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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 11 175 it is the complementary color RGB 86 244 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 11 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 11 175 shade: RGB 174 11 170, RGB 191 29 189, RGB 208 47 208, RGB 225 65 227 and RGB 242 83 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 11 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 11 175 shade: RGB 169 11 175, RGB 152 0 156, RGB 135 0 137, RGB 118 0 118 and RGB 101 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 11 175 shade: RGB 166 11 172, RGB 172 11 134, RGB 172 11 91, RGB 172 11 47 and RGB 172 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 11 175 shade: RGB 166 11 172, RGB 123 11 172, RGB 79 11 172, RGB 35 11 172 and RGB 11 11 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 11 175 shade matches the following richer shades: RGB 166 11 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 11 175 shade: RGB 166 11 172, RGB 152 25 157, RGB 139 40 142, RGB 125 55 128 and RGB 111 70 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 11 175 shade: RGB 78 11 172, RGB 121 11 172, RGB 164 11 172, RGB 172 11 137 and RGB 172 11 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 11 175 shade: RGB 91 6 95, RGB 129 8 133, RGB 166 11 172, RGB 204 13 211 and RGB 232 25 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 11 175 shade: RGB 169 11 175, RGB 172 35 11 and RGB 11 172 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 11 175 shade: RGB 169 11 175, RGB 172 164 11 and RGB 11 172 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 11 175 shade: RGB 169 11 175, RGB 172 35 11, RGB 19 172 11 and RGB 11 148 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 11 175 shade: RGB 169 11 175, RGB 172 83 11, RGB 19 172 11 and RGB 11 99 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

Complementary color

CMYK 65 / 0 / 67 / 4

HEX #56F450

RGB 86 244 80

HSL 117.8, 0.88%, 0.64%

LAB 85.63, -70.92, 64.28

 

CMYK 0 / 94 / 2 / 32

HEX #AE0BAA

RGB 174 11 170

HSL 301.47, 0.88%, 0.36%

LAB 41.44, 72.06, -43.08

 

CMYK 0 / 85 / 1 / 25

HEX #BF1DBD

RGB 191 29 189

HSL 300.74, 0.74%, 0.43%

LAB 46.48, 75.25, -46.07

 

CMYK 0 / 77 / 0 / 18

HEX #D02FD0

RGB 208 47 208

HSL 300, 0.63%, 0.5%

LAB 51.83, 77.29, -48.38

 

CMYK 1 / 71 / 0 / 11

HEX #E141E3

RGB 225 65 227

HSL 299.26, 0.74%, 0.57%

LAB 57.4, 78.47, -50.15

 

CMYK 2 / 66 / 0 / 4

HEX #F253F6

RGB 242 83 246

HSL 298.53, 0.9%, 0.65%

LAB 63.11, 79.04, -51.54

 

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

CMYK 3 / 100 / 0 / 39

HEX #98009C

RGB 152 0 156

HSL 298.46, 1%, 0.31%

LAB 36.13, 67.4, -43.38

 

CMYK 1 / 100 / 0 / 46

HEX #870089

RGB 135 0 137

HSL 299.12, 1%, 0.27%

LAB 31.71, 61.57, -38.97

 

CMYK 0 / 100 / 0 / 54

HEX #760076

RGB 118 0 118

HSL 300, 1%, 0.23%

LAB 27.18, 55.6, -34.43

 

CMYK 0 / 100 / 2 / 60

HEX #650063

RGB 101 0 99

HSL 301.19, 1%, 0.2%

LAB 22.54, 49.46, -29.73

 

CMYK 3 / 94 / 0 / 33

HEX #A60BAC

RGB 166 11 172

HSL 297.76, 0.88%, 0.36%

LAB 40.12, 70.98, -46.46

 

CMYK 0 / 94 / 22 / 33

HEX #AC0B86

RGB 172 11 134

HSL 314.16, 0.88%, 0.36%

LAB 39.12, 66.75, -24.92

 

CMYK 0 / 94 / 47 / 33

HEX #AC0B5B

RGB 172 11 91

HSL 330.19, 0.88%, 0.36%

LAB 37.42, 62.21, -0.42

 

CMYK 0 / 94 / 73 / 33

HEX #AC0B2F

RGB 172 11 47

HSL 346.58, 0.88%, 0.36%

LAB 36.4, 59.39, 26.52

 

CMYK 0 / 94 / 94 / 33

HEX #AC0B0B

RGB 172 11 11

HSL 0, 0.88%, 0.36%

LAB 36.05, 58.42, 45.81

 

CMYK 3 / 94 / 0 / 33

HEX #A60BAC

RGB 166 11 172

HSL 297.76, 0.88%, 0.36%

LAB 40.12, 70.98, -46.46

 

CMYK 28 / 94 / 0 / 33

HEX #7B0BAC

RGB 123 11 172

HSL 281.74, 0.88%, 0.36%

LAB 32.76, 64.35, -58.73

 

CMYK 54 / 94 / 0 / 33

HEX #4F0BAC

RGB 79 11 172

HSL 265.34, 0.88%, 0.36%

LAB 26.39, 59.39, -69.44

 

CMYK 80 / 94 / 0 / 33

HEX #230BAC

RGB 35 11 172

HSL 248.94, 0.88%, 0.36%

LAB 22.21, 56.75, -76.49

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 3 / 94 / 0 / 33

HEX #A60BAC

RGB 166 11 172

HSL 297.76, 0.88%, 0.36%

LAB 40.12, 70.98, -46.46

 

