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Color name
RGB 167 224 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 224 128 it is the complementary color RGB 88 31 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 224 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 224 128 shade: RGB 172 224 123, RGB 189 242 142, RGB 206 255 161, RGB 223 255 180 and RGB 240 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 224 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 224 128 shade: RGB 167 224 128, RGB 150 206 109, RGB 133 188 90, RGB 116 170 71 and RGB 99 152 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 224 128 shade: RGB 166 224 127, RGB 192 224 127, RGB 218 224 127, RGB 224 203 127 and RGB 224 177 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 224 128 shade: RGB 166 224 127, RGB 140 224 127, RGB 127 224 140, RGB 127 224 166 and RGB 127 224 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 224 128 shade matches the following richer shades: RGB 166 224 127, RGB 164 236 114 and RGB 162 249 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 224 128 shade: RGB 166 224 127, RGB 169 211 140, RGB 171 198 153, RGB 174 185 166 and RGB 176 173 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 224 128 shade: RGB 219 224 127, RGB 193 224 127, RGB 167 224 127, RGB 142 224 127 and RGB 127 224 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 224 128 shade: RGB 120 208 61, RGB 143 216 94, RGB 166 224 127, RGB 189 232 160 and RGB 212 240 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 224 128 shade: RGB 167 224 128, RGB 127 224 203 and RGB 224 127 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 224 128 shade: RGB 167 224 128, RGB 127 167 224 and RGB 224 127 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 224 128 shade: RGB 167 224 128, RGB 127 224 203, RGB 183 127 224 and RGB 224 127 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 224 128 shade: RGB 167 224 128, RGB 127 216 224, RGB 183 127 224 and RGB 224 135 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

Complementary color

CMYK 31 / 76 / 0 / 50

HEX #581F7F

RGB 88 31 127

HSL 275.63, 0.61%, 0.31%

LAB 25.52, 43.25, -43.08

 

CMYK 23 / 0 / 45 / 12

HEX #ACE07B

RGB 172 224 123

HSL 90.89, 0.62%, 0.68%

LAB 83.71, -33.72, 43.97

 

CMYK 22 / 0 / 41 / 5

HEX #BDF28E

RGB 189 242 142

HSL 91.8, 0.79%, 0.75%

LAB 89.99, -33.67, 42.82

 

CMYK 19 / 0 / 37 / 0

HEX #CEFFA1

RGB 206 255 161

HSL 91.28, 1%, 0.82%

LAB 94.83, -31.3, 39.95

 

CMYK 13 / 0 / 29 / 0

HEX #DFFFB4

RGB 223 255 180

HSL 85.6, 1%, 0.85%

LAB 96.21, -22.78, 32.53

 

CMYK 6 / 0 / 22 / 0

HEX #F0FFC7

RGB 240 255 199

HSL 76.07, 1%, 0.89%

LAB 97.7, -14.09, 25.17

 

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

CMYK 27 / 0 / 47 / 19

HEX #96CE6D

RGB 150 206 109

HSL 94.64, 0.5%, 0.62%

LAB 77.12, -34.95, 42.34

 

CMYK 29 / 0 / 52 / 26

HEX #85BC5A

RGB 133 188 90

HSL 93.67, 0.42%, 0.55%

LAB 70.66, -34.99, 43.51

 

CMYK 32 / 0 / 58 / 33

HEX #74AA47

RGB 116 170 71

HSL 92.73, 0.41%, 0.47%

LAB 64.09, -34.95, 44.61

 

CMYK 35 / 0 / 66 / 40

HEX #639834

RGB 99 152 52

HSL 91.8, 0.49%, 0.4%

LAB 57.42, -34.79, 45.54

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 14 / 0 / 43 / 12

HEX #C0E07F

RGB 192 224 127

HSL 79.79, 0.61%, 0.69%

LAB 85.02, -25.91, 43.93

 

CMYK 3 / 0 / 43 / 12

HEX #DAE07F

RGB 218 224 127

HSL 63.71, 0.61%, 0.69%

LAB 86.87, -15.94, 46.64

 

CMYK 0 / 9 / 43 / 12

HEX #E0CB7F

RGB 224 203 127

HSL 47.01, 0.61%, 0.69%

LAB 81.89, -2.95, 40.49

 

CMYK 0 / 21 / 43 / 12

HEX #E0B17F

RGB 224 177 127

HSL 30.93, 0.61%, 0.69%

LAB 75.34, 10.7, 32.07

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 38 / 0 / 43 / 12

HEX #8CE07F

RGB 140 224 127

HSL 111.96, 0.61%, 0.69%

LAB 82.07, -43.98, 39.57

 

CMYK 43 / 0 / 38 / 12

HEX #7FE08C

RGB 127 224 140

HSL 128.04, 0.61%, 0.69%

LAB 81.68, -45.92, 32.44

 

CMYK 43 / 0 / 26 / 12

HEX #7FE0A6

RGB 127 224 166

HSL 144.12, 0.61%, 0.69%

LAB 82.15, -41.35, 19.66

 

