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Color name
RGB 166 144 253

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 144 253 it is the complementary color RGB 89 111 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 144 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 144 253 shade: RGB 171 144 248, RGB 188 162 255, RGB 205 180 255, RGB 222 198 255 and RGB 239 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 144 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 144 253 shade: RGB 166 144 253, RGB 149 126 234, RGB 132 108 215, RGB 115 90 196 and RGB 98 72 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 144 253 shade: RGB 166 145 252, RGB 195 145 252, RGB 224 145 252, RGB 252 145 251 and RGB 252 145 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 144 253 shade: RGB 166 145 252 and RGB 145 145 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 144 253 shade matches the following richer shades: RGB 166 145 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 144 253 shade: RGB 166 145 252, RGB 172 154 243, RGB 177 163 234, RGB 183 172 225 and RGB 188 181 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 144 253 shade: RGB 145 180 252, RGB 145 152 252, RGB 166 145 252, RGB 195 145 252 and RGB 224 145 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 144 253 shade: RGB 101 64 251, RGB 134 104 251, RGB 166 145 252, RGB 199 185 253 and RGB 231 225 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 144 253 shade: RGB 166 144 253, RGB 252 145 209 and RGB 166 252 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 144 253 shade: RGB 166 144 253, RGB 252 166 145 and RGB 145 252 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 144 253 shade: RGB 166 144 253, RGB 252 145 209, RGB 231 252 145 and RGB 145 252 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 144 253 shade: RGB 166 144 253, RGB 252 145 177, RGB 231 252 145 and RGB 145 252 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

Complementary color

CMYK 20 / 0 / 98 / 56

HEX #596F02

RGB 89 111 2

HSL 72.11, 0.96%, 0.22%

LAB 43.5, -21.9, 48.57

 

CMYK 31 / 42 / 0 / 3

HEX #AB90F8

RGB 171 144 248

HSL 255.58, 0.88%, 0.77%

LAB 66.04, 32.3, -48.53

 

CMYK 26 / 36 / 0 / 0

HEX #BCA2FF

RGB 188 162 255

HSL 256.77, 1%, 0.82%

LAB 72.06, 28.6, -42.79

 

CMYK 20 / 29 / 0 / 0

HEX #CDB4FF

RGB 205 180 255

HSL 260, 1%, 0.85%

LAB 77.78, 23.61, -33.79

 

CMYK 13 / 22 / 0 / 0

HEX #DEC6FF

RGB 222 198 255

HSL 265.26, 1%, 0.89%

LAB 83.51, 19.05, -24.88

 

CMYK 6 / 15 / 0 / 0

HEX #EFD8FF

RGB 239 216 255

HSL 275.38, 1%, 0.92%

LAB 89.24, 14.88, -16.08

 

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

CMYK 36 / 46 / 0 / 8

HEX #957EEA

RGB 149 126 234

HSL 252.78, 0.72%, 0.71%

LAB 59.21, 33.21, -51.76

 

CMYK 39 / 50 / 0 / 16

HEX #846CD7

RGB 132 108 215

HSL 253.46, 0.57%, 0.63%

LAB 52.44, 34.27, -51.96

 

CMYK 41 / 54 / 0 / 23

HEX #735AC4

RGB 115 90 196

HSL 254.15, 0.47%, 0.56%

LAB 45.56, 35.45, -52.2

 

CMYK 45 / 59 / 0 / 31

HEX #6248B1

RGB 98 72 177

HSL 254.86, 0.42%, 0.49%

LAB 38.56, 36.76, -52.43

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 23 / 42 / 0 / 1

HEX #C391FC

RGB 195 145 252

HSL 268.04, 0.95%, 0.78%

LAB 68.67, 39.23, -46.44

 

CMYK 11 / 42 / 0 / 1

HEX #E091FC

RGB 224 145 252

HSL 284.3, 0.95%, 0.78%

LAB 71.64, 47.4, -41.56

 

CMYK 0 / 42 / 0 / 1

HEX #FC91FB

RGB 252 145 251

HSL 300.56, 0.95%, 0.78%

LAB 74.77, 55.25, -35.91

 

