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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 183 153 it is the complementary color RGB 88 72 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 183 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 183 153 shade: RGB 172 183 148, RGB 189 201 167, RGB 206 219 186, RGB 223 237 205 and RGB 240 255 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 183 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 150 165 134, RGB 133 147 115, RGB 116 129 96 and RGB 99 111 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 175 183 153, RGB 183 182 153, RGB 183 174 153 and RGB 183 166 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 159 183 153, RGB 153 183 155, RGB 153 183 163 and RGB 153 183 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 183 153 shade matches the following richer shades: RGB 167 183 153, RGB 166 197 139, RGB 165 211 125, RGB 164 225 111 and RGB 163 239 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 168 169 167, RGB 169 154 181, RGB 170 140 195 and RGB 171 126 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 183 153 shade: RGB 183 183 153, RGB 175 183 153, RGB 167 183 153, RGB 159 183 153 and RGB 153 183 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 183 153 shade: RGB 125 148 105, RGB 146 165 129, RGB 167 183 153, RGB 188 200 177 and RGB 209 217 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 153 183 175 and RGB 183 153 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 153 167 183 and RGB 183 153 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 153 183 175, RGB 169 153 183 and RGB 183 153 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 183 153 shade: RGB 167 183 153, RGB 153 182 183, RGB 169 153 183 and RGB 183 154 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

Complementary color

CMYK 14 / 29 / 0 / 60

HEX #584866

RGB 88 72 102

HSL 272, 0.17%, 0.34%

LAB 33.28, 13.25, -14.98

 

CMYK 6 / 0 / 19 / 28

HEX #ACB794

RGB 172 183 148

HSL 78.86, 0.2%, 0.65%

LAB 72.74, -10.05, 16.54

 

CMYK 6 / 0 / 17 / 21

HEX #BDC9A7

RGB 189 201 167

HSL 81.18, 0.24%, 0.72%

LAB 79.26, -10.1, 15.63

 

CMYK 6 / 0 / 15 / 14

HEX #CEDBBA

RGB 206 219 186

HSL 83.64, 0.31%, 0.79%

LAB 85.67, -10.16, 14.76

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 6 / 0 / 12 / 0

HEX #F0FFE0

RGB 240 255 224

HSL 89.03, 1%, 0.94%

LAB 98.2, -10.25, 13.15

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 9 / 0 / 19 / 35

HEX #96A586

RGB 150 165 134

HSL 89.03, 0.15%, 0.59%

LAB 65.84, -11.05, 14.32

 

CMYK 10 / 0 / 22 / 42

HEX #859373

RGB 133 147 115

HSL 86.25, 0.13%, 0.51%

LAB 59.06, -11.05, 15.3

 

CMYK 10 / 0 / 26 / 49

HEX #748160

RGB 116 129 96

HSL 83.64, 0.15%, 0.44%

LAB 52.13, -11.04, 16.34

 

CMYK 11 / 0 / 31 / 56

HEX #636F4D

RGB 99 111 77

HSL 81.18, 0.18%, 0.37%

LAB 45.02, -11.02, 17.48

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 4 / 0 / 16 / 28

HEX #AFB799

RGB 175 183 153

HSL 76, 0.17%, 0.66%

LAB 73.08, -8.13, 14.33

 

CMYK 0 / 1 / 16 / 28

HEX #B7B699

RGB 183 182 153

HSL 58, 0.17%, 0.66%

LAB 73.43, -4.62, 14.92

 

CMYK 0 / 5 / 16 / 28

HEX #B7AE99

RGB 183 174 153

HSL 42, 0.17%, 0.66%

LAB 71.31, -0.35, 11.93

 

CMYK 0 / 9 / 16 / 28

HEX #B7A699

RGB 183 166 153

HSL 26, 0.17%, 0.66%

LAB 69.21, 3.98, 8.96

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 13 / 0 / 16 / 28

HEX #9FB799

RGB 159 183 153

HSL 108, 0.17%, 0.66%

LAB 71.92, -13.94, 12.53

 

CMYK 16 / 0 / 15 / 28

HEX #99B79B

RGB 153 183 155

HSL 124, 0.17%, 0.66%

LAB 71.56, -15.69, 10.88

 

CMYK 16 / 0 / 11 / 28

HEX #99B7A3

RGB 153 183 163

HSL 140, 0.17%, 0.66%

LAB 71.75, -14.19, 6.78

 

CMYK 16 / 0 / 7 / 28

HEX #99B7AB

RGB 153 183 171

HSL 156, 0.17%, 0.66%

LAB 71.95, -12.62, 2.69

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 16 / 0 / 29 / 23

HEX #A6C58B

RGB 166 197 139

HSL 92.07, 0.33%, 0.66%

LAB 76.01, -20.8, 25.76

 

