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Color name
RGB 167 231 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 231 215 it is the complementary color RGB 88 24 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 231 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 231 215 shade: RGB 172 231 210, RGB 189 249 229, RGB 206 255 248, RGB 223 255 255 and RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 231 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 231 215 shade: RGB 167 231 215, RGB 150 213 196, RGB 133 195 177, RGB 116 177 158 and RGB 99 159 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 231 215 shade: RGB 166 230 214, RGB 166 230 197, RGB 166 230 180, RGB 170 230 166 and RGB 187 230 166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 231 215 shade: RGB 166 230 214, RGB 166 229 230, RGB 166 212 230, RGB 166 195 230 and RGB 166 177 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 231 215 shade matches the following richer shades: RGB 166 230 214, RGB 157 239 219 and RGB 148 249 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 231 215 shade: RGB 166 230 214, RGB 175 221 210, RGB 185 212 205, RGB 194 203 201 and RGB 203 194 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 231 215 shade: RGB 166 230 180, RGB 166 230 197, RGB 166 230 214, RGB 166 229 230 and RGB 166 212 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 231 215 shade: RGB 102 213 185, RGB 134 222 200, RGB 166 230 214, RGB 199 239 229 and RGB 231 248 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 231 215 shade: RGB 167 231 215, RGB 166 170 230 and RGB 230 189 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 231 215 shade: RGB 167 231 215, RGB 214 166 230 and RGB 230 214 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 231 215 shade: RGB 167 231 215, RGB 166 170 230, RGB 230 166 182 and RGB 230 227 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 231 215 shade: RGB 167 231 215, RGB 182 166 230, RGB 230 166 182 and RGB 214 230 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

Complementary color

CMYK 0 / 73 / 55 / 65

HEX #581828

RGB 88 24 40

HSL 345, 0.57%, 0.22%

LAB 19.56, 30.68, 5.91

 

CMYK 26 / 0 / 9 / 9

HEX #ACE7D2

RGB 172 231 210

HSL 158.64, 0.55%, 0.79%

LAB 87.28, -22.97, 4.16

 

CMYK 24 / 0 / 8 / 2

HEX #BDF9E5

RGB 189 249 229

HSL 160, 0.83%, 0.86%

LAB 93.55, -22.81, 3.47

 

CMYK 19 / 0 / 3 / 0

HEX #CEFFF8

RGB 206 255 248

HSL 171.43, 1%, 0.9%

LAB 96.58, -16.84, -1.8

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

CMYK 30 / 0 / 8 / 16

HEX #96D5C4

RGB 150 213 196

HSL 163.81, 0.43%, 0.71%

LAB 80.77, -23.6, 1.98

 

CMYK 32 / 0 / 9 / 24

HEX #85C3B1

RGB 133 195 177

HSL 162.58, 0.34%, 0.64%

LAB 74.31, -23.79, 2.71

 

CMYK 34 / 0 / 11 / 31

HEX #74B19E

RGB 116 177 158

HSL 161.31, 0.28%, 0.57%

LAB 67.74, -23.99, 3.48

 

CMYK 38 / 0 / 13 / 38

HEX #639F8B

RGB 99 159 139

HSL 160, 0.24%, 0.51%

LAB 61.06, -24.2, 4.3

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 28 / 0 / 14 / 10

HEX #A6E6C5

RGB 166 230 197

HSL 149.06, 0.56%, 0.78%

LAB 86.37, -26.88, 9.63

 

CMYK 28 / 0 / 22 / 10

HEX #A6E6B4

RGB 166 230 180

HSL 133.13, 0.56%, 0.78%

LAB 86, -30.05, 18

 

CMYK 26 / 0 / 28 / 10

HEX #AAE6A6

RGB 170 230 166

HSL 116.25, 0.56%, 0.78%

LAB 85.95, -31.15, 25.22

 

CMYK 19 / 0 / 28 / 10

HEX #BBE6A6

RGB 187 230 166

HSL 100.31, 0.56%, 0.78%

LAB 86.95, -25.42, 26.75

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 28 / 0 / 0 / 10

HEX #A6E5E6

RGB 166 229 230

HSL 180.94, 0.56%, 0.78%

LAB 86.93, -19.49, -6.9

 

CMYK 28 / 8 / 0 / 10

HEX #A6D4E6

RGB 166 212 230

HSL 196.88, 0.56%, 0.78%

LAB 82.33, -10.86, -13.75

 

CMYK 28 / 15 / 0 / 10

HEX #A6C3E6

RGB 166 195 230

HSL 212.81, 0.56%, 0.78%

LAB 77.79, -1.91, -20.6

 

CMYK 28 / 23 / 0 / 10

HEX #A6B1E6

RGB 166 177 230

HSL 229.69, 0.56%, 0.78%

LAB 73.07, 7.89, -27.8

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 34 / 0 / 8 / 6

HEX #9DEFDB

RGB 157 239 219

HSL 165.37, 0.72%, 0.78%

LAB 88.93, -29.27, 1.75

 

