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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 119 157 it is the complementary color RGB 86 136 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 119 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 119 157 shade: RGB 174 119 152, RGB 191 137 171, RGB 208 155 190, RGB 225 173 209 and RGB 242 191 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 119 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 119 157 shade: RGB 169 119 157, RGB 152 101 138, RGB 135 83 119, RGB 118 65 100 and RGB 101 47 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 119 157 shade: RGB 168 116 156, RGB 168 116 142, RGB 168 116 128 and RGB 168 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 119 157 shade: RGB 168 116 156, RGB 167 116 168, RGB 153 116 168, RGB 139 116 168 and RGB 125 116 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 119 157 shade matches the following richer shades: RGB 168 116 156, RGB 186 98 165, RGB 204 80 175, RGB 223 62 184 and RGB 241 44 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 119 157 shade: RGB 168 116 156, RGB 150 135 146, RGB 132 153 137, RGB 114 171 127 and RGB 95 189 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 119 157 shade: RGB 153 116 168, RGB 166 116 168, RGB 168 116 156, RGB 168 116 142 and RGB 168 116 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 119 157 shade: RGB 124 78 113, RGB 150 94 136, RGB 168 116 156, RGB 184 142 174 and RGB 200 167 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 119 157 shade: RGB 169 119 157, RGB 168 139 116 and RGB 116 168 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 119 157 shade: RGB 169 119 157, RGB 156 168 116 and RGB 116 156 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 119 157 shade: RGB 169 119 157, RGB 168 139 116, RGB 116 168 129 and RGB 116 146 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 119 157 shade: RGB 169 119 157, RGB 168 154 116, RGB 116 168 129 and RGB 116 130 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

Complementary color

CMYK 37 / 0 / 28 / 47

HEX #568862

RGB 86 136 98

HSL 134.4, 0.23%, 0.44%

LAB 52.36, -25.39, 15.21

 

CMYK 0 / 32 / 13 / 32

HEX #AE7798

RGB 174 119 152

HSL 324, 0.25%, 0.57%

LAB 56.54, 26.68, -9.08

 

CMYK 0 / 28 / 10 / 25

HEX #BF89AB

RGB 191 137 171

HSL 322.22, 0.3%, 0.64%

LAB 63.27, 25.97, -9.72

 

CMYK 0 / 25 / 9 / 18

HEX #D09BBE

RGB 208 155 190

HSL 320.38, 0.36%, 0.71%

LAB 69.87, 25.32, -10.32

 

CMYK 0 / 23 / 7 / 12

HEX #E1ADD1

RGB 225 173 209

HSL 318.46, 0.46%, 0.78%

LAB 76.37, 24.72, -10.88

 

CMYK 0 / 21 / 6 / 5

HEX #F2BFE4

RGB 242 191 228

HSL 316.47, 0.66%, 0.85%

LAB 82.78, 24.17, -11.41

 

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

CMYK 0 / 34 / 9 / 40

HEX #98658A

RGB 152 101 138

HSL 316.47, 0.2%, 0.5%

LAB 49.27, 26.52, -12.04

 

CMYK 0 / 39 / 12 / 47

HEX #875377

RGB 135 83 119

HSL 318.46, 0.24%, 0.43%

LAB 42.26, 27.32, -11.38

 

CMYK 0 / 45 / 15 / 54

HEX #764164

RGB 118 65 100

HSL 320.38, 0.29%, 0.36%

LAB 35.11, 28.16, -10.6

 

CMYK 0 / 53 / 20 / 60

HEX #652F51

RGB 101 47 81

HSL 322.22, 0.36%, 0.29%

LAB 27.83, 29, -9.61

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 0 / 31 / 15 / 34

HEX #A8748E

RGB 168 116 142

HSL 330, 0.23%, 0.56%

LAB 54.83, 24.49, -5.88

 

CMYK 0 / 31 / 24 / 34

HEX #A87480

RGB 168 116 128

HSL 346.15, 0.23%, 0.56%

LAB 54.42, 22.24, 1.7

 

CMYK 0 / 31 / 31 / 34

HEX #A87474

RGB 168 116 116

HSL 0, 0.23%, 0.56%

LAB 54.11, 20.49, 8.26

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 1 / 31 / 0 / 34

HEX #A774A8

RGB 167 116 168

HSL 298.85, 0.23%, 0.56%

LAB 55.62, 28.87, -19.82

 

CMYK 9 / 31 / 0 / 34

HEX #9974A8

RGB 153 116 168

HSL 282.69, 0.23%, 0.56%

LAB 54.12, 24.18, -22.24

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 26 / 31 / 0 / 34

HEX #7D74A8

RGB 125 116 168

HSL 250.38, 0.23%, 0.56%

LAB 51.47, 15.1, -26.55

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 0 / 47 / 11 / 27

HEX #BA62A5

RGB 186 98 165

HSL 314.32, 0.39%, 0.56%

LAB 53.91, 44.34, -20.48

 

CMYK 0 / 61 / 14 / 20

HEX #CC50AF

RGB 204 80 175

HSL 314.03, 0.55%, 0.56%

LAB 53.67, 59.79, -26.46

 

