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Color name
RGB 167 109 157

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 109 157 it is the complementary color RGB 88 146 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 109 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 109 157 shade: RGB 172 109 152, RGB 189 127 171, RGB 206 145 190, RGB 223 163 209 and RGB 240 181 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 109 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 109 157 shade: RGB 167 109 157, RGB 150 91 138, RGB 133 73 119, RGB 116 55 100 and RGB 99 37 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 109 157 shade: RGB 167 108 156, RGB 167 108 141, RGB 167 108 125, RGB 167 108 109 and RGB 167 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 109 157 shade: RGB 167 108 156, RGB 161 108 167, RGB 145 108 167, RGB 129 108 167 and RGB 113 108 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 109 157 shade matches the following richer shades: RGB 167 108 156, RGB 186 89 169, RGB 204 70 181, RGB 223 51 194 and RGB 242 32 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 109 157 shade: RGB 167 108 156, RGB 148 127 144, RGB 129 146 132, RGB 110 165 119 and RGB 91 184 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 109 157 shade: RGB 145 108 167, RGB 161 108 167, RGB 167 108 157, RGB 167 108 141 and RGB 167 108 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 109 157 shade: RGB 120 72 112, RGB 146 87 136, RGB 167 108 156, RGB 182 134 174 and RGB 197 159 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 109 157 shade: RGB 167 109 157, RGB 167 129 108 and RGB 108 167 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 109 157 shade: RGB 167 109 157, RGB 157 167 108 and RGB 108 157 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 109 157 shade: RGB 167 109 157, RGB 167 129 108, RGB 108 167 118 and RGB 108 145 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 109 157 shade: RGB 167 109 157, RGB 167 147 108, RGB 108 167 118 and RGB 108 127 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

Complementary color

CMYK 40 / 0 / 33 / 43

HEX #589262

RGB 88 146 98

HSL 130.34, 0.25%, 0.46%

LAB 55.6, -29.64, 19.64

 

CMYK 0 / 37 / 12 / 33

HEX #AC6D98

RGB 172 109 152

HSL 319.05, 0.28%, 0.55%

LAB 54, 31.56, -12.92

 

CMYK 0 / 33 / 10 / 26

HEX #BD7FAB

RGB 189 127 171

HSL 317.42, 0.32%, 0.62%

LAB 60.73, 30.8, -13.55

 

CMYK 0 / 30 / 8 / 19

HEX #CE91BE

RGB 206 145 190

HSL 315.74, 0.38%, 0.69%

LAB 67.34, 30.09, -14.13

 

CMYK 0 / 27 / 6 / 13

HEX #DFA3D1

RGB 223 163 209

HSL 314, 0.48%, 0.76%

LAB 73.86, 29.42, -14.67

 

CMYK 0 / 25 / 5 / 6

HEX #F0B5E4

RGB 240 181 228

HSL 312.2, 0.66%, 0.83%

LAB 80.28, 28.81, -15.17

 

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

CMYK 0 / 39 / 8 / 41

HEX #965B8A

RGB 150 91 138

HSL 312.2, 0.24%, 0.47%

LAB 46.71, 31.51, -15.94

 

CMYK 0 / 45 / 11 / 48

HEX #854977

RGB 133 73 119

HSL 314, 0.29%, 0.4%

LAB 39.72, 32.32, -15.26

 

CMYK 0 / 53 / 14 / 55

HEX #743764

RGB 116 55 100

HSL 315.74, 0.36%, 0.34%

LAB 32.62, 33.1, -14.41

 

CMYK 0 / 63 / 18 / 61

HEX #632551

RGB 99 37 81

HSL 317.42, 0.46%, 0.27%

LAB 25.47, 33.7, -13.24

 

CMYK 0 / 35 / 7 / 35

HEX #A76C9C

RGB 167 108 156

HSL 311.19, 0.25%, 0.54%

LAB 53.32, 31.1, -16.34

 

