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Color name
RGB 168 190 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 190 164 it is the complementary color RGB 87 65 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 190 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 190 164 shade: RGB 173 190 159, RGB 190 208 178, RGB 207 226 197, RGB 224 244 216 and RGB 241 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 190 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 190 164 shade: RGB 168 190 164, RGB 151 172 145, RGB 134 154 126, RGB 117 136 107 and RGB 100 118 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 190 164 shade: RGB 166 189 162, RGB 173 189 162, RGB 181 189 162, RGB 188 189 162 and RGB 189 183 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 190 164 shade: RGB 166 189 162, RGB 162 189 165, RGB 162 189 172, RGB 162 189 180 and RGB 162 189 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 190 164 shade matches the following richer shades: RGB 166 189 162, RGB 157 202 149, RGB 148 214 136, RGB 140 227 124 and RGB 131 240 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 190 164 shade: RGB 166 189 162, RGB 175 176 175, RGB 184 163 188, RGB 193 151 200 and RGB 202 138 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 190 164 shade: RGB 181 189 162, RGB 174 189 162, RGB 166 189 162, RGB 162 189 165 and RGB 162 189 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 190 164 shade: RGB 120 155 114, RGB 143 172 138, RGB 166 189 162, RGB 189 206 186 and RGB 212 223 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 190 164 shade: RGB 168 190 164, RGB 162 188 189 and RGB 189 162 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 190 164 shade: RGB 168 190 164, RGB 162 166 189 and RGB 189 162 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 190 164 shade: RGB 168 190 164, RGB 162 188 189, RGB 184 162 189 and RGB 189 163 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 190 164 shade: RGB 168 190 164, RGB 162 180 189, RGB 184 162 189 and RGB 189 171 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

Complementary color

CMYK 4 / 29 / 0 / 64

HEX #57415B

RGB 87 65 91

HSL 290.77, 0.17%, 0.31%

LAB 30.79, 14.76, -11.79

 

CMYK 9 / 0 / 16 / 25

HEX #ADBE9F

RGB 173 190 159

HSL 92.9, 0.19%, 0.68%

LAB 74.96, -11.52, 13.71

 

CMYK 9 / 0 / 14 / 18

HEX #BED0B2

RGB 190 208 178

HSL 96, 0.24%, 0.76%

LAB 81.44, -11.52, 12.85

 

CMYK 8 / 0 / 13 / 11

HEX #CFE2C5

RGB 207 226 197

HSL 99.31, 0.33%, 0.83%

LAB 87.82, -11.53, 12.04

 

CMYK 8 / 0 / 11 / 4

HEX #E0F4D8

RGB 224 244 216

HSL 102.86, 0.56%, 0.9%

LAB 94.1, -11.54, 11.26

 

CMYK 5 / 0 / 8 / 0

HEX #F1FFEB

RGB 241 255 235

HSL 102, 1%, 0.96%

LAB 98.52, -8.09, 7.97

 

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

CMYK 12 / 0 / 16 / 33

HEX #97AC91

RGB 151 172 145

HSL 106.67, 0.14%, 0.62%

LAB 68.12, -12.48, 11.46

 

CMYK 13 / 0 / 18 / 40

HEX #869A7E

RGB 134 154 126

HSL 102.86, 0.12%, 0.55%

LAB 61.38, -12.53, 12.37

 

CMYK 14 / 0 / 21 / 47

HEX #75886B

RGB 117 136 107

HSL 99.31, 0.12%, 0.48%

LAB 54.5, -12.6, 13.33

 

CMYK 15 / 0 / 25 / 54

HEX #647658

RGB 100 118 88

HSL 96, 0.15%, 0.4%

LAB 47.46, -12.68, 14.38

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 8 / 0 / 14 / 26

HEX #ADBDA2

RGB 173 189 162

HSL 95.56, 0.17%, 0.69%

LAB 74.75, -10.49, 11.8

 

CMYK 4 / 0 / 14 / 26

HEX #B5BDA2

RGB 181 189 162

HSL 77.78, 0.17%, 0.69%

LAB 75.34, -7.59, 12.71

 

CMYK 1 / 0 / 14 / 26

HEX #BCBDA2

RGB 188 189 162

HSL 62.22, 0.17%, 0.69%

LAB 75.88, -5.03, 13.55

 

CMYK 0 / 3 / 14 / 26

HEX #BDB7A2

RGB 189 183 162

HSL 46.67, 0.17%, 0.69%

LAB 74.38, -1.48, 11.44

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 14 / 0 / 13 / 26

HEX #A2BDA5

RGB 162 189 165

HSL 126.67, 0.17%, 0.69%

LAB 74.06, -13.83, 9.08

 

CMYK 14 / 0 / 9 / 26

HEX #A2BDAC

RGB 162 189 172

HSL 142.22, 0.17%, 0.69%

LAB 74.23, -12.51, 5.52

 

CMYK 14 / 0 / 5 / 26

HEX #A2BDB4

RGB 162 189 180

HSL 160, 0.17%, 0.69%

LAB 74.43, -10.95, 1.46

 

CMYK 14 / 0 / 1 / 26

HEX #A2BDBB

RGB 162 189 187

HSL 175.56, 0.17%, 0.69%

LAB 74.61, -9.53, -2.08

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 22 / 0 / 26 / 21

HEX #9DCA95

RGB 157 202 149

HSL 110.94, 0.33%, 0.69%

LAB 77.03, -24.89, 21.77

 

