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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 99 109 it is the complementary color RGB 90 156 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 99 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 99 109 shade: RGB 170 99 104, RGB 187 117 123, RGB 204 135 142, RGB 221 153 161 and RGB 238 171 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 99 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 148 81 90, RGB 131 63 71, RGB 114 45 52 and RGB 97 27 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 99 109 shade: RGB 165 99 109 and RGB 165 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 165 99 127, RGB 165 99 145, RGB 165 99 163 and RGB 150 99 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 99 109 shade matches the following richer shades: RGB 165 99 109, RGB 185 79 95, RGB 205 59 81, RGB 225 40 68 and RGB 244 20 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 145 119 123, RGB 126 139 137, RGB 106 158 150 and RGB 86 178 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 99 109 shade: RGB 165 99 145, RGB 165 99 128, RGB 165 99 110, RGB 165 106 99 and RGB 165 123 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 99 109 shade: RGB 116 66 74, RGB 142 81 90, RGB 165 99 109, RGB 180 125 134 and RGB 195 151 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 163 165 99 and RGB 99 137 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 110 165 99 and RGB 99 110 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 163 165 99, RGB 99 165 154 and RGB 101 99 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 99 109 shade: RGB 165 99 109, RGB 143 165 99, RGB 99 165 154 and RGB 121 99 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

Complementary color

CMYK 42 / 0 / 6 / 39

HEX #5A9C92

RGB 90 156 146

HSL 170.91, 0.27%, 0.48%

LAB 59.91, -23.54, -1.37

 

CMYK 0 / 42 / 39 / 33

HEX #AA6368

RGB 170 99 104

HSL 355.77, 0.29%, 0.53%

LAB 50.06, 29.25, 9.65

 

CMYK 0 / 37 / 34 / 27

HEX #BB757B

RGB 187 117 123

HSL 354.86, 0.34%, 0.6%

LAB 56.8, 28.26, 8.32

 

CMYK 0 / 34 / 30 / 20

HEX #CC878E

RGB 204 135 142

HSL 353.91, 0.4%, 0.66%

LAB 63.44, 27.37, 7.17

 

CMYK 0 / 31 / 27 / 13

HEX #DD99A1

RGB 221 153 161

HSL 352.94, 0.5%, 0.73%

LAB 69.98, 26.56, 6.13

 

CMYK 0 / 28 / 24 / 7

HEX #EEABB4

RGB 238 171 180

HSL 351.94, 0.66%, 0.8%

LAB 76.44, 25.82, 5.19

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 45 / 39 / 42

HEX #94515A

RGB 148 81 90

HSL 351.94, 0.29%, 0.45%

LAB 42.64, 28.95, 7.2

 

CMYK 0 / 52 / 46 / 49

HEX #833F47

RGB 131 63 71

HSL 352.94, 0.35%, 0.38%

LAB 35.67, 30.04, 8.88

 

CMYK 0 / 61 / 54 / 55

HEX #722D34

RGB 114 45 52

HSL 353.91, 0.43%, 0.31%

LAB 28.65, 31.13, 11.04

 

CMYK 0 / 72 / 66 / 62

HEX #611B21

RGB 97 27 33

HSL 354.86, 0.56%, 0.24%

LAB 21.71, 31.98, 14

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 40 / 40 / 35

HEX #A56363

RGB 165 99 99

HSL 0, 0.27%, 0.52%

LAB 49.28, 26.68, 11.43

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 40 / 23 / 35

HEX #A5637F

RGB 165 99 127

HSL 334.55, 0.27%, 0.52%

LAB 50.04, 30.52, -4.17

 

CMYK 0 / 40 / 12 / 35

HEX #A56391

RGB 165 99 145

HSL 318.18, 0.27%, 0.52%

LAB 50.65, 33.46, -13.95

 

CMYK 0 / 40 / 1 / 35

HEX #A563A3

RGB 165 99 163

HSL 301.82, 0.27%, 0.52%

LAB 51.34, 36.73, -23.49

 

CMYK 9 / 40 / 0 / 35

HEX #9663A5

RGB 150 99 165

HSL 286.36, 0.27%, 0.52%

LAB 49.65, 32.33, -27.43

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 57 / 49 / 27

HEX #B94F5F

RGB 185 79 95

HSL 350.94, 0.43%, 0.52%

LAB 47.92, 44.28, 12.37

 

CMYK 0 / 71 / 60 / 20

HEX #CD3B51

RGB 205 59 81

HSL 350.96, 0.59%, 0.52%

LAB 47.88, 58.24, 21.37

 

CMYK 0 / 82 / 70 / 12

HEX #E12844

RGB 225 40 68

HSL 350.92, 0.76%, 0.52%

LAB 49.43, 68.89, 31.93

 

