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Color name
RGB 166 141 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 141 97 it is the complementary color RGB 89 114 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 141 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 141 97 shade: RGB 171 141 92, RGB 188 159 111, RGB 205 177 130, RGB 222 195 149 and RGB 239 213 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 141 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 141 97 shade: RGB 166 141 97, RGB 149 123 78, RGB 132 105 59, RGB 115 87 40 and RGB 98 69 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 141 97 shade: RGB 166 142 98, RGB 166 123 98, RGB 166 105 98 and RGB 166 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 141 97 shade: RGB 166 142 98, RGB 166 160 98, RGB 154 166 98, RGB 136 166 98 and RGB 117 166 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 141 97 shade matches the following richer shades: RGB 166 142 98, RGB 186 147 78, RGB 206 152 58, RGB 226 158 38 and RGB 246 163 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 141 97 shade: RGB 166 142 98, RGB 147 136 118, RGB 127 131 137, RGB 107 125 157 and RGB 87 120 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 141 97 shade: RGB 166 105 98, RGB 166 123 98, RGB 166 141 98, RGB 166 160 98 and RGB 155 166 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 141 97 shade: RGB 116 98 65, RGB 143 120 80, RGB 166 142 98, RGB 181 161 124 and RGB 196 180 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 141 97 shade: RGB 166 141 97, RGB 109 166 98 and RGB 114 98 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 141 97 shade: RGB 166 141 97, RGB 98 166 141 and RGB 141 98 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 141 97 shade: RGB 166 141 97, RGB 109 166 98, RGB 98 123 166 and RGB 155 98 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 141 97 shade: RGB 166 141 97, RGB 98 166 107, RGB 98 123 166 and RGB 166 98 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

Complementary color

CMYK 44 / 28 / 0 / 38

HEX #59729E

RGB 89 114 158

HSL 218.26, 0.28%, 0.48%

LAB 47.79, 2.9, -26.63

 

CMYK 0 / 18 / 46 / 33

HEX #AB8D5C

RGB 171 141 92

HSL 37.22, 0.32%, 0.52%

LAB 60.32, 4.72, 30.32

 

CMYK 0 / 15 / 41 / 26

HEX #BC9F6F

RGB 188 159 111

HSL 37.4, 0.36%, 0.59%

LAB 67, 4.02, 29.02

 

CMYK 0 / 14 / 37 / 20

HEX #CDB182

RGB 205 177 130

HSL 37.6, 0.43%, 0.66%

LAB 73.57, 3.42, 27.8

 

CMYK 0 / 12 / 33 / 13

HEX #DEC395

RGB 222 195 149

HSL 37.81, 0.53%, 0.73%

LAB 80.03, 2.91, 26.65

 

CMYK 0 / 11 / 30 / 6

HEX #EFD5A8

RGB 239 213 168

HSL 38.03, 0.69%, 0.8%

LAB 86.39, 2.46, 25.58

 

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

CMYK 0 / 17 / 48 / 42

HEX #957B4E

RGB 149 123 78

HSL 38.03, 0.31%, 0.45%

LAB 53.06, 3.87, 28.3

 

CMYK 0 / 20 / 55 / 48

HEX #84693B

RGB 132 105 59

HSL 37.81, 0.38%, 0.37%

LAB 46.08, 4.76, 29.73

 

CMYK 0 / 24 / 65 / 55

HEX #735728

RGB 115 87 40

HSL 37.6, 0.48%, 0.3%

LAB 38.92, 5.9, 31.2

 

CMYK 0 / 30 / 79 / 62

HEX #624515

RGB 98 69 21

HSL 37.4, 0.65%, 0.23%

LAB 31.59, 7.39, 32.49

 

CMYK 0 / 14 / 41 / 35

HEX #A68E62

RGB 166 142 98

HSL 38.82, 0.28%, 0.52%

LAB 60.19, 2.71, 26.78

 

CMYK 0 / 26 / 41 / 35

HEX #A67B62

RGB 166 123 98

HSL 22.06, 0.28%, 0.52%

LAB 55.23, 13.38, 20.2

 

CMYK 0 / 37 / 41 / 35

HEX #A66962

RGB 166 105 98

HSL 6.18, 0.28%, 0.52%

LAB 50.79, 23.59, 14.15

 

CMYK 0 / 41 / 41 / 35

HEX #A66262

RGB 166 98 98

HSL 0, 0.28%, 0.52%

LAB 49.16, 27.51, 11.88

 

CMYK 0 / 14 / 41 / 35

HEX #A68E62

RGB 166 142 98

HSL 38.82, 0.28%, 0.52%

LAB 60.19, 2.71, 26.78

 

CMYK 0 / 4 / 41 / 35

HEX #A6A062

RGB 166 160 98

HSL 54.71, 0.28%, 0.52%

LAB 65.07, -7.1, 33.06

 

CMYK 7 / 0 / 41 / 35

HEX #9AA662

RGB 154 166 98

HSL 70.59, 0.28%, 0.52%

LAB 65.77, -15.19, 33.75

 

CMYK 18 / 0 / 41 / 35

HEX #88A662

RGB 136 166 98

HSL 86.47, 0.28%, 0.52%

LAB 64.47, -22.32, 31.84

 

CMYK 30 / 0 / 41 / 35

HEX #75A662

RGB 117 166 98

HSL 103.24, 0.28%, 0.52%

LAB 63.29, -29.39, 30.08

 

CMYK 0 / 14 / 41 / 35

HEX #A68E62

RGB 166 142 98

HSL 38.82, 0.28%, 0.52%

LAB 60.19, 2.71, 26.78

 

