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Color name
RGB 166 32 61

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 32 61 it is the complementary color RGB 89 223 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 32 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 32 61 shade: RGB 171 32 56, RGB 188 50 75, RGB 205 68 94, RGB 222 86 113 and RGB 239 104 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 32 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 32 61 shade: RGB 166 32 61, RGB 149 14 42, RGB 132 0 23, RGB 115 0 4 and RGB 98 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 32 61 shade: RGB 167 31 61 and RGB 167 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 32 61 shade: RGB 167 31 61, RGB 167 31 97, RGB 167 31 134, RGB 163 31 167 and RGB 127 31 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 32 61 shade matches the following richer shades: RGB 167 31 61 and RGB 183 15 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 32 61 shade: RGB 167 31 61, RGB 150 47 70, RGB 134 64 79, RGB 118 80 88 and RGB 102 96 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 32 61 shade: RGB 167 31 133, RGB 167 31 97, RGB 167 31 61, RGB 167 38 31 and RGB 167 74 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 32 61 shade: RGB 97 18 35, RGB 132 25 48, RGB 167 31 61, RGB 201 38 73 and RGB 218 62 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 32 61 shade: RGB 166 32 61, RGB 167 164 31 and RGB 31 115 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 32 61 shade: RGB 166 32 61, RGB 61 167 31 and RGB 31 61 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 32 61 shade: RGB 166 32 61, RGB 167 164 31, RGB 31 167 137 and RGB 31 34 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 32 61 shade: RGB 166 32 61, RGB 128 167 31, RGB 31 167 137 and RGB 70 31 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

Complementary color

CMYK 60 / 0 / 13 / 13

HEX #59DFC2

RGB 89 223 194

HSL 167.01, 0.68%, 0.61%

LAB 81.18, -43.41, 3.34

 

CMYK 0 / 81 / 67 / 33

HEX #AB2038

RGB 171 32 56

HSL 349.64, 0.68%, 0.4%

LAB 37.8, 55.37, 22.52

 

CMYK 0 / 73 / 60 / 26

HEX #BC324B

RGB 188 50 75

HSL 349.13, 0.58%, 0.47%

LAB 43.48, 55.88, 18.65

 

CMYK 0 / 67 / 54 / 20

HEX #CD445E

RGB 205 68 94

HSL 348.61, 0.58%, 0.54%

LAB 49.4, 55.73, 15.54

 

CMYK 0 / 61 / 49 / 13

HEX #DE5671

RGB 222 86 113

HSL 348.09, 0.67%, 0.6%

LAB 55.46, 55.19, 13

 

CMYK 0 / 56 / 45 / 6

HEX #EF6884

RGB 239 104 132

HSL 347.56, 0.81%, 0.67%

LAB 61.58, 54.46, 10.89

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

CMYK 0 / 91 / 72 / 42

HEX #950E2A

RGB 149 14 42

HSL 347.56, 0.83%, 0.32%

LAB 31.51, 52.62, 22.65

 

CMYK 0 / 100 / 83 / 48

HEX #840017

RGB 132 0 23

HSL 349.55, 1%, 0.26%

LAB 26.64, 49.62, 28.29

 

CMYK 0 / 100 / 97 / 55

HEX #730004

RGB 115 0 4

HSL 357.91, 1%, 0.23%

LAB 22.49, 44.59, 32.4

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 81 / 81 / 35

HEX #A71F1F

RGB 167 31 31

HSL 0, 0.69%, 0.39%

LAB 36.55, 53.41, 36.03

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 81 / 42 / 35

HEX #A71F61

RGB 167 31 97

HSL 330.88, 0.69%, 0.39%

LAB 37.95, 57.67, -3.59

 

CMYK 0 / 81 / 20 / 35

HEX #A71F86

RGB 167 31 134

HSL 314.56, 0.69%, 0.39%

LAB 39.44, 62, -24.5

 

CMYK 2 / 81 / 0 / 35

HEX #A31FA7

RGB 163 31 167

HSL 298.24, 0.69%, 0.39%

LAB 40.5, 66.08, -42.9

 

CMYK 24 / 81 / 0 / 35

HEX #7F1FA7

RGB 127 31 167

HSL 282.35, 0.69%, 0.39%

LAB 34.56, 59.38, -52.77

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 92 / 72 / 28

HEX #B70F33

RGB 183 15 51

HSL 347.14, 0.85%, 0.39%

LAB 38.98, 61.87, 27.66

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 69 / 53 / 41

HEX #962F46

RGB 150 47 70

HSL 346.6, 0.52%, 0.39%

LAB 35.91, 44.65, 10.34

 