CMYK 31 / 0 / 36 / 16

HEX #94D688

RGB 148 214 136

HSL 110.77, 0.49%, 0.69%

LAB 79.71, -35.66, 32.06

 

CMYK 38 / 0 / 45 / 11

HEX #8CE37C

RGB 140 227 124

HSL 110.68, 0.65%, 0.69%

LAB 82.9, -45.68, 42.1

 

CMYK 45 / 0 / 54 / 6

HEX #83F06F

RGB 131 240 111

HSL 110.7, 0.81%, 0.69%

LAB 86.15, -55.32, 52.15

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 1 / 0 / 1 / 31

HEX #AFB0AF

RGB 175 176 175

HSL 120, 0.01%, 0.69%

LAB 71.73, -0.54, 0.38

 

CMYK 2 / 13 / 0 / 26

HEX #B8A3BC

RGB 184 163 188

HSL 290.4, 0.16%, 0.69%

LAB 69.48, 12.21, -10.04

 

CMYK 4 / 25 / 0 / 22

HEX #C197C8

RGB 193 151 200

HSL 291.43, 0.31%, 0.69%

LAB 67.76, 24.26, -19.21

 

CMYK 5 / 35 / 0 / 16

HEX #CA8AD5

RGB 202 138 213

HSL 291.2, 0.47%, 0.69%

LAB 66.17, 36.85, -28.8

 

CMYK 4 / 0 / 14 / 26

HEX #B5BDA2

RGB 181 189 162

HSL 77.78, 0.17%, 0.69%

LAB 75.34, -7.59, 12.71

 

CMYK 8 / 0 / 14 / 26

HEX #AEBDA2

RGB 174 189 162

HSL 93.33, 0.17%, 0.69%

LAB 74.83, -10.13, 11.91

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 14 / 0 / 13 / 26

HEX #A2BDA5

RGB 162 189 165

HSL 126.67, 0.17%, 0.69%

LAB 74.06, -13.83, 9.08

 

CMYK 14 / 0 / 9 / 26

HEX #A2BDAC

RGB 162 189 172

HSL 142.22, 0.17%, 0.69%

LAB 74.23, -12.51, 5.52

 

CMYK 23 / 0 / 26 / 39

HEX #789B72

RGB 120 155 114

HSL 111.22, 0.17%, 0.53%

LAB 60.47, -20.3, 17.66

 

CMYK 17 / 0 / 20 / 33

HEX #8FAC8A

RGB 143 172 138

HSL 111.18, 0.17%, 0.61%

LAB 67.41, -16.59, 14.25

 

CMYK 12 / 0 / 14 / 26

HEX #A6BDA2

RGB 166 189 162

HSL 111.11, 0.17%, 0.69%

LAB 74.26, -12.98, 11.03

 

CMYK 8 / 0 / 10 / 19

HEX #BDCEBA

RGB 189 206 186

HSL 111, 0.17%, 0.77%

LAB 81.02, -9.46, 7.98

 

CMYK 5 / 0 / 6 / 13

HEX #D4DFD2

RGB 212 223 210

HSL 110.77, 0.17%, 0.85%

LAB 87.69, -6.04, 5.08

 

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

CMYK 14 / 1 / 0 / 26

HEX #A2BCBD

RGB 162 188 189

HSL 182.22, 0.17%, 0.69%

LAB 74.4, -8.59, -3.49

 

CMYK 0 / 14 / 6 / 26

HEX #BDA2B1

RGB 189 162 177

HSL 326.67, 0.17%, 0.69%

LAB 69.35, 12.47, -4.08

 

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

CMYK 14 / 12 / 0 / 26

HEX #A2A6BD

RGB 162 166 189

HSL 231.11, 0.17%, 0.69%

LAB 68.48, 3.3, -12.27

 

CMYK 0 / 14 / 12 / 26

HEX #BDA2A6

RGB 189 162 166

HSL 351.11, 0.17%, 0.69%

LAB 69.05, 10.55, 1.59

 

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

CMYK 14 / 1 / 0 / 26

HEX #A2BCBD

RGB 162 188 189

HSL 182.22, 0.17%, 0.69%

LAB 74.4, -8.59, -3.49

 

CMYK 3 / 14 / 0 / 26

HEX #B8A2BD

RGB 184 162 189

HSL 288.89, 0.17%, 0.69%

LAB 69.26, 12.96, -10.92

 

CMYK 0 / 14 / 14 / 26

HEX #BDA3A2

RGB 189 163 162

HSL 2.22, 0.17%, 0.69%

LAB 69.2, 9.34, 4.03

 

CMYK 12 / 0 / 14 / 25

HEX #A8BEA4

RGB 168 190 164

HSL 110.77, 0.17%, 0.69%

LAB 74.72, -12.43, 10.62

 

CMYK 14 / 5 / 0 / 26

HEX #A2B4BD

RGB 162 180 189

HSL 200, 0.17%, 0.69%

LAB 72.23, -4.33, -6.69

 

CMYK 3 / 14 / 0 / 26

HEX #B8A2BD

RGB 184 162 189

HSL 288.89, 0.17%, 0.69%

LAB 69.26, 12.96, -10.92

 

CMYK 0 / 10 / 14 / 26

HEX #BDABA2

RGB 189 171 162

HSL 20, 0.17%, 0.69%

LAB 71.25, 4.97, 6.98

 

Description

Color code: RGB 168 190 164 | qconv.com Color code: RGB 168 190 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 190 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 190 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 14 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 14% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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