CMYK 0 / 35 / 16 / 35

HEX #A76C8D

RGB 167 108 141

HSL 326.44, 0.25%, 0.54%

LAB 52.8, 28.47, -8.34

 

CMYK 0 / 35 / 25 / 35

HEX #A76C7D

RGB 167 108 125

HSL 342.71, 0.25%, 0.54%

LAB 52.31, 25.92, 0.37

 

CMYK 0 / 35 / 35 / 35

HEX #A76C6D

RGB 167 108 109

HSL 358.98, 0.25%, 0.54%

LAB 51.89, 23.67, 9.21

 

CMYK 0 / 35 / 35 / 35

HEX #A76C6C

RGB 167 108 108

HSL 0, 0.25%, 0.54%

LAB 51.86, 23.54, 9.76

 

CMYK 0 / 35 / 7 / 35

HEX #A76C9C

RGB 167 108 156

HSL 311.19, 0.25%, 0.54%

LAB 53.32, 31.1, -16.34

 

CMYK 4 / 35 / 0 / 35

HEX #A16CA7

RGB 161 108 167

HSL 293.9, 0.25%, 0.54%

LAB 53.05, 31.2, -23.23

 

CMYK 13 / 35 / 0 / 35

HEX #916CA7

RGB 145 108 167

HSL 277.63, 0.25%, 0.54%

LAB 51.31, 25.98, -26.07

 

CMYK 23 / 35 / 0 / 35

HEX #816CA7

RGB 129 108 167

HSL 261.36, 0.25%, 0.54%

LAB 49.72, 20.87, -28.66

 

CMYK 32 / 35 / 0 / 35

HEX #716CA7

RGB 113 108 167

HSL 245.08, 0.25%, 0.54%

LAB 48.29, 15.99, -30.99

 

CMYK 0 / 35 / 7 / 35

HEX #A76C9C

RGB 167 108 156

HSL 311.19, 0.25%, 0.54%

LAB 53.32, 31.1, -16.34

 

CMYK 0 / 52 / 9 / 27

HEX #BA59A9

RGB 186 89 169

HSL 310.52, 0.41%, 0.54%

LAB 52.34, 49.54, -25.23

 

CMYK 0 / 66 / 11 / 20

HEX #CC46B5

RGB 204 70 181

HSL 310.3, 0.57%, 0.54%

LAB 52.46, 64.78, -31.84

 

CMYK 0 / 77 / 13 / 13

HEX #DF33C2

RGB 223 51 194

HSL 310.12, 0.73%, 0.54%

LAB 53.97, 77.26, -36.78

 

CMYK 0 / 87 / 15 / 5

HEX #F220CE

RGB 242 32 206

HSL 310.29, 0.89%, 0.54%

LAB 56.45, 86.63, -39.55

 

CMYK 0 / 35 / 7 / 35

HEX #A76C9C

RGB 167 108 156

HSL 311.19, 0.25%, 0.54%

LAB 53.32, 31.1, -16.34

 

CMYK 0 / 14 / 3 / 42

HEX #947F90

RGB 148 127 144

HSL 311.43, 0.09%, 0.54%

LAB 55.57, 11.16, -6.18

 

CMYK 12 / 0 / 10 / 43

HEX #819284

RGB 129 146 132

HSL 130.59, 0.07%, 0.54%

LAB 58.87, -8.92, 5.36

 

CMYK 33 / 0 / 28 / 35

HEX #6EA577

RGB 110 165 119

HSL 129.82, 0.23%, 0.54%

LAB 62.98, -27.86, 18.24

 

CMYK 51 / 0 / 42 / 28

HEX #5BB86B

RGB 91 184 107

HSL 130.32, 0.4%, 0.54%

LAB 67.7, -44.27, 30.83

 

CMYK 13 / 35 / 0 / 35

HEX #916CA7

RGB 145 108 167

HSL 277.63, 0.25%, 0.54%

LAB 51.31, 25.98, -26.07

 

CMYK 4 / 35 / 0 / 35

HEX #A16CA7

RGB 161 108 167

HSL 293.9, 0.25%, 0.54%

LAB 53.05, 31.2, -23.23

 

