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Color name
RGB 167 22 30

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 22 30 it is the complementary color RGB 88 233 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 22 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 22 30 shade: RGB 172 22 25, RGB 189 40 44, RGB 206 58 63, RGB 223 76 82 and RGB 240 94 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 22 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 22 30 shade: RGB 167 22 30, RGB 150 4 11, RGB 133 0 0, RGB 116 0 0 and RGB 99 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 22 30 shade: RGB 166 21 29 and RGB 166 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 22 30 shade: RGB 166 21 29, RGB 166 21 68, RGB 166 21 108, RGB 166 21 147 and RGB 147 21 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 22 30 shade matches the following richer shades: RGB 166 21 29 and RGB 182 6 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 22 30 shade: RGB 166 21 29, RGB 151 36 43, RGB 136 52 56, RGB 121 67 70 and RGB 105 82 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 22 30 shade: RGB 166 21 108, RGB 166 21 70, RGB 166 21 31, RGB 166 50 21 and RGB 166 89 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 22 30 shade: RGB 93 12 16, RGB 130 16 23, RGB 166 21 29, RGB 203 26 36 and RGB 227 43 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 22 30 shade: RGB 167 22 30, RGB 147 166 21 and RGB 21 89 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 22 30 shade: RGB 167 22 30, RGB 31 166 21 and RGB 21 31 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 22 30 shade: RGB 167 22 30, RGB 147 166 21, RGB 21 166 157 and RGB 41 21 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 22 30 shade: RGB 167 22 30, RGB 104 166 21, RGB 21 166 157 and RGB 84 21 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

Complementary color

CMYK 62 / 0 / 3 / 9

HEX #58E9E1

RGB 88 233 225

HSL 176.69, 0.77%, 0.63%

LAB 84.89, -40.17, -7.62

 

CMYK 0 / 87 / 85 / 33

HEX #AC1619

RGB 172 22 25

HSL 358.8, 0.77%, 0.38%

LAB 36.77, 56.86, 39.89

 

CMYK 0 / 79 / 77 / 26

HEX #BD282C

RGB 189 40 44

HSL 358.39, 0.65%, 0.45%

LAB 42.03, 57.8, 35.68

 

CMYK 0 / 72 / 69 / 19

HEX #CE3A3F

RGB 206 58 63

HSL 357.97, 0.6%, 0.52%

LAB 47.63, 57.87, 31.87

 

CMYK 0 / 66 / 63 / 13

HEX #DF4C52

RGB 223 76 82

HSL 357.55, 0.7%, 0.59%

LAB 53.46, 57.42, 28.61

 

CMYK 0 / 61 / 58 / 6

HEX #F05E65

RGB 240 94 101

HSL 357.12, 0.83%, 0.65%

LAB 59.41, 56.67, 25.84

 

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

CMYK 0 / 97 / 93 / 41

HEX #96040B

RGB 150 4 11

HSL 357.12, 0.95%, 0.3%

LAB 30.87, 53.48, 40.04

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 87 / 83 / 35

HEX #A6151D

RGB 166 21 29

HSL 356.69, 0.78%, 0.37%

LAB 35.46, 55.49, 36.02

 

CMYK 0 / 87 / 87 / 35

HEX #A61515

RGB 166 21 21

HSL 0, 0.78%, 0.37%

LAB 35.4, 55.29, 40.26

 

CMYK 0 / 87 / 83 / 35

HEX #A6151D

RGB 166 21 29

HSL 356.69, 0.78%, 0.37%

LAB 35.46, 55.49, 36.02

 

CMYK 0 / 87 / 59 / 35

HEX #A61544

RGB 166 21 68

HSL 340.55, 0.78%, 0.37%

LAB 36.1, 57.35, 12.39

 

CMYK 0 / 87 / 35 / 35

HEX #A6156C

RGB 166 21 108

HSL 324, 0.78%, 0.37%

LAB 37.35, 60.87, -11.5

 

CMYK 0 / 87 / 11 / 35

HEX #A61593

RGB 166 21 147

HSL 307.86, 0.78%, 0.37%

LAB 39.16, 65.77, -32.93

 

CMYK 11 / 87 / 0 / 35

HEX #9315A6

RGB 147 21 166

HSL 292.14, 0.78%, 0.37%

LAB 36.92, 65.21, -48.2

 

CMYK 0 / 87 / 83 / 35

HEX #A6151D

RGB 166 21 29

HSL 356.69, 0.78%, 0.37%

LAB 35.46, 55.49, 36.02

 

CMYK 0 / 97 / 91 / 29

HEX #B60610

RGB 182 6 16

HSL 356.59, 0.94%, 0.37%

LAB 38.04, 61.7, 46.14

 

CMYK 0 / 87 / 83 / 35

HEX #A6151D

RGB 166 21 29

HSL 356.69, 0.78%, 0.37%

LAB 35.46, 55.49, 36.02

 

