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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 71 113 it is the complementary color RGB 88 184 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 71 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 71 113 shade: RGB 172 71 108, RGB 189 89 127, RGB 206 107 146, RGB 223 125 165 and RGB 240 143 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 71 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 150 53 94, RGB 133 35 75, RGB 116 17 56 and RGB 99 0 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 167 71 88 and RGB 167 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 167 71 139, RGB 167 71 165, RGB 144 71 167 and RGB 118 71 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 71 113 shade matches the following richer shades: RGB 167 71 113, RGB 187 52 111, RGB 206 33 109 and RGB 225 13 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 148 91 116, RGB 129 110 118, RGB 109 130 121 and RGB 90 149 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 71 113 shade: RGB 167 71 166, RGB 167 71 140, RGB 167 71 115, RGB 167 71 89 and RGB 167 79 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 71 113 shade: RGB 110 47 74, RGB 138 59 94, RGB 167 71 113, RGB 186 94 134 and RGB 198 123 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 167 143 71 and RGB 71 153 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 115 167 71 and RGB 71 115 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 167 143 71, RGB 71 167 124 and RGB 71 95 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 71 113 shade: RGB 167 71 113, RGB 162 167 71, RGB 71 167 124 and RGB 76 71 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

Complementary color

CMYK 52 / 0 / 23 / 28

HEX #58B88E

RGB 88 184 142

HSL 153.75, 0.4%, 0.53%

LAB 68.25, -38.36, 12.82

 

CMYK 0 / 59 / 37 / 33

HEX #AC476C

RGB 172 71 108

HSL 338.02, 0.42%, 0.48%

LAB 44.74, 45.04, -0.37

 

CMYK 0 / 53 / 33 / 26

HEX #BD597F

RGB 189 89 127

HSL 337.2, 0.43%, 0.55%

LAB 51.26, 44.3, -2

 

CMYK 0 / 48 / 29 / 19

HEX #CE6B92

RGB 206 107 146

HSL 336.36, 0.5%, 0.61%

LAB 57.76, 43.48, -3.35

 

CMYK 0 / 44 / 26 / 13

HEX #DF7DA5

RGB 223 125 165

HSL 335.51, 0.6%, 0.68%

LAB 64.22, 42.64, -4.49

 

CMYK 0 / 40 / 23 / 6

HEX #F08FB8

RGB 240 143 184

HSL 334.64, 0.76%, 0.75%

LAB 70.62, 41.82, -5.49

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 65 / 37 / 41

HEX #96355E

RGB 150 53 94

HSL 334.64, 0.48%, 0.4%

LAB 37.55, 44.51, -2.62

 

CMYK 0 / 74 / 44 / 48

HEX #85234B

RGB 133 35 75

HSL 335.51, 0.58%, 0.33%

LAB 31.11, 44.57, -0.18

 

CMYK 0 / 85 / 52 / 55

HEX #741138

RGB 116 17 56

HSL 336.36, 0.74%, 0.26%

LAB 24.95, 43.67, 3.23

 

CMYK 0 / 100 / 63 / 61

HEX #630025

RGB 99 0 37

HSL 337.58, 1%, 0.19%

LAB 19.17, 41.57, 7.87

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 57 / 47 / 35

HEX #A74758

RGB 167 71 88

HSL 349.38, 0.4%, 0.47%

LAB 43.4, 41.12, 9.91

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 57 / 17 / 35

HEX #A7478B

RGB 167 71 139

HSL 317.5, 0.4%, 0.47%

LAB 45.06, 47.7, -18.86

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 14 / 57 / 0 / 35

HEX #9047A7

RGB 144 71 167

HSL 285.63, 0.4%, 0.47%

LAB 43.1, 46.22, -38.94

 

CMYK 29 / 57 / 0 / 35

HEX #7647A7

RGB 118 71 167

HSL 269.38, 0.4%, 0.47%

LAB 39.83, 39.4, -44.35

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 72 / 41 / 27

HEX #BB346F

RGB 187 52 111

HSL 333.78, 0.56%, 0.47%

LAB 44.47, 57.94, -2.32

 

CMYK 0 / 84 / 47 / 19

HEX #CE216D

RGB 206 33 109

HSL 333.64, 0.72%, 0.47%

LAB 46.06, 68.16, 1.66

 

CMYK 0 / 94 / 53 / 12

HEX #E10D6A

RGB 225 13 106

HSL 333.68, 0.89%, 0.47%

LAB 48.68, 75.43, 7.77

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 39 / 22 / 42

HEX #945B74

RGB 148 91 116

HSL 333.68, 0.24%, 0.47%

LAB 45.69, 27, -4.25

 

