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Color name
RGB 166 73 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 73 78 it is the complementary color RGB 89 182 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 73 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 73 78 shade: RGB 171 73 73, RGB 188 91 92, RGB 205 109 111, RGB 222 127 130 and RGB 239 145 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 73 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 149 55 59, RGB 132 37 40, RGB 115 19 21 and RGB 98 1 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 73 78 shade: RGB 166 73 78 and RGB 166 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 166 73 103, RGB 166 73 128, RGB 166 73 153 and RGB 154 73 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 73 78 shade matches the following richer shades: RGB 166 73 78, RGB 185 53 60, RGB 205 34 43 and RGB 224 14 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 147 92 95, RGB 127 111 112, RGB 108 131 130 and RGB 89 150 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 73 78 shade: RGB 166 73 129, RGB 166 73 104, RGB 166 73 79, RGB 166 91 73 and RGB 166 116 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 73 78 shade: RGB 109 47 51, RGB 137 60 64, RGB 166 73 78, RGB 185 95 100 and RGB 197 124 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 154 166 73 and RGB 73 116 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 79 166 73 and RGB 73 79 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 154 166 73, RGB 73 166 160 and RGB 85 73 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 73 78 shade: RGB 166 73 78, RGB 126 166 73, RGB 73 166 160 and RGB 113 73 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

Complementary color

CMYK 51 / 0 / 3 / 29

HEX #59B6B1

RGB 89 182 177

HSL 176.77, 0.39%, 0.53%

LAB 68.57, -28.77, -5.93

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 52 / 51 / 26

HEX #BC5B5C

RGB 188 91 92

HSL 359.38, 0.42%, 0.55%

LAB 50.62, 39.11, 17.95

 

CMYK 0 / 47 / 46 / 20

HEX #CD6D6F

RGB 205 109 111

HSL 358.75, 0.49%, 0.62%

LAB 57.14, 37.99, 16.11

 

CMYK 0 / 43 / 41 / 13

HEX #DE7F82

RGB 222 127 130

HSL 358.11, 0.59%, 0.68%

LAB 63.61, 36.93, 14.53

 

CMYK 0 / 39 / 38 / 6

HEX #EF9195

RGB 239 145 149

HSL 357.45, 0.75%, 0.75%

LAB 70.02, 35.93, 13.14

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 63 / 60 / 42

HEX #95373B

RGB 149 55 59

HSL 357.45, 0.46%, 0.4%

LAB 36.81, 39.83, 18.53

 

CMYK 0 / 72 / 70 / 48

HEX #842528

RGB 132 37 40

HSL 358.11, 0.56%, 0.33%

LAB 30.36, 40.56, 21.73

 

CMYK 0 / 83 / 82 / 55

HEX #731315

RGB 115 19 21

HSL 358.75, 0.72%, 0.26%

LAB 24.21, 40.56, 25.81

 

CMYK 0 / 99 / 98 / 62

HEX #620102

RGB 98 1 2

HSL 359.38, 0.98%, 0.19%

LAB 18.46, 39.52, 27.59

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 56 / 56 / 35

HEX #A64949

RGB 166 73 73

HSL 0, 0.39%, 0.47%

LAB 43.29, 38.38, 18.94

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 56 / 38 / 35

HEX #A64967

RGB 166 73 103

HSL 340.65, 0.39%, 0.47%

LAB 44.02, 41.43, 1.53

 

CMYK 0 / 56 / 23 / 35

HEX #A64980

RGB 166 73 128

HSL 324.52, 0.39%, 0.47%

LAB 44.84, 44.76, -12.54

 

CMYK 0 / 56 / 8 / 35

HEX #A64999

RGB 166 73 153

HSL 308.39, 0.39%, 0.47%

LAB 45.87, 48.73, -26.04

 

CMYK 7 / 56 / 0 / 35

HEX #9A49A6

RGB 154 73 166

HSL 292.26, 0.39%, 0.47%

LAB 44.78, 47.72, -35.59

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 71 / 68 / 27

HEX #B9353C

RGB 185 53 60

HSL 356.82, 0.55%, 0.47%

LAB 43.04, 52.95, 27.18

 

CMYK 0 / 83 / 79 / 20

HEX #CD222B

RGB 205 34 43

HSL 356.84, 0.72%, 0.47%

LAB 44.66, 63.89, 40

 

CMYK 0 / 94 / 88 / 12

HEX #E00E1A

RGB 224 14 26

HSL 356.57, 0.88%, 0.47%

LAB 47.28, 71.71, 52.47

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 37 / 35 / 42

HEX #935C5F

RGB 147 92 95

HSL 356.73, 0.23%, 0.47%

LAB 45.2, 22.95, 7.75

 