CMYK 22 / 0 / 41 / 17

HEX #A5D37D

RGB 165 211 125

HSL 92.09, 0.49%, 0.66%

LAB 79.65, -29.91, 37.76

 

CMYK 27 / 0 / 51 / 12

HEX #A4E16F

RGB 164 225 111

HSL 92.11, 0.66%, 0.66%

LAB 83.38, -38.38, 49.21

 

CMYK 32 / 0 / 59 / 6

HEX #A3EF61

RGB 163 239 97

HSL 92.11, 0.82%, 0.66%

LAB 87.18, -46.23, 59.91

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 1 / 0 / 1 / 34

HEX #A8A9A7

RGB 168 169 167

HSL 90, 0.01%, 0.66%

LAB 69.11, -0.73, 0.9

 

CMYK 7 / 15 / 0 / 29

HEX #A99AB5

RGB 169 154 181

HSL 273.33, 0.15%, 0.66%

LAB 65.66, 10.66, -11.99

 

CMYK 13 / 28 / 0 / 24

HEX #AA8CC3

RGB 170 140 195

HSL 272.73, 0.31%, 0.66%

LAB 62.71, 21.84, -24.31

 

CMYK 18 / 40 / 0 / 18

HEX #AB7ED1

RGB 171 126 209

HSL 272.53, 0.47%, 0.66%

LAB 60.05, 33.15, -36.3

 

CMYK 0 / 0 / 16 / 28

HEX #B7B799

RGB 183 183 153

HSL 60, 0.17%, 0.66%

LAB 73.7, -5.15, 15.29

 

CMYK 4 / 0 / 16 / 28

HEX #AFB799

RGB 175 183 153

HSL 76, 0.17%, 0.66%

LAB 73.08, -8.13, 14.33

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 13 / 0 / 16 / 28

HEX #9FB799

RGB 159 183 153

HSL 108, 0.17%, 0.66%

LAB 71.92, -13.94, 12.53

 

CMYK 16 / 0 / 15 / 28

HEX #99B79B

RGB 153 183 155

HSL 124, 0.17%, 0.66%

LAB 71.56, -15.69, 10.88

 

CMYK 16 / 0 / 29 / 42

HEX #7D9469

RGB 125 148 105

HSL 92.09, 0.17%, 0.5%

LAB 58.56, -16.29, 20.13

 

CMYK 12 / 0 / 22 / 35

HEX #92A581

RGB 146 165 129

HSL 91.67, 0.17%, 0.58%

LAB 65.44, -13.38, 16.49

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 6 / 0 / 12 / 22

HEX #BCC8B1

RGB 188 200 177

HSL 91.3, 0.17%, 0.74%

LAB 79.14, -8.28, 10.1

 

CMYK 4 / 0 / 7 / 15

HEX #D1D9C9

RGB 209 217 201

HSL 90, 0.17%, 0.82%

LAB 85.7, -5.57, 6.93

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 16 / 0 / 4 / 28

HEX #99B7AF

RGB 153 183 175

HSL 164, 0.17%, 0.66%

LAB 72.05, -11.81, 0.65

 

CMYK 0 / 16 / 2 / 28

HEX #B799B3

RGB 183 153 179

HSL 308, 0.17%, 0.66%

LAB 66.6, 15.69, -9.33

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 16 / 9 / 0 / 28

HEX #99A7B7

RGB 153 167 183

HSL 212, 0.17%, 0.66%

LAB 67.89, -1.52, -9.89

 

CMYK 0 / 16 / 9 / 28

HEX #B799A7

RGB 183 153 167

HSL 332, 0.17%, 0.66%

LAB 66.24, 13.5, -3.14

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 16 / 0 / 4 / 28

HEX #99B7AF

RGB 153 183 175

HSL 164, 0.17%, 0.66%

LAB 72.05, -11.81, 0.65

 

CMYK 8 / 16 / 0 / 28

HEX #A999B7

RGB 169 153 183

HSL 272, 0.17%, 0.66%

LAB 65.46, 11.63, -13.4

 

CMYK 0 / 16 / 12 / 28

HEX #B799A1

RGB 183 153 161

HSL 344, 0.17%, 0.66%

LAB 66.08, 12.46, -0.02

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 16 / 1 / 0 / 28

HEX #99B6B7

RGB 153 182 183

HSL 182, 0.17%, 0.66%

LAB 71.99, -9.61, -3.81

 

CMYK 8 / 16 / 0 / 28

HEX #A999B7

RGB 169 153 183

HSL 272, 0.17%, 0.66%

LAB 65.46, 11.63, -13.4

 

CMYK 0 / 16 / 16 / 28

HEX #B79A99

RGB 183 154 153

HSL 2, 0.17%, 0.66%

LAB 66.12, 10.57, 4.52

 

Description

Color code: RGB 167 183 153 | qconv.com Color code: RGB 167 183 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 183 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 183 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 16 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 16% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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