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Color name
RGB 167 115 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 115 88 it is the complementary color RGB 88 140 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 115 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 115 88 shade: RGB 172 115 83, RGB 189 133 102, RGB 206 151 121, RGB 223 169 140 and RGB 240 187 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 115 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 115 88 shade: RGB 167 115 88, RGB 150 97 69, RGB 133 79 50, RGB 116 61 31 and RGB 99 43 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 115 88 shade: RGB 167 114 87, RGB 167 93 87 and RGB 167 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 115 88 shade: RGB 167 114 87, RGB 167 136 87, RGB 167 157 87, RGB 155 167 87 and RGB 133 167 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 115 88 shade matches the following richer shades: RGB 167 114 87, RGB 187 108 67, RGB 208 101 46, RGB 228 95 26 and RGB 249 88 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 115 88 shade: RGB 167 114 87, RGB 146 121 108, RGB 125 128 129, RGB 105 134 149 and RGB 84 141 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 115 88 shade: RGB 167 87 103, RGB 167 93 87, RGB 167 114 87, RGB 167 135 87 and RGB 167 156 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 115 88 shade: RGB 112 77 59, RGB 140 96 73, RGB 167 114 87, RGB 181 137 114 and RGB 195 160 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 115 88 shade: RGB 167 115 88, RGB 124 167 87 and RGB 87 93 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 115 88 shade: RGB 167 115 88, RGB 87 167 114 and RGB 114 87 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 115 88 shade: RGB 167 115 88, RGB 124 167 87, RGB 87 140 167 and RGB 130 87 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 115 88 shade: RGB 167 115 88, RGB 101 167 87, RGB 87 140 167 and RGB 153 87 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

Complementary color

CMYK 47 / 16 / 0 / 35

HEX #588CA7

RGB 88 140 167

HSL 200.51, 0.31%, 0.5%

LAB 55.71, -9.82, -19.66

 

CMYK 0 / 33 / 52 / 33

HEX #AC7353

RGB 172 115 83

HSL 21.57, 0.35%, 0.5%

LAB 53.66, 18.83, 26.78

 

CMYK 0 / 30 / 46 / 26

HEX #BD8566

RGB 189 133 102

HSL 21.38, 0.4%, 0.57%

LAB 60.39, 17.76, 25.27

 

CMYK 0 / 27 / 41 / 19

HEX #CE9779

RGB 206 151 121

HSL 21.18, 0.46%, 0.64%

LAB 67, 16.83, 23.9

 

CMYK 0 / 24 / 37 / 13

HEX #DFA98C

RGB 223 169 140

HSL 20.96, 0.56%, 0.71%

LAB 73.52, 16.03, 22.66

 

CMYK 0 / 22 / 34 / 6

HEX #F0BB9F

RGB 240 187 159

HSL 20.74, 0.73%, 0.78%

LAB 79.94, 15.31, 21.5

 

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

CMYK 0 / 35 / 54 / 41

HEX #966145

RGB 150 97 69

HSL 20.74, 0.37%, 0.43%

LAB 46.26, 18.37, 24.75

 

CMYK 0 / 41 / 62 / 48

HEX #854F32

RGB 133 79 50

HSL 20.96, 0.45%, 0.36%

LAB 39.26, 19.73, 26.55

 

CMYK 0 / 47 / 73 / 55

HEX #743D1F

RGB 116 61 31

HSL 21.18, 0.58%, 0.29%

LAB 32.14, 21.37, 28.57

 

CMYK 0 / 57 / 88 / 61

HEX #632B0C

RGB 99 43 12

HSL 21.38, 0.78%, 0.22%

LAB 24.97, 23.31, 30.5

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 44 / 48 / 35

HEX #A75D57

RGB 167 93 87

HSL 4.5, 0.31%, 0.5%

LAB 47.92, 29.47, 16.75

 

CMYK 0 / 48 / 48 / 35

HEX #A75757

RGB 167 87 87

HSL 0, 0.31%, 0.5%

LAB 46.6, 32.73, 14.96

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 19 / 48 / 35

HEX #A78857

RGB 167 136 87

HSL 36.75, 0.31%, 0.5%

LAB 58.52, 5.28, 30.66

 

CMYK 0 / 6 / 48 / 35

HEX #A79D57

RGB 167 157 87

HSL 52.5, 0.31%, 0.5%

LAB 64.18, -6.24, 37.71

 

CMYK 7 / 0 / 48 / 35

HEX #9BA757

RGB 155 167 87

HSL 69, 0.31%, 0.5%

LAB 65.98, -16.52, 39.68

 

CMYK 20 / 0 / 48 / 35

HEX #85A757

RGB 133 167 87

HSL 85.5, 0.31%, 0.5%

LAB 64.41, -25.35, 37.41

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 42 / 64 / 27

HEX #BB6C43

RGB 187 108 67

HSL 20.5, 0.47%, 0.5%

LAB 53.7, 27.71, 36.13

 

CMYK 0 / 51 / 78 / 18

HEX #D0652E

RGB 208 101 46

HSL 20.37, 0.64%, 0.5%

LAB 54.98, 38.8, 49.06

 

