / 5 / 50 / 34

HEX #A9A155

RGB 169 161 85

HSL 54.29, 0.33%, 0.5%

LAB 65.42, -7.72, 40.29

 

CMYK 8 / 0 / 50 / 34

HEX #9BA955

RGB 155 169 85

HSL 70, 0.33%, 0.5%

LAB 66.52, -17.75, 41.34

 

CMYK 0 / 18 / 50 / 55

HEX #725E39

RGB 114 94 57

HSL 38.95, 0.33%, 0.34%

LAB 41.02, 2.8, 24.17

 

CMYK 0 / 18 / 50 / 44

HEX #8E7447

RGB 142 116 71

HSL 38.03, 0.33%, 0.42%

LAB 50.33, 4.06, 28.57

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 0 / 14 / 39 / 28

HEX #B79E70

RGB 183 158 112

HSL 38.87, 0.33%, 0.58%

LAB 66.28, 2.62, 27.44

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 41 / 0 / 50 / 34

HEX #63A955

RGB 99 169 85

HSL 110, 0.33%, 0.5%

LAB 63.08, -38.72, 36.36

 

CMYK 38 / 50 / 0 / 34

HEX #6955A9

RGB 105 85 169

HSL 254.29, 0.33%, 0.5%

LAB 41.79, 28.33, -42.48

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 50 / 0 / 18 / 34

HEX #55A98A

RGB 85 169 138

HSL 157.86, 0.33%, 0.5%

LAB 63.46, -33.1, 8.23

 

CMYK 18 / 50 / 0 / 34

HEX #8A55A9

RGB 138 85 169

HSL 277.86, 0.33%, 0.5%

LAB 45.31, 37.48, -36.67

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 41 / 0 / 50 / 34

HEX #63A955

RGB 99 169 85

HSL 110, 0.33%, 0.5%

LAB 63.08, -38.72, 36.36

 

CMYK 50 / 31 / 0 / 34

HEX #5574A9

RGB 85 116 169

HSL 217.86, 0.33%, 0.5%

LAB 48.62, 4.03, -31.79

 

CMYK 8 / 50 / 0 / 34

HEX #9B55A9

RGB 155 85 169

HSL 290, 0.33%, 0.5%

LAB 47.4, 42.41, -33.23

 

CMYK 0 / 18 / 50 / 34

HEX #A98B55

RGB 169 139 85

HSL 38.57, 0.33%, 0.5%

LAB 59.49, 4.26, 33

 

CMYK 50 / 0 / 43 / 34

HEX #55A960

RGB 85 169 96

HSL 127.86, 0.33%, 0.5%

LAB 62.64, -41.33, 29.99

 

CMYK 50 / 31 / 0 / 34

HEX #5574A9

RGB 85 116 169

HSL 217.86, 0.33%, 0.5%

LAB 48.62, 4.03, -31.79

 

CMYK 0 / 50 / 7 / 34

HEX #A9559E

RGB 169 85 158

HSL 307.86, 0.33%, 0.5%

LAB 48.76, 44.52, -24.49

 

Description

Color code: RGB 169 139 85 | qconv.com Color code: RGB 169 139 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 139 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 139 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 50 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 50% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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