CMYK 43 / 0 / 14 / 12

HEX #7FE0C0

RGB 127 224 192

HSL 160.21, 0.61%, 0.69%

LAB 82.72, -36.03, 6.78

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 31 / 0 / 52 / 7

HEX #A4EC72

RGB 164 236 114

HSL 95.41, 0.76%, 0.69%

LAB 86.55, -42.92, 51.62

 

CMYK 35 / 0 / 59 / 2

HEX #A2F966

RGB 162 249 102

HSL 95.51, 0.92%, 0.69%

LAB 90.04, -50.31, 60.99

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 20 / 0 / 34 / 17

HEX #A9D38C

RGB 169 211 140

HSL 95.49, 0.45%, 0.69%

LAB 80.13, -26.44, 30.79

 

CMYK 14 / 0 / 23 / 22

HEX #ABC699

RGB 171 198 153

HSL 96, 0.28%, 0.69%

LAB 76.89, -17.32, 19.59

 

CMYK 6 / 0 / 10 / 27

HEX #AEB9A6

RGB 174 185 166

HSL 94.74, 0.12%, 0.69%

LAB 73.84, -7.34, 8.33

 

CMYK 1 / 3 / 0 / 30

HEX #B0ADB2

RGB 176 173 178

HSL 276, 0.03%, 0.69%

LAB 71.1, 2.01, -2.19

 

CMYK 2 / 0 / 43 / 12

HEX #DBE07F

RGB 219 224 127

HSL 63.09, 0.61%, 0.69%

LAB 86.95, -15.55, 46.75

 

CMYK 14 / 0 / 43 / 12

HEX #C1E07F

RGB 193 224 127

HSL 79.18, 0.61%, 0.69%

LAB 85.09, -25.54, 44.02

 

CMYK 25 / 0 / 43 / 12

HEX #A7E07F

RGB 167 224 127

HSL 95.26, 0.61%, 0.69%

LAB 83.47, -35, 41.65

 

CMYK 37 / 0 / 43 / 12

HEX #8EE07F

RGB 142 224 127

HSL 110.72, 0.61%, 0.69%

LAB 82.16, -43.35, 39.71

 

CMYK 43 / 0 / 38 / 12

HEX #7FE08A

RGB 127 224 138

HSL 126.8, 0.61%, 0.69%

LAB 81.65, -46.23, 33.41

 

CMYK 42 / 0 / 71 / 18

HEX #78D03D

RGB 120 208 61

HSL 95.92, 0.61%, 0.53%

LAB 75.73, -50.66, 61.42

 

CMYK 34 / 0 / 56 / 15

HEX #8FD85E

RGB 143 216 94

HSL 95.9, 0.61%, 0.61%

LAB 79.48, -43.51, 52.16

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 19 / 0 / 31 / 9

HEX #BDE8A0

RGB 189 232 160

HSL 95.83, 0.61%, 0.77%

LAB 87.52, -26.57, 30.6

 

CMYK 12 / 0 / 19 / 6

HEX #D4F0C2

RGB 212 240 194

HSL 96.52, 0.61%, 0.85%

LAB 91.78, -17.27, 19.23

 

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CB

RGB 127 224 203

HSL 167.01, 0.61%, 0.69%

LAB 82.99, -33.56, 1.35

 

CMYK 0 / 43 / 8 / 12

HEX #E07FCE

RGB 224 127 206

HSL 311.13, 0.61%, 0.69%

LAB 66.12, 48.22, -24.74

 

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

CMYK 43 / 25 / 0 / 12

HEX #7FA7E0

RGB 127 167 224

HSL 215.26, 0.61%, 0.69%

LAB 67.67, 1.19, -33.04

 

CMYK 0 / 43 / 25 / 12

HEX #E07FA7

RGB 224 127 167

HSL 335.26, 0.61%, 0.69%

LAB 64.82, 42.23, -4.73

 

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CB

RGB 127 224 203

HSL 167.01, 0.61%, 0.69%

LAB 82.99, -33.56, 1.35

 

CMYK 18 / 43 / 0 / 12

HEX #B77FE0

RGB 183 127 224

HSL 274.64, 0.61%, 0.69%

LAB 62.19, 39.44, -41.26

 

CMYK 0 / 43 / 34 / 12

HEX #E07F94

RGB 224 127 148

HSL 347.01, 0.61%, 0.69%

LAB 64.29, 39.74, 5.3

 

CMYK 25 / 0 / 43 / 12

HEX #A7E080

RGB 167 224 128

HSL 95.63, 0.61%, 0.69%

LAB 83.49, -34.88, 41.17

 

CMYK 43 / 4 / 0 / 12

HEX #7FD8E0

RGB 127 216 224

HSL 184.95, 0.61%, 0.69%

LAB 81.29, -24.65, -12.3

 

CMYK 18 / 43 / 0 / 12

HEX #B77FE0

RGB 183 127 224

HSL 274.64, 0.61%, 0.69%

LAB 62.19, 39.44, -41.26

 

CMYK 0 / 40 / 43 / 12

HEX #E0877F

RGB 224 135 127

HSL 4.95, 0.61%, 0.69%

LAB 65.52, 33.15, 18.91

 

Description

Color code: RGB 167 224 128 | qconv.com Color code: RGB 167 224 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 224 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 224 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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