CMYK 0 / 13 / 12 / 50

HEX #7F6F70

RGB 127 111 112

HSL 356.25, 0.07%, 0.47%

LAB 48.32, 6.44, 1.74

 

CMYK 18 / 0 / 1 / 49

HEX #6C8382

RGB 108 131 130

HSL 177.39, 0.1%, 0.47%

LAB 52.98, -8.47, -2.23

 

CMYK 41 / 0 / 2 / 41

HEX #599693

RGB 89 150 147

HSL 177.05, 0.26%, 0.47%

LAB 58.08, -20.46, -4.64

 

CMYK 0 / 56 / 22 / 35

HEX #A64981

RGB 166 73 129

HSL 323.87, 0.39%, 0.47%

LAB 44.88, 44.9, -13.09

 

CMYK 0 / 56 / 37 / 35

HEX #A64968

RGB 166 73 104

HSL 340, 0.39%, 0.47%

LAB 44.05, 41.55, 0.96

 

CMYK 0 / 56 / 52 / 35

HEX #A6494F

RGB 166 73 79

HSL 356.13, 0.39%, 0.47%

LAB 43.41, 38.9, 15.44

 

CMYK 0 / 45 / 56 / 35

HEX #A65B49

RGB 166 91 73

HSL 11.61, 0.39%, 0.47%

LAB 47.07, 28.84, 23.88

 

CMYK 0 / 30 / 56 / 35

HEX #A67449

RGB 166 116 73

HSL 27.74, 0.39%, 0.47%

LAB 53.04, 14.79, 31.42

 

CMYK 0 / 57 / 53 / 57

HEX #6D2F33

RGB 109 47 51

HSL 356.13, 0.4%, 0.31%

LAB 28.18, 27.98, 10.92

 

CMYK 0 / 56 / 53 / 46

HEX #893C40

RGB 137 60 64

HSL 356.88, 0.39%, 0.39%

LAB 35.83, 33.27, 13.7

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 0 / 49 / 46 / 27

HEX #B95F64

RGB 185 95 100

HSL 356.67, 0.39%, 0.55%

LAB 51.17, 36.69, 13.89

 

CMYK 0 / 37 / 35 / 23

HEX #C57C80

RGB 197 124 128

HSL 356.71, 0.39%, 0.63%

LAB 59.75, 28.89, 9.79

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 7 / 0 / 56 / 35

HEX #9AA649

RGB 154 166 73

HSL 67.74, 0.39%, 0.47%

LAB 65.45, -17.75, 45.9

 

CMYK 56 / 30 / 0 / 35

HEX #4974A6

RGB 73 116 166

HSL 212.26, 0.39%, 0.47%

LAB 47.83, 0.24, -31.32

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 52 / 0 / 56 / 35

HEX #4FA649

RGB 79 166 73

HSL 116.13, 0.39%, 0.47%

LAB 61.15, -45.06, 39.78

 

CMYK 56 / 52 / 0 / 35

HEX #494FA6

RGB 73 79 166

HSL 236.13, 0.39%, 0.47%

LAB 37.41, 23.55, -47.86

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 7 / 0 / 56 / 35

HEX #9AA649

RGB 154 166 73

HSL 67.74, 0.39%, 0.47%

LAB 65.45, -17.75, 45.9

 

CMYK 56 / 0 / 4 / 35

HEX #49A6A0

RGB 73 166 160

HSL 176.13, 0.39%, 0.47%

LAB 62.7, -28.87, -5.23

 

CMYK 49 / 56 / 0 / 35

HEX #5549A6

RGB 85 73 166

HSL 247.74, 0.39%, 0.47%

LAB 36.84, 29.95, -48.74

 

CMYK 0 / 56 / 53 / 35

HEX #A6494E

RGB 166 73 78

HSL 356.77, 0.39%, 0.47%

LAB 43.39, 38.81, 16.02

 

CMYK 24 / 0 / 56 / 35

HEX #7EA649

RGB 126 166 73

HSL 85.81, 0.39%, 0.47%

LAB 63.5, -29.1, 43.13

 

CMYK 56 / 0 / 4 / 35

HEX #49A6A0

RGB 73 166 160

HSL 176.13, 0.39%, 0.47%

LAB 62.7, -28.87, -5.23

 

CMYK 32 / 56 / 0 / 35

HEX #7149A6

RGB 113 73 166

HSL 265.81, 0.39%, 0.47%

LAB 39.63, 36.73, -44.1

 

Description

Color code: RGB 166 73 78 | qconv.com Color code: RGB 166 73 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 73 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 73 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 53 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 53% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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