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Color name
RGB 166 251 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 251 170 it is the complementary color RGB 89 4 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 251 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 251 170 shade: RGB 171 251 165, RGB 188 255 184, RGB 205 255 203, RGB 222 255 222 and RGB 239 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 251 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 251 170 shade: RGB 166 251 170, RGB 149 233 151, RGB 132 215 132, RGB 115 197 113 and RGB 98 179 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 251 170 shade: RGB 167 250 171, RGB 185 250 167, RGB 208 250 167, RGB 230 250 167 and RGB 250 248 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 251 170 shade: RGB 167 250 171, RGB 167 250 193, RGB 167 250 216, RGB 167 250 238 and RGB 167 240 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 251 170 shade matches the following richer shades: RGB 167 250 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 251 170 shade: RGB 167 250 171, RGB 174 243 177, RGB 182 236 184, RGB 189 228 191 and RGB 197 221 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 251 170 shade: RGB 209 250 167, RGB 186 250 167, RGB 167 250 170, RGB 167 250 192 and RGB 167 250 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 251 170 shade: RGB 88 247 95, RGB 127 249 133, RGB 167 250 171, RGB 206 252 208 and RGB 246 254 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 251 170 shade: RGB 166 251 170, RGB 167 231 250 and RGB 250 167 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 251 170 shade: RGB 166 251 170, RGB 170 167 250 and RGB 250 170 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 251 170 shade: RGB 166 251 170, RGB 167 231 250, RGB 250 167 248 and RGB 250 186 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 251 170 shade: RGB 166 251 170, RGB 167 206 250, RGB 250 167 248 and RGB 250 211 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

Complementary color

CMYK 0 / 96 / 4 / 65

HEX #590455

RGB 89 4 85

HSL 302.82, 0.91%, 0.18%

LAB 19.5, 43.86, -25.4

 

CMYK 32 / 0 / 34 / 2

HEX #ABFBA5

RGB 171 251 165

HSL 115.81, 0.91%, 0.82%

LAB 91.85, -40.57, 33.68

 

CMYK 26 / 0 / 28 / 0

HEX #BCFFB8

RGB 188 255 184

HSL 116.62, 1%, 0.86%

LAB 94.17, -34.02, 27.41

 

CMYK 20 / 0 / 20 / 0

HEX #CDFFCB

RGB 205 255 203

HSL 117.69, 1%, 0.9%

LAB 95.5, -25.42, 19.74

 

CMYK 13 / 0 / 13 / 0

HEX #DEFFDE

RGB 222 255 222

HSL 120, 1%, 0.94%

LAB 96.95, -16.62, 12.22

 

CMYK 6 / 0 / 5 / 0

HEX #EFFFF1

RGB 239 255 241

HSL 127.5, 1%, 0.97%

LAB 98.52, -7.72, 4.88

 

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

CMYK 36 / 0 / 35 / 9

HEX #95E997

RGB 149 233 151

HSL 121.43, 0.66%, 0.75%

LAB 85.45, -41.58, 32.03

 

CMYK 39 / 0 / 39 / 16

HEX #84D784

RGB 132 215 132

HSL 120, 0.51%, 0.68%

LAB 79.14, -41.81, 33.21

 

CMYK 42 / 0 / 43 / 23

HEX #73C571

RGB 115 197 113

HSL 118.57, 0.42%, 0.61%

LAB 72.74, -42, 34.44

 

CMYK 45 / 0 / 47 / 30

HEX #62B35E

RGB 98 179 94

HSL 117.18, 0.36%, 0.54%

LAB 66.25, -42.14, 35.72

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAB

RGB 167 250 171

HSL 122.89, 0.89%, 0.82%

LAB 91.47, -40.43, 30.13

 

CMYK 26 / 0 / 33 / 2

HEX #B9FAA7

RGB 185 250 167

HSL 106.99, 0.89%, 0.82%

LAB 92.34, -35.31, 33.47

 

CMYK 17 / 0 / 33 / 2

HEX #D0FAA7

RGB 208 250 167

HSL 90.36, 0.89%, 0.82%

LAB 93.7, -27.46, 35.51

 

CMYK 8 / 0 / 33 / 2

HEX #E6FAA7

RGB 230 250 167

HSL 74.46, 0.89%, 0.82%

LAB 95.15, -19.57, 37.7

 

CMYK 0 / 1 / 33 / 2

HEX #FAF8A7

RGB 250 248 167

HSL 58.55, 0.89%, 0.82%

LAB 96.1, -11.17, 39.22

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAB

RGB 167 250 171

HSL 122.89, 0.89%, 0.82%

LAB 91.47, -40.43, 30.13

 

CMYK 33 / 0 / 23 / 2

HEX #A7FAC1

RGB 167 250 193

HSL 138.8, 0.89%, 0.82%

LAB 91.88, -36.69, 19.49

 

CMYK 33 / 0 / 14 / 2

HEX #A7FAD8

RGB 167 250 216

HSL 155.42, 0.89%, 0.82%

LAB 92.37, -32.29, 8.35

 

CMYK 33 / 0 / 5 / 2

HEX #A7FAEE

RGB 167 250 238

HSL 171.33, 0.89%, 0.82%

LAB 92.91, -27.67, -2.26

 