CMYK 0 / 76 / 72 / 41

HEX #97242B

RGB 151 36 43

HSL 356.35, 0.61%, 0.37%

LAB 34.02, 47.4, 25.14

 

CMYK 0 / 62 / 59 / 47

HEX #883438

RGB 136 52 56

HSL 357.14, 0.45%, 0.37%

LAB 33.93, 36.27, 16.22

 

CMYK 0 / 45 / 42 / 53

HEX #794346

RGB 121 67 70

HSL 356.67, 0.29%, 0.37%

LAB 35.05, 23.62, 8.43

 

CMYK 0 / 22 / 20 / 59

HEX #695254

RGB 105 82 84

HSL 354.78, 0.12%, 0.37%

LAB 37.26, 9.92, 2.48

 

CMYK 0 / 87 / 35 / 35

HEX #A6156C

RGB 166 21 108

HSL 324, 0.78%, 0.37%

LAB 37.35, 60.87, -11.5

 

CMYK 0 / 87 / 58 / 35

HEX #A61546

RGB 166 21 70

HSL 339.72, 0.78%, 0.37%

LAB 36.15, 57.48, 11.16

 

CMYK 0 / 87 / 81 / 35

HEX #A6151F

RGB 166 21 31

HSL 355.86, 0.78%, 0.37%

LAB 35.48, 55.55, 34.89

 

CMYK 0 / 70 / 87 / 35

HEX #A63215

RGB 166 50 21

HSL 12, 0.78%, 0.37%

LAB 38.62, 46.27, 42.96

 

CMYK 0 / 46 / 87 / 35

HEX #A65915

RGB 166 89 21

HSL 28.14, 0.78%, 0.37%

LAB 46.05, 27.1, 49.1

 

CMYK 0 / 87 / 83 / 64

HEX #5D0C10

RGB 93 12 16

HSL 357.04, 0.77%, 0.21%

LAB 18.49, 35.39, 21.18

 

CMYK 0 / 88 / 82 / 49

HEX #821017

RGB 130 16 23

HSL 356.32, 0.78%, 0.29%

LAB 27.24, 46.05, 28.75

 

CMYK 0 / 87 / 83 / 35

HEX #A6151D

RGB 166 21 29

HSL 356.69, 0.78%, 0.37%

LAB 35.46, 55.49, 36.02

 

CMYK 0 / 87 / 82 / 20

HEX #CB1A24

RGB 203 26 36

HSL 356.61, 0.77%, 0.45%

LAB 43.6, 64.81, 42.67

 

CMYK 0 / 81 / 77 / 11

HEX #E32B35

RGB 227 43 53

HSL 356.74, 0.77%, 0.53%

LAB 49.88, 68.13, 41.23

 

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

CMYK 11 / 0 / 87 / 35

HEX #93A615

RGB 147 166 21

HSL 67.86, 0.78%, 0.37%

LAB 64.59, -23.6, 63.6

 

CMYK 87 / 46 / 0 / 35

HEX #1559A6

RGB 21 89 166

HSL 211.86, 0.78%, 0.37%

LAB 37.95, 9.39, -47.12

 

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

CMYK 81 / 0 / 87 / 35

HEX #1FA615

RGB 31 166 21

HSL 115.86, 0.78%, 0.37%

LAB 59.54, -59.45, 57.29

 

CMYK 87 / 81 / 0 / 35

HEX #151FA6

RGB 21 31 166

HSL 235.86, 0.78%, 0.37%

LAB 23.31, 46.73, -71.05

 

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

CMYK 11 / 0 / 87 / 35

HEX #93A615

RGB 147 166 21

HSL 67.86, 0.78%, 0.37%

LAB 64.59, -23.6, 63.6

 

CMYK 87 / 0 / 5 / 35

HEX #15A69D

RGB 21 166 157

HSL 176.28, 0.78%, 0.37%

LAB 61.54, -36.67, -5.38

 

CMYK 75 / 87 / 0 / 35

HEX #2915A6

RGB 41 21 166

HSL 248.28, 0.78%, 0.37%

LAB 22.86, 52.2, -71.77

 

CMYK 0 / 87 / 82 / 35

HEX #A7161E

RGB 167 22 30

HSL 356.69, 0.77%, 0.37%

LAB 35.76, 55.59, 35.81

 

CMYK 37 / 0 / 87 / 35

HEX #68A615

RGB 104 166 21

HSL 85.66, 0.78%, 0.37%

LAB 61.89, -40.92, 60.24

 

CMYK 87 / 0 / 5 / 35

HEX #15A69D

RGB 21 166 157

HSL 176.28, 0.78%, 0.37%

LAB 61.54, -36.67, -5.38

 

CMYK 49 / 87 / 0 / 35

HEX #5415A6

RGB 84 21 166

HSL 266.07, 0.78%, 0.37%

LAB 27.23, 55.91, -64.41

 

Description

Color code: RGB 167 22 30 | qconv.com Color code: RGB 167 22 30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 22 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 22 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 82 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 82% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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