CMYK 0 / 58 / 89 / 11

HEX #E45F1A

RGB 228 95 26

HSL 20.5, 0.8%, 0.5%

LAB 56.83, 48.74, 59.97

 

CMYK 0 / 65 / 98 / 2

HEX #F95805

RGB 249 88 5

HSL 20.41, 0.96%, 0.5%

LAB 59.09, 58.91, 68.17

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 17 / 26 / 43

HEX #92796C

RGB 146 121 108

HSL 20.53, 0.15%, 0.5%

LAB 52.81, 7.6, 10.75

 

CMYK 3 / 1 / 0 / 49

HEX #7D8081

RGB 125 128 129

HSL 195, 0.02%, 0.5%

LAB 53.37, -0.91, -0.94

 

CMYK 30 / 10 / 0 / 42

HEX #698695

RGB 105 134 149

HSL 200.45, 0.17%, 0.5%

LAB 54.26, -6.58, -11.39

 

CMYK 51 / 17 / 0 / 33

HEX #548DAA

RGB 84 141 170

HSL 200.23, 0.34%, 0.5%

LAB 55.92, -10.47, -21.06

 

CMYK 0 / 48 / 38 / 35

HEX #A75767

RGB 167 87 103

HSL 348, 0.31%, 0.5%

LAB 46.99, 34.52, 5.83

 

CMYK 0 / 44 / 48 / 35

HEX #A75D57

RGB 167 93 87

HSL 4.5, 0.31%, 0.5%

LAB 47.92, 29.47, 16.75

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 19 / 48 / 35

HEX #A78757

RGB 167 135 87

HSL 36, 0.31%, 0.5%

LAB 58.26, 5.83, 30.33

 

CMYK 0 / 7 / 48 / 35

HEX #A79C57

RGB 167 156 87

HSL 51.75, 0.31%, 0.5%

LAB 63.9, -5.7, 37.38

 

CMYK 0 / 31 / 47 / 56

HEX #704D3B

RGB 112 77 59

HSL 20.38, 0.31%, 0.34%

LAB 36.12, 12.39, 16.58

 

CMYK 0 / 31 / 48 / 45

HEX #8C6049

RGB 140 96 73

HSL 20.6, 0.31%, 0.42%

LAB 44.83, 15.02, 20.31

 

CMYK 0 / 32 / 48 / 35

HEX #A77257

RGB 167 114 87

HSL 20.25, 0.31%, 0.5%

LAB 52.88, 17.69, 23.38

 

CMYK 0 / 24 / 37 / 29

HEX #B58972

RGB 181 137 114

HSL 20.6, 0.31%, 0.58%

LAB 60.72, 13.63, 18.84

 

CMYK 0 / 18 / 27 / 24

HEX #C3A08E

RGB 195 160 142

HSL 20.38, 0.31%, 0.66%

LAB 68.53, 10.21, 14.24

 

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

CMYK 26 / 0 / 48 / 35

HEX #7CA757

RGB 124 167 87

HSL 92.25, 0.31%, 0.5%

LAB 63.84, -28.78, 36.59

 

CMYK 48 / 44 / 0 / 35

HEX #575DA7

RGB 87 93 167

HSL 235.5, 0.31%, 0.5%

LAB 42.22, 18.15, -40.7

 

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

CMYK 48 / 0 / 32 / 35

HEX #57A772

RGB 87 167 114

HSL 140.25, 0.31%, 0.5%

LAB 62.4, -36.71, 20.02

 

CMYK 32 / 48 / 0 / 35

HEX #7257A7

RGB 114 87 167

HSL 260.25, 0.31%, 0.5%

LAB 43.04, 29.01, -39.26

 

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

CMYK 26 / 0 / 48 / 35

HEX #7CA757

RGB 124 167 87

HSL 92.25, 0.31%, 0.5%

LAB 63.84, -28.78, 36.59

 

CMYK 48 / 16 / 0 / 35

HEX #578CA7

RGB 87 140 167

HSL 200.25, 0.31%, 0.5%

LAB 55.66, -10.07, -19.74

 

CMYK 22 / 48 / 0 / 35

HEX #8257A7

RGB 130 87 167

HSL 272.25, 0.31%, 0.5%

LAB 44.73, 33.56, -36.46

 

CMYK 0 / 31 / 47 / 35

HEX #A77358

RGB 167 115 88

HSL 20.51, 0.31%, 0.5%

LAB 53.15, 17.23, 23.16

 

CMYK 40 / 0 / 48 / 35

HEX #65A757

RGB 101 167 87

HSL 109.5, 0.31%, 0.5%

LAB 62.59, -36.91, 34.75

 

CMYK 48 / 16 / 0 / 35

HEX #578CA7

RGB 87 140 167

HSL 200.25, 0.31%, 0.5%

LAB 55.66, -10.07, -19.74

 

CMYK 8 / 48 / 0 / 35

HEX #9957A7

RGB 153 87 167

HSL 289.5, 0.31%, 0.5%

LAB 47.47, 40.34, -31.98

 

Description

Color code: RGB 167 115 88 | qconv.com Color code: RGB 167 115 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 115 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 115 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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