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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 223 213 it is the complementary color RGB 87 32 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 223 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 223 213 shade: RGB 173 223 208, RGB 190 241 227, RGB 207 255 246, RGB 224 255 255 and RGB 241 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 223 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 223 213 shade: RGB 168 223 213, RGB 151 205 194, RGB 134 187 175, RGB 117 169 156 and RGB 100 151 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 223 213 shade: RGB 169 223 213, RGB 169 223 198, RGB 169 223 184, RGB 169 223 169 and RGB 183 223 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 223 213 shade: RGB 169 223 213, RGB 169 218 223, RGB 169 204 223, RGB 169 189 223 and RGB 169 174 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 223 213 shade matches the following richer shades: RGB 169 223 213, RGB 159 232 219, RGB 150 242 225 and RGB 140 251 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 223 213 shade: RGB 169 223 213, RGB 178 213 207, RGB 188 204 201, RGB 197 194 195 and RGB 207 185 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 223 213 shade: RGB 169 223 184, RGB 169 223 199, RGB 169 223 213, RGB 169 218 223 and RGB 169 204 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 223 213 shade: RGB 109 201 184, RGB 139 212 198, RGB 169 223 213, RGB 199 234 228 and RGB 229 245 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 223 213 shade: RGB 168 223 213, RGB 170 169 223 and RGB 223 191 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 223 213 shade: RGB 168 223 213, RGB 213 169 223 and RGB 223 213 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 223 213 shade: RGB 168 223 213, RGB 170 169 223, RGB 223 169 179 and RGB 222 223 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 223 213 shade: RGB 168 223 213, RGB 186 169 223, RGB 223 169 179 and RGB 206 223 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

Complementary color

CMYK 0 / 63 / 52 / 66

HEX #57202A

RGB 87 32 42

HSL 349.09, 0.46%, 0.23%

LAB 20.93, 26.47, 6.4

 

CMYK 22 / 0 / 7 / 13

HEX #ADDFD0

RGB 173 223 208

HSL 162, 0.44%, 0.78%

LAB 85.11, -19.13, 2.07

 

CMYK 21 / 0 / 6 / 5

HEX #BEF1E3

RGB 190 241 227

HSL 163.53, 0.65%, 0.85%

LAB 91.42, -19, 1.41

 

CMYK 19 / 0 / 4 / 0

HEX #CFFFF6

RGB 207 255 246

HSL 168.75, 1%, 0.91%

LAB 96.59, -16.93, -0.75

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

CMYK 26 / 0 / 5 / 20

HEX #97CDC2

RGB 151 205 194

HSL 167.78, 0.35%, 0.7%

LAB 78.54, -19.75, -0.19

 

CMYK 28 / 0 / 6 / 27

HEX #86BBAF

RGB 134 187 175

HSL 166.42, 0.28%, 0.63%

LAB 72.03, -19.9, 0.49

 

CMYK 31 / 0 / 8 / 34

HEX #75A99C

RGB 117 169 156

HSL 165, 0.23%, 0.56%

LAB 65.4, -20.08, 1.2

 

CMYK 34 / 0 / 9 / 41

HEX #649789

RGB 100 151 137

HSL 163.53, 0.2%, 0.49%

LAB 58.65, -20.27, 1.96

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 24 / 0 / 11 / 13

HEX #A9DFC6

RGB 169 223 198

HSL 152.22, 0.46%, 0.77%

LAB 84.63, -22.36, 6.64

 

CMYK 24 / 0 / 17 / 13

HEX #A9DFB8

RGB 169 223 184

HSL 136.67, 0.46%, 0.77%

LAB 84.31, -25.02, 13.56

 

CMYK 24 / 0 / 24 / 13

HEX #A9DFA9

RGB 169 223 169

HSL 120, 0.46%, 0.77%

LAB 84, -27.67, 20.98

 

CMYK 18 / 0 / 24 / 13

HEX #B7DFA9

RGB 183 223 169

HSL 104.44, 0.46%, 0.77%

LAB 84.85, -22.94, 22.27

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 24 / 2 / 0 / 13

HEX #A9DADF

RGB 169 218 223

HSL 185.56, 0.46%, 0.77%

LAB 83.92, -14.64, -7.64

 

CMYK 24 / 9 / 0 / 13

HEX #A9CCDF

RGB 169 204 223

HSL 201.11, 0.46%, 0.77%

LAB 80.15, -7.41, -13.25

 

CMYK 24 / 15 / 0 / 13

HEX #A9BDDF

RGB 169 189 223

HSL 217.78, 0.46%, 0.77%

LAB 76.17, 0.57, -19.26

 

CMYK 24 / 22 / 0 / 13

HEX #A9AEDF

RGB 169 174 223

HSL 234.44, 0.46%, 0.77%

LAB 72.25, 8.77, -25.21

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 31 / 0 / 6 / 9

HEX #9FE8DB

RGB 159 232 219

HSL 169.32, 0.61%, 0.77%

LAB 87.09, -25.35, -0.91

 

CMYK 38 / 0 / 7 / 5

HEX #96F2E1

RGB 150 242 225

HSL 168.91, 0.78%, 0.77%

LAB 89.59, -31.23, -0.45

 

