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Color name
RGB 169 126 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 126 70 it is the complementary color RGB 86 129 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 126 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 126 70 shade: RGB 174 126 65, RGB 191 144 84, RGB 208 162 103, RGB 225 180 122 and RGB 242 198 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 126 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 126 70 shade: RGB 169 126 70, RGB 152 108 51, RGB 135 90 32, RGB 118 72 13 and RGB 101 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 126 70 shade: RGB 168 126 70, RGB 168 99 70, RGB 168 73 70 and RGB 168 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 126 70 shade: RGB 168 126 70, RGB 168 152 70, RGB 158 168 70, RGB 132 168 70 and RGB 105 168 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 126 70 shade matches the following richer shades: RGB 168 126 70, RGB 188 128 51, RGB 207 131 31 and RGB 227 133 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 126 70 shade: RGB 168 126 70, RGB 149 123 90, RGB 130 121 109, RGB 110 118 128 and RGB 91 116 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 126 70 shade: RGB 168 72 70, RGB 168 98 70, RGB 168 124 70, RGB 168 150 70 and RGB 160 168 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 126 70 shade: RGB 110 82 46, RGB 139 104 58, RGB 168 126 70, RGB 187 146 93 and RGB 199 166 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 126 70 shade: RGB 169 126 70, RGB 95 168 70 and RGB 85 70 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 126 70 shade: RGB 169 126 70, RGB 70 168 124 and RGB 124 70 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 126 70 shade: RGB 169 126 70, RGB 95 168 70, RGB 70 114 168 and RGB 144 70 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 126 70 shade: RGB 169 126 70, RGB 70 168 75, RGB 70 114 168 and RGB 168 70 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

Complementary color

CMYK 54 / 30 / 0 / 27

HEX #5681B9

RGB 86 129 185

HSL 213.94, 0.41%, 0.53%

LAB 53.15, 1.53, -33.95

 

CMYK 0 / 28 / 63 / 32

HEX #AE7E41

RGB 174 126 65

HSL 33.58, 0.46%, 0.47%

LAB 56.39, 12.01, 39.91

 

CMYK 0 / 25 / 56 / 25

HEX #BF9054

RGB 191 144 84

HSL 33.64, 0.46%, 0.54%

LAB 63.06, 10.84, 38.45

 

CMYK 0 / 22 / 50 / 18

HEX #D0A267

RGB 208 162 103

HSL 33.71, 0.53%, 0.61%

LAB 69.63, 9.85, 37.04

 

CMYK 0 / 20 / 46 / 12

HEX #E1B47A

RGB 225 180 122

HSL 33.79, 0.63%, 0.68%

LAB 76.1, 9, 35.69

 

CMYK 0 / 18 / 42 / 5

HEX #F2C68D

RGB 242 198 141

HSL 33.86, 0.8%, 0.75%

LAB 82.48, 8.26, 34.42

 

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

CMYK 0 / 29 / 66 / 40

HEX #986C33

RGB 152 108 51

HSL 33.86, 0.5%, 0.4%

LAB 49.06, 11.47, 38.05

 

CMYK 0 / 33 / 76 / 47

HEX #875A20

RGB 135 90 32

HSL 33.79, 0.62%, 0.33%

LAB 42.1, 13.03, 39.38

 

CMYK 0 / 39 / 89 / 54

HEX #76480D

RGB 118 72 13

HSL 33.71, 0.8%, 0.26%

LAB 35.03, 14.97, 40

 

CMYK 0 / 47 / 100 / 60

HEX #653600

RGB 101 54 0

HSL 32.08, 1%, 0.2%

LAB 27.86, 17.35, 38.15

 

CMYK 0 / 25 / 58 / 34

HEX #A87E46

RGB 168 126 70

HSL 34.29, 0.41%, 0.47%

LAB 55.77, 9.76, 36.42

 

CMYK 0 / 41 / 58 / 34

HEX #A86346

RGB 168 99 70

HSL 17.76, 0.41%, 0.47%

LAB 49.12, 24.98, 28.28

 

CMYK 0 / 57 / 58 / 34

HEX #A84946

RGB 168 73 70

HSL 1.84, 0.41%, 0.47%

LAB 43.55, 38.88, 21.17

 

CMYK 0 / 58 / 58 / 34

HEX #A84646

RGB 168 70 70

HSL 0, 0.41%, 0.47%

LAB 42.98, 40.37, 20.42

 

CMYK 0 / 25 / 58 / 34

HEX #A87E46

RGB 168 126 70

HSL 34.29, 0.41%, 0.47%

LAB 55.77, 9.76, 36.42

 

CMYK 0 / 10 / 58 / 34

HEX #A89846

RGB 168 152 70

HSL 50.2, 0.41%, 0.47%

LAB 62.7, -4.61, 44.49

 

CMYK 6 / 0 / 58 / 34

HEX #9EA846

RGB 158 168 70

HSL 66.12, 0.41%, 0.47%

LAB 66.3, -17.34, 48.33

 

CMYK 21 / 0 / 58 / 34

HEX #84A846

RGB 132 168 70

HSL 82.04, 0.41%, 0.47%

LAB 64.45, -28, 45.74

 

CMYK 38 / 0 / 58 / 34

HEX #69A846

RGB 105 168 70

HSL 98.57, 0.41%, 0.47%

LAB 62.89, -38.07, 43.54

 

CMYK 0 / 25 / 58 / 34

HEX #A87E46

RGB 168 126 70

HSL 34.29, 0.41%, 0.47%

LAB 55.77, 9.76, 36.42

 

CMYK 0 / 32 / 73 / 26

HEX #BC8033

RGB 188 128 51

HSL 33.72, 0.57%, 0.47%

LAB 58.39, 16.2, 49.33

 