CMYK 0 / 72 / 17 / 13

HEX #DF3EB8

RGB 223 62 184

HSL 314.53, 0.72%, 0.56%

LAB 54.65, 72.66, -29.93

 

CMYK 0 / 82 / 20 / 5

HEX #F12CC1

RGB 241 44 193

HSL 314.62, 0.88%, 0.56%

LAB 56.44, 82.59, -32.12

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 0 / 10 / 3 / 41

HEX #968792

RGB 150 135 146

HSL 316, 0.07%, 0.56%

LAB 57.93, 7.69, -3.82

 

CMYK 14 / 0 / 10 / 40

HEX #849989

RGB 132 153 137

HSL 134.29, 0.09%, 0.56%

LAB 61.22, -10.67, 5.92

 

CMYK 33 / 0 / 26 / 33

HEX #72AB7F

RGB 114 171 127

HSL 133.68, 0.25%, 0.56%

LAB 65.15, -28, 16.87

 

CMYK 50 / 0 / 38 / 26

HEX #5FBD76

RGB 95 189 118

HSL 134.68, 0.42%, 0.56%

LAB 69.57, -43.47, 27.55

 

CMYK 9 / 31 / 0 / 34

HEX #9974A8

RGB 153 116 168

HSL 282.69, 0.23%, 0.56%

LAB 54.12, 24.18, -22.24

 

CMYK 1 / 31 / 0 / 34

HEX #A674A8

RGB 166 116 168

HSL 297.69, 0.23%, 0.56%

LAB 55.51, 28.54, -19.99

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 0 / 31 / 15 / 34

HEX #A8748E

RGB 168 116 142

HSL 330, 0.23%, 0.56%

LAB 54.83, 24.49, -5.88

 

CMYK 0 / 31 / 23 / 34

HEX #A87481

RGB 168 116 129

HSL 345, 0.23%, 0.56%

LAB 54.45, 22.39, 1.15

 

CMYK 0 / 37 / 9 / 51

HEX #7C4E71

RGB 124 78 113

HSL 314.35, 0.23%, 0.4%

LAB 39.46, 25.13, -12.07

 

CMYK 0 / 37 / 9 / 41

HEX #965E88

RGB 150 94 136

HSL 315, 0.23%, 0.48%

LAB 47.32, 29.44, -13.82

 

CMYK 0 / 31 / 7 / 34

HEX #A8749C

RGB 168 116 156

HSL 313.85, 0.23%, 0.56%

LAB 55.29, 26.95, -13.34

 

CMYK 0 / 23 / 5 / 28

HEX #B88EAE

RGB 184 142 174

HSL 314.29, 0.23%, 0.64%

LAB 63.83, 21.25, -10.65

 

CMYK 0 / 17 / 4 / 22

HEX #C8A7C0

RGB 200 167 192

HSL 314.55, 0.23%, 0.72%

LAB 72.04, 16.32, -8.27

 

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

CMYK 0 / 17 / 31 / 34

HEX #A88B74

RGB 168 139 116

HSL 26.54, 0.23%, 0.56%

LAB 59.93, 7.49, 16.42

 

CMYK 31 / 0 / 5 / 34

HEX #74A8A0

RGB 116 168 160

HSL 170.77, 0.23%, 0.56%

LAB 65.17, -18.95, -1.39

 

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

CMYK 7 / 0 / 31 / 34

HEX #9CA874

RGB 156 168 116

HSL 73.85, 0.23%, 0.56%

LAB 66.77, -13.11, 25.52

 

CMYK 31 / 7 / 0 / 34

HEX #749CA8

RGB 116 156 168

HSL 193.85, 0.23%, 0.56%

LAB 61.93, -10.66, -10.67

 

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

CMYK 0 / 17 / 31 / 34

HEX #A88B74

RGB 168 139 116

HSL 26.54, 0.23%, 0.56%

LAB 59.93, 7.49, 16.42

 

CMYK 31 / 0 / 23 / 34

HEX #74A881

RGB 116 168 129

HSL 135, 0.23%, 0.56%

LAB 64.41, -25.5, 14.76

 

CMYK 31 / 13 / 0 / 34

HEX #7492A8

RGB 116 146 168

HSL 205.38, 0.23%, 0.56%

LAB 59.06, -5.13, -14.98

 

CMYK 0 / 30 / 7 / 34

HEX #A9779D

RGB 169 119 157

HSL 314.4, 0.23%, 0.56%

LAB 56.15, 25.79, -12.62

 

CMYK 0 / 8 / 31 / 34

HEX #A89A74

RGB 168 154 116

HSL 43.85, 0.23%, 0.56%

LAB 63.91, -0.82, 21.85

 

CMYK 31 / 0 / 23 / 34

HEX #74A881

RGB 116 168 129

HSL 135, 0.23%, 0.56%

LAB 64.41, -25.5, 14.76

 

CMYK 31 / 23 / 0 / 34

HEX #7482A8

RGB 116 130 168

HSL 223.85, 0.23%, 0.56%

LAB 54.56, 4.03, -21.84

 

Description

Color code: RGB 169 119 157 | qconv.com Color code: RGB 169 119 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 119 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 119 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 7 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 7% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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