CMYK 44 / 0 / 8 / 2

HEX #8CFBE7

RGB 140 251 231

HSL 169.19, 0.93%, 0.77%

LAB 91.84, -36.53, -0.34

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 16 / 0 / 3 / 16

HEX #B2D5CF

RGB 178 213 207

HSL 169.71, 0.29%, 0.77%

LAB 82.68, -12.72, -0.9

 

CMYK 8 / 0 / 1 / 20

HEX #BCCCC9

RGB 188 204 201

HSL 168.75, 0.14%, 0.77%

LAB 80.79, -5.98, -0.38

 

CMYK 0 / 2 / 1 / 23

HEX #C5C2C3

RGB 197 194 195

HSL 340, 0.03%, 0.77%

LAB 78.69, 1.23, -0.14

 

CMYK 0 / 11 / 9 / 19

HEX #CFB9BD

RGB 207 185 189

HSL 349.09, 0.19%, 0.77%

LAB 77.06, 8.5, 0.83

 

CMYK 24 / 0 / 17 / 13

HEX #A9DFB8

RGB 169 223 184

HSL 136.67, 0.46%, 0.77%

LAB 84.31, -25.02, 13.56

 

CMYK 24 / 0 / 11 / 13

HEX #A9DFC7

RGB 169 223 199

HSL 153.33, 0.46%, 0.77%

LAB 84.66, -22.16, 6.14

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 24 / 2 / 0 / 13

HEX #A9DADF

RGB 169 218 223

HSL 185.56, 0.46%, 0.77%

LAB 83.92, -14.64, -7.64

 

CMYK 24 / 9 / 0 / 13

HEX #A9CCDF

RGB 169 204 223

HSL 201.11, 0.46%, 0.77%

LAB 80.15, -7.41, -13.25

 

CMYK 46 / 0 / 8 / 21

HEX #6DC9B8

RGB 109 201 184

HSL 168.91, 0.46%, 0.61%

LAB 75.13, -31.56, -0.02

 

CMYK 34 / 0 / 7 / 17

HEX #8BD4C6

RGB 139 212 198

HSL 168.49, 0.46%, 0.69%

LAB 79.98, -25.81, -0.3

 

CMYK 24 / 0 / 4 / 13

HEX #A9DFD5

RGB 169 223 213

HSL 168.89, 0.46%, 0.77%

LAB 85, -19.31, -0.75

 

CMYK 15 / 0 / 3 / 8

HEX #C7EAE4

RGB 199 234 228

HSL 169.71, 0.45%, 0.85%

LAB 90.13, -12.52, -0.92

 

CMYK 7 / 0 / 1 / 4

HEX #E5F5F2

RGB 229 245 242

HSL 168.75, 0.44%, 0.93%

LAB 95.32, -5.79, -0.38

 

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

CMYK 24 / 24 / 0 / 13

HEX #AAA9DF

RGB 170 169 223

HSL 241.11, 0.46%, 0.77%

LAB 71.04, 11.85, -27.06

 

CMYK 0 / 14 / 24 / 13

HEX #DFBFA9

RGB 223 191 169

HSL 24.44, 0.46%, 0.77%

LAB 79.51, 8.05, 15.31

 

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

CMYK 4 / 24 / 0 / 13

HEX #D5A9DF

RGB 213 169 223

HSL 288.89, 0.46%, 0.77%

LAB 74.73, 25.45, -21.1

 

CMYK 0 / 4 / 24 / 13

HEX #DFD5A9

RGB 223 213 169

HSL 48.89, 0.46%, 0.77%

LAB 85.07, -3.44, 23.03

 

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

CMYK 24 / 24 / 0 / 13

HEX #AAA9DF

RGB 170 169 223

HSL 241.11, 0.46%, 0.77%

LAB 71.04, 11.85, -27.06

 

CMYK 0 / 24 / 20 / 13

HEX #DFA9B3

RGB 223 169 179

HSL 348.89, 0.46%, 0.77%

LAB 74.39, 21.29, 2.58

 

CMYK 0 / 0 / 24 / 13

HEX #DEDFA9

RGB 222 223 169

HSL 61.11, 0.46%, 0.77%

LAB 87.57, -8.91, 26.44

 

CMYK 25 / 0 / 4 / 13

HEX #A8DFD5

RGB 168 223 213

HSL 169.09, 0.46%, 0.77%

LAB 84.95, -19.61, -0.84

 

CMYK 17 / 24 / 0 / 13

HEX #BAA9DF

RGB 186 169 223

HSL 258.89, 0.46%, 0.77%

LAB 72.32, 16.79, -24.99

 

CMYK 0 / 24 / 20 / 13

HEX #DFA9B3

RGB 223 169 179

HSL 348.89, 0.46%, 0.77%

LAB 74.39, 21.29, 2.58

 

CMYK 8 / 0 / 24 / 13

HEX #CEDFA9

RGB 206 223 169

HSL 78.89, 0.46%, 0.77%

LAB 86.39, -14.79, 24.63

 

Description

Color code: RGB 168 223 213 | qconv.com Color code: RGB 168 223 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 223 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 223 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 4 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 4% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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