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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 56 241 it is the complementary color RGB 89 199 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 56 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 56 241 shade: RGB 171 56 236, RGB 188 74 255, RGB 205 92 255, RGB 222 110 255 and RGB 239 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 56 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 56 241 shade: RGB 166 56 241, RGB 149 38 222, RGB 132 20 203, RGB 115 2 184 and RGB 98 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 56 241 shade: RGB 165 54 241, RGB 215 54 241, RGB 241 54 216, RGB 241 54 165 and RGB 241 54 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 56 241 shade: RGB 165 54 241, RGB 115 54 241, RGB 65 54 241 and RGB 54 54 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 56 241 shade matches the following richer shades: RGB 165 54 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 56 241 shade: RGB 165 54 241, RGB 162 72 223, RGB 158 89 206, RGB 155 106 189 and RGB 152 124 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 56 241 shade: RGB 64 54 241, RGB 113 54 241, RGB 163 54 241, RGB 213 54 241 and RGB 241 54 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 56 241 shade: RGB 124 13 199, RGB 148 16 237, RGB 165 54 241, RGB 182 93 243 and RGB 200 131 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 56 241 shade: RGB 166 56 241, RGB 241 54 95 and RGB 54 241 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 56 241 shade: RGB 166 56 241, RGB 241 163 54 and RGB 54 241 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 56 241 shade: RGB 166 56 241, RGB 241 54 95, RGB 132 241 54 and RGB 54 241 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 56 241 shade: RGB 166 56 241, RGB 241 70 54, RGB 132 241 54 and RGB 54 225 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

Complementary color

CMYK 55 / 0 / 93 / 22

HEX #59C70E

RGB 89 199 14

HSL 95.68, 0.87%, 0.42%

LAB 71.56, -58.66, 69.28

 

CMYK 28 / 76 / 0 / 7

HEX #AB38EC

RGB 171 56 236

HSL 278.33, 0.83%, 0.57%

LAB 48.94, 72.76, -69.25

 

CMYK 26 / 71 / 0 / 0

HEX #BC4AFF

RGB 188 74 255

HSL 277.79, 1%, 0.65%

LAB 54.87, 73.02, -70.14

 

CMYK 20 / 64 / 0 / 0

HEX #CD5CFF

RGB 205 92 255

HSL 281.6, 1%, 0.68%

LAB 59.76, 69, -62.16

 

CMYK 13 / 57 / 0 / 0

HEX #DE6EFF

RGB 222 110 255

HSL 286.34, 1%, 0.72%

LAB 64.88, 64.84, -53.85

 

CMYK 6 / 50 / 0 / 0

HEX #EF80FF

RGB 239 128 255

HSL 292.44, 1%, 0.75%

LAB 70.18, 60.67, -45.35

 

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

CMYK 33 / 83 / 0 / 13

HEX #9526DE

RGB 149 38 222

HSL 276.2, 0.74%, 0.51%

LAB 42.84, 72.09, -71.37

 

CMYK 35 / 90 / 0 / 20

HEX #8414CB

RGB 132 20 203

HSL 276.72, 0.82%, 0.44%

LAB 37.33, 70.2, -69.51

 

CMYK 38 / 99 / 0 / 28

HEX #7302B8

RGB 115 2 184

HSL 277.25, 0.98%, 0.36%

LAB 32.14, 67.08, -66.95

 

CMYK 41 / 100 / 0 / 35

HEX #6200A5

RGB 98 0 165

HSL 275.64, 1%, 0.32%

LAB 27.61, 61.66, -63.11

 

CMYK 32 / 78 / 0 / 5

HEX #A536F1

RGB 165 54 241

HSL 275.61, 0.87%, 0.58%

LAB 48.25, 73.48, -73.22

 

CMYK 11 / 78 / 0 / 5

HEX #D736F1

RGB 215 54 241

HSL 291.66, 0.87%, 0.58%

LAB 55.52, 82.06, -61.11

 

CMYK 0 / 78 / 10 / 5

HEX #F136D8

RGB 241 54 216

HSL 308.02, 0.87%, 0.58%

LAB 58.32, 83.26, -42.32

 

CMYK 0 / 78 / 32 / 5

HEX #F136A5

RGB 241 54 165

HSL 324.39, 0.87%, 0.58%

LAB 56.14, 76.95, -16.3

 

CMYK 0 / 78 / 52 / 5

HEX #F13673

RGB 241 54 115

HSL 340.43, 0.87%, 0.58%

LAB 54.63, 72.38, 11.14

 

CMYK 32 / 78 / 0 / 5

HEX #A536F1

RGB 165 54 241

HSL 275.61, 0.87%, 0.58%

LAB 48.25, 73.48, -73.22

 

CMYK 52 / 78 / 0 / 5

HEX #7336F1

RGB 115 54 241

HSL 259.57, 0.87%, 0.58%

LAB 42.21, 66.3, -83.35

 

CMYK 73 / 78 / 0 / 5

HEX #4136F1

RGB 65 54 241

HSL 243.53, 0.87%, 0.58%

LAB 38.04, 61.32, -90.36

 

CMYK 78 / 78 / 0 / 5

HEX #3636F1

RGB 54 54 241

HSL 240, 0.87%, 0.58%

LAB 37.43, 60.58, -91.39

 