CMYK 0 / 92 / 78 / 4

HEX #F41436

RGB 244 20 54

HSL 350.89, 0.91%, 0.52%

LAB 51.84, 76.66, 43.77

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 18 / 15 / 43

HEX #91777B

RGB 145 119 123

HSL 350.77, 0.11%, 0.52%

LAB 52.56, 10.79, 1.61

 

CMYK 9 / 0 / 1 / 45

HEX #7E8B89

RGB 126 139 137

HSL 170.77, 0.05%, 0.52%

LAB 56.79, -5.12, -0.55

 

CMYK 33 / 0 / 5 / 38

HEX #6A9E96

RGB 106 158 150

HSL 170.77, 0.21%, 0.52%

LAB 61.41, -19.07, -1.34

 

CMYK 52 / 0 / 8 / 30

HEX #56B2A4

RGB 86 178 164

HSL 170.87, 0.37%, 0.52%

LAB 66.9, -30.85, -1.23

 

CMYK 0 / 40 / 12 / 35

HEX #A56391

RGB 165 99 145

HSL 318.18, 0.27%, 0.52%

LAB 50.65, 33.46, -13.95

 

CMYK 0 / 40 / 22 / 35

HEX #A56380

RGB 165 99 128

HSL 333.64, 0.27%, 0.52%

LAB 50.08, 30.67, -4.72

 

CMYK 0 / 40 / 33 / 35

HEX #A5636E

RGB 165 99 110

HSL 350, 0.27%, 0.52%

LAB 49.56, 28.08, 5.26

 

CMYK 0 / 36 / 40 / 35

HEX #A56A63

RGB 165 106 99

HSL 6.36, 0.27%, 0.52%

LAB 50.93, 22.74, 13.73

 

CMYK 0 / 25 / 40 / 35

HEX #A57B63

RGB 165 123 99

HSL 21.82, 0.27%, 0.52%

LAB 55.14, 13.09, 19.48

 

CMYK 0 / 43 / 36 / 55

HEX #74424A

RGB 116 66 74

HSL 350.4, 0.27%, 0.36%

LAB 34.2, 22.68, 4.58

 

CMYK 0 / 43 / 37 / 44

HEX #8E515A

RGB 142 81 90

HSL 351.15, 0.27%, 0.44%

LAB 41.8, 26.59, 5.89

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 0 / 31 / 26 / 29

HEX #B47D86

RGB 180 125 134

HSL 350.18, 0.27%, 0.6%

LAB 58.12, 22.66, 3.74

 

CMYK 0 / 23 / 19 / 24

HEX #C3979E

RGB 195 151 158

HSL 350.45, 0.27%, 0.68%

LAB 66.68, 17.53, 2.68

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 1 / 0 / 40 / 35

HEX #A3A563

RGB 163 165 99

HSL 61.82, 0.27%, 0.52%

LAB 66.21, -10.88, 33.94

 

CMYK 40 / 17 / 0 / 35

HEX #6389A5

RGB 99 137 165

HSL 205.45, 0.27%, 0.52%

LAB 55.34, -5.79, -19.02

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 33 / 0 / 40 / 35

HEX #6EA563

RGB 110 165 99

HSL 110, 0.27%, 0.52%

LAB 62.61, -31.22, 28.6

 

CMYK 40 / 33 / 0 / 35

HEX #636EA5

RGB 99 110 165

HSL 230, 0.27%, 0.52%

LAB 47.65, 10.16, -30.9

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 1 / 0 / 40 / 35

HEX #A3A563

RGB 163 165 99

HSL 61.82, 0.27%, 0.52%

LAB 66.21, -10.88, 33.94

 

CMYK 40 / 0 / 7 / 35

HEX #63A59A

RGB 99 165 154

HSL 170, 0.27%, 0.52%

LAB 63.26, -23.7, -0.93

 

CMYK 39 / 40 / 0 / 35

HEX #6563A5

RGB 101 99 165

HSL 241.82, 0.27%, 0.52%

LAB 44.81, 17.48, -35.35

 

CMYK 0 / 40 / 34 / 35

HEX #A5636D

RGB 165 99 109

HSL 350.91, 0.27%, 0.52%

LAB 49.53, 27.94, 5.82

 

CMYK 13 / 0 / 40 / 35

HEX #8FA563

RGB 143 165 99

HSL 80, 0.27%, 0.52%

LAB 64.68, -18.95, 31.68

 

CMYK 40 / 0 / 7 / 35

HEX #63A59A

RGB 99 165 154

HSL 170, 0.27%, 0.52%

LAB 63.26, -23.7, -0.93

 

CMYK 27 / 40 / 0 / 35

HEX #7963A5

RGB 121 99 165

HSL 260, 0.27%, 0.52%

LAB 46.59, 23.3, -32.43

 

Description

Color code: RGB 165 99 109 | qconv.com Color code: RGB 165 99 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 99 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 99 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 34 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 34% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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