CMYK 0 / 21 / 58 / 27

HEX #BA934E

RGB 186 147 78

HSL 38.33, 0.44%, 0.52%

LAB 63.22, 6.56, 41.6

 

CMYK 0 / 26 / 72 / 19

HEX #CE983A

RGB 206 152 58

HSL 38.11, 0.6%, 0.52%

LAB 66.43, 11.24, 55.14

 

CMYK 0 / 30 / 83 / 11

HEX #E29E26

RGB 226 158 38

HSL 38.3, 0.76%, 0.52%

LAB 70.01, 15.89, 66.73

 

CMYK 0 / 34 / 92 / 4

HEX #F6A313

RGB 246 163 19

HSL 38.06, 0.93%, 0.52%

LAB 73.44, 21.38, 75

 

CMYK 0 / 14 / 41 / 35

HEX #A68E62

RGB 166 142 98

HSL 38.82, 0.28%, 0.52%

LAB 60.19, 2.71, 26.78

 

CMYK 0 / 7 / 20 / 42

HEX #938876

RGB 147 136 118

HSL 37.24, 0.12%, 0.52%

LAB 57.19, 1.02, 11.16

 

CMYK 7 / 4 / 0 / 46

HEX #7F8389

RGB 127 131 137

HSL 216, 0.04%, 0.52%

LAB 54.61, -0.24, -3.75

 

CMYK 32 / 20 / 0 / 38

HEX #6B7D9D

RGB 107 125 157

HSL 218.4, 0.2%, 0.52%

LAB 52.09, 1.3, -19.31

 

CMYK 51 / 32 / 0 / 31

HEX #5778B1

RGB 87 120 177

HSL 218, 0.37%, 0.52%

LAB 50.26, 4.61, -33.87

 

CMYK 0 / 37 / 41 / 35

HEX #A66962

RGB 166 105 98

HSL 6.18, 0.28%, 0.52%

LAB 50.79, 23.59, 14.15

 

CMYK 0 / 26 / 41 / 35

HEX #A67B62

RGB 166 123 98

HSL 22.06, 0.28%, 0.52%

LAB 55.23, 13.38, 20.2

 

CMYK 0 / 15 / 41 / 35

HEX #A68D62

RGB 166 141 98

HSL 37.94, 0.28%, 0.52%

LAB 59.92, 3.26, 26.43

 

CMYK 0 / 4 / 41 / 35

HEX #A6A062

RGB 166 160 98

HSL 54.71, 0.28%, 0.52%

LAB 65.07, -7.1, 33.06

 

CMYK 7 / 0 / 41 / 35

HEX #9BA662

RGB 155 166 98

HSL 69.71, 0.28%, 0.52%

LAB 65.84, -14.79, 33.87

 

CMYK 0 / 16 / 44 / 55

HEX #746241

RGB 116 98 65

HSL 38.82, 0.28%, 0.35%

LAB 42.51, 2.25, 21.46

 

CMYK 0 / 16 / 44 / 44

HEX #8F7850

RGB 143 120 80

HSL 38.1, 0.28%, 0.44%

LAB 51.67, 3.18, 25.27

 

CMYK 0 / 14 / 41 / 35

HEX #A68E62

RGB 166 142 98

HSL 38.82, 0.28%, 0.52%

LAB 60.19, 2.71, 26.78

 

CMYK 0 / 11 / 31 / 29

HEX #B5A17C

RGB 181 161 124

HSL 38.95, 0.28%, 0.6%

LAB 67.1, 1.67, 21.97

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

CMYK 34 / 0 / 41 / 35

HEX #6DA662

RGB 109 166 98

HSL 110.29, 0.28%, 0.52%

LAB 62.85, -32.18, 29.43

 

CMYK 31 / 41 / 0 / 35

HEX #7262A6

RGB 114 98 166

HSL 254.12, 0.28%, 0.52%

LAB 45.72, 22.09, -34.42

 

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

CMYK 41 / 0 / 15 / 35

HEX #62A68D

RGB 98 166 141

HSL 157.94, 0.28%, 0.52%

LAB 63.17, -27.52, 6.22

 

CMYK 15 / 41 / 0 / 35

HEX #8D62A6

RGB 141 98 166

HSL 277.94, 0.28%, 0.52%

LAB 48.45, 30.28, -29.96

 

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

CMYK 34 / 0 / 41 / 35

HEX #6DA662

RGB 109 166 98

HSL 110.29, 0.28%, 0.52%

LAB 62.85, -32.18, 29.43

 

CMYK 41 / 26 / 0 / 35

HEX #627BA6

RGB 98 123 166

HSL 217.94, 0.28%, 0.52%

LAB 51.29, 2.35, -25.83

 

CMYK 7 / 41 / 0 / 35

HEX #9B62A6

RGB 155 98 166

HSL 290.29, 0.28%, 0.52%

LAB 50.05, 34.69, -27.35

 

CMYK 0 / 15 / 42 / 35

HEX #A68D61

RGB 166 141 97

HSL 38.26, 0.28%, 0.52%

LAB 59.91, 3.15, 26.96

 

CMYK 41 / 0 / 36 / 35

HEX #62A66B

RGB 98 166 107

HSL 127.94, 0.28%, 0.52%

LAB 62.45, -34.31, 23.98

 

CMYK 41 / 26 / 0 / 35

HEX #627BA6

RGB 98 123 166

HSL 217.94, 0.28%, 0.52%

LAB 51.29, 2.35, -25.83

 

CMYK 0 / 41 / 5 / 35

HEX #A6629D

RGB 166 98 157

HSL 307.94, 0.28%, 0.52%

LAB 51.01, 36.49, -20.47

 

Description

Color code: RGB 166 141 97 | qconv.com Color code: RGB 166 141 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 141 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 141 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 42 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 42% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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