CMYK 0 / 35 / 6 / 35

HEX #A76C9D

RGB 167 108 157

HSL 310.17, 0.25%, 0.54%

LAB 53.36, 31.28, -16.87

 

CMYK 0 / 35 / 16 / 35

HEX #A76C8D

RGB 167 108 141

HSL 326.44, 0.25%, 0.54%

LAB 52.8, 28.47, -8.34

 

CMYK 0 / 35 / 25 / 35

HEX #A76C7D

RGB 167 108 125

HSL 342.71, 0.25%, 0.54%

LAB 52.31, 25.92, 0.37

 

CMYK 0 / 40 / 7 / 53

HEX #784870

RGB 120 72 112

HSL 310, 0.25%, 0.38%

LAB 37.48, 27.03, -14.5

 

CMYK 0 / 40 / 7 / 43

HEX #925788

RGB 146 87 136

HSL 310.17, 0.25%, 0.46%

LAB 45.23, 32.02, -17.05

 

CMYK 0 / 35 / 7 / 35

HEX #A76C9C

RGB 167 108 156

HSL 311.19, 0.25%, 0.54%

LAB 53.32, 31.1, -16.34

 

CMYK 0 / 26 / 4 / 29

HEX #B686AE

RGB 182 134 174

HSL 310, 0.25%, 0.62%

LAB 61.7, 25.03, -13.87

 

CMYK 0 / 19 / 3 / 23

HEX #C59FBF

RGB 197 159 191

HSL 309.47, 0.25%, 0.7%

LAB 69.77, 19.49, -11.14

 

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

CMYK 0 / 23 / 35 / 35

HEX #A7816C

RGB 167 129 108

HSL 21.36, 0.25%, 0.54%

LAB 57.07, 11.64, 17.01

 

CMYK 35 / 0 / 8 / 35

HEX #6CA799

RGB 108 167 153

HSL 165.76, 0.25%, 0.54%

LAB 64.26, -22.42, 1.15

 

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

CMYK 6 / 0 / 35 / 35

HEX #9DA76C

RGB 157 167 108

HSL 70.17, 0.25%, 0.54%

LAB 66.43, -13.27, 29.37

 

CMYK 35 / 6 / 0 / 35

HEX #6C9DA7

RGB 108 157 167

HSL 190.17, 0.25%, 0.54%

LAB 61.73, -13.78, -10.45

 

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

CMYK 0 / 23 / 35 / 35

HEX #A7816C

RGB 167 129 108

HSL 21.36, 0.25%, 0.54%

LAB 57.07, 11.64, 17.01

 

CMYK 35 / 0 / 29 / 35

HEX #6CA776

RGB 108 167 118

HSL 130.17, 0.25%, 0.54%

LAB 63.45, -29.66, 19.42

 

CMYK 35 / 13 / 0 / 35

HEX #6C91A7

RGB 108 145 167

HSL 202.37, 0.25%, 0.54%

LAB 58.25, -7.2, -15.69

 

CMYK 0 / 35 / 6 / 35

HEX #A76D9D

RGB 167 109 157

HSL 310.34, 0.25%, 0.54%

LAB 53.59, 30.72, -16.52

 

CMYK 0 / 12 / 35 / 35

HEX #A7936C

RGB 167 147 108

HSL 39.66, 0.25%, 0.54%

LAB 61.8, 1.57, 23.4

 

CMYK 35 / 0 / 29 / 35

HEX #6CA776

RGB 108 167 118

HSL 130.17, 0.25%, 0.54%

LAB 63.45, -29.66, 19.42

 

CMYK 35 / 24 / 0 / 35

HEX #6C7FA7

RGB 108 127 167

HSL 220.68, 0.25%, 0.54%

LAB 53.12, 3.13, -23.53

 

Description

Color code: RGB 167 109 157 | qconv.com Color code: RGB 167 109 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 109 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 109 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 6 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 6% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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