CMYK 0 / 15 / 9 / 49

HEX #816E76

RGB 129 110 118

HSL 334.74, 0.08%, 0.47%

LAB 48.42, 8.92, -1.67

 

CMYK 16 / 0 / 7 / 49

HEX #6D8279

RGB 109 130 121

HSL 154.29, 0.09%, 0.47%

LAB 52.51, -9.54, 2.32

 

CMYK 40 / 0 / 17 / 42

HEX #5A957B

RGB 90 149 123

HSL 153.56, 0.25%, 0.47%

LAB 57.17, -25.42, 7.73

 

CMYK 0 / 57 / 1 / 35

HEX #A747A6

RGB 167 71 166

HSL 300.63, 0.4%, 0.47%

LAB 46.28, 52.23, -33.12

 

CMYK 0 / 57 / 16 / 35

HEX #A7478C

RGB 167 71 140

HSL 316.88, 0.4%, 0.47%

LAB 45.1, 47.86, -19.4

 

CMYK 0 / 57 / 31 / 35

HEX #A74773

RGB 167 71 115

HSL 332.5, 0.4%, 0.47%

LAB 44.18, 44.25, -5.59

 

CMYK 0 / 57 / 47 / 35

HEX #A74759

RGB 167 71 89

HSL 348.75, 0.4%, 0.47%

LAB 43.42, 41.22, 9.33

 

CMYK 0 / 53 / 57 / 35

HEX #A74F47

RGB 167 79 71

HSL 5, 0.4%, 0.47%

LAB 44.61, 35.51, 21.91

 

CMYK 0 / 57 / 33 / 57

HEX #6E2F4A

RGB 110 47 74

HSL 334.29, 0.4%, 0.31%

LAB 29.01, 31.17, -3.08

 

CMYK 0 / 57 / 32 / 46

HEX #8A3B5E

RGB 138 59 94

HSL 333.42, 0.4%, 0.39%

LAB 36.63, 37.62, -4.21

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 49 / 28 / 27

HEX #BA5E86

RGB 186 94 134

HSL 333.91, 0.4%, 0.55%

LAB 52.02, 41.67, -5.09

 

CMYK 0 / 38 / 21 / 22

HEX #C67B9C

RGB 198 123 156

HSL 333.6, 0.4%, 0.63%

LAB 60.4, 33.69, -5.34

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 14 / 57 / 35

HEX #A78F47

RGB 167 143 71

HSL 45, 0.4%, 0.47%

LAB 60.17, -0.07, 41.07

 

CMYK 57 / 8 / 0 / 35

HEX #4799A7

RGB 71 153 167

HSL 188.75, 0.4%, 0.47%

LAB 58.89, -20.71, -14.88

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 31 / 0 / 57 / 35

HEX #73A747

RGB 115 167 71

HSL 92.5, 0.4%, 0.47%

LAB 63.13, -33.94, 43.48

 

CMYK 57 / 31 / 0 / 35

HEX #4773A7

RGB 71 115 167

HSL 212.5, 0.4%, 0.47%

LAB 47.48, 0.73, -32.45

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 0 / 14 / 57 / 35

HEX #A78F47

RGB 167 143 71

HSL 45, 0.4%, 0.47%

LAB 60.17, -0.07, 41.07

 

CMYK 57 / 0 / 26 / 35

HEX #47A77C

RGB 71 167 124

HSL 153.13, 0.4%, 0.47%

LAB 62.03, -38.65, 13.91

 

CMYK 57 / 43 / 0 / 35

HEX #475FA7

RGB 71 95 167

HSL 225, 0.4%, 0.47%

LAB 41.71, 13.19, -41.58

 

CMYK 0 / 57 / 32 / 35

HEX #A74771

RGB 167 71 113

HSL 333.75, 0.4%, 0.47%

LAB 44.11, 43.99, -4.46

 

CMYK 3 / 0 / 57 / 35

HEX #A2A747

RGB 162 167 71

HSL 63.13, 0.4%, 0.47%

LAB 66.35, -15.05, 48.01

 

CMYK 57 / 0 / 26 / 35

HEX #47A77C

RGB 71 167 124

HSL 153.13, 0.4%, 0.47%

LAB 62.03, -38.65, 13.91

 

CMYK 54 / 57 / 0 / 35

HEX #4C47A7

RGB 76 71 167

HSL 243.13, 0.4%, 0.47%

LAB 35.66, 29.6, -51.27

 

Description

Color code: RGB 167 71 113 | qconv.com Color code: RGB 167 71 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 71 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 71 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 32% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - 롯데제과
Link: http://www.lotteconf.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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