CMYK 32 / 78 / 0 / 5

HEX #A536F1

RGB 165 54 241

HSL 275.61, 0.87%, 0.58%

LAB 48.25, 73.48, -73.22

 

CMYK 32 / 78 / 0 / 5

HEX #A536F1

RGB 165 54 241

HSL 275.61, 0.87%, 0.58%

LAB 48.25, 73.48, -73.22

 

CMYK 27 / 68 / 0 / 13

HEX #A248DF

RGB 162 72 223

HSL 275.76, 0.7%, 0.58%

LAB 49.06, 62.02, -61.75

 

CMYK 23 / 57 / 0 / 19

HEX #9E59CE

RGB 158 89 206

HSL 275.38, 0.54%, 0.58%

LAB 50.53, 49.1, -49.72

 

CMYK 18 / 44 / 0 / 26

HEX #9B6ABD

RGB 155 106 189

HSL 275.42, 0.39%, 0.58%

LAB 52.9, 35.16, -36.25

 

CMYK 11 / 27 / 0 / 33

HEX #987CAB

RGB 152 124 171

HSL 275.74, 0.22%, 0.58%

LAB 56.12, 19.87, -20.92

 

CMYK 73 / 78 / 0 / 5

HEX #4036F1

RGB 64 54 241

HSL 243.21, 0.87%, 0.58%

LAB 37.98, 61.25, -90.46

 

CMYK 53 / 78 / 0 / 5

HEX #7136F1

RGB 113 54 241

HSL 258.93, 0.87%, 0.58%

LAB 42, 66.06, -83.7

 

CMYK 32 / 78 / 0 / 5

HEX #A336F1

RGB 163 54 241

HSL 274.97, 0.87%, 0.58%

LAB 47.98, 73.16, -73.67

 

CMYK 12 / 78 / 0 / 5

HEX #D536F1

RGB 213 54 241

HSL 291.02, 0.87%, 0.58%

LAB 55.21, 81.7, -61.62

 

CMYK 0 / 78 / 9 / 5

HEX #F136DB

RGB 241 54 219

HSL 307.06, 0.87%, 0.58%

LAB 58.47, 83.68, -43.79

 

CMYK 38 / 93 / 0 / 22

HEX #7C0DC7

RGB 124 13 199

HSL 275.81, 0.88%, 0.42%

LAB 35.39, 69.62, -70.4

 

CMYK 38 / 93 / 0 / 7

HEX #9410ED

RGB 148 16 237

HSL 275.84, 0.87%, 0.5%

LAB 42.43, 79.58, -80.57

 

CMYK 32 / 78 / 0 / 5

HEX #A536F1

RGB 165 54 241

HSL 275.61, 0.87%, 0.58%

LAB 48.25, 73.48, -73.22

 

CMYK 25 / 62 / 0 / 5

HEX #B65DF3

RGB 182 93 243

HSL 275.6, 0.86%, 0.66%

LAB 56.33, 60.98, -61.16

 

CMYK 19 / 47 / 0 / 4

HEX #C883F6

RGB 200 131 246

HSL 276, 0.86%, 0.74%

LAB 65.88, 46.82, -47.51

 

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

CMYK 0 / 78 / 61 / 5

HEX #F1365F

RGB 241 54 95

HSL 346.84, 0.87%, 0.58%

LAB 54.2, 71.04, 22.52

 

CMYK 78 / 0 / 63 / 5

HEX #36F158

RGB 54 241 88

HSL 130.91, 0.87%, 0.58%

LAB 84.17, -74.3, 59.34

 

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

CMYK 0 / 32 / 78 / 5

HEX #F1A336

RGB 241 163 54

HSL 34.97, 0.87%, 0.58%

LAB 73, 20.12, 64.52

 

CMYK 78 / 0 / 32 / 5

HEX #36F1A3

RGB 54 241 163

HSL 154.97, 0.87%, 0.58%

LAB 85.17, -62.67, 25.05

 

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

CMYK 0 / 78 / 61 / 5

HEX #F1365F

RGB 241 54 95

HSL 346.84, 0.87%, 0.58%

LAB 54.2, 71.04, 22.52

 

CMYK 45 / 0 / 78 / 5

HEX #84F136

RGB 132 241 54

HSL 94.97, 0.87%, 0.58%

LAB 86.05, -60.12, 73.96

 

CMYK 78 / 0 / 17 / 5

HEX #36F1C8

RGB 54 241 200

HSL 166.84, 0.87%, 0.58%

LAB 85.94, -54.36, 6.96

 

CMYK 31 / 77 / 0 / 5

HEX #A638F1

RGB 166 56 241

HSL 275.68, 0.87%, 0.58%

LAB 48.62, 72.95, -72.61

 

CMYK 0 / 71 / 78 / 5

HEX #F14636

RGB 241 70 54

HSL 5.13, 0.87%, 0.58%

LAB 55.43, 64.08, 47.32

 

CMYK 45 / 0 / 78 / 5

HEX #84F136

RGB 132 241 54

HSL 94.97, 0.87%, 0.58%

LAB 86.05, -60.12, 73.96

 

CMYK 78 / 7 / 0 / 5

HEX #36E1F1

RGB 54 225 241

HSL 185.13, 0.87%, 0.58%

LAB 82.37, -36.28, -19.92

 

Description

Color code: RGB 166 56 241 | qconv.com Color code: RGB 166 56 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 56 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 56 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 77 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 77% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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