CMYK 0 / 37 / 85 / 19

HEX #CF831F

RGB 207 131 31

HSL 34.09, 0.74%, 0.47%

LAB 61.3, 22.06, 60.67

 

CMYK 0 / 41 / 95 / 11

HEX #E3850C

RGB 227 133 12

HSL 33.77, 0.9%, 0.47%

LAB 64.27, 29.12, 68.6

 

CMYK 0 / 25 / 58 / 34

HEX #A87E46

RGB 168 126 70

HSL 34.29, 0.41%, 0.47%

LAB 55.77, 9.76, 36.42

 

CMYK 0 / 17 / 40 / 42

HEX #957B5A

RGB 149 123 90

HSL 33.56, 0.25%, 0.47%

LAB 53.27, 5.24, 21.82

 

CMYK 0 / 7 / 16 / 49

HEX #82796D

RGB 130 121 109

HSL 34.29, 0.09%, 0.47%

LAB 51.3, 1.28, 7.82

 

CMYK 14 / 8 / 0 / 50

HEX #6E7680

RGB 110 118 128

HSL 213.33, 0.08%, 0.47%

LAB 49.29, -0.79, -6.5

 

CMYK 39 / 22 / 0 / 42

HEX #5B7494

RGB 91 116 148

HSL 213.68, 0.24%, 0.47%

LAB 48.07, -0.65, -20.29

 

CMYK 0 / 57 / 58 / 34

HEX #A84846

RGB 168 72 70

HSL 1.22, 0.41%, 0.47%

LAB 43.36, 39.38, 20.92

 

CMYK 0 / 42 / 58 / 34

HEX #A86246

RGB 168 98 70

HSL 17.14, 0.41%, 0.47%

LAB 48.89, 25.54, 27.99

 

CMYK 0 / 26 / 58 / 34

HEX #A87C46

RGB 168 124 70

HSL 33.06, 0.41%, 0.47%

LAB 55.26, 10.89, 35.81

 

CMYK 0 / 11 / 58 / 34

HEX #A89646

RGB 168 150 70

HSL 48.98, 0.41%, 0.47%

LAB 62.15, -3.53, 43.87

 

CMYK 5 / 0 / 58 / 34

HEX #A0A846

RGB 160 168 70

HSL 64.9, 0.41%, 0.47%

LAB 66.46, -16.5, 48.55

 

CMYK 0 / 25 / 58 / 57

HEX #6E522E

RGB 110 82 46

HSL 33.75, 0.41%, 0.31%

LAB 37.02, 7.06, 25.46

 

CMYK 0 / 25 / 58 / 45

HEX #8B683A

RGB 139 104 58

HSL 34.07, 0.41%, 0.39%

LAB 46.57, 8.43, 31.06

 

CMYK 0 / 25 / 58 / 34

HEX #A87E46

RGB 168 126 70

HSL 34.29, 0.41%, 0.47%

LAB 55.77, 9.76, 36.42

 

CMYK 0 / 22 / 50 / 27

HEX #BB925D

RGB 187 146 93

HSL 33.83, 0.41%, 0.55%

LAB 63.27, 8.84, 33.87

 

CMYK 0 / 17 / 39 / 22

HEX #C7A67A

RGB 199 166 122

HSL 34.29, 0.41%, 0.63%

LAB 70.05, 5.97, 27.3

 

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

CMYK 43 / 0 / 58 / 34

HEX #5FA846

RGB 95 168 70

HSL 104.69, 0.41%, 0.47%

LAB 62.41, -41.42, 42.86

 

CMYK 49 / 58 / 0 / 34

HEX #5546A8

RGB 85 70 168

HSL 249.18, 0.41%, 0.47%

LAB 36.25, 32.43, -50.88

 

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

CMYK 58 / 0 / 26 / 34

HEX #46A87C

RGB 70 168 124

HSL 153.06, 0.41%, 0.47%

LAB 62.31, -39.31, 14.29

 

CMYK 26 / 58 / 0 / 34

HEX #7C46A8

RGB 124 70 168

HSL 273.06, 0.41%, 0.47%

LAB 40.4, 41.73, -43.99

 

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

CMYK 43 / 0 / 58 / 34

HEX #5FA846

RGB 95 168 70

HSL 104.69, 0.41%, 0.47%

LAB 62.41, -41.42, 42.86

 

CMYK 58 / 32 / 0 / 34

HEX #4672A8

RGB 70 114 168

HSL 213.06, 0.41%, 0.47%

LAB 47.19, 1.46, -33.5

 

CMYK 14 / 58 / 0 / 34

HEX #9046A8

RGB 144 70 168

HSL 285.31, 0.41%, 0.47%

LAB 42.97, 46.94, -39.74

 

CMYK 0 / 25 / 59 / 34

HEX #A97E46

RGB 169 126 70

HSL 33.94, 0.41%, 0.47%

LAB 55.89, 10.2, 36.58

 

CMYK 58 / 0 / 55 / 34

HEX #46A84B

RGB 70 168 75

HSL 123.06, 0.41%, 0.47%

LAB 61.49, -47.97, 39.15

 

CMYK 58 / 32 / 0 / 34

HEX #4672A8

RGB 70 114 168

HSL 213.06, 0.41%, 0.47%

LAB 47.19, 1.46, -33.5

 

CMYK 0 / 58 / 2 / 34

HEX #A846A4

RGB 168 70 164

HSL 302.45, 0.41%, 0.47%

LAB 46.16, 52.61, -32.11

 

Description

Color code: RGB 169 126 70 | qconv.com Color code: RGB 169 126 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 126 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 126 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 59 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 59% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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