CMYK 0 / 42 / 12 / 1

HEX #FC91DE

RGB 252 145 222

HSL 316.82, 0.95%, 0.78%

LAB 73.69, 50.41, -21.75

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 42 / 42 / 0 / 1

HEX #9191FC

RGB 145 145 252

HSL 240, 0.95%, 0.78%

LAB 64.4, 26.17, -53.45

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 29 / 37 / 0 / 5

HEX #AC9AF3

RGB 172 154 243

HSL 252.13, 0.79%, 0.78%

LAB 68.28, 25.69, -42.27

 

CMYK 24 / 30 / 0 / 8

HEX #B1A3EA

RGB 177 163 234

HSL 251.83, 0.63%, 0.78%

LAB 70.51, 19.89, -33.85

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 13 / 16 / 0 / 15

HEX #BCB5D8

RGB 188 181 216

HSL 252, 0.31%, 0.78%

LAB 75.26, 9.33, -16.69

 

CMYK 42 / 29 / 0 / 1

HEX #91B4FC

RGB 145 180 252

HSL 220.37, 0.95%, 0.78%

LAB 73.34, 6.23, -39.4

 

CMYK 42 / 40 / 0 / 1

HEX #9198FC

RGB 145 152 252

HSL 236.07, 0.95%, 0.78%

LAB 66.14, 22.12, -50.7

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 23 / 42 / 0 / 1

HEX #C391FC

RGB 195 145 252

HSL 268.04, 0.95%, 0.78%

LAB 68.67, 39.23, -46.44

 

CMYK 11 / 42 / 0 / 1

HEX #E091FC

RGB 224 145 252

HSL 284.3, 0.95%, 0.78%

LAB 71.64, 47.4, -41.56

 

CMYK 60 / 75 / 0 / 2

HEX #6540FB

RGB 101 64 251

HSL 251.87, 0.96%, 0.62%

LAB 43.36, 62.84, -87.12

 

CMYK 47 / 59 / 0 / 2

HEX #8668FB

RGB 134 104 251

HSL 252.24, 0.95%, 0.7%

LAB 53.96, 47, -69.69

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 21 / 27 / 0 / 1

HEX #C7B9FD

RGB 199 185 253

HSL 252.35, 0.94%, 0.86%

LAB 78.42, 18.64, -31.77

 

CMYK 9 / 11 / 0 / 0

HEX #E7E1FE

RGB 231 225 254

HSL 252.41, 0.94%, 0.94%

LAB 90.78, 7.41, -13.32

 

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 34 / 0 / 42 / 1

HEX #A6FC91

RGB 166 252 145

HSL 108.22, 0.95%, 0.78%

LAB 91.58, -45.43, 43.15

 

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

CMYK 0 / 34 / 42 / 1

HEX #FCA691

RGB 252 166 145

HSL 11.78, 0.95%, 0.78%

LAB 76.08, 29.38, 23.95

 

CMYK 42 / 0 / 34 / 1

HEX #91FCA6

RGB 145 252 166

HSL 131.78, 0.95%, 0.78%

LAB 90.96, -48.53, 31.78

 

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 8 / 0 / 42 / 1

HEX #E7FC91

RGB 231 252 145

HSL 71.78, 0.95%, 0.78%

LAB 95.44, -22.69, 48.82

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 34 / 43 / 0 / 1

HEX #A690FD

RGB 166 144 253

HSL 252.11, 0.96%, 0.78%

LAB 65.86, 32.26, -51.58

 

CMYK 0 / 42 / 30 / 1

HEX #FC91B1

RGB 252 145 177

HSL 342.06, 0.95%, 0.78%

LAB 72.31, 43.96, 1.06

 

CMYK 8 / 0 / 42 / 1

HEX #E7FC91

RGB 231 252 145

HSL 71.78, 0.95%, 0.78%

LAB 95.44, -22.69, 48.82

 

CMYK 42 / 0 / 13 / 1

HEX #91FCDC

RGB 145 252 220

HSL 162.06, 0.95%, 0.78%

LAB 92.05, -38.22, 5.68

 

Description

Color code: RGB 166 144 253 | qconv.com Color code: RGB 166 144 253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 144 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 144 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 43 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 43% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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