CMYK 41 / 0 / 10 / 2

HEX #94F9DF

RGB 148 249 223

HSL 164.55, 0.89%, 0.78%

LAB 91.4, -35.44, 3.22

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 21 / 0 / 5 / 13

HEX #AFDDD2

RGB 175 221 210

HSL 165.65, 0.4%, 0.78%

LAB 84.73, -17.1, 0.48

 

CMYK 13 / 0 / 3 / 17

HEX #B9D4CD

RGB 185 212 205

HSL 164.44, 0.24%, 0.78%

LAB 82.81, -10.34, 0.41

 

CMYK 4 / 0 / 1 / 20

HEX #C2CBC9

RGB 194 203 201

HSL 166.67, 0.08%, 0.78%

LAB 80.96, -3.44, -0.08

 

CMYK 0 / 4 / 3 / 20

HEX #CBC2C4

RGB 203 194 196

HSL 346.67, 0.08%, 0.78%

LAB 79.19, 3.5, 0.11

 

CMYK 28 / 0 / 22 / 10

HEX #A6E6B4

RGB 166 230 180

HSL 133.13, 0.56%, 0.78%

LAB 86, -30.05, 18

 

CMYK 28 / 0 / 14 / 10

HEX #A6E6C5

RGB 166 230 197

HSL 149.06, 0.56%, 0.78%

LAB 86.37, -26.88, 9.63

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 28 / 0 / 0 / 10

HEX #A6E5E6

RGB 166 229 230

HSL 180.94, 0.56%, 0.78%

LAB 86.93, -19.49, -6.9

 

CMYK 28 / 8 / 0 / 10

HEX #A6D4E6

RGB 166 212 230

HSL 196.88, 0.56%, 0.78%

LAB 82.33, -10.86, -13.75

 

CMYK 52 / 0 / 13 / 16

HEX #66D5B9

RGB 102 213 185

HSL 164.86, 0.57%, 0.62%

LAB 78.41, -38.51, 4.18

 

CMYK 40 / 0 / 10 / 13

HEX #86DEC8

RGB 134 222 200

HSL 165, 0.57%, 0.7%

LAB 82.64, -31.52, 2.47

 

CMYK 28 / 0 / 7 / 10

HEX #A6E6D6

RGB 166 230 214

HSL 165, 0.56%, 0.78%

LAB 86.78, -23.44, 1.3

 

CMYK 17 / 0 / 4 / 6

HEX #C7EFE5

RGB 199 239 229

HSL 165, 0.56%, 0.86%

LAB 91.47, -14.83, 0.52

 

CMYK 7 / 0 / 2 / 3

HEX #E7F8F4

RGB 231 248 244

HSL 165.88, 0.55%, 0.94%

LAB 96.27, -6.28, -0.01

 

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

CMYK 28 / 26 / 0 / 10

HEX #A6AAE6

RGB 166 170 230

HSL 236.25, 0.56%, 0.78%

LAB 71.26, 11.78, -30.57

 

CMYK 0 / 18 / 28 / 10

HEX #E6BDA6

RGB 230 189 166

HSL 21.56, 0.56%, 0.78%

LAB 79.6, 11.34, 17.14

 

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

CMYK 7 / 28 / 0 / 10

HEX #D6A6E6

RGB 214 166 230

HSL 285, 0.56%, 0.78%

LAB 74.37, 28.77, -25.45

 

CMYK 0 / 7 / 28 / 10

HEX #E6D6A6

RGB 230 214 166

HSL 45, 0.56%, 0.78%

LAB 85.84, -1.72, 25.75

 

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

CMYK 28 / 26 / 0 / 10

HEX #A6AAE6

RGB 166 170 230

HSL 236.25, 0.56%, 0.78%

LAB 71.26, 11.78, -30.57

 

CMYK 0 / 28 / 21 / 10

HEX #E6A6B6

RGB 230 166 182

HSL 345, 0.56%, 0.78%

LAB 74.49, 25.88, 1.17

 

CMYK 0 / 1 / 28 / 10

HEX #E6E3A6

RGB 230 227 166

HSL 57.19, 0.56%, 0.78%

LAB 89.17, -8.34, 30.25

 

CMYK 28 / 0 / 7 / 9

HEX #A7E7D7

RGB 167 231 215

HSL 165, 0.57%, 0.78%

LAB 87.13, -23.43, 1.29

 

CMYK 21 / 28 / 0 / 10

HEX #B6A6E6

RGB 182 166 230

HSL 255, 0.56%, 0.78%

LAB 71.51, 18.79, -30.09

 

CMYK 0 / 28 / 21 / 10

HEX #E6A6B6

RGB 230 166 182

HSL 345, 0.56%, 0.78%

LAB 74.49, 25.88, 1.17

 

CMYK 7 / 0 / 28 / 10

HEX #D6E6A6

RGB 214 230 166

HSL 75, 0.56%, 0.78%

LAB 88.75, -15.78, 29.49

 

Description

Color code: RGB 167 231 215 | qconv.com Color code: RGB 167 231 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 231 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 231 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 7 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 7% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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