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Color name
RGB 166 249 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 249 154 it is the complementary color RGB 89 6 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 249 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 249 154 shade: RGB 171 249 149, RGB 188 255 168, RGB 205 255 187, RGB 222 255 206 and RGB 239 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 249 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 249 154 shade: RGB 166 249 154, RGB 149 231 135, RGB 132 213 116, RGB 115 195 97 and RGB 98 177 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 249 154 shade: RGB 165 249 153, RGB 191 249 153, RGB 217 249 153, RGB 242 249 153 and RGB 249 229 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 249 154 shade: RGB 165 249 153, RGB 153 249 167, RGB 153 249 193, RGB 153 249 218 and RGB 153 249 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 249 154 shade matches the following richer shades: RGB 165 249 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 249 154 shade: RGB 165 249 153, RGB 172 240 162, RGB 178 231 171, RGB 185 223 179 and RGB 191 214 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 249 154 shade: RGB 217 249 153, RGB 191 249 153, RGB 166 249 153, RGB 153 249 166 and RGB 153 249 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 249 154 shade: RGB 97 244 75, RGB 131 246 114, RGB 165 249 153, RGB 200 251 192 and RGB 234 253 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 249 154 shade: RGB 166 249 154, RGB 153 242 249 and RGB 249 153 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 249 154 shade: RGB 166 249 154, RGB 153 166 249 and RGB 249 153 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 249 154 shade: RGB 166 249 154, RGB 153 242 249, RGB 236 153 249 and RGB 249 160 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 249 154 shade: RGB 166 249 154, RGB 153 214 249, RGB 236 153 249 and RGB 249 188 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

Complementary color

CMYK 12 / 94 / 0 / 60

HEX #590665

RGB 89 6 101

HSL 292.42, 0.89%, 0.21%

LAB 20.8, 46.19, -33.97

 

CMYK 31 / 0 / 40 / 2

HEX #ABF995

RGB 171 249 149

HSL 106.8, 0.89%, 0.78%

LAB 91.04, -41.99, 40.55

 

CMYK 26 / 0 / 34 / 0

HEX #BCFFA8

RGB 188 255 168

HSL 106.21, 1%, 0.83%

LAB 93.9, -36.45, 35.07

 

CMYK 20 / 0 / 27 / 0

HEX #CDFFBB

RGB 205 255 187

HSL 104.12, 1%, 0.87%

LAB 95.2, -27.97, 27.45

 

CMYK 13 / 0 / 19 / 0

HEX #DEFFCE

RGB 222 255 206

HSL 100.41, 1%, 0.9%

LAB 96.62, -19.26, 19.93

 

CMYK 6 / 0 / 12 / 0

HEX #EFFFE1

RGB 239 255 225

HSL 92, 1%, 0.94%

LAB 98.16, -10.43, 12.56

 

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

CMYK 35 / 0 / 42 / 9

HEX #95E787

RGB 149 231 135

HSL 111.25, 0.67%, 0.72%

LAB 84.63, -43.08, 38.98

 

CMYK 38 / 0 / 46 / 16

HEX #84D574

RGB 132 213 116

HSL 110.1, 0.54%, 0.65%

LAB 78.32, -43.24, 40.19

 

CMYK 41 / 0 / 50 / 24

HEX #73C361

RGB 115 195 97

HSL 108.98, 0.45%, 0.57%

LAB 71.92, -43.35, 41.42

 

CMYK 45 / 0 / 56 / 31

HEX #62B14E

RGB 98 177 78

HSL 107.88, 0.39%, 0.5%

LAB 65.43, -43.37, 42.63

 

CMYK 34 / 0 / 39 / 2

HEX #A5F999

RGB 165 249 153

HSL 112.5, 0.89%, 0.79%

LAB 90.8, -43.34, 38.21

 

CMYK 23 / 0 / 39 / 2

HEX #BFF999

RGB 191 249 153

HSL 96.25, 0.89%, 0.79%

LAB 92.19, -34.78, 40.28

 

CMYK 13 / 0 / 39 / 2

HEX #D9F999

RGB 217 249 153

HSL 80, 0.89%, 0.79%

LAB 93.8, -25.55, 42.68

 

CMYK 3 / 0 / 39 / 2

HEX #F2F999

RGB 242 249 153

HSL 64.38, 0.89%, 0.79%

LAB 95.55, -16.24, 45.27

 

CMYK 0 / 8 / 39 / 2

HEX #F9E599

RGB 249 229 153

HSL 47.5, 0.89%, 0.79%

LAB 91, -3.65, 39.53

 

CMYK 34 / 0 / 39 / 2

HEX #A5F999

RGB 165 249 153

HSL 112.5, 0.89%, 0.79%

LAB 90.8, -43.34, 38.21

 

CMYK 39 / 0 / 33 / 2

HEX #99F9A7

RGB 153 249 167

HSL 128.75, 0.89%, 0.79%

LAB 90.47, -44.82, 30.68

 

CMYK 39 / 0 / 22 / 2

HEX #99F9C1

RGB 153 249 193

HSL 145, 0.89%, 0.79%

LAB 90.95, -40.24, 18.1

 

CMYK 39 / 0 / 12 / 2

HEX #99F9DA

RGB 153 249 218

HSL 160.63, 0.89%, 0.79%

LAB 91.5, -35.23, 5.97

 

CMYK 39 / 0 / 2 / 2

HEX #99F9F4

RGB 153 249 244

HSL 176.88, 0.89%, 0.79%

LAB 92.16, -29.45, -6.56

 