CMYK 33 / 4 / 0 / 2

HEX #A7F0FA

RGB 167 240 250

HSL 187.23, 0.89%, 0.82%

LAB 90.52, -20.1, -12.03

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAB

RGB 167 250 171

HSL 122.89, 0.89%, 0.82%

LAB 91.47, -40.43, 30.13

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAB

RGB 167 250 171

HSL 122.89, 0.89%, 0.82%

LAB 91.47, -40.43, 30.13

 

CMYK 28 / 0 / 27 / 5

HEX #AEF3B1

RGB 174 243 177

HSL 122.61, 0.74%, 0.82%

LAB 89.99, -34.1, 25.12

 

CMYK 23 / 0 / 22 / 7

HEX #B6ECB8

RGB 182 236 184

HSL 122.22, 0.59%, 0.82%

LAB 88.64, -27.07, 19.73

 

CMYK 17 / 0 / 16 / 11

HEX #BDE4BF

RGB 189 228 191

HSL 123.08, 0.42%, 0.82%

LAB 87.03, -19.67, 13.9

 

CMYK 11 / 0 / 10 / 13

HEX #C5DDC6

RGB 197 221 198

HSL 122.5, 0.26%, 0.82%

LAB 85.84, -12.25, 8.6

 

CMYK 16 / 0 / 33 / 2

HEX #D1FAA7

RGB 209 250 167

HSL 89.64, 0.89%, 0.82%

LAB 93.76, -27.11, 35.61

 

CMYK 26 / 0 / 33 / 2

HEX #BAFAA7

RGB 186 250 167

HSL 106.27, 0.89%, 0.82%

LAB 92.4, -34.98, 33.55

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAA

RGB 167 250 170

HSL 122.17, 0.89%, 0.82%

LAB 91.46, -40.59, 30.61

 

CMYK 33 / 0 / 23 / 2

HEX #A7FAC0

RGB 167 250 192

HSL 138.07, 0.89%, 0.82%

LAB 91.86, -36.87, 19.98

 

CMYK 33 / 0 / 14 / 2

HEX #A7FAD6

RGB 167 250 214

HSL 153.98, 0.89%, 0.82%

LAB 92.33, -32.69, 9.32

 

CMYK 64 / 0 / 62 / 3

HEX #58F75F

RGB 88 247 95

HSL 122.64, 0.91%, 0.66%

LAB 86.71, -70.07, 59.46

 

CMYK 49 / 0 / 47 / 2

HEX #7FF985

RGB 127 249 133

HSL 122.95, 0.91%, 0.74%

LAB 88.9, -57.16, 45.19

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAB

RGB 167 250 171

HSL 122.89, 0.89%, 0.82%

LAB 91.47, -40.43, 30.13

 

CMYK 18 / 0 / 17 / 1

HEX #CEFCD0

RGB 206 252 208

HSL 122.61, 0.88%, 0.9%

LAB 94.86, -22.81, 16.3

 

CMYK 3 / 0 / 3 / 0

HEX #F6FEF6

RGB 246 254 246

HSL 120, 0.8%, 0.98%

LAB 98.88, -4.03, 2.89

 

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

CMYK 33 / 8 / 0 / 2

HEX #A7E7FA

RGB 167 231 250

HSL 193.73, 0.89%, 0.82%

LAB 88.1, -15.61, -15.66

 

CMYK 0 / 33 / 21 / 2

HEX #FAA7C5

RGB 250 167 197

HSL 338.31, 0.89%, 0.82%

LAB 77.28, 34.64, -2.71

 

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

CMYK 32 / 33 / 0 / 2

HEX #AAA7FA

RGB 170 167 250

HSL 242.17, 0.89%, 0.82%

LAB 71.61, 19.56, -40.89

 

CMYK 0 / 32 / 33 / 2

HEX #FAAAA7

RGB 250 170 167

HSL 2.17, 0.89%, 0.82%

LAB 77.2, 29.03, 13.54

 

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

CMYK 33 / 8 / 0 / 2

HEX #A7E7FA

RGB 167 231 250

HSL 193.73, 0.89%, 0.82%

LAB 88.1, -15.61, -15.66

 

CMYK 0 / 33 / 1 / 2

HEX #FAA7F8

RGB 250 167 248

HSL 301.45, 0.89%, 0.82%

LAB 78.89, 42.92, -27.96

 

CMYK 0 / 26 / 33 / 2

HEX #FABAA7

RGB 250 186 167

HSL 13.73, 0.89%, 0.82%

LAB 80.87, 20.62, 18.67

 

CMYK 34 / 0 / 32 / 2

HEX #A6FBAA

RGB 166 251 170

HSL 122.82, 0.91%, 0.82%

LAB 91.69, -41.34, 30.91

 

CMYK 33 / 18 / 0 / 2

HEX #A7CEFA

RGB 167 206 250

HSL 211.81, 0.89%, 0.82%

LAB 81.43, -2.66, -25.74

 

CMYK 0 / 33 / 1 / 2

HEX #FAA7F8

RGB 250 167 248

HSL 301.45, 0.89%, 0.82%

LAB 78.89, 42.92, -27.96

 

CMYK 0 / 16 / 33 / 2

HEX #FAD3A7

RGB 250 211 167

HSL 31.81, 0.89%, 0.82%

LAB 86.85, 7.55, 26.89

 

Description

Color code: RGB 166 251 170 | qconv.com Color code: RGB 166 251 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 251 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 251 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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