CMYK 0 / 52 / 41 / 47

HEX #86404F

RGB 134 64 79

HSL 347.14, 0.35%, 0.39%

LAB 36.55, 31.59, 5.12

 

CMYK 0 / 32 / 25 / 54

HEX #765058

RGB 118 80 88

HSL 347.37, 0.19%, 0.39%

LAB 38.36, 17.21, 1.78

 

CMYK 0 / 6 / 5 / 60

HEX #666061

RGB 102 96 97

HSL 350, 0.03%, 0.39%

LAB 41.3, 2.58, 0.28

 

CMYK 0 / 81 / 20 / 35

HEX #A71F85

RGB 167 31 133

HSL 315, 0.69%, 0.39%

LAB 39.39, 61.87, -23.96

 

CMYK 0 / 81 / 42 / 35

HEX #A71F61

RGB 167 31 97

HSL 330.88, 0.69%, 0.39%

LAB 37.95, 57.67, -3.59

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 77 / 81 / 35

HEX #A7261F

RGB 167 38 31

HSL 3.09, 0.69%, 0.39%

LAB 37.3, 51.29, 36.78

 

CMYK 0 / 56 / 81 / 35

HEX #A74A1F

RGB 167 74 31

HSL 18.97, 0.69%, 0.39%

LAB 43.08, 35.8, 42.38

 

CMYK 0 / 81 / 64 / 62

HEX #611223

RGB 97 18 35

HSL 347.09, 0.69%, 0.23%

LAB 20.42, 35.81, 10.92

 

CMYK 0 / 81 / 64 / 48

HEX #841930

RGB 132 25 48

HSL 347.1, 0.68%, 0.31%

LAB 28.94, 45.42, 14.68

 

CMYK 0 / 81 / 63 / 35

HEX #A71F3D

RGB 167 31 61

HSL 346.76, 0.69%, 0.39%

LAB 36.99, 54.79, 18.13

 

CMYK 0 / 81 / 64 / 21

HEX #C92649

RGB 201 38 73

HSL 347.12, 0.68%, 0.47%

LAB 44.64, 63.13, 21.87

 

CMYK 0 / 72 / 56 / 15

HEX #DA3E60

RGB 218 62 96

HSL 346.92, 0.68%, 0.55%

LAB 50.91, 62.1, 16.77

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

CMYK 0 / 2 / 81 / 35

HEX #A7A41F

RGB 167 164 31

HSL 58.68, 0.69%, 0.39%

LAB 65.64, -13.54, 62.71

 

CMYK 81 / 31 / 0 / 35

HEX #1F73A7

RGB 31 115 167

HSL 202.94, 0.69%, 0.39%

LAB 46.1, -5.7, -34.72

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

CMYK 63 / 0 / 81 / 35

HEX #3DA71F

RGB 61 167 31

HSL 106.76, 0.69%, 0.39%

LAB 60.54, -53.9, 55.87

 

CMYK 81 / 63 / 0 / 35

HEX #1F3DA7

RGB 31 61 167

HSL 226.76, 0.69%, 0.39%

LAB 30.45, 29.45, -59.88

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

CMYK 0 / 2 / 81 / 35

HEX #A7A41F

RGB 167 164 31

HSL 58.68, 0.69%, 0.39%

LAB 65.64, -13.54, 62.71

 

CMYK 81 / 0 / 18 / 35

HEX #1FA789

RGB 31 167 137

HSL 166.76, 0.69%, 0.39%

LAB 61.42, -41.89, 5.69

 

CMYK 81 / 80 / 0 / 35

HEX #1F22A7

RGB 31 34 167

HSL 238.68, 0.69%, 0.39%

LAB 24.4, 45.99, -69.84

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

CMYK 23 / 0 / 81 / 35

HEX #80A71F

RGB 128 167 31

HSL 77.21, 0.69%, 0.39%

LAB 63.61, -31.72, 59.8

 

CMYK 81 / 0 / 18 / 35

HEX #1FA789

RGB 31 167 137

HSL 166.76, 0.69%, 0.39%

LAB 61.42, -41.89, 5.69

 

CMYK 58 / 81 / 0 / 35

HEX #461FA7

RGB 70 31 167

HSL 257.21, 0.69%, 0.39%

LAB 26.94, 50.89, -65.55

 

Description

Color code: RGB 166 32 61 | qconv.com Color code: RGB 166 32 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 32 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 32 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 63 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 63% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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