CMYK 34 / 0 / 39 / 2

HEX #A5F999

RGB 165 249 153

HSL 112.5, 0.89%, 0.79%

LAB 90.8, -43.34, 38.21

 

CMYK 34 / 0 / 39 / 2

HEX #A5F999

RGB 165 249 153

HSL 112.5, 0.89%, 0.79%

LAB 90.8, -43.34, 38.21

 

CMYK 28 / 0 / 33 / 6

HEX #ACF0A2

RGB 172 240 162

HSL 112.31, 0.72%, 0.79%

LAB 88.78, -35.75, 31.1

 

CMYK 23 / 0 / 26 / 9

HEX #B2E7AB

RGB 178 231 171

HSL 113, 0.56%, 0.79%

LAB 86.78, -28.17, 23.84

 

CMYK 17 / 0 / 20 / 13

HEX #B9DFB3

RGB 185 223 179

HSL 111.82, 0.41%, 0.79%

LAB 85.17, -20.61, 17.52

 

CMYK 11 / 0 / 12 / 16

HEX #BFD6BC

RGB 191 214 188

HSL 113.08, 0.24%, 0.79%

LAB 83.34, -12.51, 10.25

 

CMYK 13 / 0 / 39 / 2

HEX #D9F999

RGB 217 249 153

HSL 80, 0.89%, 0.79%

LAB 93.8, -25.55, 42.68

 

CMYK 23 / 0 / 39 / 2

HEX #BFF999

RGB 191 249 153

HSL 96.25, 0.89%, 0.79%

LAB 92.19, -34.78, 40.28

 

CMYK 33 / 0 / 39 / 2

HEX #A6F999

RGB 166 249 153

HSL 111.88, 0.89%, 0.79%

LAB 90.85, -43.03, 38.29

 

CMYK 39 / 0 / 33 / 2

HEX #99F9A6

RGB 153 249 166

HSL 128.13, 0.89%, 0.79%

LAB 90.45, -44.98, 31.16

 

CMYK 39 / 0 / 23 / 2

HEX #99F9BF

RGB 153 249 191

HSL 143.75, 0.89%, 0.79%

LAB 90.91, -40.62, 19.07

 

CMYK 60 / 0 / 69 / 4

HEX #61F44B

RGB 97 244 75

HSL 112.19, 0.88%, 0.63%

LAB 85.88, -69.03, 66.5

 

CMYK 47 / 0 / 54 / 4

HEX #83F672

RGB 131 246 114

HSL 112.27, 0.88%, 0.71%

LAB 87.95, -57.33, 52.92

 

CMYK 34 / 0 / 39 / 2

HEX #A5F999

RGB 165 249 153

HSL 112.5, 0.89%, 0.79%

LAB 90.8, -43.34, 38.21

 

CMYK 20 / 0 / 24 / 2

HEX #C8FBC0

RGB 200 251 192

HSL 111.86, 0.88%, 0.87%

LAB 93.92, -26.96, 23.11

 

CMYK 8 / 0 / 9 / 1

HEX #EAFDE7

RGB 234 253 231

HSL 111.82, 0.85%, 0.95%

LAB 97.44, -10.11, 8.4

 

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

CMYK 39 / 3 / 0 / 2

HEX #99F2F9

RGB 153 242 249

HSL 184.38, 0.89%, 0.79%

LAB 90.38, -24.91, -11.8

 

CMYK 0 / 39 / 18 / 2

HEX #F999CC

RGB 249 153 204

HSL 328.13, 0.89%, 0.79%

LAB 74.37, 42.6, -10.86

 

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

CMYK 39 / 33 / 0 / 2

HEX #99A6F9

RGB 153 166 249

HSL 231.88, 0.89%, 0.79%

LAB 70.09, 15.32, -42.81

 

CMYK 0 / 39 / 33 / 2

HEX #F999A6

RGB 249 153 166

HSL 351.88, 0.89%, 0.79%

LAB 73.33, 37.42, 8.59

 

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

CMYK 39 / 3 / 0 / 2

HEX #99F2F9

RGB 153 242 249

HSL 184.38, 0.89%, 0.79%

LAB 90.38, -24.91, -11.8

 

CMYK 5 / 39 / 0 / 2

HEX #EC99F9

RGB 236 153 249

HSL 291.88, 0.89%, 0.79%

LAB 74.48, 46.14, -35.42

 

CMYK 0 / 36 / 39 / 2

HEX #F9A099

RGB 249 160 153

HSL 4.38, 0.89%, 0.79%

LAB 74.56, 32.26, 17.46

 

CMYK 33 / 0 / 38 / 2

HEX #A6F99A

RGB 166 249 154

HSL 112.42, 0.89%, 0.79%

LAB 90.87, -42.88, 37.81

 

CMYK 39 / 14 / 0 / 2

HEX #99D6F9

RGB 153 214 249

HSL 201.88, 0.89%, 0.79%

LAB 82.76, -10.84, -23.27

 

CMYK 5 / 39 / 0 / 2

HEX #EC99F9

RGB 236 153 249

HSL 291.88, 0.89%, 0.79%

LAB 74.48, 46.14, -35.42

 

CMYK 0 / 24 / 39 / 2

HEX #F9BC99

RGB 249 188 153

HSL 21.88, 0.89%, 0.79%

LAB 80.96, 17.54, 26.24

 

Description

Color code: RGB 166 249 154 | qconv.com Color code: RGB 166 249 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 249 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 249 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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