CMYK 3 / 94 / 0 / 33

HEX #A60BAC

RGB 166 11 172

HSL 297.76, 0.88%, 0.36%

LAB 40.12, 70.98, -46.46

 

CMYK 3 / 84 / 0 / 38

HEX #98199D

RGB 152 25 157

HSL 297.73, 0.73%, 0.36%

LAB 37.49, 63.74, -41.8

 

CMYK 2 / 72 / 0 / 44

HEX #8B288E

RGB 139 40 142

HSL 298.24, 0.56%, 0.36%

LAB 35.91, 53.99, -35.32

 

CMYK 2 / 57 / 0 / 50

HEX #7D3780

RGB 125 55 128

HSL 297.53, 0.4%, 0.36%

LAB 35.3, 41.15, -27.77

 

CMYK 2 / 38 / 0 / 56

HEX #6F4671

RGB 111 70 113

HSL 297.21, 0.23%, 0.36%

LAB 35.89, 25.24, -17.66

 

CMYK 55 / 94 / 0 / 33

HEX #4E0BAC

RGB 78 11 172

HSL 264.97, 0.88%, 0.36%

LAB 26.27, 59.3, -69.64

 

CMYK 30 / 94 / 0 / 33

HEX #790BAC

RGB 121 11 172

HSL 280.99, 0.88%, 0.36%

LAB 32.44, 64.08, -59.26

 

CMYK 5 / 94 / 0 / 33

HEX #A40BAC

RGB 164 11 172

HSL 297.02, 0.88%, 0.36%

LAB 39.77, 70.65, -47.05

 

CMYK 0 / 94 / 20 / 33

HEX #AC0B89

RGB 172 11 137

HSL 313.04, 0.88%, 0.36%

LAB 39.27, 67.12, -26.54

 

CMYK 0 / 94 / 45 / 33

HEX #AC0B5E

RGB 172 11 94

HSL 329.07, 0.88%, 0.36%

LAB 37.51, 62.47, -2.21

 

CMYK 4 / 94 / 0 / 63

HEX #5B065F

RGB 91 6 95

HSL 297.3, 0.88%, 0.2%

LAB 20.75, 45.47, -30.06

 

CMYK 3 / 94 / 0 / 48

HEX #810885

RGB 129 8 133

HSL 298.08, 0.89%, 0.28%

LAB 30.72, 58.67, -38.12

 

CMYK 3 / 94 / 0 / 33

HEX #A60BAC

RGB 166 11 172

HSL 297.76, 0.88%, 0.36%

LAB 40.12, 70.98, -46.46

 

CMYK 3 / 94 / 0 / 17

HEX #CC0DD3

RGB 204 13 211

HSL 297.88, 0.88%, 0.44%

LAB 49.29, 83.02, -54.21

 

CMYK 3 / 90 / 0 / 6

HEX #E819F0

RGB 232 25 240

HSL 297.77, 0.88%, 0.52%

LAB 56.23, 90.55, -59.26

 

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

CMYK 0 / 80 / 94 / 33

HEX #AC230B

RGB 172 35 11

HSL 8.94, 0.88%, 0.36%

LAB 37.84, 53.34, 46.94

 

CMYK 94 / 0 / 42 / 33

HEX #0BAC63

RGB 11 172 99

HSL 152.8, 0.88%, 0.36%

LAB 62.06, -53.98, 27.36

 

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

CMYK 0 / 5 / 94 / 33

HEX #ACA40B

RGB 172 164 11

HSL 57.02, 0.88%, 0.36%

LAB 66.02, -11.77, 67.3

 

CMYK 94 / 0 / 5 / 33

HEX #0BACA4

RGB 11 172 164

HSL 177.02, 0.88%, 0.36%

LAB 63.55, -37.82, -6.33

 

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

CMYK 0 / 80 / 94 / 33

HEX #AC230B

RGB 172 35 11

HSL 8.94, 0.88%, 0.36%

LAB 37.84, 53.34, 46.94

 

CMYK 89 / 0 / 94 / 33

HEX #13AC0B

RGB 19 172 11

HSL 117.02, 0.88%, 0.36%

LAB 61.37, -62.79, 60.6

 

CMYK 94 / 14 / 0 / 33

HEX #0B94AC

RGB 11 148 172

HSL 188.94, 0.88%, 0.36%

LAB 56.32, -23.65, -21.76

 

CMYK 3 / 94 / 0 / 31

HEX #A90BAF

RGB 169 11 175

HSL 297.8, 0.88%, 0.36%

LAB 40.85, 71.96, -47.06

 

CMYK 0 / 52 / 94 / 33

HEX #AC530B

RGB 172 83 11

HSL 26.83, 0.88%, 0.36%

LAB 45.61, 32.67, 52.2

 

CMYK 89 / 0 / 94 / 33

HEX #13AC0B

RGB 19 172 11

HSL 117.02, 0.88%, 0.36%

LAB 61.37, -62.79, 60.6

 

CMYK 94 / 42 / 0 / 33

HEX #0B63AC

RGB 11 99 172

HSL 207.2, 0.88%, 0.36%

LAB 41.17, 4.72, -45.5

 

Description

Color code: RGB 169 11 175 | qconv.com Color code: RGB 169 11 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 11 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 11 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 94 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 94% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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